Reading "Bollywood": the young audience and Hindi films
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Basingstoke [u.a.]
Palgrave Macmillan
2006
|
| Edition: | 1. publ. |
| Subjects: | |
| Online Access: | Contributor biographical information Publisher description Table of contents Inhaltsverzeichnis |
| Item Description: | Includes bibliographical references (p. 187-197) and index -- Includes filmography |
| Physical Description: | XIX, 208 S. Ill. |
| ISBN: | 9780230001725 |
Staff View
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| 245 | 1 | 0 | |a Reading "Bollywood" |b the young audience and Hindi films |c Shakuntala Banaji |
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| 650 | 4 | |a Motion pictures |x Social aspects |z India | |
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Record in the Search Index
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|---|---|
| adam_text | Contents
List of Illustrations x
Acknowledgements xi
Preface xiii
1. Hindi Films: Theoretical Debates and Textual Studies 1
1.1 Introduction 1
1.2 Early accounts: from escapist fantasy to textual pleasure 1
1.3 Ideology, hegemony and interpellation: exploiting
the form of Hindi films 8
1.4 Cultural constructions: textual analysis and feminist
critique 14
1.5 Beyond simplistic oppositions 17
1.6 Conclusion 18
2. Audiences and Hindi Films: Contemporary Studies 20
2.1 Hindi films and the South Asian Diaspora 20
2.2 Reconciling tradition and modernity? North Indian
men watching movies 25
2.3 Beyond escapism and reality : North Indian women
watching television 27
2.4 Conclusion 30
3. Contemporary Hindi Film Going and the Viewing
Context in Two Countries 33
3.1 Why watch audiences? 33
3.2 Cinema halls and audiences in historical and
geographic perspective 35
3.3 Going to the cinema in Bombay: reality, refuge
or romance? 38
3.4 Hindi films in London: ethnic nostalgia or
empowered viewing? 48
3.5 Conclusion 52
vii
vlii Contents
4. A man who smokes should never marry a village girl :
Comments on Courtship and Marriage Hindi Film Style 55
4.1 First, the texts 56
4.2 Everyone s favourite movie 58
4.3 Romancing the family: Hum Aapke Hain Koun ...!
and its viewers 78
4.4 Conclusion 88
5. Short Skirts, Long Veils and Dancing Men:
Responses to Dress and the Body 91
5.1 Show and sell: young viewers read clothing in
Hindi films 91
5.2 Clothing, the body and the erotic promise of
Hindi films 98
5.3 Conclusion 102
6. More or Less Spicy Kisses: Responses to Sex,
Love and Sexuality 104
6.1 Contextualising the Indian media sex debate 104
6.2 Taboo scenes: kissing, sex and the innocent viewer 106
6.3 Sexuality, chastity and national honour: being
Indian in Switzerland and various other sexual
encounters 111
6.4 Conclusion: films, experience and meaning 126
7. Politics and Spectatorship 1: Viewing Love, Religion
and Violence 130
7.1 Introduction 130
7.2 Films, viewers and the politics of Hindutva fascism 132
7.3 Counterfeit collective memories : riots, religion
and subjectivity in contemporary Hindi films 135
7.4 The pleasures and pitfalls of othering : inter religious
romance meets jingoistic nationalism 147
7.5 Conclusion 154
8. Politics and Spectatorship 2: Young Men Viewing
Terrorism and State Violence 160
8.1 Countenancing cinematic terrorism: young men
take on the state 160
8.2 Conclusion *66
Contents ix
9. Conclusion: The Tricky Politics of Viewing Pleasure 167
9.1 Looking back at texts and audiences 167
9.2 Looking back at gender, sexuality and spectatorship 170
9.3 Politics and spectatorship 173
9.4 India and the United Kingdom 175
9.5 A note of caution 177
9.6 Implications for the future 178
Notes 181
Bibliography 187
Filmography 198
Index 201
List of Illustrations
3.1 Entrance hall at Shaan theatre, Bombay 39
3.2 Young construction workers waiting for the next show 40
3.3 Inside the Gaiety Galaxy complex, Bombay: middle class
refreshments 41
3.4 Food outside the cinema hall part of the cinema
experience 43
3.5 Three young women, unchaperoned, attend a 6 9 p.m.
showing of Devdas in Bombay 43
4.1 Ruksana watching Dilwale Dulhaniya Le Jayenge as the
hero placates his beloved s father 76
4.2 Ruksana and a friend debate the lovers sacrifice in
Hum AapkeHaitiKoun ...! 86
5.1 Two London viewers, one head scarfed, discuss the
heroine s short red dress 95
6.1 Watched by two young viewers, Karishma and Aamir
push boundaries in Raja Hindustani 109
6.2 The smooch viewed by South Asian students in London 110
6.3 London Bengali youth discussing the Swiss hotel
sequence 112
7.1 Young viewers contemplate the intended gang rape of
the heroine in Gadar 151
x
|
| adam_txt |
Contents
List of Illustrations x
Acknowledgements xi
Preface xiii
1. Hindi Films: Theoretical Debates and Textual Studies 1
1.1 Introduction 1
1.2 Early accounts: from escapist fantasy to textual pleasure 1
1.3 Ideology, hegemony and interpellation: exploiting
the form of Hindi films 8
1.4 Cultural constructions: textual analysis and feminist
critique 14
1.5 Beyond simplistic oppositions 17
1.6 Conclusion 18
2. Audiences and Hindi Films: Contemporary Studies 20
2.1 Hindi films and the South Asian Diaspora 20
2.2 Reconciling 'tradition' and 'modernity? North Indian
men watching movies 25
2.3 Beyond 'escapism' and 'reality': North Indian women
watching television 27
2.4 Conclusion 30
3. Contemporary Hindi Film Going and the Viewing
Context in Two Countries 33
3.1 Why watch audiences? 33
3.2 Cinema halls and audiences in historical and
geographic perspective 35
3.3 Going to the cinema in Bombay: reality, refuge
or romance? 38
3.4 Hindi films in London: ethnic nostalgia or
empowered viewing? 48
3.5 Conclusion 52
vii
vlii Contents
4. 'A man who smokes should never marry a village girl':
Comments on Courtship and Marriage 'Hindi Film Style' 55
4.1 First, the texts 56
4.2 Everyone's favourite movie 58
4.3 Romancing the family: Hum Aapke Hain Koun .!
and its viewers 78
4.4 Conclusion 88
5. Short Skirts, Long Veils and Dancing Men:
Responses to Dress and the Body 91
5.1 Show and sell: young viewers read clothing in
Hindi films 91
5.2 Clothing, the body and the erotic promise of
Hindi films 98
5.3 Conclusion 102
6. More or Less Spicy Kisses: Responses to Sex,
Love and Sexuality 104
6.1 Contextualising the Indian media sex debate 104
6.2 Taboo scenes: kissing, sex and the 'innocent' viewer 106
6.3 Sexuality, chastity and national honour: 'being'
Indian in Switzerland and various other sexual
encounters 111
6.4 Conclusion: films, experience and meaning 126
7. Politics and Spectatorship 1: Viewing Love, Religion
and Violence 130
7.1 Introduction 130
7.2 Films, viewers and the politics of Hindutva fascism 132
7.3 'Counterfeit collective memories': riots, religion
and subjectivity in contemporary Hindi films 135
7.4 The pleasures and pitfalls of 'othering': inter religious
romance meets jingoistic nationalism 147
7.5 Conclusion 154
8. Politics and Spectatorship 2: Young Men Viewing
Terrorism and State Violence 160
8.1 Countenancing cinematic terrorism: young men
take on the state 160
8.2 Conclusion *66
Contents ix
9. Conclusion: The Tricky Politics of Viewing Pleasure 167
9.1 Looking back at texts and audiences 167
9.2 Looking back at gender, sexuality and spectatorship 170
9.3 Politics and spectatorship 173
9.4 India and the United Kingdom 175
9.5 A note of caution 177
9.6 Implications for the future 178
Notes 181
Bibliography 187
Filmography 198
Index 201
List of Illustrations
3.1 Entrance hall at Shaan theatre, Bombay 39
3.2 Young construction workers waiting for the next show 40
3.3 Inside the Gaiety Galaxy complex, Bombay: middle class
refreshments 41
3.4 Food outside the cinema hall part of the cinema
experience 43
3.5 Three young women, unchaperoned, attend a 6 9 p.m.
showing of Devdas in Bombay 43
4.1 Ruksana watching Dilwale Dulhaniya Le Jayenge as the
hero placates his beloved's father 76
4.2 Ruksana and a friend debate the lovers' sacrifice in
Hum AapkeHaitiKoun .! 86
5.1 Two London viewers, one head scarfed, discuss the
heroine's short red dress 95
6.1 Watched by two young viewers, Karishma and Aamir
push boundaries in Raja Hindustani 109
6.2 The'smooch'viewed by South Asian students in London 110
6.3 London Bengali youth discussing the 'Swiss hotel'
sequence 112
7.1 Young viewers contemplate the intended gang rape of
the heroine in Gadar 151
x |
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| spelling | Banaji, Shakuntala 1971- Verfasser (DE-588)131829432 aut Reading "Bollywood" the young audience and Hindi films Shakuntala Banaji 1. publ. Basingstoke [u.a.] Palgrave Macmillan 2006 XIX, 208 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. 187-197) and index -- Includes filmography Film Gesellschaft Motion pictures India Motion pictures Social aspects India Motion picture audiences Motion pictures and youth Zuschauer (DE-588)4127324-2 gnd rswk-swf Jugend (DE-588)4028859-6 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Indien Indien (DE-588)4026722-2 gnd rswk-swf Indien (DE-588)4026722-2 g Film (DE-588)4017102-4 s Jugend (DE-588)4028859-6 s Zuschauer (DE-588)4127324-2 s DE-604 http://www.loc.gov/catdir/enhancements/fy0643/2006042540-b.html Contributor biographical information http://www.loc.gov/catdir/enhancements/fy0643/2006042540-d.html Publisher description http://www.loc.gov/catdir/enhancements/fy0643/2006042540-t.html Table of contents HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015055036&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Banaji, Shakuntala 1971- Reading "Bollywood" the young audience and Hindi films Film Gesellschaft Motion pictures India Motion pictures Social aspects India Motion picture audiences Motion pictures and youth Zuschauer (DE-588)4127324-2 gnd Jugend (DE-588)4028859-6 gnd Film (DE-588)4017102-4 gnd |
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| title | Reading "Bollywood" the young audience and Hindi films |
| title_auth | Reading "Bollywood" the young audience and Hindi films |
| title_exact_search | Reading "Bollywood" the young audience and Hindi films |
| title_exact_search_txtP | Reading "Bollywood" the young audience and Hindi films |
| title_full | Reading "Bollywood" the young audience and Hindi films Shakuntala Banaji |
| title_fullStr | Reading "Bollywood" the young audience and Hindi films Shakuntala Banaji |
| title_full_unstemmed | Reading "Bollywood" the young audience and Hindi films Shakuntala Banaji |
| title_short | Reading "Bollywood" |
| title_sort | reading bollywood the young audience and hindi films |
| title_sub | the young audience and Hindi films |
| topic | Film Gesellschaft Motion pictures India Motion pictures Social aspects India Motion picture audiences Motion pictures and youth Zuschauer (DE-588)4127324-2 gnd Jugend (DE-588)4028859-6 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Film Gesellschaft Motion pictures India Motion pictures Social aspects India Motion picture audiences Motion pictures and youth Zuschauer Jugend Indien |
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