Holdings: The popular music studies reader

The popular music studies reader:

"The Popular Music Studies Reader brings together classic texts and essential new writings on popular music. The Reader places popular music in its cultural context, looks at the significance of popular music in our everyday lives and examines the global nature of the music industry." &quo...

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Bibliographic Details
Other Authors:	Bennett, Andy 1963- (Editor)
Format:	Book
Language:	English
Published:	London [u.a.] Routledge 2006
Edition:	1. ed.
Subjects:	Musique populaire - Histoire et critique Populaire muziek Popular music > History and criticism Popmusik Aufsatzsammlung
Online Access:	Table of contents Inhaltsverzeichnis
Summary:	"The Popular Music Studies Reader brings together classic texts and essential new writings on popular music. The Reader places popular music in its cultural context, looks at the significance of popular music in our everyday lives and examines the global nature of the music industry." "The Reader maps the changing nature of popular music over the last decade and considers how popular music studies has expanded and developed to deal with these changes. Articles discuss the increasing participation of women in the industry and the changing role of gender and sexuality in popular music, the role of new technologies, especially in production and distribution, and the changing nature of the relationship between music production and consumption. The Reader is divided into parts, each with an introduction by the editors."--BOOK JACKET.
Item Description:	Includes bibliographical references and index
Physical Description:	XXII, 408 S.
ISBN:	9780415307093 9780415307109 0415307090 0415307104

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MARC


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245	1	0	\|a The popular music studies reader \|c ed. by Andy Bennett ...
250			\|a 1. ed.
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300			\|a XXII, 408 S.
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500			\|a Includes bibliographical references and index
520	1		\|a "The Popular Music Studies Reader brings together classic texts and essential new writings on popular music. The Reader places popular music in its cultural context, looks at the significance of popular music in our everyday lives and examines the global nature of the music industry." "The Reader maps the changing nature of popular music over the last decade and considers how popular music studies has expanded and developed to deal with these changes. Articles discuss the increasing participation of women in the industry and the changing role of gender and sexuality in popular music, the role of new technologies, especially in production and distribution, and the changing nature of the relationship between music production and consumption. The Reader is divided into parts, each with an introduction by the editors."--BOOK JACKET.
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Record in the Search Index

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adam_text	THE POPULAR MUSIC STUDIES READER / BENNETT, ANDY : 2005 TABLE OF CONTENTS / INHALTSVERZEICHNIS INTRODUCTION / ANDY BENNETT, BARRY SHANK AND JASON TOYNBEE PART 1: MUSIC AS SOUND, MUSIC AS TEXT: INTRODUCTION / BARRY SHANK IN THE GROOVE, OR BLOWING YOUR MIND : THE PLEASURES OF MUSICAL REPETITION / RICHARD MIDDLETON THIS IS NOT A STORY MY PEOPLE TELL : MUSICAL TIME AND SPACE ACCORDING TO LAURIE ANDERSON / SUSAN MCCLARY HOME IS LIVING LIKE A MAN ON THE RUN : JOHN CALE S WELSH ATLANTIC / DAI GRIFFITHS FAMILY VALUES IN MUSIC : BILLIE HOLIDAY S AND BING CROSBY S I LL BE SEEING YOU / DAVID BRACKETT SUBJECTIVITY AND SOUNDSCAPE, MOTORBIKES AND MUSIC / PHIL TAGG PART 2: MAKING MUSIC: INTRODUCTION / BARRY SHANK LITTLE GIRL BLUE / ALICE ECHOLS BLACK SOUND, BLACK BODY : JIMI HENDRIX, THE ELECTRIC GUITAR AND THE MEANING OF BLACKNESS / STEVE WAKSMAN MAKING UP AND SHOWING OFF : WHAT MUSICIANS DO / JASON TOYNBEE WAR IN THE JUNGLE / SIMON REYNOLDS LIVENESS : PERFORMANCE AND THE ANXIETY OF SIMULATION / PAUL AUSLANDER PART 3: SUBCULTURES, SCENES, AND TRIBES: INTRODUCTION / ANDY BENNETT UNDERSTANDING HIPNESS : SUBCULTURAL CAPITAL AS FEMINIST TOOL / SARAH THORNTON SUBCULTURES OR NEO-TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE / ANDY BENNETT PUNK ROCK AT RAUL S : THE PERFORMANCE OF CONTRADICTION / BARRY SHANK RULES OF REBELLION : SLAM DANCING, MOSHING AND THE AMERICAN ALTERNATIVE SCENE / WILLIAM TSITSOS ROOTS : THE RELATIONSHIP BETWEEN THE GLOBAL AND THE LOCAL WITHIN THE EXTREME METAL SCENE / KEITH KAHN-HARRIS PART 4: POPULAR MUSIC AND EVERYDAY LIFE: INTRODUCTION / ANDY BENNETT MUSIC AND SELF-IDENTITY / TIA DENORA FILMIC CITIES : THE AESTHETIC EXPERIENCE OF THE PERSONAL STEREO USER / MICHAEL BULL BEAUTIFUL MUSIC : THE RISE OF EASY LISTENING FM / JOSEPH LANZA SCANNING : AETHER TALK / DAVID TOOP PART 5: MUSICAL DIASPORAS: INTRODUCTION / BARRY SHANK JEWELS BROUGHT FROM BONDAGE : BLACK MUSIC AND THE POLITICS OF AUTHENTICITY / PAUL GILROY ZOUK AND THE ISLES OF THE CARIBEES / JOCELYN GUILBAULT THE LOCAL AND GLOBAL IN NORTH AFRICAN POPULAR MUSIC / TONY LANGLOIS ASIAN KOOL BHANGRA AND BEYOND / RUPA HUQ TECHNOBANDA AND THE POLITICS OF IDENTITY / HELENA SIMONET VOICES FROM THE MARGINS : RAP MUSIC AND CONTEMPORARY BLACK CULTURAL PRODUCTION / TRICIA ROSE PART 6: MUSIC INDUSTRY : INTRODUCTION / JASON TOYNBEE THE INDUSTRIALISATION OF MUSIC / SIMON FRITH MUSICIANS IN HOLLYWOOD : WORK AND TECHNOLOGICAL CHANGE IN ENTERTAINMENT INDUSTRIES, 1926-1940 / JAMES P. KRAFT THE BRITISH DANCE MUSIC INDUSTRY : A CASE STUDY OF INDEPENDENT CULTURAL PRODUCTION / DAVID HESMONDHALGH CREATIVITY, PROFITS AND MUSIC : THE CASES OF STOCKHOLM AND KINGSTON / DOMINIC POWER AND DANIEL HALLENCREUTZ PART 7: POPULAR MUSIC AND TECHNOLOGY: INTRODUCTION / JASON TOYNBEE THE MATERIAL HETEROGENEITY OF RECORDED SOUND / RICK ALTMAN. RATIONALISATION AND DEMOCRATIZATION IN THE NEW TECHNOLOGIES OF POPULAR MUSIC / ANDREW GOODWIN MUSIC/TECHNOLOGY/PRACTICE : MUSIC TECHNOLOGY IN ACTION / PAUL THGBERGE FUTURRHYTHMACHINE / KODWO ESHUN HOME ON THE PAGE : A VIRTUAL PLACE OF MUSIC COMMUNITY / MARJORIE D. KIBBY PART 8: POPULAR MUSIC MEDIA: INTRODUCTION / ANDY BENNETT COMMERCIAL RADIO AND POPULAR MUSIC : PROCESSES OF SELECTION AND FACTORS OF INFLUENCE / ERIC W. ROTHENBUHLER AND TOM MCCOURT YO QUIERO MI MTV! : MAKING MUSIC TELEVISION FOR LATIN AMERICA / BOB HANKEPOPULAR SONGS AND COMIC ALLUSION IN CONTEMPORARY CINEMA / PAUL SMITH ANGLO-AMERICAN MUSIC JOURNALISM : TEXTS AND CONTEXTS / DAVE LAING PART 9: POPULAR MUSIC, GENDER AND SEXUALITY: INTRODUCTION / JASON TOYNBEE WOMEN MAKING MUSIC : SOME MATERIAL CONSTRAINTS / MAVIS BAYTON SMELLS LIKE TEEN SPIRIT : RIOT GRRRLS, REVOLUTION AND WOMEN IN INDEPENDENT ROCK / J JOANNE GOTTLEIB AND GAYLE WALD RETHINKING ISSUES OF GENDER AND SEXUALITY IN LED ZEPPELIN : A WOMAN S VIEW OF PLEASURE AND POWER IN HARD ROCK / SUSAN FAST WOMEN AND THE EARLY BRITISH RAVE SCENE / MARIA PINI HOUSEWIVES CHOICE : FEMALE FANS AND UNMANLY MEN / RICHARD SMITH. DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
adam_txt	THE POPULAR MUSIC STUDIES READER / BENNETT, ANDY : 2005 TABLE OF CONTENTS / INHALTSVERZEICHNIS INTRODUCTION / ANDY BENNETT, BARRY SHANK AND JASON TOYNBEE PART 1: MUSIC AS SOUND, MUSIC AS TEXT: INTRODUCTION / BARRY SHANK IN THE GROOVE, OR BLOWING YOUR MIND : THE PLEASURES OF MUSICAL REPETITION / RICHARD MIDDLETON THIS IS NOT A STORY MY PEOPLE TELL : MUSICAL TIME AND SPACE ACCORDING TO LAURIE ANDERSON / SUSAN MCCLARY HOME IS LIVING LIKE A MAN ON THE RUN : JOHN CALE'S WELSH ATLANTIC / DAI GRIFFITHS FAMILY VALUES IN MUSIC : BILLIE HOLIDAY'S AND BING CROSBY'S "I'LL BE SEEING YOU" / DAVID BRACKETT SUBJECTIVITY AND SOUNDSCAPE, MOTORBIKES AND MUSIC / PHIL TAGG PART 2: MAKING MUSIC: INTRODUCTION / BARRY SHANK LITTLE GIRL BLUE / ALICE ECHOLS BLACK SOUND, BLACK BODY : JIMI HENDRIX, THE ELECTRIC GUITAR AND THE MEANING OF BLACKNESS / STEVE WAKSMAN MAKING UP AND SHOWING OFF : WHAT MUSICIANS DO / JASON TOYNBEE WAR IN THE JUNGLE / SIMON REYNOLDS LIVENESS : PERFORMANCE AND THE ANXIETY OF SIMULATION / PAUL AUSLANDER PART 3: SUBCULTURES, SCENES, AND TRIBES: INTRODUCTION / ANDY BENNETT UNDERSTANDING HIPNESS : "SUBCULTURAL CAPITAL" AS FEMINIST TOOL / SARAH THORNTON SUBCULTURES OR NEO-TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE / ANDY BENNETT PUNK ROCK AT RAUL'S : THE PERFORMANCE OF CONTRADICTION / BARRY SHANK RULES OF REBELLION : SLAM DANCING, MOSHING AND THE AMERICAN ALTERNATIVE SCENE / WILLIAM TSITSOS "ROOTS" : THE RELATIONSHIP BETWEEN THE GLOBAL AND THE LOCAL WITHIN THE EXTREME METAL SCENE / KEITH KAHN-HARRIS PART 4: POPULAR MUSIC AND EVERYDAY LIFE: INTRODUCTION / ANDY BENNETT MUSIC AND SELF-IDENTITY / TIA DENORA FILMIC CITIES : THE AESTHETIC EXPERIENCE OF THE PERSONAL STEREO USER / MICHAEL BULL "BEAUTIFUL MUSIC" : THE RISE OF EASY LISTENING FM / JOSEPH LANZA "SCANNING : AETHER TALK" / DAVID TOOP PART 5: MUSICAL DIASPORAS: INTRODUCTION / BARRY SHANK JEWELS BROUGHT FROM BONDAGE : BLACK MUSIC AND THE POLITICS OF AUTHENTICITY / PAUL GILROY ZOUK AND THE ISLES OF THE CARIBEES / JOCELYN GUILBAULT THE LOCAL AND GLOBAL IN NORTH AFRICAN POPULAR MUSIC / TONY LANGLOIS ASIAN KOOL "BHANGRA AND BEYOND " / RUPA HUQ TECHNOBANDA AND THE POLITICS OF IDENTITY / HELENA SIMONET VOICES FROM THE MARGINS : RAP MUSIC AND CONTEMPORARY BLACK CULTURAL PRODUCTION / TRICIA ROSE PART 6: MUSIC INDUSTRY : INTRODUCTION / JASON TOYNBEE THE INDUSTRIALISATION OF MUSIC / SIMON FRITH MUSICIANS IN HOLLYWOOD : WORK AND TECHNOLOGICAL CHANGE IN ENTERTAINMENT INDUSTRIES, 1926-1940 / JAMES P. KRAFT THE BRITISH DANCE MUSIC INDUSTRY : A CASE STUDY OF INDEPENDENT CULTURAL PRODUCTION / DAVID HESMONDHALGH CREATIVITY, PROFITS AND MUSIC : THE CASES OF STOCKHOLM AND KINGSTON / DOMINIC POWER AND DANIEL HALLENCREUTZ PART 7: POPULAR MUSIC AND TECHNOLOGY: INTRODUCTION / JASON TOYNBEE THE MATERIAL HETEROGENEITY OF RECORDED SOUND / RICK ALTMAN. RATIONALISATION AND DEMOCRATIZATION IN THE NEW TECHNOLOGIES OF POPULAR MUSIC / ANDREW GOODWIN MUSIC/TECHNOLOGY/PRACTICE : MUSIC TECHNOLOGY IN ACTION / PAUL THGBERGE FUTURRHYTHMACHINE / KODWO ESHUN HOME ON THE PAGE : A VIRTUAL PLACE OF MUSIC COMMUNITY / MARJORIE D. KIBBY PART 8: POPULAR MUSIC MEDIA: INTRODUCTION / ANDY BENNETT COMMERCIAL RADIO AND POPULAR MUSIC : PROCESSES OF SELECTION AND FACTORS OF INFLUENCE / ERIC W. ROTHENBUHLER AND TOM MCCOURT "YO QUIERO MI MTV!" : MAKING MUSIC TELEVISION FOR LATIN AMERICA / BOB HANKEPOPULAR SONGS AND COMIC ALLUSION IN CONTEMPORARY CINEMA / PAUL SMITH ANGLO-AMERICAN MUSIC JOURNALISM : TEXTS AND CONTEXTS / DAVE LAING PART 9: POPULAR MUSIC, GENDER AND SEXUALITY: INTRODUCTION / JASON TOYNBEE WOMEN MAKING MUSIC : SOME MATERIAL CONSTRAINTS / MAVIS BAYTON "SMELLS LIKE TEEN SPIRIT" : RIOT GRRRLS, REVOLUTION AND WOMEN IN INDEPENDENT ROCK / J JOANNE GOTTLEIB AND GAYLE WALD RETHINKING ISSUES OF GENDER AND SEXUALITY IN LED ZEPPELIN : A WOMAN'S VIEW OF PLEASURE AND POWER IN HARD ROCK / SUSAN FAST WOMEN AND THE EARLY BRITISH RAVE SCENE / MARIA PINI HOUSEWIVES CHOICE : FEMALE FANS AND UNMANLY MEN / RICHARD SMITH. DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
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isbn	9780415307093 9780415307109 0415307090 0415307104
language	English
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spelling	The popular music studies reader ed. by Andy Bennett ... 1. ed. London [u.a.] Routledge 2006 XXII, 408 S. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index "The Popular Music Studies Reader brings together classic texts and essential new writings on popular music. The Reader places popular music in its cultural context, looks at the significance of popular music in our everyday lives and examines the global nature of the music industry." "The Reader maps the changing nature of popular music over the last decade and considers how popular music studies has expanded and developed to deal with these changes. Articles discuss the increasing participation of women in the industry and the changing role of gender and sexuality in popular music, the role of new technologies, especially in production and distribution, and the changing nature of the relationship between music production and consumption. The Reader is divided into parts, each with an introduction by the editors."--BOOK JACKET. Musique populaire - Histoire et critique Populaire muziek gtt Popular music History and criticism Popmusik (DE-588)4046781-8 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Popmusik (DE-588)4046781-8 s DE-604 Bennett, Andy 1963- (DE-588)122083172 edt http://www.loc.gov/catdir/toc/ecip058/2005005252.html Table of contents LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014820808&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	The popular music studies reader Musique populaire - Histoire et critique Populaire muziek gtt Popular music History and criticism Popmusik (DE-588)4046781-8 gnd
subject_GND	(DE-588)4046781-8 (DE-588)4143413-4
title	The popular music studies reader
title_auth	The popular music studies reader
title_exact_search	The popular music studies reader
title_exact_search_txtP	The popular music studies reader
title_full	The popular music studies reader ed. by Andy Bennett ...
title_fullStr	The popular music studies reader ed. by Andy Bennett ...
title_full_unstemmed	The popular music studies reader ed. by Andy Bennett ...
title_short	The popular music studies reader
title_sort	the popular music studies reader
topic	Musique populaire - Histoire et critique Populaire muziek gtt Popular music History and criticism Popmusik (DE-588)4046781-8 gnd
topic_facet	Musique populaire - Histoire et critique Populaire muziek Popular music History and criticism Popmusik Aufsatzsammlung
url	http://www.loc.gov/catdir/toc/ecip058/2005005252.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014820808&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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