Screening world cinema: the screen reader
Saved in:
| Format: | Book |
|---|---|
| Language: | English |
| Published: |
Abingdon [u.a.]
Routledge
2006
|
| Subjects: | |
| Online Access: | Table of contents Inhaltsverzeichnis Klappentext |
| Item Description: | Includes bibliographical references and index |
| Physical Description: | xiii, 228 S: Ill. |
| ISBN: | 0415384281 041538429X 9780415384285 9780415384292 |
Staff View
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Record in the Search Index
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|---|---|
| adam_text | Contents
Illustrations
vii
Editors
acknowledgements
viii
Publishers acknowledgements
ix
Contributors
xi
1
Screening world cinema
1
ANNETTE KUHN
AND CATHERINE GRANT
PART I
Views from here and there
15
2
Marginal cinemas and mainstream critical theory
17
JULIANNĘ
BURTON-CARVAJAL
3
Colonialism and law and order criticism
36
TESHOME H. GABRIEL
PART
ЇІ
Modernity and modernization
49
4
A screen of one s own: early cinema in Quebec and the
public sphere,
1906-1928
S
1
SCOTT MACKENZIE
5
If looks could kill: image wars in
María Candelaria
72
ANDREA NOBLE
6
Pictures of the past in the present: modernity, femininity
and stardom in the postwar films of Ozu Yasujiro
86
ALASTAIR PHILLIPS
PART III
Melodrama as a national and transnational mode
101
7
The melodramatic mode and the commercial Hindi cinema
103
RAVIVASUDEVAN
8
Avenging women in Indian cinema
127
LALITHA GOPALAN
9
Narratives of resistance: national identity and ambivalence
in the Turkish melodrama between
1965
and
1975 145
NEZIH
ERDOČAN
PART IV
Contemporary world cinema and critical theory
161
10
The open image: poetic realism and the New
Iranian Cinema
163
SHOHINI CHAUDHURI AND HOWARD FINN
11
Signs of
angst
and hope: history and melodrama in
Chinese fifth-generation cinema
182
NING
MA
12
Affecting legacies: historical memory and contemporary
structures of feeling in Madagascar and
Amores perros i
98
LAURA PODALSKY
Appendix: Articles and other items on world cinema in
Screen,
1976-2004 216
Index
221
Screening World Cinema: A
Screen Reader brings together a selection of key articles on
world cinema published over the past two decades in the internationally renowned
journaHcreen.
This new collection allows readers to cross-reference the wide-ranging debates
on world cinema that have been pursued and developed across many issues of the
journal. Themes addressed include: the problem of defining World Cinema ; the
relationship between First and Third cinemas and criticisms; issues of modernity
and modernization; and melodrama as a national and transnational cinematic mode.
Screening World Cinema also features chapters on important contemporary world
cinemas
-
New Iranian, Latin American and Chinese cinemas among them
-
as they
negotiate issues of globalization and cultural and political modernity; as well as a
complete listing of articles and other items on world cinema published in Screen
since
1976. /
|
| adam_txt |
Contents
Illustrations
vii
Editors'
acknowledgements
viii
Publishers' acknowledgements
ix
Contributors
xi
1
Screening world cinema
1
ANNETTE KUHN
AND CATHERINE GRANT
PART I
Views from here and there
15
2
Marginal cinemas and mainstream critical theory
17
JULIANNĘ
BURTON-CARVAJAL
3
Colonialism and 'law and order' criticism
36
TESHOME H. GABRIEL
PART
ЇІ
Modernity and modernization
49
4
A screen of one's own: early cinema in Quebec and the
public sphere,
1906-1928
S
1
SCOTT MACKENZIE
5
If looks could kill: image wars in
María Candelaria
72
ANDREA NOBLE
6
Pictures of the past in the present: modernity, femininity
and stardom in the postwar films of Ozu Yasujiro
86
ALASTAIR PHILLIPS
PART III
Melodrama as a national and transnational mode
101
7
The melodramatic mode and the commercial Hindi cinema
103
RAVIVASUDEVAN
8
Avenging women in Indian cinema
127
LALITHA GOPALAN
9
Narratives of resistance: national identity and ambivalence
in the Turkish melodrama between
1965
and
1975 145
NEZIH
ERDOČAN
PART IV
Contemporary world cinema and critical theory
161
10
The open image: poetic realism and the New
Iranian Cinema
163
SHOHINI CHAUDHURI AND HOWARD FINN
11
Signs of
angst
and hope: history and melodrama in
Chinese fifth-generation cinema
182
NING
MA
12
Affecting legacies: historical memory and contemporary
structures of feeling in Madagascar and
Amores perros i
98
LAURA PODALSKY
Appendix: Articles and other items on world cinema in
Screen,
1976-2004 216
Index
221
Screening World Cinema: A
Screen Reader brings together a selection of key articles on
world cinema published over the past two decades in the internationally renowned
journaHcreen.
This new collection allows readers to cross-reference the wide-ranging debates
on world cinema that have been pursued and developed across many issues of the
journal. Themes addressed include: the problem of defining 'World Cinema'; the
relationship between 'First' and 'Third' cinemas and criticisms; issues of modernity
and modernization; and melodrama as a national and transnational cinematic mode.
Screening World Cinema also features chapters on important contemporary world
cinemas
-
New Iranian, Latin American and Chinese cinemas among them
-
as they
negotiate issues of globalization and cultural and political modernity; as well as a
complete listing of articles and other items on world cinema published in Screen
since
1976. / |
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| title | Screening world cinema the screen reader |
| title_auth | Screening world cinema the screen reader |
| title_exact_search | Screening world cinema the screen reader |
| title_exact_search_txtP | Screening world cinema the screen reader |
| title_full | Screening world cinema the screen reader ed. by Catherine Grant ... |
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| title_full_unstemmed | Screening world cinema the screen reader ed. by Catherine Grant ... |
| title_short | Screening world cinema |
| title_sort | screening world cinema the screen reader |
| title_sub | the screen reader |
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