The popular music studies reader:
"The Popular Music Studies Reader brings together classic texts and essential new writings on popular music. The Reader places popular music in its cultural context, looks at the significance of popular music in our everyday lives and examines the global nature of the music industry." &quo...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Routledge
2006
|
| Ausgabe: | 1. ed. |
| Schlagworte: | |
| Online-Zugang: | Table of contents Inhaltsverzeichnis |
| Zusammenfassung: | "The Popular Music Studies Reader brings together classic texts and essential new writings on popular music. The Reader places popular music in its cultural context, looks at the significance of popular music in our everyday lives and examines the global nature of the music industry." "The Reader maps the changing nature of popular music over the last decade and considers how popular music studies has expanded and developed to deal with these changes. Articles discuss the increasing participation of women in the industry and the changing role of gender and sexuality in popular music, the role of new technologies, especially in production and distribution, and the changing nature of the relationship between music production and consumption. The Reader is divided into parts, each with an introduction by the editors."--BOOK JACKET. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XXII, 408 S. |
| ISBN: | 9780415307093 9780415307109 0415307090 0415307104 |
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| 500 | |a Includes bibliographical references and index | ||
| 520 | 1 | |a "The Popular Music Studies Reader brings together classic texts and essential new writings on popular music. The Reader places popular music in its cultural context, looks at the significance of popular music in our everyday lives and examines the global nature of the music industry." "The Reader maps the changing nature of popular music over the last decade and considers how popular music studies has expanded and developed to deal with these changes. Articles discuss the increasing participation of women in the industry and the changing role of gender and sexuality in popular music, the role of new technologies, especially in production and distribution, and the changing nature of the relationship between music production and consumption. The Reader is divided into parts, each with an introduction by the editors."--BOOK JACKET. | |
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Datensatz im Suchindex
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| adam_text | THE POPULAR MUSIC STUDIES READER / BENNETT, ANDY : 2005
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTRODUCTION / ANDY BENNETT, BARRY SHANK AND JASON TOYNBEE PART 1: MUSIC AS SOUND, MUSIC AS TEXT: INTRODUCTION / BARRY SHANK
IN THE GROOVE, OR BLOWING YOUR MIND : THE PLEASURES OF MUSICAL REPETITION / RICHARD MIDDLETON
THIS IS NOT A STORY MY PEOPLE TELL : MUSICAL TIME AND SPACE ACCORDING TO LAURIE ANDERSON / SUSAN MCCLARY
HOME IS LIVING LIKE A MAN ON THE RUN : JOHN CALE S WELSH ATLANTIC / DAI GRIFFITHS
FAMILY VALUES IN MUSIC : BILLIE HOLIDAY S AND BING CROSBY S I LL BE SEEING YOU / DAVID BRACKETT
SUBJECTIVITY AND SOUNDSCAPE, MOTORBIKES AND MUSIC / PHIL TAGG
PART 2: MAKING MUSIC: INTRODUCTION / BARRY SHANK
LITTLE GIRL BLUE / ALICE ECHOLS
BLACK SOUND, BLACK BODY : JIMI HENDRIX, THE ELECTRIC GUITAR AND THE MEANING OF BLACKNESS / STEVE WAKSMAN
MAKING UP AND SHOWING OFF : WHAT MUSICIANS DO / JASON TOYNBEE
WAR IN THE JUNGLE / SIMON REYNOLDS
LIVENESS : PERFORMANCE AND THE ANXIETY OF SIMULATION / PAUL AUSLANDER
PART 3: SUBCULTURES, SCENES, AND TRIBES: INTRODUCTION / ANDY BENNETT
UNDERSTANDING HIPNESS : SUBCULTURAL CAPITAL AS FEMINIST TOOL / SARAH THORNTON
SUBCULTURES OR NEO-TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE / ANDY BENNETT
PUNK ROCK AT RAUL S : THE PERFORMANCE OF CONTRADICTION / BARRY SHANK
RULES OF REBELLION : SLAM DANCING, MOSHING AND THE AMERICAN ALTERNATIVE SCENE / WILLIAM TSITSOS
ROOTS : THE RELATIONSHIP BETWEEN THE GLOBAL AND THE LOCAL WITHIN THE EXTREME METAL SCENE / KEITH KAHN-HARRIS
PART 4: POPULAR MUSIC AND EVERYDAY LIFE: INTRODUCTION / ANDY BENNETT
MUSIC AND SELF-IDENTITY / TIA DENORA
FILMIC CITIES : THE AESTHETIC EXPERIENCE OF THE PERSONAL STEREO USER / MICHAEL BULL
BEAUTIFUL MUSIC : THE RISE OF EASY LISTENING FM / JOSEPH LANZA
SCANNING : AETHER TALK / DAVID TOOP
PART 5: MUSICAL DIASPORAS: INTRODUCTION / BARRY SHANK
JEWELS BROUGHT FROM BONDAGE : BLACK MUSIC AND THE POLITICS OF AUTHENTICITY / PAUL GILROY
ZOUK AND THE ISLES OF THE CARIBEES / JOCELYN GUILBAULT
THE LOCAL AND GLOBAL IN NORTH AFRICAN POPULAR MUSIC / TONY LANGLOIS
ASIAN KOOL BHANGRA AND BEYOND / RUPA HUQ
TECHNOBANDA AND THE POLITICS OF IDENTITY / HELENA SIMONET
VOICES FROM THE MARGINS : RAP MUSIC AND CONTEMPORARY BLACK CULTURAL PRODUCTION / TRICIA ROSE
PART 6: MUSIC INDUSTRY : INTRODUCTION / JASON TOYNBEE
THE INDUSTRIALISATION OF MUSIC / SIMON FRITH
MUSICIANS IN HOLLYWOOD : WORK AND TECHNOLOGICAL CHANGE IN ENTERTAINMENT INDUSTRIES, 1926-1940 / JAMES P. KRAFT
THE BRITISH DANCE MUSIC INDUSTRY : A CASE STUDY OF INDEPENDENT CULTURAL PRODUCTION / DAVID HESMONDHALGH
CREATIVITY, PROFITS AND MUSIC : THE CASES OF STOCKHOLM AND KINGSTON / DOMINIC POWER AND DANIEL HALLENCREUTZ
PART 7: POPULAR MUSIC AND TECHNOLOGY: INTRODUCTION / JASON TOYNBEE
THE MATERIAL HETEROGENEITY OF RECORDED SOUND / RICK ALTMAN. RATIONALISATION AND DEMOCRATIZATION IN THE NEW TECHNOLOGIES OF POPULAR MUSIC / ANDREW GOODWIN
MUSIC/TECHNOLOGY/PRACTICE : MUSIC TECHNOLOGY IN ACTION / PAUL THGBERGE
FUTURRHYTHMACHINE / KODWO ESHUN
HOME ON THE PAGE : A VIRTUAL PLACE OF MUSIC COMMUNITY / MARJORIE D. KIBBY
PART 8: POPULAR MUSIC MEDIA: INTRODUCTION / ANDY BENNETT
COMMERCIAL RADIO AND POPULAR MUSIC : PROCESSES OF SELECTION AND FACTORS OF INFLUENCE / ERIC W. ROTHENBUHLER AND TOM MCCOURT
YO QUIERO MI MTV! : MAKING MUSIC TELEVISION FOR LATIN AMERICA / BOB HANKEPOPULAR SONGS AND COMIC ALLUSION IN CONTEMPORARY CINEMA / PAUL SMITH
ANGLO-AMERICAN MUSIC JOURNALISM : TEXTS AND CONTEXTS / DAVE LAING
PART 9: POPULAR MUSIC, GENDER AND SEXUALITY: INTRODUCTION / JASON TOYNBEE
WOMEN MAKING MUSIC : SOME MATERIAL CONSTRAINTS / MAVIS BAYTON
SMELLS LIKE TEEN SPIRIT : RIOT GRRRLS, REVOLUTION AND WOMEN IN INDEPENDENT ROCK / J JOANNE GOTTLEIB AND GAYLE WALD
RETHINKING ISSUES OF GENDER AND SEXUALITY IN LED ZEPPELIN : A WOMAN S VIEW OF PLEASURE AND POWER IN HARD ROCK / SUSAN FAST
WOMEN AND THE EARLY BRITISH RAVE SCENE / MARIA PINI
HOUSEWIVES CHOICE : FEMALE FANS AND UNMANLY MEN / RICHARD SMITH.
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
| adam_txt |
THE POPULAR MUSIC STUDIES READER / BENNETT, ANDY : 2005
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTRODUCTION / ANDY BENNETT, BARRY SHANK AND JASON TOYNBEE PART 1: MUSIC AS SOUND, MUSIC AS TEXT: INTRODUCTION / BARRY SHANK
IN THE GROOVE, OR BLOWING YOUR MIND : THE PLEASURES OF MUSICAL REPETITION / RICHARD MIDDLETON
THIS IS NOT A STORY MY PEOPLE TELL : MUSICAL TIME AND SPACE ACCORDING TO LAURIE ANDERSON / SUSAN MCCLARY
HOME IS LIVING LIKE A MAN ON THE RUN : JOHN CALE'S WELSH ATLANTIC / DAI GRIFFITHS
FAMILY VALUES IN MUSIC : BILLIE HOLIDAY'S AND BING CROSBY'S "I'LL BE SEEING YOU" / DAVID BRACKETT
SUBJECTIVITY AND SOUNDSCAPE, MOTORBIKES AND MUSIC / PHIL TAGG
PART 2: MAKING MUSIC: INTRODUCTION / BARRY SHANK
LITTLE GIRL BLUE / ALICE ECHOLS
BLACK SOUND, BLACK BODY : JIMI HENDRIX, THE ELECTRIC GUITAR AND THE MEANING OF BLACKNESS / STEVE WAKSMAN
MAKING UP AND SHOWING OFF : WHAT MUSICIANS DO / JASON TOYNBEE
WAR IN THE JUNGLE / SIMON REYNOLDS
LIVENESS : PERFORMANCE AND THE ANXIETY OF SIMULATION / PAUL AUSLANDER
PART 3: SUBCULTURES, SCENES, AND TRIBES: INTRODUCTION / ANDY BENNETT
UNDERSTANDING HIPNESS : "SUBCULTURAL CAPITAL" AS FEMINIST TOOL / SARAH THORNTON
SUBCULTURES OR NEO-TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE / ANDY BENNETT
PUNK ROCK AT RAUL'S : THE PERFORMANCE OF CONTRADICTION / BARRY SHANK
RULES OF REBELLION : SLAM DANCING, MOSHING AND THE AMERICAN ALTERNATIVE SCENE / WILLIAM TSITSOS
"ROOTS" : THE RELATIONSHIP BETWEEN THE GLOBAL AND THE LOCAL WITHIN THE EXTREME METAL SCENE / KEITH KAHN-HARRIS
PART 4: POPULAR MUSIC AND EVERYDAY LIFE: INTRODUCTION / ANDY BENNETT
MUSIC AND SELF-IDENTITY / TIA DENORA
FILMIC CITIES : THE AESTHETIC EXPERIENCE OF THE PERSONAL STEREO USER / MICHAEL BULL
"BEAUTIFUL MUSIC" : THE RISE OF EASY LISTENING FM / JOSEPH LANZA
"SCANNING : AETHER TALK" / DAVID TOOP
PART 5: MUSICAL DIASPORAS: INTRODUCTION / BARRY SHANK
JEWELS BROUGHT FROM BONDAGE : BLACK MUSIC AND THE POLITICS OF AUTHENTICITY / PAUL GILROY
ZOUK AND THE ISLES OF THE CARIBEES / JOCELYN GUILBAULT
THE LOCAL AND GLOBAL IN NORTH AFRICAN POPULAR MUSIC / TONY LANGLOIS
ASIAN KOOL "BHANGRA AND BEYOND " / RUPA HUQ
TECHNOBANDA AND THE POLITICS OF IDENTITY / HELENA SIMONET
VOICES FROM THE MARGINS : RAP MUSIC AND CONTEMPORARY BLACK CULTURAL PRODUCTION / TRICIA ROSE
PART 6: MUSIC INDUSTRY : INTRODUCTION / JASON TOYNBEE
THE INDUSTRIALISATION OF MUSIC / SIMON FRITH
MUSICIANS IN HOLLYWOOD : WORK AND TECHNOLOGICAL CHANGE IN ENTERTAINMENT INDUSTRIES, 1926-1940 / JAMES P. KRAFT
THE BRITISH DANCE MUSIC INDUSTRY : A CASE STUDY OF INDEPENDENT CULTURAL PRODUCTION / DAVID HESMONDHALGH
CREATIVITY, PROFITS AND MUSIC : THE CASES OF STOCKHOLM AND KINGSTON / DOMINIC POWER AND DANIEL HALLENCREUTZ
PART 7: POPULAR MUSIC AND TECHNOLOGY: INTRODUCTION / JASON TOYNBEE
THE MATERIAL HETEROGENEITY OF RECORDED SOUND / RICK ALTMAN. RATIONALISATION AND DEMOCRATIZATION IN THE NEW TECHNOLOGIES OF POPULAR MUSIC / ANDREW GOODWIN
MUSIC/TECHNOLOGY/PRACTICE : MUSIC TECHNOLOGY IN ACTION / PAUL THGBERGE
FUTURRHYTHMACHINE / KODWO ESHUN
HOME ON THE PAGE : A VIRTUAL PLACE OF MUSIC COMMUNITY / MARJORIE D. KIBBY
PART 8: POPULAR MUSIC MEDIA: INTRODUCTION / ANDY BENNETT
COMMERCIAL RADIO AND POPULAR MUSIC : PROCESSES OF SELECTION AND FACTORS OF INFLUENCE / ERIC W. ROTHENBUHLER AND TOM MCCOURT
"YO QUIERO MI MTV!" : MAKING MUSIC TELEVISION FOR LATIN AMERICA / BOB HANKEPOPULAR SONGS AND COMIC ALLUSION IN CONTEMPORARY CINEMA / PAUL SMITH
ANGLO-AMERICAN MUSIC JOURNALISM : TEXTS AND CONTEXTS / DAVE LAING
PART 9: POPULAR MUSIC, GENDER AND SEXUALITY: INTRODUCTION / JASON TOYNBEE
WOMEN MAKING MUSIC : SOME MATERIAL CONSTRAINTS / MAVIS BAYTON
"SMELLS LIKE TEEN SPIRIT" : RIOT GRRRLS, REVOLUTION AND WOMEN IN INDEPENDENT ROCK / J JOANNE GOTTLEIB AND GAYLE WALD
RETHINKING ISSUES OF GENDER AND SEXUALITY IN LED ZEPPELIN : A WOMAN'S VIEW OF PLEASURE AND POWER IN HARD ROCK / SUSAN FAST
WOMEN AND THE EARLY BRITISH RAVE SCENE / MARIA PINI
HOUSEWIVES CHOICE : FEMALE FANS AND UNMANLY MEN / RICHARD SMITH.
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT. |
| any_adam_object | 1 |
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| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| edition | 1. ed. |
| format | Book |
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| language | English |
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| physical | XXII, 408 S. |
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| spelling | The popular music studies reader ed. by Andy Bennett ... 1. ed. London [u.a.] Routledge 2006 XXII, 408 S. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index "The Popular Music Studies Reader brings together classic texts and essential new writings on popular music. The Reader places popular music in its cultural context, looks at the significance of popular music in our everyday lives and examines the global nature of the music industry." "The Reader maps the changing nature of popular music over the last decade and considers how popular music studies has expanded and developed to deal with these changes. Articles discuss the increasing participation of women in the industry and the changing role of gender and sexuality in popular music, the role of new technologies, especially in production and distribution, and the changing nature of the relationship between music production and consumption. The Reader is divided into parts, each with an introduction by the editors."--BOOK JACKET. Musique populaire - Histoire et critique Populaire muziek gtt Popular music History and criticism Popmusik (DE-588)4046781-8 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Popmusik (DE-588)4046781-8 s DE-604 Bennett, Andy 1963- (DE-588)122083172 edt http://www.loc.gov/catdir/toc/ecip058/2005005252.html Table of contents LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014820808&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The popular music studies reader Musique populaire - Histoire et critique Populaire muziek gtt Popular music History and criticism Popmusik (DE-588)4046781-8 gnd |
| subject_GND | (DE-588)4046781-8 (DE-588)4143413-4 |
| title | The popular music studies reader |
| title_auth | The popular music studies reader |
| title_exact_search | The popular music studies reader |
| title_exact_search_txtP | The popular music studies reader |
| title_full | The popular music studies reader ed. by Andy Bennett ... |
| title_fullStr | The popular music studies reader ed. by Andy Bennett ... |
| title_full_unstemmed | The popular music studies reader ed. by Andy Bennett ... |
| title_short | The popular music studies reader |
| title_sort | the popular music studies reader |
| topic | Musique populaire - Histoire et critique Populaire muziek gtt Popular music History and criticism Popmusik (DE-588)4046781-8 gnd |
| topic_facet | Musique populaire - Histoire et critique Populaire muziek Popular music History and criticism Popmusik Aufsatzsammlung |
| url | http://www.loc.gov/catdir/toc/ecip058/2005005252.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014820808&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT bennettandy thepopularmusicstudiesreader |