The objective eye: color, form, and reality in the theory of art
'The Objective Eye' explores the fundamental concepts we use constantly in our innocent thoughts and conversations about art, as well as in the most sophisticated art theory. The book progresses from pure philosophy to applied philosophy and ranges from the meta-physics of colour to Renais...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chicago [u.a.]
Univ. of Chicago Press
2006
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | 'The Objective Eye' explores the fundamental concepts we use constantly in our innocent thoughts and conversations about art, as well as in the most sophisticated art theory. The book progresses from pure philosophy to applied philosophy and ranges from the meta-physics of colour to Renaissance perspective. |
| Beschreibung: | XIX, 286, [16] S. Ill. |
| ISBN: | 9780226365534 0226365522 9780226365527 |
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| 520 | 3 | |a 'The Objective Eye' explores the fundamental concepts we use constantly in our innocent thoughts and conversations about art, as well as in the most sophisticated art theory. The book progresses from pure philosophy to applied philosophy and ranges from the meta-physics of colour to Renaissance perspective. | |
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Datensatz im Suchindex
| _version_ | 1804135376401465344 |
|---|---|
| adam_text | CONTENTS
List of lllustrations xi
Preface xv
Introduction 1
COLOR
1. Galileo s Myth 11
2. Frames of Reference 29
3. Perceiving Powers 45
DE Pl CTI ON
4. Art and Imitation 59
5. Art and Occlusion 73
6. Art and Optics 113
7. Art and Experience 127
R E ALI SM
8. Words and Pictures 155
9. Realism and Relativism 181
10. The Canvas of the Brain 211
Conclusion 237
Notes 239
Bibliography 269
Credits 2jj
Index 279
I LLUSTRATI ONS
p l at e s (following page 124)
1 Phillip Otto Runge, Farben Kugel (Color sphere), 1810.
2 Harvest Scene, ca. 1420 1411 b.c. Deir el Medina, Thebes. Detail.
3 Fra Filippo Lippi, The Annunciation, ca. 1440.
4 Sandro Botticelli, Young Man Holding a Medallion, ca. 1485.
5 Georges Seurat, The Gardener, 1882 83.
6 Jean Auguste Dominique Ingres, Bather ofValpincon, 1808.
7 Edgar Degas, Woman Drying Herself, 1885.
8 Leonardo da Vinci, A Copse ofTrees Seen in Sunlight, ca. 1500 1502.
FIGURES
1 Photoreceptor spectral sensitivities of a human, a honey bee, and a
blue tit.
2 Rene Magritte, La trahison des images, 1928 29.
3 Robert Campin and assistant, The Annunciation Triptych (Merode
Altarpiece), ca. 1425.
4 A branch of a tree seen through a window.
5 Parmigianino, Self Portrait in a Convex Mirror, ca. 1524.
6 Leonardo da Vinci, Bust ofGrotesque Man in Profile, ca. 1503 5.
7 Leonardo da Vinci, Noses in Profile.
8 Duck Rabbit.
9 Giotto, The Betrayal of Christ, ca. 1305.
10 Titian, Francois 1,1538.
11 Amphora, ca. 515 b.c. Attributed to the Andokides Painter.
12 Calyx crater, ca. 515 b.c. Attributed to Euphronios.
13 Giotto, Dormition ofthe Virgin, ca. 1310. Detail.
14 Master Bertram, Adoration ofthe Magi, 1383.
|
| adam_txt |
CONTENTS
List of lllustrations xi
Preface xv
Introduction 1
COLOR
1. Galileo's Myth 11
2. Frames of Reference 29
3. Perceiving Powers 45
DE Pl CTI ON
4. Art and Imitation 59
5. Art and Occlusion 73
6. Art and Optics 113
7. Art and Experience 127
R E ALI SM
8. Words and Pictures 155
9. Realism and Relativism 181
10. The Canvas of the Brain 211
Conclusion 237
Notes 239
Bibliography 269
Credits 2jj
Index 279
I LLUSTRATI ONS
p l at e s (following page 124)
1 Phillip Otto Runge, Farben Kugel (Color sphere), 1810.
2 Harvest Scene, ca. 1420 1411 b.c. Deir el Medina, Thebes. Detail.
3 Fra Filippo Lippi, The Annunciation, ca. 1440.
4 Sandro Botticelli, Young Man Holding a Medallion, ca. 1485.
5 Georges Seurat, The Gardener, 1882 83.
6 Jean Auguste Dominique Ingres, Bather ofValpincon, 1808.
7 Edgar Degas, Woman Drying Herself, 1885.
8 Leonardo da Vinci, A Copse ofTrees Seen in Sunlight, ca. 1500 1502.
FIGURES
1 Photoreceptor spectral sensitivities of a human, a honey bee, and a
blue tit.
2 Rene Magritte, La trahison des images, 1928 29.
3 Robert Campin and assistant, The Annunciation Triptych (Merode
Altarpiece), ca. 1425.
4 A branch of a tree seen through a window.
5 Parmigianino, Self Portrait in a Convex Mirror, ca. 1524.
6 Leonardo da Vinci, Bust ofGrotesque Man in Profile, ca. 1503 5.
7 Leonardo da Vinci, Noses in Profile.
8 Duck Rabbit.
9 Giotto, The Betrayal of Christ, ca. 1305.
10 Titian, Francois 1,1538.
11 Amphora, ca. 515 b.c. Attributed to the Andokides Painter.
12 Calyx crater, ca. 515 b.c. Attributed to Euphronios.
13 Giotto, Dormition ofthe Virgin, ca. 1310. Detail.
14 Master Bertram, Adoration ofthe Magi, 1383. |
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| author | Hyman, John |
| author_facet | Hyman, John |
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| callnumber-raw | N7430.5 |
| callnumber-search | N7430.5 |
| callnumber-sort | N 47430.5 |
| callnumber-subject | N - Visual Arts |
| classification_rvk | CC 6900 |
| ctrlnum | (OCoLC)61879702 (DE-599)BVBBV021596654 |
| dewey-full | 701/.15 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 701 - Philosophy of fine & decorative arts |
| dewey-raw | 701/.15 |
| dewey-search | 701/.15 |
| dewey-sort | 3701 215 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte Philosophie |
| discipline_str_mv | Kunstgeschichte Philosophie |
| format | Book |
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| geographic | Art Psychology |
| geographic_facet | Art Psychology |
| id | DE-604.BV021596654 |
| illustrated | Illustrated |
| index_date | 2024-07-02T14:46:23Z |
| indexdate | 2024-07-09T20:39:31Z |
| institution | BVB |
| isbn | 9780226365534 0226365522 9780226365527 |
| language | English |
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| physical | XIX, 286, [16] S. Ill. |
| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | Univ. of Chicago Press |
| record_format | marc |
| spelling | Hyman, John Verfasser aut The objective eye color, form, and reality in the theory of art Chicago [u.a.] Univ. of Chicago Press 2006 XIX, 286, [16] S. Ill. txt rdacontent n rdamedia nc rdacarrier 'The Objective Eye' explores the fundamental concepts we use constantly in our innocent thoughts and conversations about art, as well as in the most sophisticated art theory. The book progresses from pure philosophy to applied philosophy and ranges from the meta-physics of colour to Renaissance perspective. Beeldende kunsten gtt Kunsttheorie gtt Psychologische aspecten gtt Visuele waarneming gtt Kunst Psychologie Color in art Composition (Art) Visual perception Methode (DE-588)4038971-6 gnd rswk-swf Künstlerische Form (DE-588)4125693-1 gnd rswk-swf Kunstpsychologie (DE-588)4033669-4 gnd rswk-swf Farbe (DE-588)4016443-3 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Visuelle Wahrnehmung (DE-588)4078921-4 gnd rswk-swf Art Psychology Visuelle Wahrnehmung (DE-588)4078921-4 s Kunstpsychologie (DE-588)4033669-4 s DE-604 Methode (DE-588)4038971-6 s Farbe (DE-588)4016443-3 s Ästhetik (DE-588)4000626-8 s Künstlerische Form (DE-588)4125693-1 s HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014812049&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Hyman, John The objective eye color, form, and reality in the theory of art Beeldende kunsten gtt Kunsttheorie gtt Psychologische aspecten gtt Visuele waarneming gtt Kunst Psychologie Color in art Composition (Art) Visual perception Methode (DE-588)4038971-6 gnd Künstlerische Form (DE-588)4125693-1 gnd Kunstpsychologie (DE-588)4033669-4 gnd Farbe (DE-588)4016443-3 gnd Ästhetik (DE-588)4000626-8 gnd Visuelle Wahrnehmung (DE-588)4078921-4 gnd |
| subject_GND | (DE-588)4038971-6 (DE-588)4125693-1 (DE-588)4033669-4 (DE-588)4016443-3 (DE-588)4000626-8 (DE-588)4078921-4 |
| title | The objective eye color, form, and reality in the theory of art |
| title_auth | The objective eye color, form, and reality in the theory of art |
| title_exact_search | The objective eye color, form, and reality in the theory of art |
| title_exact_search_txtP | The objective eye color, form, and reality in the theory of art |
| title_full | The objective eye color, form, and reality in the theory of art |
| title_fullStr | The objective eye color, form, and reality in the theory of art |
| title_full_unstemmed | The objective eye color, form, and reality in the theory of art |
| title_short | The objective eye |
| title_sort | the objective eye color form and reality in the theory of art |
| title_sub | color, form, and reality in the theory of art |
| topic | Beeldende kunsten gtt Kunsttheorie gtt Psychologische aspecten gtt Visuele waarneming gtt Kunst Psychologie Color in art Composition (Art) Visual perception Methode (DE-588)4038971-6 gnd Künstlerische Form (DE-588)4125693-1 gnd Kunstpsychologie (DE-588)4033669-4 gnd Farbe (DE-588)4016443-3 gnd Ästhetik (DE-588)4000626-8 gnd Visuelle Wahrnehmung (DE-588)4078921-4 gnd |
| topic_facet | Beeldende kunsten Kunsttheorie Psychologische aspecten Visuele waarneming Kunst Psychologie Color in art Composition (Art) Visual perception Methode Künstlerische Form Kunstpsychologie Farbe Ästhetik Visuelle Wahrnehmung Art Psychology |
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