Shakespeare: Macbeth: [a reader's guide to essential criticism]
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Basingstoke [u.a.]
Palgrave Macmillan
2006
|
| Edition: | 1. publ. |
| Series: | Readers' guides to essential criticism
|
| Subjects: | |
| Online Access: | Contributor biographical information Publisher description Table of contents Inhaltsverzeichnis |
| Physical Description: | XI, 177 S. |
| ISBN: | 1403999244 1403999252 9781403999252 9781403999245 |
Staff View
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| adam_text | CONTENTS
Acknowledgements x
Notes on the Text
xi
Introduction
1
Offers a range of observations on the overall impact of Macbeth and
outlines the rest of the Guide.
CHAPTER ONE
6
The Seventeenth and Eighteenth Centuries: The Development of
Macbeth Criticism
Discusses the text of Macbeth and Simon Forman s account of a
1611
Globe performance; the critical implications of Sir William D Avenant s
1664
adaptation of Macbeth; Nicholas Rowe s acknowledgement of
Shakespeare s vulnerability to neoclassical criticism; and Samuel
Johnson s extensive comments on the language, plot and characters
of the play. Traces the development of character-based criticism in the
later eighteenth century in the work of William Richardson, Thomas
Whately, J. P. Kemble and Richard Cumberland.
CHAPTER TWO
28
The Nineteenth Century: Romantic and Victorian Macbeth
Considers William Hazlitt s vigorous attack on Samuel Johnson and
Hazlitt s comments on the characters, structure, themes and language
of the play; Coleridge s general views on Macbeth and his penetrating
explanation of the apparent change of Lady Macbeth s character;
Thomas
de Quincey s
celebrated exploration of the way in which the
knocking at the gate marks the renewal of ordinary life after its mur¬
derous suspension; Anna Jameson s account of Lady Macbeth in rela¬
tion to notions of femininity and the portrayal of women in ancient
Greek drama; and Edward Dowden s late-Victorian interpretation of the
characters of Macbeth and his wife.
VII
viii
CONTENTS
CHAPTER THREE
43
The Early Twentieth Century: Tragedy, Psychoanalysis and Imagery
Explores A. C. Bradley s idea of Shakespearean tragedy and key ele¬
ments of his interpretation of Macbeth;
Sigmund
Freud s reading of
Macbeth as a play about childlessness; Caroline Spurgeon s widely dis¬
seminated analysis of recurrent images in the play; G. Wilson Knight s
spatial approach to Shakespeare and his reading of Macbeth as a
vision of evil;
L. C
Knights s famous attack on a character-based
approach to Shakespeare, How Many Children Had Lady Macbeth? ;
and William Empson s ingenious close readings of key passages in
the play.
CHAPTER FOUR
68
The Mid-Twentieth Century: History, Nature and Evil
Examines E. M. W. Tillyard s account of Macbeth as a history play;
Henry
N.
Paul s consideration of the play s relationship to contempo¬
rary historical events; Eugene M. Waith s discussion of masculinity in
Macbeth; Cleanth Brooks s famous New Critical analysis of the ¡mage
of the naked babe and the clothed man in the play; the ripostes
to Brooks of Oscar James Campbell and Helen Gardner;
L. C
Knights s
complex interpretation of Macbeth in relation to Shakespearean
notions of nature ; Jan Kott s emphasis on the murderous, nihilistic
aspects of the play; and Wilbur Sanders s Nietzschean reading of
Macbeth as exemplifying the energy of evil.
CHAPTER FIVE
94
The Later Twentieth Century: Politics, Violence and Ideology
Traces Harry
Berger Jr s
pioneering investigation of the paradoxes of
the early scenes of Macbeth; Michael Hawkins s thoughtful discussion
of the links between the play and the political ideas of the time; Peter
Stallybrass s sharp examination of the relationships between witch¬
craft and political power in Macbeth and In society; Stephen Booth s
exploration of the indefiniteness of Macbeth in relation to a theory
of tragedy; James L. Calderwood s analysis of Macbeth as a counter-
Hamlet, a tragedy about the nature of tragedy, and a study of culture
and violence; and Alan Sinfield s provocative account of the relation¬
ship of Macbeth to the contrasting ideologies of James I and George
Buchanan.
CONTENTS
ix
CHAPTER SIX
119
The Later Twentieth Century: Language, Subjectivity and Subversion
Focuses on Catherine Belsey s close analysis of the split subjectivity of
the soliloquies of Macbeth, drawing on the theories of
Lacan
and
Benveniste; Terence Eagleton s sober account of the play as about a
man who rejects community and his later view, when writing as Terry
Eagleton, of the witches as heroic and subversive; and Malcolm
Evans s vivid consideration of the equivocal operations of language
in the play, which prevent it from coming to rest in any one secure
meaning.
CHAPTER SEVEN
130
The Later Twentieth Century: Men, Women and Witches
Investigates
Coppèlla Kahn s
view of Macbeth as about the failure to
attain a fully individuated masculine identity; Marilyn French s argu¬
ment that it is about the suppression of the feminine principle in an
heroic, manly culture; Janet Adelman s analysis of its contradictory
fantasies about maternal power; Stephen Greenblatt s defence of
Macbeth s treatment of witchcraft; and Stephen Orgel s view of the
witches as opening up a space for women in the play.
Conclusion: The Twenty-first Century and Future Directions
150
Looks back over the Guide as a whole and outlines possible future
directions for Macbeth criticism.
NOTES
153
SELECT BIBLIOGRAPHY
164
SELECT FILMOGRAPHY
167
INDEX
171
|
| adam_txt |
CONTENTS
Acknowledgements x
Notes on the Text
xi
Introduction
1
Offers a range of observations on the overall impact of Macbeth and
outlines the rest of the Guide.
CHAPTER ONE
6
The Seventeenth and Eighteenth Centuries: The Development of
Macbeth Criticism
Discusses the text of Macbeth and Simon Forman's account of a
1611
Globe performance; the critical implications of Sir William D'Avenant's
1664
adaptation of Macbeth; Nicholas Rowe's acknowledgement of
Shakespeare's vulnerability to neoclassical criticism; and Samuel
Johnson's extensive comments on the language, plot and characters
of the play. Traces the development of character-based criticism in the
later eighteenth century in the work of William Richardson, Thomas
Whately, J. P. Kemble and Richard Cumberland.
CHAPTER TWO
28
The Nineteenth Century: Romantic and Victorian Macbeth
Considers William Hazlitt's vigorous attack on Samuel Johnson and
Hazlitt's comments on the characters, structure, themes and language
of the play; Coleridge's general views on Macbeth and his penetrating
explanation of the apparent change of Lady Macbeth's character;
Thomas
de Quincey's
celebrated exploration of the way in which the
knocking at the gate marks the renewal of ordinary life after its mur¬
derous suspension; Anna Jameson's account of Lady Macbeth in rela¬
tion to notions of femininity and the portrayal of women in ancient
Greek drama; and Edward Dowden's late-Victorian interpretation of the
characters of Macbeth and his wife.
VII
viii
CONTENTS
CHAPTER THREE
43
The Early Twentieth Century: Tragedy, Psychoanalysis and Imagery
Explores A. C. Bradley's idea of Shakespearean tragedy and key ele¬
ments of his interpretation of Macbeth;
Sigmund
Freud's reading of
Macbeth as a play about childlessness; Caroline Spurgeon's widely dis¬
seminated analysis of recurrent images in the play; G. Wilson Knight's
'spatial' approach to Shakespeare and his reading of Macbeth as a
vision of evil;
L. C
Knights's famous attack on a character-based
approach to Shakespeare, 'How Many Children Had Lady Macbeth?';
and William Empson's ingenious close readings of key passages in
the play.
CHAPTER FOUR
68
The Mid-Twentieth Century: History, Nature and Evil
Examines E. M. W. Tillyard's account of Macbeth as a history play;
Henry
N.
Paul's consideration of the play's relationship to contempo¬
rary historical events; Eugene M. Waith's discussion of masculinity in
Macbeth; Cleanth Brooks's famous 'New Critical' analysis of the ¡mage
of the naked babe and the clothed man in the play; the ripostes
to Brooks of Oscar James Campbell and Helen Gardner;
L. C
Knights's
complex interpretation of Macbeth in relation to Shakespearean
notions of 'nature'; Jan Kott's emphasis on the murderous, nihilistic
aspects of the play; and Wilbur Sanders's Nietzschean reading of
Macbeth as exemplifying the energy of evil.
CHAPTER FIVE
94
The Later Twentieth Century: Politics, Violence and Ideology
Traces Harry
Berger Jr's
pioneering investigation of the paradoxes of
the early scenes of Macbeth; Michael Hawkins's thoughtful discussion
of the links between the play and the political ideas of the time; Peter
Stallybrass's sharp examination of the relationships between witch¬
craft and political power in Macbeth and In society; Stephen Booth's
exploration of the indefiniteness of Macbeth in relation to a theory
of tragedy; James L. Calderwood's analysis of Macbeth as a counter-
Hamlet, a tragedy about the nature of tragedy, and a study of culture
and violence; and Alan Sinfield's provocative account of the relation¬
ship of Macbeth to the contrasting ideologies of James I and George
Buchanan.
CONTENTS
ix
CHAPTER SIX
119
The Later Twentieth Century: Language, Subjectivity and Subversion
Focuses on Catherine Belsey's close analysis of the split subjectivity of
the soliloquies of Macbeth, drawing on the theories of
Lacan
and
Benveniste; 'Terence' Eagleton's sober account of the play as about a
man who rejects community and his later view, when writing as 'Terry'
Eagleton, of the witches as heroic and subversive; and Malcolm
Evans's vivid consideration of the equivocal operations of language
in the play, which prevent it from coming to rest in any one secure
meaning.
CHAPTER SEVEN
130
The Later Twentieth Century: Men, Women and Witches
Investigates
Coppèlla Kahn's
view of Macbeth as about the failure to
attain a fully individuated masculine identity; Marilyn French's argu¬
ment that it is about the suppression of the feminine principle in an
heroic, 'manly' culture; Janet Adelman's analysis of its contradictory
fantasies about maternal power; Stephen Greenblatt's defence of
Macbeth's treatment of witchcraft; and Stephen Orgel's view of the
witches as opening up a space for women in the play.
Conclusion: The Twenty-first Century and Future Directions
150
Looks back over the Guide as a whole and outlines possible future
directions for Macbeth criticism.
NOTES
153
SELECT BIBLIOGRAPHY
164
SELECT FILMOGRAPHY
167
INDEX
171 |
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| spelling | Tredell, Nicolas 1950- Verfasser (DE-588)1030490309 aut Shakespeare: Macbeth [a reader's guide to essential criticism] Nicolas Tredell 1. publ. Basingstoke [u.a.] Palgrave Macmillan 2006 XI, 177 S. txt rdacontent n rdamedia nc rdacarrier Readers' guides to essential criticism Shakespeare, William 1564-1616 Macbeth Macbeth King of Scotland 11th cent In literature Shakespeare, William 1564-1616 Macbeth (DE-588)4099361-9 gnd rswk-swf Geschichte gnd rswk-swf Regicides in literature Rezeption (DE-588)4049716-1 gnd rswk-swf Shakespeare, William 1564-1616 Macbeth (DE-588)4099361-9 u Rezeption (DE-588)4049716-1 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe Tredell, Nicolas Macbeth Basingstoke : Palgrave Macmillan,c2006 978-0-230-20308-2 http://www.loc.gov/catdir/enhancements/fy0634/2006044753-b.html Contributor biographical information http://www.loc.gov/catdir/enhancements/fy0634/2006044753-d.html Publisher description http://www.loc.gov/catdir/enhancements/fy0634/2006044753-t.html Table of contents Digitalisierung UB Bamberg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014816106&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Tredell, Nicolas 1950- Shakespeare: Macbeth [a reader's guide to essential criticism] Shakespeare, William 1564-1616 Macbeth Macbeth King of Scotland 11th cent In literature Shakespeare, William 1564-1616 Macbeth (DE-588)4099361-9 gnd Regicides in literature Rezeption (DE-588)4049716-1 gnd |
| subject_GND | (DE-588)4099361-9 (DE-588)4049716-1 |
| title | Shakespeare: Macbeth [a reader's guide to essential criticism] |
| title_auth | Shakespeare: Macbeth [a reader's guide to essential criticism] |
| title_exact_search | Shakespeare: Macbeth [a reader's guide to essential criticism] |
| title_exact_search_txtP | Shakespeare: Macbeth [a reader's guide to essential criticism] |
| title_full | Shakespeare: Macbeth [a reader's guide to essential criticism] Nicolas Tredell |
| title_fullStr | Shakespeare: Macbeth [a reader's guide to essential criticism] Nicolas Tredell |
| title_full_unstemmed | Shakespeare: Macbeth [a reader's guide to essential criticism] Nicolas Tredell |
| title_short | Shakespeare: Macbeth |
| title_sort | shakespeare macbeth a reader s guide to essential criticism |
| title_sub | [a reader's guide to essential criticism] |
| topic | Shakespeare, William 1564-1616 Macbeth Macbeth King of Scotland 11th cent In literature Shakespeare, William 1564-1616 Macbeth (DE-588)4099361-9 gnd Regicides in literature Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Shakespeare, William 1564-1616 Macbeth Macbeth King of Scotland 11th cent In literature Regicides in literature Rezeption |
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