Verfügbarkeit: The Routledge guide to William Shakespeare

The Routledge guide to William Shakespeare:

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Bibliographische Detailangaben
1. Verfasser:	Shaughnessy, Robert 1962- (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	London [u.a.] Routledge 2011
Ausgabe:	1. ed.
Schlagworte:	Shakespeare, William <1564-1616> > Criticism and interpretation Shakespeare, William > 1564-1616 Einführung
Online-Zugang:	Inhaltsverzeichnis Klappentext
Beschreibung:	XVI, 486 S.
ISBN:	9780415275392 9780415275408

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Datensatz im Suchindex

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adam_text	Contents Acknowledgements χίϋ Preface »ν Part I: Life and contexts 1 1 Introduction 3 Son of Stratford 3 Shakespeare s biographies 4 2 Shakespeare s early years 7 Schooling 7 Religion and resistance 8 3 A life in writing 13 Early sightings 13 Making a name 18 Plays in print 21 Poetry and patronage 24 Making history 31 Poet and player 33 The Lord Chamberlain s Men 38 Dangerous games: Falstaff and Essex 40 Courting comedy 43 Everyday entertainments 47 This distracted Globe 50 Little eyases 52 The King s Men 57 Court dramatists 58 Jacobean tragedy 60 Blackfriars 64 Collaborations and departures 65 viii Contents 4 Final years 69 Welcombe 69 Will and testament 70 Two monuments 71 Chronology: 1564-1644 75 Part II: Worb 79 A catalogue 81 Henry VI, Parts 1, 2 and 3 83 Alarums and excursions 83 Let s kill all the lawyers 86 To catch the English Crown 89 A Talbot 91 The Two Gentlemen of Verona, Love s Labour s Lost and The Comedy of Errors 94 The letter very orderly 95 Too long for a play 98 Like brother and brother 100 Titus Andronicus 104 A wilderness of tigers 104 Baked in that pie 107 The Taming of the Shrew 110 Richard III 116 Venus and Adonis and Lucrèce 121 Desire sees best of all 121 Graver labour 123 A Midsummer Night s Dream and Romeo and Juliet 127 A dream past the wit of man 128 Death-marked love 135 The Merchant of Venice 140 King John and Richard II 145 Beginnings 146 Endings 150 Contents ix Henry IV, Parts 1 and 2 152 A double man 156 Chimes at midnight 159 Twelfth Night, Much Ado about Nothing and As You Like It 163 Cakes and ale 165 A kind of merry war 166 No clock in the forest 169 Much virtue in if 172 The Merry Wives of Windsor and Henry V 175 Ashore at Windsor 176 Star of England 179 Julius Caesar 185 Hamlet 190 Who s there? 191 Hamlet s transformations 193 Revenge 195 Mad in craft 197 The readiness is all 200 Troilus and Cressida, All s Well that Ends Well and Measure for Measure 203 Bifold authority 204 All yet seems well 209 Like doth quit like, and measure still for measure 211 Shakespeare s Sonnets and A Lover s Complaint 216 Beauty s rose 217 Master-mistress 220 Nothing like the sun 222 Rich in Will 223 This double voice 224 Othello 226 Othellophobia 226 Othellophilia 231 Timon of Athens 234 King Lear 238 Ye gods 238 Monsters of the deep 241 χ Contents Every inch a king 242 The terrors of the earth 244 The division of the kingdom(s) 245 Macbeth 248 The milk of human kindness 251 Coriolanus and Antony and Cleopatra 254 О те alone 255 Body politics 259 The wide arch 260 Past the size of dreaming 263 Immortal longings 265 The Tempest 267 This island s mine 267 Thing of darkness 270 Plantation of this isle 271 The Winter s Tale 274 Things dying 274 Things new-born 278 Pericles, Cymbeline and The Two Noble Kinsmen 281 To sing a song that old was sung ... 282 Dreams and visions 284 Two cousins and a daughter 288 Henry VIII, or All Is True 291 Part III: Criticism 295 Prologue: a critical century 297 1 Histories 300 Ruling ideas 300 In all line of order: E. M. W. Tillyard s historicism 303 Tillyard s legacy 307 Questioning authority: the 1960s 309 Shakespeare their contemporary 311 Refashioning the Renaissance 314 Subversion and containment 319 Dreams of power 321 Connections, locations, intersections 322 Contents xi Cultural materialism 325 Tragically radical, radically tragic 328 Eminent Shakespeareans 332 After theory: history bites back 335 Materialities 338 Presentism 339 Spiritualities 341 2 Languages 344 Close reading 344 Words and images 347 Post-structuralism 350 Truth s true contents 353 Language in history 355 Rhetorics, metrics, linguistics 358 Speaking the speech 360 3 Subjectivities 364 Character building 364 Bradley and Freud 365 Women s parts 370 The patriarchal Bard 374 Changing the subject 375 The boy actress 377 Broadening the field 381 What becomes a man 383 Queer reading 384 Characters reunited 387 Children too 388 Part IV: Screen and stage 391 1 Film 393 Stage, page and screen 393 The theatrical, the realist and the filmic 394 Differences in view 398 Textualities and sexualities 400 World pictures 404 A cinema for a new century 406 Jump cuts 408 2 Performance 411 The complete Shakespeare 411 Five decades of performance criticism 412 The exemplary RSC 415 xii Contents Revolution and after 416 Staging history 419 The reinvention of Shakespeare s Globe 421 Enter theory 423 From theory to practice 427 Beyond Shakespeare 429 Beyond words 434 A Shakespearean chronology: 1899-2008 437 Bibliography 440 Index 466 William Shakespeare is one of the most widely studied and culturally significant writers of all time, and his language and thought remain interwoven through popular reference and imaginings of the Western canon. Demystifying and contextualizing Shakespeare for the twenty-first century, this book offers both an introduction to the subject for beginning students and an invaluable resource for more experienced Shakespeareans. KEY FEATURES • introduces Shakespeare s life and works in context, providing crucial historical background • examines each of Shakespeare s plays in turn, considering issues of historical context, contemporary criticism and performance history • provides a detailed discussion of twentieth-century Shakespearean criticism, exploring the theories, debates and discoveries that have shaped our understanding of Shakespeare today • looks at contemporary performances of Shakespeare on stage and screen • provides useful further critical reading by play • includes detailed chronologies of Shakespeare s life and works and also of twentieth-century criticism
adam_txt	Contents Acknowledgements χίϋ Preface »ν Part I: Life and contexts 1 1 Introduction 3 Son of Stratford 3 Shakespeare's biographies 4 2 Shakespeare's early years 7 Schooling 7 Religion and resistance 8 3 A life in writing 13 Early sightings 13 Making a name 18 Plays in print 21 Poetry and patronage 24 Making history 31 Poet and player 33 The Lord Chamberlain's Men 38 Dangerous games: Falstaff and Essex 40 Courting comedy 43 Everyday entertainments 47 This distracted Globe 50 Little eyases 52 The King's Men 57 Court dramatists 58 Jacobean tragedy 60 Blackfriars 64 Collaborations and departures 65 viii Contents 4 Final years 69 Welcombe 69 Will and testament 70 Two monuments 71 Chronology: 1564-1644 75 Part II: Worb 79 A catalogue 81 Henry VI, Parts 1, 2 and 3 83 Alarums and excursions 83 Let's kill all the lawyers 86 To catch the English Crown 89 A Talbot 91 The Two Gentlemen of Verona, Love's Labour's Lost and The Comedy of Errors 94 The letter very orderly 95 Too long for a play 98 Like brother and brother 100 Titus Andronicus 104 A wilderness of tigers 104 Baked in that pie 107 The Taming of the Shrew 110 Richard III 116 Venus and Adonis and Lucrèce 121 Desire sees best of all 121 Graver labour 123 A Midsummer Night's Dream and Romeo and Juliet 127 A dream past the wit of man 128 Death-marked love 135 The Merchant of Venice 140 King John and Richard II 145 Beginnings 146 Endings 150 Contents ix Henry IV, Parts 1 and 2 152 A double man 156 Chimes at midnight 159 Twelfth Night, Much Ado about Nothing and As You Like It 163 Cakes and ale 165 A kind of merry war 166 No clock in the forest 169 Much virtue in 'if 172 The Merry Wives of Windsor and Henry V 175 Ashore at Windsor 176 Star of England 179 Julius Caesar 185 Hamlet 190 Who's there? 191 Hamlet's transformations 193 Revenge 195 Mad in craft 197 The readiness is all 200 Troilus and Cressida, All's Well that Ends Well and Measure for Measure 203 Bifold authority 204 All yet seems well 209 Like doth quit like, and measure still for measure 211 Shakespeare's Sonnets and A Lover's Complaint 216 Beauty's rose 217 Master-mistress 220 Nothing like the sun 222 Rich in Will 223 This double voice 224 Othello 226 Othellophobia 226 Othellophilia 231 Timon of Athens 234 King Lear 238 Ye gods 238 Monsters of the deep 241 χ Contents Every inch a king 242 The terrors of the earth 244 The division of the kingdom(s) 245 Macbeth 248 The milk of human kindness 251 Coriolanus and Antony and Cleopatra 254 О те alone 255 Body politics 259 The wide arch 260 Past the size of dreaming 263 Immortal longings 265 The Tempest 267 This island's mine 267 Thing of darkness 270 Plantation of this isle 271 The Winter's Tale 274 Things dying 274 Things new-born 278 Pericles, Cymbeline and The Two Noble Kinsmen 281 To sing a song that old was sung . 282 Dreams and visions 284 Two cousins and a daughter 288 Henry VIII, or All Is True 291 Part III: Criticism 295 Prologue: a critical century 297 1 Histories 300 Ruling ideas 300 In all line of order: E. M. W. Tillyard's historicism 303 Tillyard's legacy 307 Questioning authority: the 1960s 309 Shakespeare their contemporary 311 Refashioning the Renaissance 314 Subversion and containment 319 Dreams of power 321 Connections, locations, intersections 322 Contents xi Cultural materialism 325 Tragically radical, radically tragic 328 Eminent Shakespeareans 332 After theory: history bites back 335 Materialities 338 Presentism 339 Spiritualities 341 2 Languages 344 Close reading 344 Words and images 347 Post-structuralism 350 Truth's true contents 353 Language in history 355 Rhetorics, metrics, linguistics 358 Speaking the speech 360 3 Subjectivities 364 Character building 364 Bradley and Freud 365 Women's parts 370 The patriarchal Bard 374 Changing the subject 375 The boy actress 377 Broadening the field 381 What becomes a man 383 Queer reading 384 Characters reunited 387 Children too 388 Part IV: Screen and stage 391 1 Film 393 Stage, page and screen 393 The theatrical, the realist and the filmic 394 Differences in view 398 Textualities and sexualities 400 World pictures 404 A cinema for a new century 406 Jump cuts 408 2 Performance 411 The complete Shakespeare 411 Five decades of performance criticism 412 The exemplary RSC 415 xii Contents Revolution and after 416 Staging history 419 The reinvention of Shakespeare's Globe 421 Enter theory 423 From theory to practice 427 Beyond Shakespeare 429 Beyond words 434 A Shakespearean chronology: 1899-2008 437 Bibliography 440 Index 466 William Shakespeare is one of the most widely studied and culturally significant writers of all time, and his language and thought remain interwoven through popular reference and imaginings of the Western canon. Demystifying and contextualizing Shakespeare for the twenty-first century, this book offers both an introduction to the subject for beginning students and an invaluable resource for more experienced Shakespeareans. KEY FEATURES • introduces Shakespeare's life and works in context, providing crucial historical background • examines each of Shakespeare's plays in turn, considering issues of historical context, contemporary criticism and performance history • provides a detailed discussion of twentieth-century Shakespearean criticism, exploring the theories, debates and discoveries that have shaped our understanding of Shakespeare today • looks at contemporary performances of Shakespeare on stage and screen • provides useful further critical reading by play • includes detailed chronologies of Shakespeare's life and works and also of twentieth-century criticism
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title	The Routledge guide to William Shakespeare
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title_auth	The Routledge guide to William Shakespeare
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