Fiction and autobiography: modes and models of interaction
Saved in:
| Format: | Book |
|---|---|
| Language: | English |
| Published: |
Frankfurt am Main [u.a.]
Lang
2006
|
| Series: | Salzburg studies in English Literature and Culture
3 |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Klappentext |
| Physical Description: | XII, 326 S. Ill. |
| ISBN: | 3631543859 9783631543856 0820477885 |
Staff View
MARC
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Record in the Search Index
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| adam_text | Contents
Preface: Autobiography
Martin
Narratological Perspectives on Fiction and Autobiography
Pascal Nicklas
Autobiographical Counterfeiters:
Contextualizing
Leena
Tracing Desire in the Diaries of
Virginia
Martina
Communal Auto/Biographies
Sally Morgan s My Place
Effie Botonaki
The Self and the World in Early Modern English Autobiographical Writings:
A Comparative Study of Male and Female Texts
Sarolta Marinovich-Resch
(Self)-Portraits of the Artist as a Young Woman: Representations of
the Female Artist in the New Woman Kiinstlerroman of the 1890s
NORA SÉLLEI
Confession and Autobiography in
Mary McCarthy s Memories of a Catholic Girlhood
Smatie Yemenedzi-Malathouni
Autobiography Politics in Seventeenth-Century New England
Joseph Eugene Mullin
Sherman Himself in His Memoirs
VI
Christopher Smith
Thomas Hardy s Enigma Variations:
Life, The Life and A Pair of Blue Eyes
Heiko Zimmermann
E.M. Forster s Autobiographies: Modes of Telling a Life in Fiction
Thomas F. Schneider
Autobiography into Fiction: Attempts at Authenticity
in (German) Literature about the Great War
Robert Rehder
What Is the Form of Ezra Pound s The Cantos ?
Alenka
Fiction, Autobiography and Memoir Intertwined:
The Writings of Frank McCourt and
Gabriele Linke
A Nation on the Re-Make: Autobiographical Texts
from the New Scotland and the Formation of Scottish Identity
David Malcolm
All is true ?: The Functions of Auto/biographical
Materials in John McGahern s Fiction
Julie Campbell
Life as Art: Autobiography as Artistic Creation
in Nabokov s Speak, Memory
Beatrix Hesse
The Desire to See the Real Man behind the Author :
Looking for Autobiographical Elements in Vladimir Nabokov s Fiction
Nephie Christodoulides
The Granite and the Rainbow: Facticity and Ficticity in
Helene
Vil
Sarah Herbe
Need I say that I am speaking of my own life journey? : Frances Bellerby s
Autobiography and the Autobiographical Aspect in Her Prose Fiction
Aparajita
Identity Politics and the Voice of Autobiography in
Sky bees Disappearing Moon Cafe
GULSHAN TANEJA
Nation, History, Self: The Case of Nirad Chaudhuri
NinaBosničová
Truth in Richard Wright s Black Boy {American Hunger)
and
Krystyna Stamirowska
Versions of Autobiography in B.S. Johnson s Novels
Ines Detmers
F(r)iction(s) and F(r)action(s):
Ted Hughes s Imaginary Autobiography in Verse
Merle
Radicalising Postmodern
British Fictional Autobiography of the Twenty-First Century
Stefan Herbrechter
Auto/bi(o)graphy
Both the postmodern debate about the death of the author and cultural
debates about constructing identities (national, socio-political, cultural, ethnic,
sexual, etc.) have led to multiple attempts at redefining autobiography, tradition¬
ally predicated on concepts of identity and truth. By bringing together twenty-
seven case studies of autobiographical texts from over four centuries and
from a variety of cultural (mainly Anglophone) backgrounds, this book demon¬
strates how fruitful a critical focus on the interaction between autobiography
and fiction proves for understanding the complex strategies by which subject
positions are established and communicated. The texts examined include:
Quincey s Confessions of an English Opium Eater, Thomas Hardy s A Pair of
Blue Eyes,
Khatibi s
Indian,
Moon
The Light of Day, Ian McEwan s Atonement, A.S. Byatt s The Biographer s Tale,
Richard Wright s Black Boy, and
Sabine Coelsch-Foisner
and coordinates the Interdisciplinary Research Centre Metamorphic Changes
in the Arts at the University of Salzburg. She is the author of several books. Her
main fields of research are cultural/critical theory, poetry, Romantic and Victorian
culture and literature, the fantastic, literature and the arts.
Wolfgang
at the University of Salzburg teaching literary criticism and translation studies
and the author of various books. He is the owner-director of the press Poetry
Salzburg, and edits the magazine Poetry Salzburg Review. Current projects
include a book on the impact of (Non-Shakespearean) Elizabethan and Jaco¬
bean Drama on later dramatists.
|
| adam_txt |
Contents
Preface: Autobiography
Martin
Narratological Perspectives on 'Fiction and Autobiography'
Pascal Nicklas
Autobiographical Counterfeiters:
Contextualizing
Leena
Tracing Desire in the Diaries of
Virginia
Martina
Communal Auto/Biographies
Sally Morgan's My Place
Effie Botonaki
The Self and the World in Early Modern English Autobiographical Writings:
A Comparative Study of Male and Female Texts
Sarolta Marinovich-Resch
(Self)-Portraits of the Artist as a Young Woman: Representations of
the Female Artist in the New Woman Kiinstlerroman of the 1890s
NORA SÉLLEI
Confession and Autobiography in
Mary McCarthy's Memories of a Catholic Girlhood
Smatie Yemenedzi-Malathouni
Autobiography Politics in Seventeenth-Century New England
Joseph Eugene Mullin
Sherman Himself in His Memoirs
VI
Christopher Smith
Thomas Hardy's Enigma Variations:
Life, The Life and A Pair of Blue Eyes
Heiko Zimmermann
E.M. Forster's Autobiographies: Modes of Telling a Life in Fiction
Thomas F. Schneider
Autobiography into Fiction: Attempts at Authenticity
in (German) Literature about the Great War
Robert Rehder
What Is the Form of Ezra Pound's The Cantos'?
Alenka
Fiction, Autobiography and Memoir Intertwined:
The Writings of Frank McCourt and
Gabriele Linke
A Nation on the Re-Make: Autobiographical Texts
from the New Scotland and the Formation of Scottish Identity
David Malcolm
"All is true"?: The Functions of Auto/biographical
Materials in John McGahern's Fiction
Julie Campbell
Life as Art: Autobiography as Artistic Creation
in Nabokov's Speak, Memory
Beatrix Hesse
The "Desire to See the Real Man behind the Author":
Looking for Autobiographical Elements in Vladimir Nabokov's Fiction
Nephie Christodoulides
The Granite and the Rainbow: Facticity and Ficticity in
Helene
Vil
Sarah Herbe
"Need I say that I am speaking of my own life journey?": Frances Bellerby's
Autobiography and the Autobiographical Aspect in Her Prose Fiction
Aparajita
Identity Politics and the Voice of Autobiography in
Sky bees Disappearing Moon Cafe
GULSHAN TANEJA
Nation, History, Self: The Case of Nirad Chaudhuri
NinaBosničová
Truth in Richard Wright's Black Boy {American Hunger)
and
Krystyna Stamirowska
Versions of Autobiography in B.S. Johnson's Novels
Ines Detmers
F(r)iction(s) and F(r)action(s):
Ted Hughes's Imaginary Autobiography in Verse
Merle
Radicalising Postmodern
British Fictional Autobiography of the Twenty-First Century
Stefan Herbrechter
Auto/bi(o)graphy
Both the postmodern debate about the "death of the author" and cultural
debates about constructing identities (national, socio-political, cultural, ethnic,
sexual, etc.) have led to multiple attempts at redefining autobiography, tradition¬
ally predicated on concepts of identity and truth. By bringing together twenty-
seven case studies of autobiographical texts from over four centuries and
from a variety of cultural (mainly Anglophone) backgrounds, this book demon¬
strates how fruitful a critical focus on the interaction between autobiography
and fiction proves for understanding the complex strategies by which subject
positions are established and communicated. The texts examined include:
Quincey's Confessions of an English Opium Eater, Thomas Hardy's A Pair of
Blue Eyes,
Khatibi's
Indian,
Moon
The Light of Day, Ian McEwan's Atonement, A.S. Byatt's The Biographer's Tale,
Richard Wright's Black Boy, and
Sabine Coelsch-Foisner
and coordinates the Interdisciplinary Research Centre Metamorphic Changes
in the Arts at the University of Salzburg. She is the author of several books. Her
main fields of research are cultural/critical theory, poetry, Romantic and Victorian
culture and literature, the fantastic, literature and the arts.
Wolfgang
at the University of Salzburg teaching literary criticism and translation studies
and the author of various books. He is the owner-director of the press Poetry
Salzburg, and edits the magazine Poetry Salzburg Review. Current projects
include a book on the impact of (Non-Shakespearean) Elizabethan and Jaco¬
bean Drama on later dramatists. |
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| title | Fiction and autobiography modes and models of interaction |
| title_auth | Fiction and autobiography modes and models of interaction |
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| title_full | Fiction and autobiography modes and models of interaction Sabine Coelsch-Foisner ...(ed.) |
| title_fullStr | Fiction and autobiography modes and models of interaction Sabine Coelsch-Foisner ...(ed.) |
| title_full_unstemmed | Fiction and autobiography modes and models of interaction Sabine Coelsch-Foisner ...(ed.) |
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| topic_facet | Englisch Autobiografische Literatur Fiktion Wahrheit Konferenzschrift 2004 Salzburg |
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