The fundamentals of animation:
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | Undetermined |
| Published: |
Lausanne
AVA Publ.
2006
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | 196 S. zahlr. Ill. |
| ISBN: | 2940373027 9782940373024 |
Staff View
MARC
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Record in the Search Index
| _version_ | 1804135552411238400 |
|---|---|
| adam_text | CONTENTS INTRODUCTION 006_ ANIMATION AND POPULAR CULTURE 010_ WHY
ANIMATION? KEY PRINCIPLES AND PROCESSES 012_ INTRODUCTION 014_ CONCEPT
018_ RESEARCH 024_ PREPARATION 026_ NARRATIVE DRAWING 028_ TECHNIQUE AND
APPROACH 033_ STORY AND DESIGN 034_ DESIGN AS CONCEPT 036_ STORYBOARDS
AND NARRATIVE 038_ STORYBOARDS AND COMPOSITION 043_ CHARACTER AND
MOVEMENT 046_ CHARACTER DEVELOPMENT 050_ LAYOUT AND THINKING
CINEMATICALLY 056_ SOUND 064_ TECHNIQUE 070 _ THE ANIMATOR AS
INTERPRETER 070 _ SCRIPT AND SCENARIO 076 _ ANIMATED GAGS AND COMIC
EVENTS 078 _ THE ANIMATOR AS PERFORMER 080_ THE ANIMATOR AS EDITOR
082_THE ANIMATOR AS DIRECTOR APPLICATIONS AND OUTCOMES 086_ INTRODUCTION
088_ DRAWN AND CEL ANIMATION 088_ A BRIEF HISTORY 092_ WALK CYCLES 098_
DRAWING AND AESTHETIC TRADITION 1 00_ 3D STOP-MOTION ANIMATION 1 00_ A
BRIEF HISTORY 104_ SOUND AND STOP-MOTION ANIMATION 106_ STOP-MOTION
ANIMATION AND SATIRE 110_ A FIRST EXPERIENCE 114_ ANIMATION FOR CHILDREN
117_ CLAY ANIMATION 122_ DIGITAL ANIMATION 1 22 A BRIEF HISTORY 125_
COMPUTER-GENERATED ANIMATION 126_ CGI INDEPENDENT STUDIO WORK 130_ A
SUPERIOR EXAMPLE OF CGI 132_ DIGITAL EFFECTS AND 3D ANIMATION 134_
ROTOSCOPE AND MOTION CAPTURE 136_ COMBINING LIVE ACTION AND ANIMATION
USING MOTION CAPTURE FOR CGI 140_ THE MERITS OF FLASH 142_ ENHANCING
FLASH TECHNIQUES 146_ ALTERNATIVE METHODS 146_ A BRIEF HISTORY 148_ FINE
ART PRACTICES 152_ A PHILOSOPHICAL APPROACH 158_ ANIMATED DOCUMENTARY
CONTEXTS 160 INTRODUCTION 162_ POST-PRODUCTION 162_ SPECIAL EFFECTS 165_
SOUND IN POST-PRODUCTION 166 CRITICAL EVALUATION 168_ PORTFOLIO 170 _
SHOW REEL 171_CV/RESUME 174 _ COLLABORATION 176 _ WORKING AS AN
INDEPENDENT 178 _ THE PITFALLS 180_ POSTGRADUATE OPPORTUNITIES 182_
MAKING AN INDEPENDENT FILM 184_ SCREENING OPPORTUNTIES 184_ MARKETS 185_
FESTIVALS 187 .CONTEXTS APPENDIX 192_ BIBLIOGRAPHY AND WEBOGRAPHY 194_
INDEX 196_ CREDITS AND ACKNOWLEDGEMENTS CONTENTS
|
| adam_txt |
CONTENTS INTRODUCTION 006_ ANIMATION AND POPULAR CULTURE 010_ WHY
ANIMATION? KEY PRINCIPLES AND PROCESSES 012_ INTRODUCTION 014_ CONCEPT
018_ RESEARCH 024_ PREPARATION 026_ NARRATIVE DRAWING 028_ TECHNIQUE AND
APPROACH 033_ STORY AND DESIGN 034_ DESIGN AS CONCEPT 036_ STORYBOARDS
AND NARRATIVE 038_ STORYBOARDS AND COMPOSITION 043_ CHARACTER AND
MOVEMENT 046_ CHARACTER DEVELOPMENT 050_ LAYOUT AND THINKING
CINEMATICALLY 056_ SOUND 064_ TECHNIQUE 070 _ THE ANIMATOR AS
INTERPRETER 070 _ SCRIPT AND SCENARIO 076 _ ANIMATED GAGS AND COMIC
EVENTS 078 _ THE ANIMATOR AS PERFORMER 080_ THE ANIMATOR AS EDITOR
082_THE ANIMATOR AS DIRECTOR APPLICATIONS AND OUTCOMES 086_ INTRODUCTION
088_ DRAWN AND CEL ANIMATION 088_ A BRIEF HISTORY 092_ WALK CYCLES 098_
DRAWING AND AESTHETIC TRADITION 1 00_ 3D STOP-MOTION ANIMATION 1 00_ A
BRIEF HISTORY 104_ SOUND AND STOP-MOTION ANIMATION 106_ STOP-MOTION
ANIMATION AND SATIRE 110_ A FIRST EXPERIENCE 114_ ANIMATION FOR CHILDREN
117_ CLAY ANIMATION 122_ DIGITAL ANIMATION 1 22 A BRIEF HISTORY 125_
COMPUTER-GENERATED ANIMATION 126_ CGI INDEPENDENT STUDIO WORK 130_ A
SUPERIOR EXAMPLE OF CGI 132_ DIGITAL EFFECTS AND 3D ANIMATION 134_
ROTOSCOPE AND MOTION CAPTURE 136_ COMBINING LIVE ACTION AND ANIMATION
USING MOTION CAPTURE FOR CGI 140_ THE MERITS OF FLASH 142_ ENHANCING
FLASH TECHNIQUES 146_ ALTERNATIVE METHODS 146_ A BRIEF HISTORY 148_ FINE
ART PRACTICES 152_ A PHILOSOPHICAL APPROACH 158_ ANIMATED DOCUMENTARY
CONTEXTS 160 INTRODUCTION 162_ POST-PRODUCTION 162_ SPECIAL EFFECTS 165_
SOUND IN POST-PRODUCTION 166 CRITICAL EVALUATION 168_ PORTFOLIO 170 _
SHOW REEL 171_CV/RESUME 174 _ COLLABORATION 176 _ WORKING AS AN
INDEPENDENT 178 _ THE PITFALLS 180_ POSTGRADUATE OPPORTUNITIES 182_
MAKING AN INDEPENDENT FILM 184_ SCREENING OPPORTUNTIES 184_ MARKETS 185_
FESTIVALS 187 .CONTEXTS APPENDIX 192_ BIBLIOGRAPHY AND WEBOGRAPHY 194_
INDEX 196_ CREDITS AND ACKNOWLEDGEMENTS CONTENTS |
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| illustrated | Illustrated |
| index_date | 2024-07-02T15:21:29Z |
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| institution | BVB |
| isbn | 2940373027 9782940373024 |
| language | Undetermined |
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| physical | 196 S. zahlr. Ill. |
| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | AVA Publ. |
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| spelling | Wells, Paul 1961- Verfasser (DE-588)137207352 aut The fundamentals of animation Paul Wells Lausanne AVA Publ. 2006 196 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier Computeranimation (DE-588)4199710-4 gnd rswk-swf Computeranimation (DE-588)4199710-4 s 1\p DE-604 SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014928055&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Wells, Paul 1961- The fundamentals of animation Computeranimation (DE-588)4199710-4 gnd |
| subject_GND | (DE-588)4199710-4 |
| title | The fundamentals of animation |
| title_auth | The fundamentals of animation |
| title_exact_search | The fundamentals of animation |
| title_exact_search_txtP | The fundamentals of animation |
| title_full | The fundamentals of animation Paul Wells |
| title_fullStr | The fundamentals of animation Paul Wells |
| title_full_unstemmed | The fundamentals of animation Paul Wells |
| title_short | The fundamentals of animation |
| title_sort | the fundamentals of animation |
| topic | Computeranimation (DE-588)4199710-4 gnd |
| topic_facet | Computeranimation |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014928055&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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