Early cinema: space, frame, narrative
Saved in:
| Format: | Book |
|---|---|
| Language: | English |
| Published: |
London
BFI Publ.
2006
|
| Edition: | 1. publ., reprinted |
| Subjects: | |
| Online Access: | Klappentext Inhaltsverzeichnis |
| Physical Description: | 424 S. Ill. |
| ISBN: | 0851702457 0851702449 |
Staff View
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Record in the Search Index
| _version_ | 1804135611074871296 |
|---|---|
| adam_text | In the twenty years preced¬
ing the First World War, cin¬
ema rapidly developed
from a fairground curiosily into
a major industry and social
institution, a source of informa¬
tion and entertainment for mil¬
lions of people.
Only recently have film
scholars and historians begun
to study these early years of
cinema in their own right and
not simply as first steps
towards the classical narrative
cinema we now associate with
Hollywood.
The essays in this collection
trace the fascinating history of
how the cinema developed its
forms of storytelling and repre¬
sentation and how it evolved
into a complex industry with
Hollywood rapidly acquiring a
dominant rote. These issues can
be seen to arise from new read¬
ings of It* so-calted pioneers
Méliès, Lumière,
Griffith
new perspectives on major
European film-makers of the
1910s
Editor Thomas Elsaesser
complements the Gontrtbutiorss
from leading British, American
and European scholars with
introductory essays of his own
which provide a comprehensive
overview of the field. The vol¬
ume is the most authoritative
survey to date of a key area of
contemporary film research,
invaluable to historians as well
as to students of cinema.
Thomas Elsaesser teaches Film
and English at the University of
East
the ptizewinning New German
Cinema: A History
CONTENTS
General Introduction
Early Cinema: From Linear History to Mass Media Archaeology
Thomas Elsaesser
I Early Film Form: Articulations of Space and Time
Introduction Thomas Elsaesser
Shot Relations, Narration: Articulating Space and Time
Barry Salt Film Form
Ben Brewster Deep Staging in French Films
Tom Gunning The Cinema of Attractions: Early Film,
its Spectator and the
Lumiere:
Dai Vaughan Let There Be
André Gaudrtault
The Cinema of the
Richard deCordova From
The Break-Up of Perspectival Space
Meues: Continuity, Non-Continuity, Discontinuity
Tom Gunning Non-Continuity, Continuity, Discontinuity:
A Theory of Genres in Early Films
Tom Gunning Primitive Cinema: A Frame-Up? Or,
The Trick s on Us
Stephen Bottomore Shots in the Dark
Editing
Porter: Adapting, Presenting, Narrating
André Gaudreault
and its Effects
Charles Musser The Travel Genre in
Moving Towards Fictional Narrative
André
The Development of Cross-Cutting
11 The Institution Cinema: Industry, Commodity, Audiences
Introduction Thomas Elsaesser
Mode of Production: The Struggle for Economic Control
Michael
Janet
Distribution,
Patrick G. Loughney In the Beginning Was the Word:
Six Pre-Griffith Motion Picture Scenarios
Mode of Representation: Audiences and Social Control
NoëlBurch A
Miriam
Yuri Tsivtan Some Historical Footnotes to the
Kuleshov Experiment
Mode of Presentation: Showmanship and Exhibition Control
Charles Musser The Nickelodeon Era Begins: Establishing the
Framework for Hollywood s Mode of Representation
André Gaudreault
in Early Cinema
Kevin Brownlow Silent Films
111 The Continuity System: Griffith and Beyond
Introduction Thomas Ehaesser and Adam Barker
Mode of Address, Narration
BenBrewsfer A Scene at the Movies
Anne Friedberg
in D. W. Griffith s
Continuity/Discontinuity/Alternation
Tom Gunning Weaving a Narrative: Style and Economic
Background in Griffith s
Jacques Aumont Griffith
Raymond Bellow To
European Cinema of the iqios: Alternatives to
the Classical Paradigm
John Fullerton Spatial and Temporal Articulation in
Pre-Classical Swedish Film
Leon Hunt The Student of Prague : Division and Codification of
Space
Afterword Thomas Ehaesser
Select Bibliography
|
| adam_txt |
In the twenty years preced¬
ing the First World War, cin¬
ema rapidly developed
from a fairground curiosily into
a major industry and social
institution, a source of informa¬
tion and entertainment for mil¬
lions of people.
Only recently have film
scholars and historians begun
to study these early years of
cinema in their own right and
not simply as first steps
towards the classical narrative
cinema we now associate with
Hollywood.
The essays in this collection
trace the fascinating history of
how the cinema developed its
forms of storytelling and repre¬
sentation and how it evolved
into a complex industry with
Hollywood rapidly acquiring a
dominant rote. These issues can
be seen to arise from new read¬
ings of It* so-calted pioneers
Méliès, Lumière,
Griffith
new perspectives on major
European film-makers of the
1910s
Editor Thomas Elsaesser
complements the Gontrtbutiorss
from leading British, American
and European scholars with
introductory essays of his own
which provide a comprehensive
overview of the field. The vol¬
ume is the most authoritative
survey to date of a key area of
contemporary film research,
invaluable to historians as well
as to students of cinema.
Thomas Elsaesser teaches Film
and English at the University of
East
the ptizewinning New German
Cinema: A History
CONTENTS
General Introduction
Early Cinema: From Linear History to Mass Media Archaeology
Thomas Elsaesser
I Early Film Form: Articulations of Space and Time
Introduction Thomas Elsaesser
Shot Relations, Narration: Articulating Space and Time
Barry Salt Film Form
Ben Brewster Deep Staging in French Films
Tom Gunning The Cinema of Attractions: Early Film,
its Spectator and the
Lumiere:
Dai Vaughan Let There Be
André Gaudrtault
The Cinema of the
Richard deCordova From
The Break-Up of Perspectival Space
Meues: Continuity, Non-Continuity, Discontinuity
Tom Gunning Non-Continuity, Continuity, Discontinuity:
A Theory of Genres in Early Films
Tom Gunning 'Primitive" Cinema: A Frame-Up? Or,
The Trick's on Us
Stephen Bottomore Shots in the Dark
Editing
Porter: Adapting, Presenting, Narrating
André Gaudreault
and its Effects
Charles Musser The Travel Genre in
Moving Towards Fictional Narrative
André
The Development of Cross-Cutting
11 The Institution Cinema: Industry, Commodity, Audiences
Introduction Thomas Elsaesser
Mode of Production: The Struggle for Economic Control
Michael
Janet
Distribution,
Patrick G. Loughney In the Beginning Was the Word:
Six Pre-Griffith Motion Picture Scenarios
Mode of Representation: Audiences and Social Control
NoëlBurch A
Miriam
Yuri Tsivtan Some Historical Footnotes to the
Kuleshov Experiment
Mode of Presentation: Showmanship and Exhibition Control
Charles Musser The Nickelodeon Era Begins: Establishing the
Framework for Hollywood's Mode of Representation
André Gaudreault
in Early Cinema
Kevin Brownlow Silent Films
111 The Continuity System: Griffith and Beyond
Introduction Thomas Ehaesser and Adam Barker
Mode of Address, Narration
BenBrewsfer A Scene at the'Movies'
Anne Friedberg
in D. W. Griffith's
Continuity/Discontinuity/Alternation
Tom Gunning Weaving a Narrative: Style and Economic
Background in Griffith's
Jacques Aumont Griffith
Raymond Bellow To
European Cinema of the iqios: Alternatives to
the Classical Paradigm
John Fullerton Spatial and Temporal Articulation in
Pre-Classical Swedish Film
Leon Hunt 'The Student of Prague': Division and Codification of
Space
Afterword Thomas Ehaesser
Select Bibliography |
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| spelling | Early cinema space, frame, narrative ed. by Thomas Elsaesser ... 1. publ., reprinted London BFI Publ. 2006 424 S. Ill. txt rdacontent n rdamedia nc rdacarrier Geschichte 1900-1914 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Stummfilm (DE-588)4058257-7 gnd rswk-swf Filmtheorie (DE-588)4071216-3 gnd rswk-swf Filmwirtschaft (DE-588)4154384-1 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Stummfilm (DE-588)4058257-7 s Filmwirtschaft (DE-588)4154384-1 s DE-604 Film (DE-588)4017102-4 s Geschichte 1900-1914 z 1\p DE-604 2\p DE-604 Filmtheorie (DE-588)4071216-3 s 3\p DE-604 Elsaesser, Thomas 1943-2019 Sonstige (DE-588)122695682 oth Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014966109&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014966109&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
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| title | Early cinema space, frame, narrative |
| title_auth | Early cinema space, frame, narrative |
| title_exact_search | Early cinema space, frame, narrative |
| title_exact_search_txtP | Early cinema space, frame, narrative |
| title_full | Early cinema space, frame, narrative ed. by Thomas Elsaesser ... |
| title_fullStr | Early cinema space, frame, narrative ed. by Thomas Elsaesser ... |
| title_full_unstemmed | Early cinema space, frame, narrative ed. by Thomas Elsaesser ... |
| title_short | Early cinema |
| title_sort | early cinema space frame narrative |
| title_sub | space, frame, narrative |
| topic | Film (DE-588)4017102-4 gnd Stummfilm (DE-588)4058257-7 gnd Filmtheorie (DE-588)4071216-3 gnd Filmwirtschaft (DE-588)4154384-1 gnd |
| topic_facet | Film Stummfilm Filmtheorie Filmwirtschaft Aufsatzsammlung |
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