The American musical and the performance of personal identity:
"This book addresses a variety of specific themes in musicals that serve this general function: fairy tale and fantasy, idealism and inspiration, gender and sexuality, and relationships, among others. It also considers three overlapping genres that are central, in quite different ways, to the p...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Princeton, NJ [u.a.]
Princeton Univ. Press
2006
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Klappentext |
| Summary: | "This book addresses a variety of specific themes in musicals that serve this general function: fairy tale and fantasy, idealism and inspiration, gender and sexuality, and relationships, among others. It also considers three overlapping genres that are central, in quite different ways, to the projection of personal identity: operetta, movie musicals, and operatic musicals."--BOOK JACKET. |
| Physical Description: | XV, 470 S. Ill., Notenbeisp. |
| ISBN: | 9780691125244 0691125244 |
Staff View
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Record in the Search Index
| _version_ | 1804135604744617984 |
|---|---|
| adam_text | CONTENTS
List of Figures
ix
Explanatory Note about Audio Examples
xi
Acknowledgments
xiii
Entr acte
1
PartOne PERSONAL GENRES
15
II
·
The Viennese Connection: Franz
Lehár
and American Operetta
17
The Merry Widow
( 1907) 20
Naughty Marietta
(1910) 31
Little Mary Sunshine
(1959) 40
A Little Night Music
(1973) 50
jtm The Movie Musical
65
Singin in the Rain (film,
1952) 70
Stormy Weather (film,
1943)
and Bamboozled
(film,
2000) 79
Meet Me in St. Louis (film,
1944) 94
Moulin Rouge (film,
2001 )
and Chicago (film,
2002) 102
Part Two PERSONAL THEMES
119
Oi» Fairy Tales and Fantasy
121
Snow White and the Seven Dwarfs
(animated film,
1937) 125
The Wizard of Oz (film,
1939) 131
Mary Poppins (film,
1964) 141
Into the Woods
(1987) 150
4»
Idealism and Inspiration
164
Camelot
(I960) 170
Man of La
Mancha
( 1965) 180
The Scarlet Pimpernel
(1997) 189
Once More, with Feeling (television,
2001) 196
VIII
CONTENTS
€,.
Gender and Sexuality
205
Annie Get Your Gun
(1946)
209
Gypsy
(1959)
215
Sweet Charity
(1966)
228
Tfce Rocfey Horror Picture Show (film,
1975)
240
Hedwig
and the Angry Inch
(1998;
film,
2001)
252
;lationships
264
Lady in the Dark
(1941)
266
Kiss Me, Kate
(1948)
273
My Fair Lady
(1956)
284
Company
(1970)
293
Passion
(1994)
303
Epilogue
Appendix
Operatic Ambitions and Beyond
Candide
(1956)
Sweeney Todd
(1979)
Evita
(1979)
Additional Resources
311
313
317
331
342
357
Notes
Bibliography
Index
377
433
449
ANO THE PERFORMANCE
OF
PERSONAL
IDENTITY
Raymond
Knapp
The American musical has long provided
an important vehicle through which
writers, performers, and audiences
reimagine
who they are and how they
might best interact with the world around
them. Musicals are especially good at
this because they provide not only an
opportunity for us tt) enact dramatic
versions or alternative identities, but
also the material tor performing such
alternatives in the real world, through
songs and the characters and attitudes
those songs project.
This book addresses a variety of spe¬
cific themes in musicals that serve this
general function: fain- tale and fantasy,
idealism and inspiration, gender and
sexuality, and relationships, among oth¬
ers. It also considers three overlapping
genres that are central, in quite differ¬
ent ways, to the projection of personal
identity: operetta, movie musicals, and
operatic musicals.
Among the musicals discussed are
Camelot;
Candide:
Chicago; Company;
Evita;
Gypsy, Into the Woods: Kiss
Me, Kate; A Little Sight Music; Man
of La
Mancha;
Meet Me in St. Louts;
The Merry Widou , Moulm Rouge; My
¡continued from front flap)
Fair Lady; Passion; The Rocky Hor¬
ror Picture Show; Singin in the Rain;
Stormy Weather; Sweeney Todd; and
The Wizard of Oz.
Complementing the author s earlier
work, The American Musical and the
Formation of National Identity, this
book completes a two-volume thematic
history of the genre, designed for general
audiences and specialists alike.
Raymond
Knapp
is Professor of Musi-
coiogy at the University of California,
Los Angeles, and the author of The
American Musical and the formation of
National Identity (Princeton), winner of
the George Jean Nathan Award for Dra¬
matic Criticism. He has also published
books on Brahms and Mahler.
|
| adam_txt |
CONTENTS
List of Figures
ix
Explanatory Note about Audio Examples
xi
Acknowledgments
xiii
Entr'acte
1
PartOne PERSONAL GENRES
15
II
·
The Viennese Connection: Franz
Lehár
and American Operetta
17
The Merry Widow
( 1907) 20
Naughty Marietta
(1910) 31
Little Mary Sunshine
(1959) 40
A Little Night Music
(1973) 50
jtm The Movie Musical
65
Singin' in the Rain (film,
1952) 70
Stormy Weather (film,
1943)
and Bamboozled
(film,
2000) 79
Meet Me in St. Louis (film,
1944) 94
Moulin Rouge (film,
2001 )
and Chicago (film,
2002) 102
Part Two PERSONAL THEMES
119
Oi» Fairy Tales and Fantasy
121
Snow White and the Seven Dwarfs
(animated film,
1937) 125
The Wizard of Oz (film,
1939) 131
Mary Poppins (film,
1964) 141
Into the Woods
(1987) 150
4»
Idealism and Inspiration
164
Camelot
(I960) 170
Man of La
Mancha
( 1965) 180
The Scarlet Pimpernel
(1997) 189
Once More, with Feeling (television,
2001) 196
VIII
CONTENTS
€,.
Gender and Sexuality
205
Annie Get Your Gun
(1946)
209
Gypsy
(1959)
215
Sweet Charity
(1966)
228
Tfce Rocfey Horror Picture Show (film,
1975)
240
Hedwig
and the Angry Inch
(1998;
film,
2001)
252
;lationships
264
Lady in the Dark
(1941)
266
Kiss Me, Kate
(1948)
273
My Fair Lady
(1956)
284
Company
(1970)
293
Passion
(1994)
303
Epilogue
Appendix
Operatic Ambitions and Beyond
Candide
(1956)
Sweeney Todd
(1979)
Evita
(1979)
Additional Resources
311
313
317
331
342
357
Notes
Bibliography
Index
377
433
449
ANO THE PERFORMANCE
OF
PERSONAL
IDENTITY
Raymond
Knapp
The American musical has long provided
an important vehicle through which
writers, performers, and audiences
reimagine
who they are and how they
might best interact with the world around
them. Musicals are especially good at
this because they provide not only an
opportunity for us tt) enact dramatic
versions or alternative identities, but
also the material tor performing such
alternatives in the real world, through
songs and the characters and attitudes
those songs project.
This book addresses a variety of spe¬
cific themes in musicals that serve this
general function: fain- tale and fantasy,
idealism and inspiration, gender and
sexuality, and relationships, among oth¬
ers. It also considers three overlapping
genres that are central, in quite differ¬
ent ways, to the projection of personal
identity: operetta, movie musicals, and
operatic musicals.
Among the musicals discussed are
Camelot;
Candide:
Chicago; Company;
Evita;
Gypsy, Into the Woods: Kiss
Me, Kate; A Little Sight Music; Man
of La
Mancha;
Meet Me in St. Louts;
The Merry Widou", Moulm Rouge; My
¡continued from front flap)
Fair Lady; Passion; The Rocky Hor¬
ror Picture Show; Singin' in the Rain;
Stormy Weather; Sweeney Todd; and
The Wizard of Oz.
Complementing the author's earlier
work, The American Musical and the
Formation of National Identity, this
book completes a two-volume thematic
history of the genre, designed for general
audiences and specialists alike.
Raymond
Knapp
is Professor of Musi-
coiogy at the University of California,
Los Angeles, and the author of The
American Musical and the formation of
National Identity (Princeton), winner of
the George Jean Nathan Award for Dra¬
matic Criticism. He has also published
books on Brahms and Mahler. |
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| title | The American musical and the performance of personal identity |
| title_auth | The American musical and the performance of personal identity |
| title_exact_search | The American musical and the performance of personal identity |
| title_exact_search_txtP | The American musical and the performance of personal identity |
| title_full | The American musical and the performance of personal identity Raymond Knapp |
| title_fullStr | The American musical and the performance of personal identity Raymond Knapp |
| title_full_unstemmed | The American musical and the performance of personal identity Raymond Knapp |
| title_short | The American musical and the performance of personal identity |
| title_sort | the american musical and the performance of personal identity |
| topic | Film Geschichte Gesellschaft Musicals United States History and criticism Musicals Social aspects United States Personality and culture Motion pictures United States History Musical (DE-588)4040801-2 gnd Gesellschaft (DE-588)4020588-5 gnd Filmmusical (DE-588)4154370-1 gnd |
| topic_facet | Film Geschichte Gesellschaft Musicals United States History and criticism Musicals Social aspects United States Personality and culture Motion pictures United States History Musical Filmmusical USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014962054&sequence=000009&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014962054&sequence=000010&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT knappraymond theamericanmusicalandtheperformanceofpersonalidentity |