Science and the Stanislavsky tradition of acting:
Science and the Stanislavsky Tradition of Acting offers new insight into the well-known tradition of acting. Rooted in practice this is the first book to contextualize the Stanislavsky tradition with reference to parallel developments in science, it presents an alternative perspective based on philo...
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| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
London u.a.
Routledge
2006
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| Subjects: | |
| Summary: | Science and the Stanislavsky Tradition of Acting offers new insight into the well-known tradition of acting. Rooted in practice this is the first book to contextualize the Stanislavsky tradition with reference to parallel developments in science, it presents an alternative perspective based on philosophy, physics, romantic science and theories of industrial management. Working from practical sources, historical and archive material Jonathan Pitches traces an evolutionary journey of actor training from the roots of the Russian tradition, Konstantin Stanislavsky, to the contemporary Muscovite director, Anatoly Vasiliev. The book explores two key developments that emerge from Stanislavsky's system - one linear, rational and empirical, while the other is fluid,organic and intuitive. The otherwise highly contrasting acting theories of Vsevolod Meyerhold (biomechanics) and Lee Strasberg (the Method) are dealt with under the banner of the rational or Newtonian paradigm; Michael Chekov's acting technique and the little known ideas of Anatoly Vasiliev form the centerpiece of the other Romantic, organic strain of practice. Science and the Stanislavsky Tradition of Acting opens up the theatre laboratories of five major practitioners in the twentieth and twenty first centuries and scrutinizes their acting methodologies from a scientific perspective. |
| Item Description: | Includes bibliographical references and index |
| Physical Description: | VIII, 225 S. Graph. Darst. |
| ISBN: | 0415329078 |
Staff View
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| 520 | 3 | |a Science and the Stanislavsky Tradition of Acting offers new insight into the well-known tradition of acting. Rooted in practice this is the first book to contextualize the Stanislavsky tradition with reference to parallel developments in science, it presents an alternative perspective based on philosophy, physics, romantic science and theories of industrial management. Working from practical sources, historical and archive material Jonathan Pitches traces an evolutionary journey of actor training from the roots of the Russian tradition, Konstantin Stanislavsky, to the contemporary Muscovite director, Anatoly Vasiliev. The book explores two key developments that emerge from Stanislavsky's system - one linear, rational and empirical, while the other is fluid,organic and intuitive. The otherwise highly contrasting acting theories of Vsevolod Meyerhold (biomechanics) and Lee Strasberg (the Method) are dealt with under the banner of the rational or Newtonian paradigm; Michael Chekov's acting technique and the little known ideas of Anatoly Vasiliev form the centerpiece of the other Romantic, organic strain of practice. Science and the Stanislavsky Tradition of Acting opens up the theatre laboratories of five major practitioners in the twentieth and twenty first centuries and scrutinizes their acting methodologies from a scientific perspective. | |
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| id | DE-604.BV021616272 |
| illustrated | Not Illustrated |
| index_date | 2024-07-02T14:52:20Z |
| indexdate | 2024-07-09T20:39:59Z |
| institution | BVB |
| isbn | 0415329078 |
| language | English |
| lccn | 2005003849 |
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| oclc_num | 57669770 |
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| physical | VIII, 225 S. Graph. Darst. |
| publishDate | 2006 |
| publishDateSearch | 2006 |
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| publisher | Routledge |
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| spelling | Pitches, Jonathan Verfasser aut Science and the Stanislavsky tradition of acting Jonathan Pitches London u.a. Routledge 2006 VIII, 225 S. Graph. Darst. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Science and the Stanislavsky Tradition of Acting offers new insight into the well-known tradition of acting. Rooted in practice this is the first book to contextualize the Stanislavsky tradition with reference to parallel developments in science, it presents an alternative perspective based on philosophy, physics, romantic science and theories of industrial management. Working from practical sources, historical and archive material Jonathan Pitches traces an evolutionary journey of actor training from the roots of the Russian tradition, Konstantin Stanislavsky, to the contemporary Muscovite director, Anatoly Vasiliev. The book explores two key developments that emerge from Stanislavsky's system - one linear, rational and empirical, while the other is fluid,organic and intuitive. The otherwise highly contrasting acting theories of Vsevolod Meyerhold (biomechanics) and Lee Strasberg (the Method) are dealt with under the banner of the rational or Newtonian paradigm; Michael Chekov's acting technique and the little known ideas of Anatoly Vasiliev form the centerpiece of the other Romantic, organic strain of practice. Science and the Stanislavsky Tradition of Acting opens up the theatre laboratories of five major practitioners in the twentieth and twenty first centuries and scrutinizes their acting methodologies from a scientific perspective. Stanislavsky, Konstantin 1863-1938 Stanislavskij, Konstantin Sergeevič 1863-1938 (DE-588)118616765 gnd rswk-swf Method (Acting) Schauspielkunst (DE-588)4129090-2 gnd rswk-swf Stanislavskij, Konstantin Sergeevič 1863-1938 (DE-588)118616765 p Schauspielkunst (DE-588)4129090-2 s DE-604 |
| spellingShingle | Pitches, Jonathan Science and the Stanislavsky tradition of acting Stanislavsky, Konstantin 1863-1938 Stanislavskij, Konstantin Sergeevič 1863-1938 (DE-588)118616765 gnd Method (Acting) Schauspielkunst (DE-588)4129090-2 gnd |
| subject_GND | (DE-588)118616765 (DE-588)4129090-2 |
| title | Science and the Stanislavsky tradition of acting |
| title_auth | Science and the Stanislavsky tradition of acting |
| title_exact_search | Science and the Stanislavsky tradition of acting |
| title_exact_search_txtP | Science and the Stanislavsky tradition of acting |
| title_full | Science and the Stanislavsky tradition of acting Jonathan Pitches |
| title_fullStr | Science and the Stanislavsky tradition of acting Jonathan Pitches |
| title_full_unstemmed | Science and the Stanislavsky tradition of acting Jonathan Pitches |
| title_short | Science and the Stanislavsky tradition of acting |
| title_sort | science and the stanislavsky tradition of acting |
| topic | Stanislavsky, Konstantin 1863-1938 Stanislavskij, Konstantin Sergeevič 1863-1938 (DE-588)118616765 gnd Method (Acting) Schauspielkunst (DE-588)4129090-2 gnd |
| topic_facet | Stanislavsky, Konstantin 1863-1938 Stanislavskij, Konstantin Sergeevič 1863-1938 Method (Acting) Schauspielkunst |
| work_keys_str_mv | AT pitchesjonathan scienceandthestanislavskytraditionofacting |