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Singing in style: a guide to vocal performance practices

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Bibliographic Details
Main Author:	Elliott, Martha (Author)
Format:	Book
Language:	English
Published:	New Haven [u.a.] Yale Univ. Press 2006
Subjects:	Geschichte Singing > Interpretation (Phrasing, dynamics, etc.) Performance practice (Music) Vocal music > History and criticism Musikalische Aufführungspraxis Gesang
Online Access:	Table of contents Contributor biographical information Publisher description Inhaltsverzeichnis
Item Description:	Includes bibliographical references and index
Physical Description:	356 S. Notenbeisp.
ISBN:	0300109326

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MARC


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Record in the Search Index

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adam_text	SINGING IN STYLE / ELLIOTT, MARTHA : 2006 TABLE OF CONTENTS / INHALTSVERZEICHNIS INTRODUCTION 1. THE EARLY BAROQUE ; BAROQUE NOTATION ; SCORES AND EDITIONS ; THOROUGHBASS ; ACCOMPANIMENT INSTRUMENTS ; PITCH ; VIBRATO ; WORDS AND MUSIC ; HISTORICAL PRONUNCIATION ; ITALY ; VOICE TYPES AND REGISTERS ; ORNAMENTATION ; ENGLAND ; VOICE TYPES AND REGISTERS ; ORNAMENTATION ; FRANCE ; VOICE TYPES AND RANGES ; DANCE FORMS ; NOTES INEGALES ; ORNAMENTATION ; DICTION 2. THE LATE BAROQUE ; SCORES AND NOTATION ; MODERN EDITIONS ; TEMPO ; ARTICULATION ; RHYTHMIC ALTERATION ; LEGATO ; VIBRATO AND BREATH ; PITCH ; PERIOD INSTRUMENTS ; RECITATIVE ; ITALIAN INFLUENCE ; ORNAMENTING ARIAS ; HANDEL S MESSIAH ; GERMANY ; ORNAMENTATION ; J.S. BACH AND HIS SINGERS ; FRANCE ; SECULAR CANTATAS ; ORNAMENTATION 3. THE CLASSICAL ERA ; SCORES AND EDITIONS ; CLASSICAL INSTRUMENTS ; ARTICULATION AND LEGATO ; TEMPO AND RHYTHM ; VOICE TYPES AND RANGES ; MOZART ON SINGERS ; VIBRATO AND PORTAMENTO ; RECITATIVE ; ORNAMENTATION 4. ITALIAN BEL CANTO ; SCORES AND EDITIONS ; ARTICULATION AND PHRASING ; TEMPO, RHYTHMIC FLEXIBILITY, AND RUBATO ; VOICE TYPES ; TECHNIQUE ; VIBRATO ; PORTAMENTO ; ORNAMENTATION ; CADENZAS AND IMPROVISED FLORID EMBELLISHMENT 5. GERMAN LIEDER ; EDITIONS ; TRANSPOSITIONS ; GERMAN DICTION AND TECHNIQUE ; ARTICULATION AND EXPRESSION MARKS ; EMBELLISHMENT ; NOTATED ORNAMENTS ; VIBRATO AND PORTAMENTO ; THE PIANO ; TEMPO AND RHYTHM 6. FRENCH MELODIES ; EDITIONS, TRANSPOSITIONS, AND VOICE TYPES ; FRENCH TASTE AND AESTHETICS ; ORNAMENTATION ; THE PERFORMER S NEW ROLE ; WORDS AND MUSIC ; DICTION AND ARTICULATION ; PORTAMENTO AND VIBRATO ; RHYTHM AND TEMPO 7. SECOND VIENNESE SCHOOL ; PUBLICATIONS AND EDITIONS ; PERFORMANCE AND ANALYSIS ; THE SOCIETY FOR PRIVATE MUSICAL PERFORMANCE ; MUSIC AND TEXT ; PIERROT LUNAIRE ; SPRECHSTIMME IN OTHER WORKS ; DYNAMICS AND ARTICULATION ; TEMPO AND RUBATO ; LEARNING THIS MUSIC 8. EARLY TWENTIETH-CENTURY NATIONALISM ; RUSSIA ; MUSORGSKY AND OLENINA ; RIMSKY-KORSAKOV, RACHMANINOV, AND CHALIAPIN ; PROKOFIEV ; SHOSTAKOVICH ; EDITIONS AND LANGUAGE ; SPAIN ; FALLA ; RODRIGO ; EDITIONS ; ENGLAND ; BRITTEN AND PEARS ; EDITIONS ; UNITED STATES ; IVES ; COPLAND ; BARBER ; EDITIONS 9. WORKING WITH LIVING COMPOSERS ; VOICE TYPES ; MANUSCRIPTS, REVISIONS, AND PUBLISHED SCORES ; NOTATION ; SPECIAL VOCAL EFFECTS ; OTHER SPECIAL INSTRUCTIONS OR REQUIREMENTS ; LEARNING DIFFICULT RHYTHMS AND PITCHES ; VIBRATO ; TEXT AND MUSIC ; COMPOSERS AS PERFORMERS ; USING RECORDINGS ; CONCLUSIONS: FINDING THE COMPOSERS INTENTIONS. DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
adam_txt	SINGING IN STYLE / ELLIOTT, MARTHA : 2006 TABLE OF CONTENTS / INHALTSVERZEICHNIS INTRODUCTION 1. THE EARLY BAROQUE ; BAROQUE NOTATION ; SCORES AND EDITIONS ; THOROUGHBASS ; ACCOMPANIMENT INSTRUMENTS ; PITCH ; VIBRATO ; WORDS AND MUSIC ; HISTORICAL PRONUNCIATION ; ITALY ; VOICE TYPES AND REGISTERS ; ORNAMENTATION ; ENGLAND ; VOICE TYPES AND REGISTERS ; ORNAMENTATION ; FRANCE ; VOICE TYPES AND RANGES ; DANCE FORMS ; NOTES INEGALES ; ORNAMENTATION ; DICTION 2. THE LATE BAROQUE ; SCORES AND NOTATION ; MODERN EDITIONS ; TEMPO ; ARTICULATION ; RHYTHMIC ALTERATION ; LEGATO ; VIBRATO AND BREATH ; PITCH ; PERIOD INSTRUMENTS ; RECITATIVE ; ITALIAN INFLUENCE ; ORNAMENTING ARIAS ; HANDEL'S MESSIAH ; GERMANY ; ORNAMENTATION ; J.S. BACH AND HIS SINGERS ; FRANCE ; SECULAR CANTATAS ; ORNAMENTATION 3. THE CLASSICAL ERA ; SCORES AND EDITIONS ; CLASSICAL INSTRUMENTS ; ARTICULATION AND LEGATO ; TEMPO AND RHYTHM ; VOICE TYPES AND RANGES ; MOZART ON SINGERS ; VIBRATO AND PORTAMENTO ; RECITATIVE ; ORNAMENTATION 4. ITALIAN BEL CANTO ; SCORES AND EDITIONS ; ARTICULATION AND PHRASING ; TEMPO, RHYTHMIC FLEXIBILITY, AND RUBATO ; VOICE TYPES ; TECHNIQUE ; VIBRATO ; PORTAMENTO ; ORNAMENTATION ; CADENZAS AND IMPROVISED FLORID EMBELLISHMENT 5. GERMAN LIEDER ; EDITIONS ; TRANSPOSITIONS ; GERMAN DICTION AND TECHNIQUE ; ARTICULATION AND EXPRESSION MARKS ; EMBELLISHMENT ; NOTATED ORNAMENTS ; VIBRATO AND PORTAMENTO ; THE PIANO ; TEMPO AND RHYTHM 6. FRENCH MELODIES ; EDITIONS, TRANSPOSITIONS, AND VOICE TYPES ; FRENCH TASTE AND AESTHETICS ; ORNAMENTATION ; THE PERFORMER'S NEW ROLE ; WORDS AND MUSIC ; DICTION AND ARTICULATION ; PORTAMENTO AND VIBRATO ; RHYTHM AND TEMPO 7. SECOND VIENNESE SCHOOL ; PUBLICATIONS AND EDITIONS ; PERFORMANCE AND ANALYSIS ; THE SOCIETY FOR PRIVATE MUSICAL PERFORMANCE ; MUSIC AND TEXT ; PIERROT LUNAIRE ; SPRECHSTIMME IN OTHER WORKS ; DYNAMICS AND ARTICULATION ; TEMPO AND RUBATO ; LEARNING THIS MUSIC 8. EARLY TWENTIETH-CENTURY NATIONALISM ; RUSSIA ; MUSORGSKY AND OLENINA ; RIMSKY-KORSAKOV, RACHMANINOV, AND CHALIAPIN ; PROKOFIEV ; SHOSTAKOVICH ; EDITIONS AND LANGUAGE ; SPAIN ; FALLA ; RODRIGO ; EDITIONS ; ENGLAND ; BRITTEN AND PEARS ; EDITIONS ; UNITED STATES ; IVES ; COPLAND ; BARBER ; EDITIONS 9. WORKING WITH LIVING COMPOSERS ; VOICE TYPES ; MANUSCRIPTS, REVISIONS, AND PUBLISHED SCORES ; NOTATION ; SPECIAL VOCAL EFFECTS ; OTHER SPECIAL INSTRUCTIONS OR REQUIREMENTS ; LEARNING DIFFICULT RHYTHMS AND PITCHES ; VIBRATO ; TEXT AND MUSIC ; COMPOSERS AS PERFORMERS ; USING RECORDINGS ; CONCLUSIONS: FINDING THE COMPOSERS' INTENTIONS. DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
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spellingShingle	Elliott, Martha Singing in style a guide to vocal performance practices Singing Interpretation (Phrasing, dynamics, etc.) Performance practice (Music) Vocal music History and criticism Musikalische Aufführungspraxis (DE-588)4170800-3 gnd Gesang (DE-588)4020470-4 gnd
subject_GND	(DE-588)4170800-3 (DE-588)4020470-4
title	Singing in style a guide to vocal performance practices
title_auth	Singing in style a guide to vocal performance practices
title_exact_search	Singing in style a guide to vocal performance practices
title_exact_search_txtP	Singing in style a guide to vocal performance practices
title_full	Singing in style a guide to vocal performance practices Martha Elliott
title_fullStr	Singing in style a guide to vocal performance practices Martha Elliott
title_full_unstemmed	Singing in style a guide to vocal performance practices Martha Elliott
title_short	Singing in style
title_sort	singing in style a guide to vocal performance practices
title_sub	a guide to vocal performance practices
topic	Singing Interpretation (Phrasing, dynamics, etc.) Performance practice (Music) Vocal music History and criticism Musikalische Aufführungspraxis (DE-588)4170800-3 gnd Gesang (DE-588)4020470-4 gnd
topic_facet	Singing Interpretation (Phrasing, dynamics, etc.) Performance practice (Music) Vocal music History and criticism Musikalische Aufführungspraxis Gesang
url	http://www.loc.gov/catdir/toc/ecip0510/2005009701.html http://www.loc.gov/catdir/enhancements/fy0622/2005009701-b.html http://www.loc.gov/catdir/enhancements/fy0622/2005009701-d.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014855252&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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