American independent cinema: an introduction
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Edinburgh
Edinburgh Univ. Press
2006
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Klappentext |
| Physical Description: | XVI, 302 S. Ill. |
| ISBN: | 074861866X 9780748618668 0748618678 9780748618675 |
Staff View
MARC
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| adam_text | CONTENTS
Analytical Table of Contents
vii
List of Tables
xi
List of Case Studies
xii
List of Figures
xiii
Acknowledgements
xiv
Introduction: Problems of Definition and
the Discourse of American Independent Cinema
1
Parti
American Independent Cinema
m
the
Studio Years
(mid-lÇZOs-late
1940s)
1.
Independent Filmmaking in the Studio Era:
Tendencies within the Studio System
19
2.
Independent Filmmaking in the Studio Era:
The Poverty Row Studios
(ШО-БОѕ)
63
Part II
The Transitional Years (late
ШОб-Ые
1960s)
3.
Independence by Force: The Effects of the
Paramount Decree on Independent Film Production
101
4.
An Audience for the Independents: Exploitation Films
for the Nation s Youth
135
vi AMERICAN
INDEPENDENT
CINEMA
Partili
Contemporary
American
Independent
Cinema
(late WóOs-present)
5.
The New Hollywood
and the Independent
Hollywood
169
6.
American
Independent
Cinema in
the Age of
the Conglomerates
192
7.
Mini-majors and Major Independents
222
8.
The Institutionalisation of American Independent Cinema
246
Epilogue: From Independent to Specialty Cinema
281
Bibliography
285
Index
293
This introduction to American independent cinema offers
both a comprehensive industrial and economic history of the
sector from the early twentieth century to the present and a
study of key individual films, filmmakers and film companies.
Readers will develop an understanding of the complex
dynamic relations between independent and mainstream
American cinema.
The main argument revolves around the idea that independent
American cinema has developed alongside mainstream
Hollywood cinema with institutional, industrial and economic
changes in the latter shaping and informing the former.
Consequently the term independent has acquired different
meanings at different points in the history of Hollywood
cinema, evolving according to the impact of changing
conditions in the American film industry. These various
meanings are examined in the course of the book.
The book is ordered chronologically, beginning with
independent filmmaking in the studio era (examining both
top-rank and low-end independent film production), moving
to the
1950s
and 1960s {discussing both the adoption of
independent filmmaking as the main method of production
as well as exploitation filmmaking) and finishing with
contemporary American independent cinema (exploring
areas such as the New Hollywood, the rise of mini-major and
major independent companies and the institutionalisation of
independent cinema in the
1990s).
Each chapter includes case
studies that focus on specific films and/or
filmmakers,
white
independent production and distribution companies are also
discussed in the text.
|
| adam_txt |
CONTENTS
Analytical Table of Contents
vii
List of Tables
xi
List of Case Studies
xii
List of Figures
xiii
Acknowledgements
xiv
Introduction: Problems of Definition and
the Discourse of American Independent Cinema
1
Parti
American Independent Cinema
m
the
Studio Years
(mid-lÇZOs-late
1940s)
1.
Independent Filmmaking in the Studio Era:
Tendencies within the Studio System
19
2.
Independent Filmmaking in the Studio Era:
The Poverty Row Studios
(ШО-БОѕ)
63
Part II
The Transitional Years (late
ШОб-Ые
1960s)
3.
Independence by Force: The Effects of the
Paramount Decree on Independent Film Production
101
4.
An Audience for the Independents: Exploitation Films
for the Nation's Youth
135
vi AMERICAN
INDEPENDENT
CINEMA
Partili
Contemporary
American
Independent
Cinema
(late WóOs-present)
5.
The New Hollywood
and the Independent
Hollywood
169
6.
American
Independent
Cinema in
the Age of
the Conglomerates
192
7.
Mini-majors and Major Independents
222
8.
The Institutionalisation of American Independent Cinema
246
Epilogue: From Independent to 'Specialty' Cinema
281
Bibliography
285
Index
293
This introduction to American independent cinema offers
both a comprehensive industrial and economic history of the
sector from the early twentieth century to the present and a
study of key individual films, filmmakers and film companies.
Readers will develop an understanding of the complex
dynamic relations between independent and mainstream
American cinema.
The main argument revolves around the idea that independent
American cinema has developed alongside mainstream
Hollywood cinema with institutional, industrial and economic
changes in the latter shaping and informing the former.
Consequently the term 'independent' has acquired different
meanings at different points in the history of Hollywood
cinema, evolving according to the impact of changing
conditions in the American film industry. These various
meanings are examined in the course of the book.
The book is ordered chronologically, beginning with
independent filmmaking in the studio era (examining both
top-rank and low-end independent film production), moving
to the
1950s
and 1960s {discussing both the adoption of
independent filmmaking as the main method of production
as well as exploitation filmmaking) and finishing with
contemporary American independent cinema (exploring
areas such as the New Hollywood, the rise of mini-major and
major independent companies and the institutionalisation of
independent cinema in the
1990s).
Each chapter includes case
studies that focus on specific films and/or
filmmakers,
white
independent production and distribution companies are also
discussed in the text. |
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| spelling | Tzioumakis, Yannis Verfasser (DE-588)1083289616 aut American independent cinema an introduction Yannis Tzioumakis Edinburgh Edinburgh Univ. Press 2006 XVI, 302 S. Ill. txt rdacontent n rdamedia nc rdacarrier Geschichte 1900-2000 Geschichte 1920-2000 gnd rswk-swf Geschichte 1920-2015 gnd rswk-swf Geschichte Independent filmmakers United States Case studies Independent films Economic aspects United States Independent films United States History and criticism Motion picture industry United States History 20th century Unabhängiger Film (DE-588)4485045-1 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4522595-3 Fallstudiensammlung gnd-content USA (DE-588)4078704-7 g Unabhängiger Film (DE-588)4485045-1 s Geschichte 1920-2000 z DE-604 Geschichte 1920-2015 z 1\p DE-604 Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014969606&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014969606&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Tzioumakis, Yannis American independent cinema an introduction Geschichte Independent filmmakers United States Case studies Independent films Economic aspects United States Independent films United States History and criticism Motion picture industry United States History 20th century Unabhängiger Film (DE-588)4485045-1 gnd |
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| title | American independent cinema an introduction |
| title_auth | American independent cinema an introduction |
| title_exact_search | American independent cinema an introduction |
| title_exact_search_txtP | American independent cinema an introduction |
| title_full | American independent cinema an introduction Yannis Tzioumakis |
| title_fullStr | American independent cinema an introduction Yannis Tzioumakis |
| title_full_unstemmed | American independent cinema an introduction Yannis Tzioumakis |
| title_short | American independent cinema |
| title_sort | american independent cinema an introduction |
| title_sub | an introduction |
| topic | Geschichte Independent filmmakers United States Case studies Independent films Economic aspects United States Independent films United States History and criticism Motion picture industry United States History 20th century Unabhängiger Film (DE-588)4485045-1 gnd |
| topic_facet | Geschichte Independent filmmakers United States Case studies Independent films Economic aspects United States Independent films United States History and criticism Motion picture industry United States History 20th century Unabhängiger Film USA Fallstudiensammlung |
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