Eighteenth-century Russian music:
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Aldershot [u.a.]
Ashgate
2006
|
| Subjects: | |
| Online Access: | Table of contents Inhaltsverzeichnis Klappentext |
| Physical Description: | XXVII, 388 S. zahlr. Ill. und Notenbeisp. |
| ISBN: | 9780754634669 0754634663 |
Staff View
MARC
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| adam_text | Contents
List of
List of Music Examples
Preface
Acknowledgements
Note on Abbreviations, Transliteration and Dates
1
Historiography in the Nineteenth and Twentieth Centuries
The Complexity of Russian Identity
Two Capitals
2
Folklore
The Rise and Fall of Skomorokhi Culture
Seeking an Art-Music Tradition (Seventeenth Century)
Religious Chant
Kanty
Ukrainization
Instrumental Music
Music in the Theatre
3
Between Italians and Russians
Peter the Great
Empress Anna
Araja in the 1740s
Gregory Teplov and Russian Song
Kirill Razumovsky and Russian Opera
Semen Naryshkin and Russian Horn Music
Araja s Rise and Fall in the 1750s
4
Vincenzo
Maxim Berezovsky s Early Career
5
Manfredini in
Baldassare Galuppi
vi
Berezovsky: Choral Work of the
Liturgy
Berezovsky Leaves for Italy
The Young Dmitry Bortniansky
6
Bortniansky s Missions
Berezovsky s Studies 111
Tommaso Traetta at the Russian Court
Bortniansky
The Moral of Berezovsky
Bortniansky s Redemption
7
Paisiello at the Russian Court
From Song to Song-Opera
8
Bortniansky s Return to Russia
Bortniansky
Bortniansky at the Young Court
9
Foreign Virtuosi
Ivan Khandoshkin and the Rus ian Idiom
At the Lvov House or the Temple of Rus ian Idiom
The Eighteenth-Century Russian Idiom: Policy, Perception,
Proofs
10
Sarti
Cimarosa s Russian Episode
Sarti
Sheremetev and
Back to the Imperial Court
Russian Spiritual Compositions
11
The Polonaise: Polish Honour and Russian Empire
Marseillaise and Russian Monarchs
Russian Freemasonry and Music
Contents
12
At the Court of Count Shcremetev
Stepán Anikcevich
Degtyarev s Pseudonyms
Serf-Freelancer
Degtyarev s Choral Music: Aesthetics and Style
Early Concertos
Late Concertos
Redactions
13
Artemy
Bortniansky s 1790s Concertos
14
Repertoire
Public Life
Family
Bortniansky and the Nineteenth Century
Bibliography
Index
Little is known outside of Russia about the nation s
musical heritage prior to the nineteenth century.
Western scholarship has tended to view the history of
Russian music as not beginning until the end of the
eighteenth century. Marina Ritzarev s work shows this
interpretation to be misguided. Starting from an
examination of the rich legacy of Russian music up to
1700,
she explores the development of music over the
course of the eighteenth century, a period of especially
intense Westernization and secularization.
The book focuses on what is characteristic and crucial
to Russian music during this period, rather than seeking
to provide a comprehensive survey. The musical culture
of the time is discussed against the rich background
of social, political and cultural life, tying together many
of the phenomena that used to be viewed separately.
The book highlights the importance of previously
marginalized sectors
—
serf culture, choral sacred
culture, the contribution of foreign musicians, the
significant influence of Freemasonry, the role of
Ukrainian and West-European cultures and so on
—
as well as casting new light on the well-researched
topic of Russian opera.
Much new archival material is introduced, and revised
biographies of the two leading eighteenth-century
Russian composers, Maxim Berezovsky and Dmitry
Bortniansky, are provided, as well as those of the serf
composer
Stepán
Degtyarev and the Italian Giuseppe
Sarti.
The book places eighteenth-century Russian music
on the European map, and will be of particular
importance for the study of European musical cultures
remote from such centers as Italy, Germany-Austria
and France. Eighteenth-century Russian music is
organically linked with its past and future and its
contributory role in forming the Russian national
identity and developing the Russian idiom is clarified.
|
| adam_txt |
Contents
List of
List of Music Examples
Preface
Acknowledgements
Note on Abbreviations, Transliteration and Dates
1
Historiography in the Nineteenth and Twentieth Centuries
The Complexity of Russian Identity
Two Capitals
2
Folklore
The Rise and Fall of Skomorokhi Culture
Seeking an Art-Music Tradition (Seventeenth Century)
Religious Chant
Kanty
Ukrainization
Instrumental Music
Music in the Theatre
3
Between Italians and Russians
Peter the Great
Empress Anna
Araja in the 1740s
Gregory Teplov and Russian Song
Kirill Razumovsky and Russian Opera
Semen Naryshkin and Russian Horn Music
Araja's Rise and Fall in the 1750s
4
Vincenzo
Maxim Berezovsky's Early Career
5
Manfredini in
Baldassare Galuppi
vi
Berezovsky: Choral Work of the
Liturgy
Berezovsky Leaves for Italy
The Young Dmitry Bortniansky
6
Bortniansky's Missions
Berezovsky's Studies 111
Tommaso Traetta at the Russian Court
Bortniansky'
The Moral of Berezovsky
Bortniansky's Redemption
7
Paisiello at the Russian Court
From Song to Song-Opera
8
Bortniansky's Return to Russia
Bortniansky'
Bortniansky at the Young Court
9
Foreign Virtuosi
Ivan Khandoshkin and the Rus'ian Idiom
At the Lvov House or the Temple of Rus'ian Idiom
The Eighteenth-Century Russian Idiom: Policy, Perception,
Proofs
10
Sarti
Cimarosa's Russian Episode
Sarti
Sheremetev and
Back to the Imperial Court
Russian Spiritual Compositions
11
The Polonaise: Polish Honour and Russian Empire
Marseillaise and Russian Monarchs
Russian Freemasonry and Music
Contents
12
At the Court of Count Shcremetev
Stepán Anikcevich
Degtyarev's Pseudonyms
Serf-Freelancer
Degtyarev's Choral Music: Aesthetics and Style
Early Concertos
Late Concertos
Redactions
13
Artemy
Bortniansky's 1790s Concertos
14
Repertoire
Public Life
Family
Bortniansky and the Nineteenth Century
Bibliography
Index
Little is known outside of Russia about the nation's
musical heritage prior to the nineteenth century.
Western scholarship has tended to view the history of
Russian music as not beginning until the end of the
eighteenth century. Marina Ritzarev's work shows this
interpretation to be misguided. Starting from an
examination of the rich legacy of Russian music up to
1700,
she explores the development of music over the
course of the eighteenth century, a period of especially
intense Westernization and secularization.
The book focuses on what is characteristic and crucial
to Russian music during this period, rather than seeking
to provide a comprehensive survey. The musical culture
of the time is discussed against the rich background
of social, political and cultural life, tying together many
of the phenomena that used to be viewed separately.
The book highlights the importance of previously
marginalized sectors
—
serf culture, choral sacred
culture, the contribution of foreign musicians, the
significant influence of Freemasonry, the role of
Ukrainian and West-European cultures and so on
—
as well as casting new light on the well-researched
topic of Russian opera.
Much new archival material is introduced, and revised
biographies of the two leading eighteenth-century
Russian composers, Maxim Berezovsky and Dmitry
Bortniansky, are provided, as well as those of the serf
composer
Stepán
Degtyarev and the Italian Giuseppe
Sarti.
The book places eighteenth-century Russian music
on the European map, and will be of particular
importance for the study of European musical cultures
remote from such centers as Italy, Germany-Austria
and France. Eighteenth-century Russian music is
organically linked with its past and future and its
contributory role in forming the Russian national
identity and developing the Russian idiom is clarified. |
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| spelling | Ritzarev, Marina 1946- Verfasser (DE-588)132765071 aut Eighteenth-century Russian music Marina Ritzarev Aldershot [u.a.] Ashgate 2006 XXVII, 388 S. zahlr. Ill. und Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Geschichte 1700-1800 Geschichte 1700-1800 gnd rswk-swf Musique - Russie - 18e siècle - Histoire et critique Muziek gtt Musik Music Russia 18th century History and criticism Musik (DE-588)4040802-4 gnd rswk-swf Rusland gtt Russland Russland (DE-588)4076899-5 gnd rswk-swf Russland (DE-588)4076899-5 g Musik (DE-588)4040802-4 s Geschichte 1700-1800 z DE-604 http://www.loc.gov/catdir/toc/ecip0518/2005024441.html Table of contents Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014820731&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014820731&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Ritzarev, Marina 1946- Eighteenth-century Russian music Musique - Russie - 18e siècle - Histoire et critique Muziek gtt Musik Music Russia 18th century History and criticism Musik (DE-588)4040802-4 gnd |
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| title | Eighteenth-century Russian music |
| title_auth | Eighteenth-century Russian music |
| title_exact_search | Eighteenth-century Russian music |
| title_exact_search_txtP | Eighteenth-century Russian music |
| title_full | Eighteenth-century Russian music Marina Ritzarev |
| title_fullStr | Eighteenth-century Russian music Marina Ritzarev |
| title_full_unstemmed | Eighteenth-century Russian music Marina Ritzarev |
| title_short | Eighteenth-century Russian music |
| title_sort | eighteenth century russian music |
| topic | Musique - Russie - 18e siècle - Histoire et critique Muziek gtt Musik Music Russia 18th century History and criticism Musik (DE-588)4040802-4 gnd |
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