Jazz:
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English French |
| Published: |
Edinburgh
Chambers
2006
|
| Series: | Chambers arts library
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | 276 S. Ill. |
| ISBN: | 9780550102713 055010271X |
Staff View
MARC
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Record in the Search Index
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|---|---|
| adam_text | CONTENTS
INTRODUCTION
WORK SONGS AND
Context
African origins
Secular songs
From Protestant hymns to spirituals
Modes and blue notes
Black philharmonics and white minstrels
The Lomax collections
GOSPf L, BLUB AND RAGTMlf
Context
Jubilee and gospel
The blues
Blues harmony and structure
Syncopated music
Syncopation and ragtime
New Orleans
The New Orleans sound
Europe takes to the Cakewalk
HOT JAZZ:
Context
New Orleans in Chicago
In the studio with King Oliver
Louis Armstrong: high-temperature jazz
Swing, the rhythm of jazz
New York: stride piano and big bands
Singers and pianists in thrall to the blues
Duke Ellington discography
White jazz: the second generation
The soloists and sidemen of hot jazz
Hot jazz conquers the wofld
SWING:
Context
74
The big bands
76
Jimmie Lunceford and his arrangers
79
Count
82
The combo
85
Jazz harmony
86
The soloists and sidemen of swing
90
Lester Young and Coleman Hawkins
95
Enduring values
102
The development of jazz outside America
103
BCBOP: I«£ FIRST AVANT-GARDE
Context
106
The birth of bebop
108
Bebop harmony
110
The ideal quintet and its variants
111
Charlie Parker: the other side of the coin
113
Bebop big bands and Latin rhythms
117
The reclusive Thelonious Monk
118
Popular successes and enduring values
122
Four queens of jazz singing
124
Jazz during World War II
128
COOL: WHITE
Context
130
White jazz in New York
132
Birth of the Cool examined
134
White west coast jazz
136
The soloists and sidemen of cool jazz
138
A sense of space
142
Bebop s star wanes
144
Bebop goes international
145
HARD BOP: BLACK ]AZZ
Context
The hard bop sound
The soloists and sidemen of hard bop
Art Blakey s Jazz Messengers
Hard-bop harmony
Scat, variety and vocalese
On the margins of hard bop
Bebop from Europe to South Africa
FREE
Context
166
Free jazz: wiping the slate clean
168
Controlled freedom
175
The ascension of John
176
Modal harmony and rhythmic diversification
181
On the margins of the avant-garde
184
Bill Evans: the other revolution
185
From American hegemony to global hybridization
187
fXPLOSION AND FUSION
Context
Jazz-rock
Weather Report: a brief survey
The new guitarists
Towards a European chamber jazz
ECM
The legacy of free jazz
Anthony Braxton, the searcher
Libertarian Europe
Freeing the voice
The new big bands
Jazz and world music
Don Cherry, wandering musician
Back to the values of jazz
tND Of
Context
Jazz in crisis?
The legitimist branch
Wynton
From the street to the electronic laboratory
Miles Davis in the studio
What is left of the avant-garde?
Steve Coleman and M-Base
Jazz in an era of fusion
The European exception
Jazz? Who cares?
CHRONOLOGY
3AH AND
THE REPERTOIRE AND
BIBLIOGRAPHY
INDEX
PHOTO CREDITS
|
| adam_txt |
CONTENTS
INTRODUCTION
WORK SONGS AND
Context
African origins
Secular songs
From Protestant hymns to spirituals
Modes and blue notes
Black philharmonics and white minstrels
The Lomax collections
GOSPf L, BLUB AND RAGTMlf
Context
Jubilee and gospel
The blues
Blues harmony and structure
Syncopated music
Syncopation and ragtime
New Orleans
The New Orleans sound
Europe takes to the Cakewalk
HOT JAZZ:
Context
New Orleans in Chicago
In the studio with King Oliver
Louis Armstrong: high-temperature jazz
Swing, the rhythm of jazz
New York: stride piano and big bands
Singers and pianists in thrall to the blues
Duke Ellington discography
White jazz: the second generation
The soloists and sidemen of hot jazz
Hot jazz conquers the wofld
SWING:
Context
74
The big bands
76
Jimmie Lunceford and his arrangers
79
Count
82
The combo
85
Jazz harmony
86
The soloists and sidemen of swing
90
Lester Young and Coleman Hawkins
95
Enduring values
102
The development of jazz outside America
103
BCBOP: I«£ FIRST AVANT-GARDE
Context
106
The birth of bebop
108
Bebop harmony
110
The ideal quintet and its variants
111
Charlie Parker: the other side of the coin
113
Bebop big bands and Latin rhythms
117
The reclusive Thelonious Monk
118
Popular successes and enduring values
122
Four queens of jazz singing
124
Jazz during World War II
128
COOL: WHITE
Context
130
White jazz in New York
132
Birth of the Cool examined
134
White west coast jazz
136
The soloists and sidemen of cool jazz
138
A sense of space
142
Bebop's star wanes
144
Bebop goes international
145
HARD BOP: BLACK ]AZZ
Context
The hard bop sound
The soloists and sidemen of hard bop
Art Blakey's Jazz Messengers
Hard-bop harmony
Scat, variety and vocalese
On the margins of hard bop
Bebop from Europe to South Africa
FREE
Context
166
Free jazz: wiping the slate clean
168
Controlled freedom
175
The ascension of John
176
Modal harmony and rhythmic diversification
181
On the margins of the avant-garde
184
Bill Evans: the other revolution
185
From American hegemony to global hybridization
187
fXPLOSION AND FUSION
Context
Jazz-rock
Weather Report: a brief survey
The new guitarists
Towards a European chamber jazz
ECM
The legacy of free jazz
Anthony Braxton, the searcher
Libertarian Europe
Freeing the voice
The new big bands
Jazz and world music
Don Cherry, wandering musician
Back to the values of jazz
tND Of
Context
Jazz in crisis?
The legitimist branch
Wynton
From the street to the electronic laboratory
Miles Davis in the studio
What is left of the avant-garde?
Steve Coleman and M-Base
Jazz in an era of fusion
The European exception
Jazz? Who cares?
CHRONOLOGY
3AH AND
THE REPERTOIRE AND
BIBLIOGRAPHY
INDEX
PHOTO CREDITS |
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| illustrated | Illustrated |
| index_date | 2024-07-02T16:29:59Z |
| indexdate | 2024-07-09T20:52:44Z |
| institution | BVB |
| isbn | 9780550102713 055010271X |
| language | English French |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015434436 |
| oclc_num | 70401829 |
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| physical | 276 S. Ill. |
| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | Chambers |
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| series2 | Chambers arts library |
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| spellingShingle | Bergerot, Franck 1953- Jazz Jazz musicians Jazz History and criticism Jazz (DE-588)4028532-7 gnd |
| subject_GND | (DE-588)4028532-7 |
| title | Jazz |
| title_alt | Le jazz dans tous ses états |
| title_auth | Jazz |
| title_exact_search | Jazz |
| title_exact_search_txtP | Jazz |
| title_full | Jazz Franck Bergerot |
| title_fullStr | Jazz Franck Bergerot |
| title_full_unstemmed | Jazz Franck Bergerot |
| title_short | Jazz |
| title_sort | jazz |
| topic | Jazz musicians Jazz History and criticism Jazz (DE-588)4028532-7 gnd |
| topic_facet | Jazz musicians Jazz History and criticism Jazz |
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