Tributum gratitudinis reddo: fundacje artystyczne na terenie Kielc w XVII i XVIII wieku ; studium z historii kultury
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| Main Author: | |
|---|---|
| Format: | Book |
| Language: | Polish |
| Published: |
Kielce
Kieleckie Tow. Naukowe [u.a.]
2005
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Abstract |
| Item Description: | Zsfassung in engl. Sprache |
| Physical Description: | 430 S., [8] Bl. Ill. |
| ISBN: | 8386006897 8374423218 |
Staff View
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| 245 | 1 | 0 | |a Tributum gratitudinis reddo |b fundacje artystyczne na terenie Kielc w XVII i XVIII wieku ; studium z historii kultury |c Marta Pieniążek-Samek |
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Record in the Search Index
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|---|---|
| adam_text | Spis treści
Wykaz skrótów
WSTĘP
ROZDZIAŁ I: Terytorium, czyli Kielce w epoce nowożytnej
1.
2.
ROZDZIAŁ
1.
Biskupi
Kanonicy
Wikariusze
Inni duchowni
2.
Mieszczanie
Szlachta
Chłopi
Osoby bez określenia przynależności stanowej
ROZDZIAŁ III: Opera et legata. Dzieło jako nośnik wartości
1.
2.
3.
ROZDZIAŁ
działalności fundacyjnej
PODSUMOWANIE
Tabele
ANEKS
Wykaz fundatorów i fundacji
Źródła
Źródła rękopiśmienne
Źródła drukowane i wydawnictwa źródłowe
Opracowania
Indeks osób
Summary
Spis tabel 431
Spis ilustracji
Ilustracje
Contents
List of abbreviations
INTRODUCTION
CHAPTER I: The territory, i.e.
1.
2.
CHAPTER II:
1.
Bishops
Canons
Curates
Other clergy
2.
Townspeople
The nobility
Peasantry
Persons without a definite social status
CHAPTER III: Opera
1.
2.
3.
CHAPTER
of the foundation activity
CONCLUSION
Tables
APPENDIX
List of founders and foundations
Sources
Manuscript sources
Printed primary sources and publishers
Secondary sources
Index of persons
Summary
List of tables
List of illustrations
Illustrations
Tributům gratitudinis reddo.
Art endowments in the town of
A study in the history of culture
The town of
contemporary Polish Commonwealth
who are engaged in trade, crafts and agriculture. Due to the presence of the episcopal
abode the town also had a character of a residential centre. Besides, it was a typical
private city, the administrative centre of the estates which belonged to Krakow bishops,
and additionally as the episcopal judiciary centre with a regional office. It was also
a centre of religious life, the abode of the collegiate chapter, the archdeaconship and the
parish, and in the 18th century, additionally the town was the seat of a theological
seminary. And last but not least, a cult centre, with the painting of The Mother of God with
the Infant Christ.
This country town preserves records of people who performed various offices both in
church and in lay structures. Some of them took actions which transcended everyday
duties; they founded buildings, altars, pictures, sculptures, works of applied art and
books. This group was not numerous; only
activity in
18th century. They made
most numerous group in both centuries included works of applied, mostly fabrics, books,
elements of church interior decoration: altars, pictures, sculptures and epitaphs, stalls,
choirs, boxes, benches, confessionals, tabernacles, and also architectural endowments
which included not only the completed structures but also numerous endowments for the
construction of churches.
The group of endowment founders included mostly the clergy (c.
1,385
Kielce
larly Konstantyn
founders the prevailing group consisted of
of donors and
Kielce
exclusively or almost exclusively connected with the
Obłomkowicz,
Konrad;
The group of lay founders consisted mostly of
a little above
endowments is not impressive: only just
a poor town with a small number of men of means, and therefore the structure of offered
gifts was characteristic: a distinct prevalence of rather inexpensive cloths. The more
considerable grants were exclusively made by the representatives of more well-off
Summary
families: Ornasie,
municipal authority. Among the
notice here. The representatives of rich, ennobled middle-class families, such as Duracz,
Delpacy and Szembek, did not make significant grants, either. In this context it is
particularly moving to note among the founders the presence of peasants from nearby
hamlets and poor persons, including the patients of the local hospital.
Investigating the foundation activity in
necessary to remember that in the face of the destruction or loss of the majority of municipal
records, as well as the
which are available today are only fragmentary. Due to the scarcity of source data, it is
difficult to answer two essential questions. The first of them concerns the degree of the
autonomy of the
orderer
contract for the construction of organs signed with Ignatius Fogler. In turn, the group of
artists and craftsmen, whose participation is confirmed by archival records, was very small.
It included, among others, the architect and mason Jan Herbek, the stonemason Caspar
Herman, painters: Jan
M.
iewicz, wood-carver
artists, their participation in the
basis of stylistic analysis, as in the case of the alleged designers of the
Giovanni Trevano and Tomasso Poncino; architects Caspar
Longhi, the designer and the sculptor Francesco Torriani, mason Jakob
Tomasso Dolabella, painter and goldsmith
Sebastian
In turn, the files contain the names of artists and craftsmen connected with
architects and masons:
Trybulski
possible to identify any concrete work with them. Surely, there was a goldsmithery centre or
at least a group of people engaged in goldsmithery. It is known that this profession was
executed, apart from
Stanisław
the descendant of
endowments were made by anonymous benefactors; only in few cases the preserved
archival material evidenced the place or the centre wherein the execution was commis¬
sioned: almost always it was Cracow and craftsmen who worked there.
When archival confirmations are missing, only stylistic analysis permitted to indicate
the milieu from which the artists working in
sources of inspiration. The Krakow provenience of the majority of the
ments, determined on the basis of this analysis, is not surprising. It is clear that bishops,
members of the Chapter, who often combined the
sought in the capital of the diocese the executors for their own endowments. But works
present in
centres: Lublin, Warsaw,
This variety of sources of inspiration testifying the lack of stylistic autonomy of the
430
Kielce
ly weak provincial centres in Poland which took advantage of the experiences of the
greater and artistically more efficient milieus.
Equally difficult, and not only due to the lack of source materials, is the answer to the
second question concerning the reasons of the foundation activity. Most of the
founders followed practical motives; they treated their activity as the duty of the faithful,
a tribute to the Church, and also a kind of passport to heaven . One cannot exclude less
practical intentions, i.e. the love and worship of God, His Mother
Polish Crown, or saints, who, in the testator s belief, provided special care for him. For
many people endowments were manifestations of affection for the church in which they
performed priestly service or participated in the religious life of the community. They
were also a more or less conscious attempts to record oneself in human memory;
a confirmation of material status and the public role in the local community. Finally, some
founders, mostly bishops and canons of the
obligated by their position to make endowments.
A question arises: was it patronage or foundation activity? The considerations made in
this study univocally opt for the second term, which seems to be more adequate with
reference to the activities of almost all donors connected with
definition is not the most essential problem. The list of the quantity and quality of
endowments, social status of founders, degree of the commitment in the foundation
activity of various character, cannot be compared, and the formulated conclusions cannot
be verified with data from other localities because such complex investigations have not
been conducted with reference to any municipal centre in old-time Poland.
The execution of research, similar to this in the present study, with reference to other
centres in Poland is the most important investigative postulate which is formulated in the
conclusion. Until a synthetic study of artistic patronage in modern Poland, postulated by
Mariusz Karpowicz,
activities of outstanding individuals and modest endowments, including the foundation
activity of different social groups in small and large municipal centres. Results of this
research will permit to view the history of modern art on a much wider scale, not only in
its historic-aesthetical dimension, but also as the result of the foundation commitment of
individuals and all groups. This commitment was the result of free decision caused by
different religious, psychological, political or economic motives; sometimes it was simply
the effect of holding a public office by these individuals or a sense of fulfilling one s duty.
The effect of such commitment is always the work implicating apart from strictly material
or artistic values also a message which the founder sends to the receiver, and more
precisely to the addressee of his or her foundation. An attempt of reading this message has
also become an attempt at finding an answer to a question fundamental for our consider¬
ations
discussed in this book.
Did the endowment founders in
one aim because they are stored permanently in our memory when they accomplished
a wish which was accurately expressed by one of them
read this, you should have no doubt who made this deed .
Translation
|
| adam_txt |
Spis treści
Wykaz skrótów
WSTĘP
ROZDZIAŁ I: Terytorium, czyli Kielce w epoce nowożytnej
1.
2.
ROZDZIAŁ
1.
Biskupi
Kanonicy
Wikariusze
Inni duchowni
2.
Mieszczanie
Szlachta
Chłopi
Osoby bez określenia przynależności stanowej
ROZDZIAŁ III: Opera et legata. Dzieło jako nośnik wartości
1.
2.
3.
ROZDZIAŁ
działalności fundacyjnej
PODSUMOWANIE
Tabele
ANEKS
Wykaz fundatorów i fundacji
Źródła
Źródła rękopiśmienne
Źródła drukowane i wydawnictwa źródłowe
Opracowania
Indeks osób
Summary
Spis tabel 431
Spis ilustracji
Ilustracje
Contents
List of abbreviations
INTRODUCTION
CHAPTER I: The territory, i.e.
1.
2.
CHAPTER II:
1.
Bishops
Canons
Curates
Other clergy
2.
Townspeople
The nobility
Peasantry
Persons without a definite social status
CHAPTER III: Opera
1.
2.
3.
CHAPTER
of the foundation activity
CONCLUSION
Tables
APPENDIX
List of founders and foundations
Sources
Manuscript sources
Printed primary sources and publishers
Secondary sources
Index of persons
Summary
List of tables
List of illustrations
Illustrations
Tributům gratitudinis reddo.
Art endowments in the town of
A study in the history of culture
The town of
contemporary Polish Commonwealth
who are engaged in trade, crafts and agriculture. Due to the presence of the episcopal
abode the town also had a character of a residential centre. Besides, it was a typical
private city, the administrative centre of the estates which belonged to Krakow bishops,
and additionally as the episcopal judiciary centre with a regional office. It was also
a centre of religious life, the abode of the collegiate chapter, the archdeaconship and the
parish, and in the 18th century, additionally the town was the seat of a theological
seminary. And last but not least, a cult centre, with the painting of The Mother of God with
the Infant Christ.
This country town preserves records of people who performed various offices both in
church and in lay structures. Some of them took actions which transcended everyday
duties; they founded buildings, altars, pictures, sculptures, works of applied art and
books. This group was not numerous; only
activity in
18th century. They made
most numerous group in both centuries included works of applied, mostly fabrics, books,
elements of church interior decoration: altars, pictures, sculptures and epitaphs, stalls,
choirs, boxes, benches, confessionals, tabernacles, and also architectural endowments
which included not only the completed structures but also numerous endowments for the
construction of churches.
The group of endowment founders included mostly the clergy (c.
1,385
Kielce
larly Konstantyn
founders the prevailing group consisted of
of donors and
Kielce
exclusively or almost exclusively connected with the
Obłomkowicz,
Konrad;
The group of lay founders consisted mostly of
a little above
endowments is not impressive: only just
a poor town with a small number of men of means, and therefore the structure of offered
gifts was characteristic: a distinct prevalence of rather inexpensive cloths. The more
considerable grants were exclusively made by the representatives of more well-off
Summary
families: Ornasie,
municipal authority. Among the
notice here. The representatives of rich, ennobled middle-class families, such as Duracz,
Delpacy and Szembek, did not make significant grants, either. In this context it is
particularly moving to note among the founders the presence of peasants from nearby
hamlets and poor persons, including the patients of the local hospital.
Investigating the foundation activity in
necessary to remember that in the face of the destruction or loss of the majority of municipal
records, as well as the
which are available today are only fragmentary. Due to the scarcity of source data, it is
difficult to answer two essential questions. The first of them concerns the degree of the
autonomy of the
orderer
contract for the construction of organs signed with Ignatius Fogler. In turn, the group of
artists and craftsmen, whose participation is confirmed by archival records, was very small.
It included, among others, the architect and mason Jan Herbek, the stonemason Caspar
Herman, painters: Jan
M.
iewicz, wood-carver
artists, their participation in the
basis of stylistic analysis, as in the case of the alleged designers of the
Giovanni Trevano and Tomasso Poncino; architects Caspar
Longhi, the designer and the sculptor Francesco Torriani, mason Jakob
Tomasso Dolabella, painter and goldsmith
Sebastian
In turn, the files contain the names of artists and craftsmen connected with
architects and masons:
Trybulski
possible to identify any concrete work with them. Surely, there was a goldsmithery centre or
at least a group of people engaged in goldsmithery. It is known that this profession was
executed, apart from
Stanisław
the descendant of
endowments were made by anonymous benefactors; only in few cases the preserved
archival material evidenced the place or the centre wherein the execution was commis¬
sioned: almost always it was Cracow and craftsmen who worked there.
When archival confirmations are missing, only stylistic analysis permitted to indicate
the milieu from which the artists working in
sources of inspiration. The Krakow provenience of the majority of the
ments, determined on the basis of this analysis, is not surprising. It is clear that bishops,
members of the Chapter, who often combined the
sought in the capital of the diocese the executors for their own endowments. But works
present in
centres: Lublin, Warsaw,
This variety of sources of inspiration testifying the lack of stylistic autonomy of the
430
Kielce
ly weak provincial centres in Poland which took advantage of the experiences of the
greater and artistically more efficient milieus.
Equally difficult, and not only due to the lack of source materials, is the answer to the
second question concerning the reasons of the foundation activity. Most of the
founders followed practical motives; they treated their activity as the duty of the faithful,
a tribute to the Church, and also a kind of "passport to heaven". One cannot exclude less
practical intentions, i.e. the love and worship of God, His Mother
Polish Crown, or saints, who, in the testator's belief, provided special care for him. For
many people endowments were manifestations of affection for the church in which they
performed priestly service or participated in the religious life of the community. They
were also a more or less conscious attempts to record oneself in human memory;
a confirmation of material status and the public role in the local community. Finally, some
founders, mostly bishops and canons of the
obligated by their position to make endowments.
A question arises: was it patronage or foundation activity? The considerations made in
this study univocally opt for the second term, which seems to be more adequate with
reference to the activities of almost all donors connected with
definition is not the most essential problem. The list of the quantity and quality of
endowments, social status of founders, degree of the commitment in the foundation
activity of various character, cannot be compared, and the formulated conclusions cannot
be verified with data from other localities because such complex investigations have not
been conducted with reference to any municipal centre in old-time Poland.
The execution of research, similar to this in the present study, with reference to other
centres in Poland is the most important investigative postulate which is formulated in the
conclusion. Until a synthetic study of artistic patronage in modern Poland, postulated by
Mariusz Karpowicz,
activities of outstanding individuals and modest endowments, including the foundation
activity of different social groups in small and large municipal centres. Results of this
research will permit to view the history of modern art on a much wider scale, not only in
its historic-aesthetical dimension, but also as the result of the foundation commitment of
individuals and all groups. This commitment was the result of free decision caused by
different religious, psychological, political or economic motives; sometimes it was simply
the effect of holding a public office by these individuals or a sense of fulfilling one's duty.
The effect of such commitment is always the work implicating apart from strictly material
or artistic values also a message which the founder sends to the receiver, and more
precisely to the addressee of his or her foundation. An attempt of reading this message has
also become an attempt at finding an answer to a question fundamental for our consider¬
ations
discussed in this book.
Did the endowment founders in
one aim because they are stored permanently in our memory when they accomplished
a wish which was accurately expressed by one of them
read this, you should have no doubt who made this deed".
Translation |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Pieniążek-Samek, Marta 1957- |
| author_GND | (DE-588)131872702 |
| author_facet | Pieniążek-Samek, Marta 1957- |
| author_role | aut |
| author_sort | Pieniążek-Samek, Marta 1957- |
| author_variant | m p s mps |
| building | Verbundindex |
| bvnumber | BV021690199 |
| callnumber-first | N - Fine Arts |
| callnumber-label | N5280 |
| callnumber-raw | N5280.P7 |
| callnumber-search | N5280.P7 |
| callnumber-sort | N 45280 P7 |
| callnumber-subject | N - Visual Arts |
| ctrlnum | (OCoLC)69983954 (DE-599)BVBBV021690199 |
| era | Geschichte 1700-1800 Geschichte 1600-1700 Geschichte 1600-1800 gnd |
| era_facet | Geschichte 1700-1800 Geschichte 1600-1700 Geschichte 1600-1800 |
| format | Book |
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| geographic | Polen Kielce (DE-588)4030485-1 gnd |
| geographic_facet | Polen Kielce |
| id | DE-604.BV021690199 |
| illustrated | Illustrated |
| index_date | 2024-07-02T15:14:07Z |
| indexdate | 2024-07-09T20:41:44Z |
| institution | BVB |
| isbn | 8386006897 8374423218 |
| language | Polish |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-014904280 |
| oclc_num | 69983954 |
| open_access_boolean | |
| owner | DE-12 DE-255 |
| owner_facet | DE-12 DE-255 |
| physical | 430 S., [8] Bl. Ill. |
| publishDate | 2005 |
| publishDateSearch | 2005 |
| publishDateSort | 2005 |
| publisher | Kieleckie Tow. Naukowe [u.a.] |
| record_format | marc |
| spelling | Pieniążek-Samek, Marta 1957- Verfasser (DE-588)131872702 aut Tributum gratitudinis reddo fundacje artystyczne na terenie Kielc w XVII i XVIII wieku ; studium z historii kultury Marta Pieniążek-Samek Kielce Kieleckie Tow. Naukowe [u.a.] 2005 430 S., [8] Bl. Ill. txt rdacontent n rdamedia nc rdacarrier Zsfassung in engl. Sprache Geschichte 1700-1800 Geschichte 1600-1700 Geschichte 1600-1800 gnd rswk-swf Geschichte Art patronage Poland Kielce History 17th century Art patronage Poland Kielce History 18th century Arts Endowments Stiftung (DE-588)4057542-1 gnd rswk-swf Polen Kielce (DE-588)4030485-1 gnd rswk-swf Geschichte 1600-1800 Kielce (DE-588)4030485-1 g Stiftung (DE-588)4057542-1 s Geschichte 1600-1800 z DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014904280&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014904280&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Pieniążek-Samek, Marta 1957- Tributum gratitudinis reddo fundacje artystyczne na terenie Kielc w XVII i XVIII wieku ; studium z historii kultury Geschichte Art patronage Poland Kielce History 17th century Art patronage Poland Kielce History 18th century Arts Endowments Stiftung (DE-588)4057542-1 gnd |
| subject_GND | (DE-588)4057542-1 (DE-588)4030485-1 |
| title | Tributum gratitudinis reddo fundacje artystyczne na terenie Kielc w XVII i XVIII wieku ; studium z historii kultury |
| title_auth | Tributum gratitudinis reddo fundacje artystyczne na terenie Kielc w XVII i XVIII wieku ; studium z historii kultury |
| title_exact_search | Tributum gratitudinis reddo fundacje artystyczne na terenie Kielc w XVII i XVIII wieku ; studium z historii kultury |
| title_exact_search_txtP | Tributum gratitudinis reddo fundacje artystyczne na terenie Kielc w XVII i XVIII wieku ; studium z historii kultury |
| title_full | Tributum gratitudinis reddo fundacje artystyczne na terenie Kielc w XVII i XVIII wieku ; studium z historii kultury Marta Pieniążek-Samek |
| title_fullStr | Tributum gratitudinis reddo fundacje artystyczne na terenie Kielc w XVII i XVIII wieku ; studium z historii kultury Marta Pieniążek-Samek |
| title_full_unstemmed | Tributum gratitudinis reddo fundacje artystyczne na terenie Kielc w XVII i XVIII wieku ; studium z historii kultury Marta Pieniążek-Samek |
| title_short | Tributum gratitudinis reddo |
| title_sort | tributum gratitudinis reddo fundacje artystyczne na terenie kielc w xvii i xviii wieku studium z historii kultury |
| title_sub | fundacje artystyczne na terenie Kielc w XVII i XVIII wieku ; studium z historii kultury |
| topic | Geschichte Art patronage Poland Kielce History 17th century Art patronage Poland Kielce History 18th century Arts Endowments Stiftung (DE-588)4057542-1 gnd |
| topic_facet | Geschichte Art patronage Poland Kielce History 17th century Art patronage Poland Kielce History 18th century Arts Endowments Stiftung Polen Kielce |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014904280&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014904280&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT pieniazeksamekmarta tributumgratitudinisreddofundacjeartystycznenatereniekielcwxviiixviiiwiekustudiumzhistoriikultury |