Gender in modernism: new geographies, complex intersections
Grouped into 21 thematic sections, this collection provides theoretical introductions to the primary texts provided by the scholars who have taken the lead in pushing both modernism and gender in different directions. It provides an understanding of the complex intersections of gender with an array...
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| Format: | Book |
|---|---|
| Language: | English |
| Published: |
Urbana [u.a.]
Univ. of Illinois Press
2007
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Summary: | Grouped into 21 thematic sections, this collection provides theoretical introductions to the primary texts provided by the scholars who have taken the lead in pushing both modernism and gender in different directions. It provides an understanding of the complex intersections of gender with an array of social identifications. |
| Item Description: | Includes bibliographical references and index |
| Physical Description: | XVII, 872 S. |
| ISBN: | 0252031717 0252074181 9780252031717 9780252074189 |
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| 245 | 1 | 0 | |a Gender in modernism |b new geographies, complex intersections |c ed. with an introd. by Bonnie Kime Scott |
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| 500 | |a Includes bibliographical references and index | ||
| 520 | 3 | |a Grouped into 21 thematic sections, this collection provides theoretical introductions to the primary texts provided by the scholars who have taken the lead in pushing both modernism and gender in different directions. It provides an understanding of the complex intersections of gender with an array of social identifications. | |
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| 650 | 4 | |a Women and literature | |
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| 650 | 4 | |a American literature |y 20th century |x History and criticism | |
| 650 | 4 | |a American literature |x Women authors |x History and criticism | |
| 650 | 4 | |a Modernism (Literature) |z United States | |
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Record in the Search Index
| _version_ | 1804135527227588608 |
|---|---|
| adam_text | Titel: Gender in modernism
Autor: Scott, Bonnie Kime
Jahr: 2007
CONTENTS
Acknowledgments / xv
Introduction: A Retro-prospective on Gender in Modernism
Bonnie Kime Scott / i
Part I. Modernist/Feminist Activism
1. SUFFRAGE AND SPECTACLE
Introduced and Selected by Mary Chapman and Barbara Green / 25
Evelyn Sharp
The Women at the Gate / 37
Lady Constance Lytton
From Prisons and Prisoners / 44
Edna Ferber
From Chapter 15, Fanny Herself I 48
Anne O Hagan
From Chapter 7, The Sturdy Oak / 58
Illustrations:
The Car of Empire Women s Coronation Procession / 27
Pickets at the White House, 1917 / 28
2. MANIFESTOES FROM THE SEX WAR
Introduced and Selected by Janet Lyon / 67
Emmeline Pankhurst
Votes for Women: New Movement Manifesto / 76
NWSPU
Our Demand: What It Is and What It Is Not / 77
WSPU
Window Breaking: To One Who Has Suffered / 79
Filippo Tommaso Marinetti
Against Amore and Parliamentarianism / 81
Marriage and the Family / 84
Valentine de Saint-Point
Manifesto of Futurist Woman / 87
Mina Loy
Feminist Manifesto / 91
3. RADICAL MODERNS: AMERICAN WOMEN POETS ON THE LEFT
Introduced and Selected by Nancy Berke / 94
Lola Ridge
From The Ghetto / 100
Lullaby / 105
Genevieve Taggard
At Last the Women Are Moving / 106
A Middle-Aged, Middle-Class Woman at Midnight / 107
Feeding the Children / 108
The Ruskinian Boys See Red / 109
Lucia Trent and Ralph Cheyney
What Is This Modernism? / 112
Ruth Lechlitner
Lines for an Abortionist s Office / 116
Case Recruit / 116
Marie de L. Welch
Sky-Scraper in Construction / 117
Camp Corcoran / 118
Part II. Issues of Production and Reception
4. SENTIMENTAL MODERNISM
Introduced and Selected by Suzanne Clark / 125
Angelina Weld Grimke
You / 136
Your Eyes / 137
Blue Cycle / 138
Beware Lest He Awakes / 138
The Black Finger / 140
Rachel, The Play of the Month: The Reason and
Synopsis by the Author / 140
Edna St. Vincent Millay
Sonnet XVIII (I, being born a woman and distressed) / 143
The Pioneer (Sonnet LXVII, for Inez Milholland) / 144
Louise Bogan
Summer Wish / 145
The Heart and the Lyre / 149
Kay Boyle
From Letters
Letter to Lola Ridge (Aug. 1924) / 153
Letter to Katherine Evans Boyle (July 1926) / 154
Letter to Katherine Evans Boyle (Oct. 1926) / 155
Letter to William Carlos Williams (Oct. 1932) / 156
On the Run / 157
5. DEBATING FEMINISM, MODERNISM, AND SOCIALISM:
BEATRICE HASTINGS S VOICES IN THE NEW AGE
Introduced and Selected by Ann Ardis / 160
Beatrice Hastings
Suffragettes in the Making / 168
On Guard / 170
Feminism and the Franchise / 171
From The Old New Age Orage?And Others I 174
The Way Back to America / 178
From Impressions of Paris / 182
6. JOURNALISM MEETS MODERNISM
Introduced and Selected by Patrick Collier / 186
Rebecca West
The Future of the Press IV: The Journalist and the Public / 196
Rose Macaulay
The Press and the Public / 201
What the Public Wants / 205
Winifred Holtby
Modern Newspaper: Edited to Entertain / 209
Virginia Woolf
Reviewing / 215
7. WOMEN EDITORS AND MODERNIST SENSIBILITIES
Introduced and Selected by Jayne E. Marek / 225
Margaret Anderson
From Our First Year / 232
Jane Heap
From Machine-Age Exposition / 234
From Art and the Law / 236
Alice Corbin Henderson
Of Editors and Poets / 238
Harriet Monroe
From What Next? / 239
Marianne Moore
Comment / 241
From The Spare American Emotion / 243
Amy Lowell
From Nationalism in Art / 245
Jessie Redmon Fauset
From Impressions of the Second Pan-African Congress / 247
Gwendolyn Bennett
From The Ebony Flute / 253
From Blue-Black Symphony / 256
Dorothy West
Letter to Langston Hughes, 1934 / 258
Editorial [with Marian Minus] / 259
8. HOPE MIRRLEES AND CONTINENTAL MODERNISM
Introduced and Selected by Julia Briggs / 261
Hope Mirrlees
Paris: A Poem / 270
Commentary on Paris by Julia Briggs / 287
Illustration:
Facsimile of Paris, p. 1 / 271
Part III. Diverse Identities and Geographies
9. LESBIAN POLITICAL HISTORY
Introduced and Selected by Gay Wachman / 307
Vernon Lee
From Satan the Waster I 318
Rose Laure Allatini
From Despised and Rejected I 321
Radclyffe Hall
From Notes on The Well of Loneliness / 325
Sylvia Townsend Warner
After my marriage night / 328
Valentine Ackland
Country Dealings / 330
Sylvia Townsend Warner
My Shirt Is in Mexico / 333
10. QUEER CONJUNCTIONS IN MODERNISM
Introduced and Selected by Colleen Lamos / 336
Djuna Barnes
Introduction, From Ladies Almanack / 343
Bruce Nugent
From Smoke, Lilies and Jade / 345
Charles Henri Ford and Parker Tyler
Chapter 13: I Don t Want to Be a Doll, from The Young
and Evil / 354
Robert McAlmon
From The Indefinite Huntress / 361
Countee Cullen
Fruit of the Flower / 369
Hart Crane
Episode of Hands / 370
11. MODERNISM, GENDER, AND PASSING
Introduced and Selected by Pamela L. Caughie / 372
Heba Jannath
From America s Changing Color Line / 387
Elsie Clews Parsons
From The Zuni La Mana / 394
Colette
Nuit Blanche (trans. Anne Callahan) / 398
Claude McKay
From Malty Turned Down in Banjo / 401
D. H. Lawrence
From The Woman Who Rode Away / 407
Robert McAlmon
White Males / 413
Joan Riviere
From Womanliness as a Masquerade / 414
Ernest Hemingway
From The Garden of Eden / 419
Illustrations:
Mrs. Credit of Philadelphia, Pa., from The Messenger I 376
Karl Arnold, Lotte am Scheidewege (Lotte at the Crossroads) / 377
We-Wha Weaving / 378
D. H. Lawrence painting, Fight with an Amazon / 383
12. MODERNISM, GENDER, AND AFRICA
Introduced and Selected by Tuzylinejita Allan / 427
W. E. B. Du Bois
The African Roots of War / 438
Alain Locke
Afro-Americans and West Africans: A New Understanding / 445
Charlotte Maxeke
Social Conditions among Bantu Women and Girls / 453
Mabel Dove-Danquah
The Torn Veil / 458
Adelaide Casely Hayford
Mista Courifer / 463
13. RACE, NATION, AND MODERNITY: THE ANTI-COLONIAL
CONSCIOUSNESS OF MODERNISM
Introduced and Selected by Sonita Sarker / 472
Behramji Merwanji Malabari
From The Indian Eye on English Life, or Rambles of a
Pilgrim Reformer / 482
Victoria Ocampo
Living History (trans. Doris Meyer) / 488
Woman, Her Rights and Her Responsibilities / 494
Jean Rhys
Meta / 501
Chorus Girls / 503
Cornelia Sorabji
Extracts from Unpublished Diaries and Lectures / 508
Gertrude Stein
From Paris France, Part 2 / 512
Part IV. War, Technology, and Traumas of Modernity
14. WAR, MODERNISMS, AND THE FEMINIZED OTHER
Introduced and Selected by Claire M. Tylee / 519
Mulk Raj Anand
From Across the Black Waters I 528
James Hanley
Narrative: IX / 536
Martha Gellhorn
The Third Winter: November 1938 / 539
Sean O Casey
From Act I, The Silver Tassie / 544
Anna Wickham
London Scenes: The Night March / 554
15. MODERNISM, TRAUMA, AND NARRATIVE REFORMULATION
Introduced and Selected by Suzette A. Henke / 555
H. D. (Hilda Doolittle)
From Bid Me to Live I 563
Dorothy Richardson
From Pilgrimage / 574
Virginia Woolf
From The Prime Minister Holograph / 581
16. MODERNISM AND MEDICINE
Introduced and Selected by Susan Squier / 588
Vera Brittain
From Halcyon, or The Future of Monogamy / 597
J. D. Bernal
From The World, the Flesh, and the Devil I 601
J. B. S. Haldane
From Daedalus, or Science and the Future / 606
Elizabeth Von Arnim
Chapter 14, Part II, from Love / 609
C. P. Snow
From New Lives for Old / 615
17. MEDIUMSHIP, AUTOMATISM, AND MODERNIST AUTHORSHIP
Introduced and Selected by Bette London / 623
Hester Travers Smith
From Psychic Messages from Oscar Wilde / 632
Geraldine Cummins
Concerning the Cleophas Scripts / 647
Radclyffe Hall and Una Lady Troubridge
From On a Series of Sittings with Mrs. Osborne Leonard / 658
Part V: Arts and Performances
18. GENDER AND COLLABORATION IN MODERN DRAMA
Introduced and Selected by Katherine E. Kelly / 677
Christopher St. John
The First Actress / 696
Cicely Hamilton and Christopher St. John
From How the Vote Was Won I 706
Sophie Treadwell
From Machinal I 720
Ravien Siurlai (Ferdinand Hardekopf)
Emmy Hennings / 735
Emmy Hennings
The Perhaps Last Flight
(trans. Judith Bach and Katherine Weinstein) / 736
Suzanne Perrottet
A Description of Emmy Hennings Dancing in a Cardboard Dada
Costume (trans. Judith Bach and Katherine Weinstein) / 737
Illustrations:
Hamilton and St. John s How the Vote Was Won I 680
Members of the Actresses Franchise League / 680
St. John s The First Actress I 683
Shakespeare Festival production of Machinal I 685
Emmy Hennings with Dada puppet / 687
Sophie Taeuber posing in Hans Arp costume / 689
19. MODERNISM, GENDER, AND DANCE
Introduced and Selected by Carol Shloss / 738
Isadora Duncan
The Dance and Its Inspiration: Written in the Form of
an Old Greek Dialogue / 746
The Freedom of Woman / 750
Margaret Morris
From Health and Physical Exercise / 751
Andre Levinson
The Girls / 759
20. THE GENDER OF MODERN/lST PAINTING
Introduced and Selected by Diane F. Gillespie / 765
Vanessa Bell
From Lecture Given at Leighton Park School / 778
Marie Laurencin
Men s Genius Intimidates Me (trans. Alita Kelley) / 787
Sonia Delaunay
Carpets and Fabrics (trans. Alita Kelley) / 790
Eileen Agar
Religion and the Artistic Imagination / 793
From Am I a Surrealist? / 795
Winifred Nicholson
From Liberation of Colour / 796
Emily Carr
From Fresh Seeing / 802
Illustrations:
Vanessa Bell, The Bedroom, Gordon Square, 1912 / 783
Marie Laurencin, Woman Painter and Her Model, 1921 / 786
Sonia Delaunay-Terk, Electric Prisms, 1914 / 790
Eileen Agar, The Autobiography of an Embryo, 1933/34 / 793
Winifred Nicholson, Window-sill, Lugano, 1923 / 797
Emily Carr, Totem Mother, Kitwancool, 1928 / 803
21. CINEASTES AND MODERNISTS: WRITING ON FILM IN
1920S LONDON
Introduced and Selected by Leslie Kathleen Hankins / 809
Iris Barry
The Cinema: A Comparison of Arts / 824
The Scope of the Cinema / 826
Untitled Memoirs about the Launching of the Film Society / 828
From Let s Go to the Pictures I 831
Women Film Makers / 835
Women Who Make Us Laugh / 836
London Film Society Programme No. 38 (Women Directors) / 837
Virginia Woolf
The Cinema / 840
Gilbert Seldes
The Abstract Movie / 844
H. D.
Projector / 848
Dorothy Richardson
From So I gave up going to the theatre / 851
Bryher
The Sociological Film, I / 853
Illustrations
Collage: London Film Society and little magazines / 812
Iris Barry / 814
Peasant Women ofRiazan film still / 820
General Bibliography / 859
Contributors / 861
Index / 865
|
| adam_txt |
Titel: Gender in modernism
Autor: Scott, Bonnie Kime
Jahr: 2007
CONTENTS
Acknowledgments / xv
Introduction: A Retro-prospective on Gender in Modernism
Bonnie Kime Scott / i
Part I. Modernist/Feminist Activism
1. SUFFRAGE AND SPECTACLE
Introduced and Selected by Mary Chapman and Barbara Green / 25
Evelyn Sharp
The Women at the Gate / 37
Lady Constance Lytton
From Prisons and Prisoners / 44
Edna Ferber
From Chapter 15, Fanny Herself I 48
Anne O'Hagan
From Chapter 7, The Sturdy Oak / 58
Illustrations:
The "Car of Empire" Women's Coronation Procession / 27
Pickets at the White House, 1917 / 28
2. MANIFESTOES FROM THE SEX WAR
Introduced and Selected by Janet Lyon / 67
Emmeline Pankhurst
Votes for Women: New Movement Manifesto / 76
NWSPU
Our Demand: What It Is and What It Is Not / 77
WSPU
Window Breaking: To One Who Has Suffered / 79
Filippo Tommaso Marinetti
Against Amore and Parliamentarianism / 81
Marriage and the Family / 84
Valentine de Saint-Point
Manifesto of Futurist Woman / 87
Mina Loy
Feminist Manifesto / 91
3. RADICAL MODERNS: AMERICAN WOMEN POETS ON THE LEFT
Introduced and Selected by Nancy Berke / 94
Lola Ridge
From "The Ghetto" / 100
Lullaby / 105
Genevieve Taggard
At Last the Women Are Moving / 106
A Middle-Aged, Middle-Class Woman at Midnight / 107
Feeding the Children / 108
The Ruskinian Boys See Red / 109
Lucia Trent and Ralph Cheyney
What Is This Modernism? / 112
Ruth Lechlitner
Lines for an Abortionist's Office / 116
Case Recruit / 116
Marie de L. Welch
Sky-Scraper in Construction / 117
Camp Corcoran / 118
Part II. Issues of Production and Reception
4. SENTIMENTAL MODERNISM
Introduced and Selected by Suzanne Clark / 125
Angelina Weld Grimke
You / 136
Your Eyes / 137
Blue Cycle / 138
Beware Lest He Awakes / 138
The Black Finger / 140
"Rachel," The Play of the Month: The Reason and
Synopsis by the Author / 140
Edna St. Vincent Millay
Sonnet XVIII (I, being born a woman and distressed) / 143
The Pioneer (Sonnet LXVII, for Inez Milholland) / 144
Louise Bogan
Summer Wish / 145
The Heart and the Lyre / 149
Kay Boyle
From Letters
Letter to Lola Ridge (Aug. 1924) / 153
Letter to Katherine Evans Boyle (July 1926) / 154
Letter to Katherine Evans Boyle (Oct. 1926) / 155
Letter to William Carlos Williams (Oct. 1932) / 156
On the Run / 157
5. DEBATING FEMINISM, MODERNISM, AND SOCIALISM:
BEATRICE HASTINGS'S VOICES IN THE NEW AGE
Introduced and Selected by Ann Ardis / 160
Beatrice Hastings
Suffragettes in the Making / 168
On Guard / 170
Feminism and the Franchise / 171
From The Old "New Age" Orage?And Others I 174
The Way Back to America / 178
From "Impressions of Paris" / 182
6. JOURNALISM MEETS MODERNISM
Introduced and Selected by Patrick Collier / 186
Rebecca West
The Future of the Press IV: The Journalist and the Public / 196
Rose Macaulay
The Press and the Public / 201
What the Public Wants / 205
Winifred Holtby
Modern Newspaper: Edited to Entertain / 209
Virginia Woolf
Reviewing / 215
7. WOMEN EDITORS AND MODERNIST SENSIBILITIES
Introduced and Selected by Jayne E. Marek / 225
Margaret Anderson
From "Our First Year" / 232
Jane Heap
From "Machine-Age Exposition" / 234
From "Art and the Law" / 236
Alice Corbin Henderson
Of Editors and Poets / 238
Harriet Monroe
From "What Next?" / 239
Marianne Moore
Comment / 241
From "The Spare American Emotion" / 243
Amy Lowell
From "Nationalism in Art" / 245
Jessie Redmon Fauset
From "Impressions of the Second Pan-African Congress" / 247
Gwendolyn Bennett
From "The Ebony Flute" / 253
From "Blue-Black Symphony" / 256
Dorothy West
Letter to Langston Hughes, 1934 / 258
Editorial [with Marian Minus] / 259
8. HOPE MIRRLEES AND CONTINENTAL MODERNISM
Introduced and Selected by Julia Briggs / 261
Hope Mirrlees
Paris: A Poem / 270
Commentary on Paris by Julia Briggs / 287
Illustration:
Facsimile of Paris, p. 1 / 271
Part III. Diverse Identities and Geographies
9. LESBIAN POLITICAL HISTORY
Introduced and Selected by Gay Wachman / 307
Vernon Lee
From Satan the Waster I 318
Rose Laure Allatini
From Despised and Rejected I 321
Radclyffe Hall
From "Notes on The Well of Loneliness" / 325
Sylvia Townsend Warner
After my marriage night / 328
Valentine Ackland
Country Dealings / 330
Sylvia Townsend Warner
My Shirt Is in Mexico / 333
10. QUEER CONJUNCTIONS IN MODERNISM
Introduced and Selected by Colleen Lamos / 336
Djuna Barnes
"Introduction," From Ladies Almanack / 343
Bruce Nugent
From "Smoke, Lilies and Jade" / 345
Charles Henri Ford and Parker Tyler
Chapter 13: "I Don't Want to Be a Doll," from The Young
and Evil / 354
Robert McAlmon
From "The Indefinite Huntress" / 361
Countee Cullen
Fruit of the Flower / 369
Hart Crane
Episode of Hands / 370
11. MODERNISM, GENDER, AND PASSING
Introduced and Selected by Pamela L. Caughie / 372
Heba Jannath
From "America's Changing Color Line" / 387
Elsie Clews Parsons
From "The Zuni La' Mana" / 394
Colette
Nuit Blanche (trans. Anne Callahan) / 398
Claude McKay
From "Malty Turned Down" in Banjo / 401
D. H. Lawrence
From The Woman Who Rode Away / 407
Robert McAlmon
White Males / 413
Joan Riviere
From "Womanliness as a Masquerade" / 414
Ernest Hemingway
From The Garden of Eden / 419
Illustrations:
Mrs. Credit of Philadelphia, Pa., from The Messenger I 376
Karl Arnold, "Lotte am Scheidewege" (Lotte at the Crossroads) / 377
We-Wha Weaving / 378
D. H. Lawrence painting, Fight with an Amazon / 383
12. MODERNISM, GENDER, AND AFRICA
Introduced and Selected by Tuzylinejita Allan / 427
W. E. B. Du Bois
The African Roots of War / 438
Alain Locke
Afro-Americans and West Africans: A New Understanding / 445
Charlotte Maxeke
Social Conditions among Bantu Women and Girls / 453
Mabel Dove-Danquah
The Torn Veil / 458
Adelaide Casely Hayford
Mista Courifer / 463
13. RACE, NATION, AND MODERNITY: THE ANTI-COLONIAL
CONSCIOUSNESS OF MODERNISM
Introduced and Selected by Sonita Sarker / 472
Behramji Merwanji Malabari
From "The Indian Eye on English Life, or Rambles of a
Pilgrim Reformer" / 482
Victoria Ocampo
Living History (trans. Doris Meyer) / 488
Woman, Her Rights and Her Responsibilities / 494
Jean Rhys
Meta / 501
Chorus Girls / 503
Cornelia Sorabji
Extracts from Unpublished Diaries and Lectures / 508
Gertrude Stein
From Paris France, Part 2 / 512
Part IV. War, Technology, and Traumas of Modernity
14. WAR, MODERNISMS, AND THE FEMINIZED "OTHER"
Introduced and Selected by Claire M. Tylee / 519
Mulk Raj Anand
From Across the Black Waters I 528
James Hanley
Narrative: IX / 536
Martha Gellhorn
The Third Winter: November 1938 / 539
Sean O'Casey
From Act I, The Silver Tassie / 544
Anna Wickham
London Scenes: The Night March / 554
15. MODERNISM, TRAUMA, AND NARRATIVE REFORMULATION
Introduced and Selected by Suzette A. Henke / 555
H. D. (Hilda Doolittle)
From Bid Me to Live I 563
Dorothy Richardson
From Pilgrimage / 574
Virginia Woolf
From "The Prime Minister" Holograph / 581
16. MODERNISM AND MEDICINE
Introduced and Selected by Susan Squier / 588
Vera Brittain
From Halcyon, or The Future of Monogamy / 597
J. D. Bernal
From The World, the Flesh, and the Devil I 601
J. B. S. Haldane
From Daedalus, or Science and the Future / 606
Elizabeth Von Arnim
Chapter 14, Part II, from Love / 609
C. P. Snow
From New Lives for Old / 615
17. MEDIUMSHIP, AUTOMATISM, AND MODERNIST AUTHORSHIP
Introduced and Selected by Bette London / 623
Hester Travers Smith
From Psychic Messages from Oscar Wilde / 632
Geraldine Cummins
Concerning the Cleophas Scripts / 647
Radclyffe Hall and Una Lady Troubridge
From "On a Series of Sittings with Mrs. Osborne Leonard" / 658
Part V: Arts and Performances
18. GENDER AND COLLABORATION IN MODERN DRAMA
Introduced and Selected by Katherine E. Kelly / 677
Christopher St. John
The First Actress / 696
Cicely Hamilton and Christopher St. John
From How the Vote Was Won I 706
Sophie Treadwell
From Machinal I 720
Ravien Siurlai (Ferdinand Hardekopf)
Emmy Hennings / 735
Emmy Hennings
The Perhaps Last Flight
(trans. Judith Bach and Katherine Weinstein) / 736
Suzanne Perrottet
A Description of Emmy Hennings Dancing in a Cardboard Dada
Costume (trans. Judith Bach and Katherine Weinstein) / 737
Illustrations:
Hamilton and St. John's How the Vote Was Won I 680
Members of the Actresses' Franchise League / 680
St. John's The First Actress I 683
Shakespeare Festival production of Machinal I 685
Emmy Hennings with Dada puppet / 687
Sophie Taeuber posing in Hans Arp costume / 689
19. MODERNISM, GENDER, AND DANCE
Introduced and Selected by Carol Shloss / 738
Isadora Duncan
The Dance and Its Inspiration: Written in the Form of
an Old Greek Dialogue / 746
The Freedom of Woman / 750
Margaret Morris
From "Health and Physical Exercise" / 751
Andre Levinson
The Girls / 759
20. THE GENDER OF MODERN/lST PAINTING
Introduced and Selected by Diane F. Gillespie / 765
Vanessa Bell
From "Lecture Given at Leighton Park School" / 778
Marie Laurencin
Men's Genius Intimidates Me (trans. Alita Kelley) / 787
Sonia Delaunay
Carpets and Fabrics (trans. Alita Kelley) / 790
Eileen Agar
Religion and the Artistic Imagination / 793
From "Am I a Surrealist?" / 795
Winifred Nicholson
From "Liberation of Colour" / 796
Emily Carr
From "Fresh Seeing" / 802
Illustrations:
Vanessa Bell, The Bedroom, Gordon Square, 1912 / 783
Marie Laurencin, Woman Painter and Her Model, 1921 / 786
Sonia Delaunay-Terk, Electric Prisms, 1914 / 790
Eileen Agar, The Autobiography of an Embryo, 1933/34 / 793
Winifred Nicholson, Window-sill, Lugano, 1923 / 797
Emily Carr, Totem Mother, Kitwancool, 1928 / 803
21. CINEASTES AND MODERNISTS: WRITING ON FILM IN
1920S LONDON
Introduced and Selected by Leslie Kathleen Hankins / 809
Iris Barry
The Cinema: A Comparison of Arts / 824
The Scope of the Cinema / 826
Untitled Memoirs about the Launching of the Film Society / 828
From Let's Go to the Pictures I 831
Women Film Makers / 835
Women Who Make Us Laugh / 836
London Film Society Programme No. 38 (Women Directors) / 837
Virginia Woolf
The Cinema / 840
Gilbert Seldes
The Abstract Movie / 844
H. D.
Projector / 848
Dorothy Richardson
From "So I gave up going to the theatre" / 851
Bryher
The Sociological Film, I / 853
Illustrations
Collage: London Film Society and little magazines / 812
Iris Barry / 814
Peasant Women ofRiazan film still / 820
General Bibliography / 859
Contributors / 861
Index / 865 |
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| any_adam_object_boolean | 1 |
| author_GND | (DE-588)189587466 |
| building | Verbundindex |
| bvnumber | BV021697897 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR478 |
| callnumber-raw | PR478.M6 |
| callnumber-search | PR478.M6 |
| callnumber-sort | PR 3478 M6 |
| callnumber-subject | PR - English Literature |
| classification_rvk | HM 1541 |
| ctrlnum | (OCoLC)70258791 (DE-599)BVBBV021697897 |
| dewey-full | 820.9/112 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 820 - English & Old English literatures |
| dewey-raw | 820.9/112 |
| dewey-search | 820.9/112 |
| dewey-sort | 3820.9 3112 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| era | Geschichte 1900-2000 Geschichte 1880-1940 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1880-1940 |
| format | Book |
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| geographic | Großbritannien USA |
| geographic_facet | Großbritannien USA |
| id | DE-604.BV021697897 |
| illustrated | Not Illustrated |
| index_date | 2024-07-02T15:16:21Z |
| indexdate | 2024-07-09T20:41:55Z |
| institution | BVB |
| isbn | 0252031717 0252074181 9780252031717 9780252074189 |
| language | English |
| lccn | 2006019431 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-014911873 |
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| physical | XVII, 872 S. |
| publishDate | 2007 |
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| publisher | Univ. of Illinois Press |
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| spelling | Gender in modernism new geographies, complex intersections ed. with an introd. by Bonnie Kime Scott Urbana [u.a.] Univ. of Illinois Press 2007 XVII, 872 S. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Grouped into 21 thematic sections, this collection provides theoretical introductions to the primary texts provided by the scholars who have taken the lead in pushing both modernism and gender in different directions. It provides an understanding of the complex intersections of gender with an array of social identifications. Geschichte 1900-2000 Geschichte 1880-1940 gnd rswk-swf English literature 20th century History and criticism Modernism (Literature) Great Britain Sex role in literature Women and literature English literature Women authors History and criticism American literature 20th century History and criticism American literature Women authors History and criticism Modernism (Literature) United States Modernism (Aesthetics) Moderne (DE-588)4039827-4 gnd rswk-swf Geschlechterrolle (DE-588)4071776-8 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Frauenliteratur (DE-588)4113622-6 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Großbritannien USA (DE-588)4002214-6 Anthologie gnd-content Englisch (DE-588)4014777-0 s Frauenliteratur (DE-588)4113622-6 s Moderne (DE-588)4039827-4 s DE-604 Geschichte 1880-1940 z Literatur (DE-588)4035964-5 s Geschlechterrolle (DE-588)4071776-8 s Scott, Bonnie Kime 1944- Sonstige (DE-588)189587466 oth HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014911873&sequence=000006&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Gender in modernism new geographies, complex intersections English literature 20th century History and criticism Modernism (Literature) Great Britain Sex role in literature Women and literature English literature Women authors History and criticism American literature 20th century History and criticism American literature Women authors History and criticism Modernism (Literature) United States Modernism (Aesthetics) Moderne (DE-588)4039827-4 gnd Geschlechterrolle (DE-588)4071776-8 gnd Literatur (DE-588)4035964-5 gnd Frauenliteratur (DE-588)4113622-6 gnd Englisch (DE-588)4014777-0 gnd |
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| title | Gender in modernism new geographies, complex intersections |
| title_auth | Gender in modernism new geographies, complex intersections |
| title_exact_search | Gender in modernism new geographies, complex intersections |
| title_exact_search_txtP | Gender in modernism new geographies, complex intersections |
| title_full | Gender in modernism new geographies, complex intersections ed. with an introd. by Bonnie Kime Scott |
| title_fullStr | Gender in modernism new geographies, complex intersections ed. with an introd. by Bonnie Kime Scott |
| title_full_unstemmed | Gender in modernism new geographies, complex intersections ed. with an introd. by Bonnie Kime Scott |
| title_short | Gender in modernism |
| title_sort | gender in modernism new geographies complex intersections |
| title_sub | new geographies, complex intersections |
| topic | English literature 20th century History and criticism Modernism (Literature) Great Britain Sex role in literature Women and literature English literature Women authors History and criticism American literature 20th century History and criticism American literature Women authors History and criticism Modernism (Literature) United States Modernism (Aesthetics) Moderne (DE-588)4039827-4 gnd Geschlechterrolle (DE-588)4071776-8 gnd Literatur (DE-588)4035964-5 gnd Frauenliteratur (DE-588)4113622-6 gnd Englisch (DE-588)4014777-0 gnd |
| topic_facet | English literature 20th century History and criticism Modernism (Literature) Great Britain Sex role in literature Women and literature English literature Women authors History and criticism American literature 20th century History and criticism American literature Women authors History and criticism Modernism (Literature) United States Modernism (Aesthetics) Moderne Geschlechterrolle Literatur Frauenliteratur Englisch Großbritannien USA Anthologie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014911873&sequence=000006&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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