Holdings: Art in Renaissance Italy

Art in Renaissance Italy:

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Bibliographic Details
Main Author:	Paoletti, John T. (Author)
Format:	Book
Language:	English
Published:	Upper Saddle River, N.J. Pearson Prentice Hall 2005
Edition:	3. ed.
Subjects:	Geschichte 1300-1550 Geschichte 1420-1600 Art and society > Italy Art, Italian Art, Renaissance > Italy Renaissance Kunst Italien Italy > Civilization > 1268-1559
Online Access:	Inhaltsverzeichnis
Physical Description:	576 S. zahlr. Ill., Kt.
ISBN:	0131935100

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Record in the Search Index

_version_	1820157698501509120
adam_text	Contents Preface 10 Introduction: Art ¡η Context 12 Contemporary Scene: Art and Offerings 15 Patronage 16 Artists'Workshops 17 The Image of the Artist 17 Workshop Training 18 Contracts 21 Contemporary Voice: An Artist's Life 21 Materials and Methods 22 The Painting Studio 23 Wall Painting 23 Contemporary Voice: Terms of Employment 24 Tempera and Oil Painting 26 Mosaic and Stained Glass 27 The Sculpture Workshop 28 Bronze Sculpture 31 Drawings 32 Architecture 33 Other Workshops 36 Print Media 36 Renovations and Restorations 37 Historiography and Methodology 42 Vasari's Three Ages 42 Contemporary Voice: Fashioning the Female Artist 43 Naming the Renaissance 44 The Late Thirteenth and the Fourteenth Century 47 1 The Origins of the Renaissance 48 St. Francis and the Beginnings of Renaissance Art 48 Francis of Assisi 49 Contemporary Voice: Francis as Another Christ 50 The San Damiano Crucifix: Christus triumphans 50 Christus pattens 5 0 Defining St. Francis 52 St. Clare 53 Style and Meaning 53 Urban Contexts 55 Types of Cities 55 2 Rome: Artists, Popes, and Cardinals 56 Rome's Revival under Nicholas III 57 The Sancta Sanctorum 59 Contemporary Scene: Art and Miracles 60 Nicholas IV at Santa Maria Maggiore 61 Patrons from the Papal Curia 62 Pope Boniface VIII and an Imperial Language ofPower 64 Creating Images for an Absent Papacy 65 3 Assisi and Padua: Narrative Realism 67 Frescoes in San Francesco 69 Nave Frescoes 69 Contemporary Voice: St. Francis and the Christ Child 70 Padua: The Scrovegni Chapel 71 4 Florence: Traditions and Innovations 77 St. John the Baptist and the Baptistry 79 The Palazzo della Signoria and Urban Planning 80 Contemporary Scene: Art and Violence 82 Mendicant Churches 82 Santa Croce and Santa Maria Novella 82 Altarpieces Dedicated to the Virgin 84 Cimabue's Altarpiece for Santa Trinità 84 Duccio's Altarpiece for the Confraternity of the Laudesi 85 Giotto's Ognissanti Madonna 86 Santa Croce Frescoes 86 The Bardi Chapel 87 The Peruzzi Chapel 88 The Baroncelli Chapel 90 Altarpieces for Santa Croce 92 The Santa Croce Refectory Frescoes 93 The Cathedral Complex 94 Andrea Pisano's Baptistry Doors 96 5 Siena: City of the Virgin 99 The Cathedral 100 The Pulpit 101 The Façade 103 Duccio's Maestà 104 Contemporary Voice: The Procession of the Maestà 104 Altarpieces in the Transept Chapels 107 Later Sienese Altar Painting 110 Tomb Sculpture 110 Arezzo: The Tarlati Tomb 112 The Palazzo Pubblico 112 Simone Martini's Maestà for the Palazzo Pubblico 113 Lippo Memmi's Maestà for San Gimignano 113 Contemporary Scene: Art and Popular Piety 114 Secular Imagery in the Scala del Consiglio 116 The Sala della Pace: "Good Government" 116 Siena's Political System and Civic Art 120 Painting in the Palazzo Pubblico 120 Enhancements to the Campo 122 6 Naples: Art for a Royal Kingdom 124 The Court and the Importation of Artists 124 Architectural Commissions 127 Consolidating Angevin Rule: A Queen's Commissions 128 Cavallini and Giotto in Naples 129 Robert of Anjou 131 The Altarpiece of St. Louis 131 Sancia of Majorca and the Church of Santa Chiara 132 Tomb Monuments and Robert the Wise 132 The Tomb of Mary of Hungary 132 The Tomb of Robert of Anjou 133 7 Venice: The Most Serene Republic 135 St. Mark's Basilica 138 Piazza San Marco 140 Images of the State and the Individual 140 Doge Andrea Dandolo 140 Contemporary Voice: The Image as Document 141 Enhancements to St. Mark's 141 The Pala d'Oro 141 St. Mark's Baptistry 141 The Choir Screen 143 The Façade 144 The Church of Santi Giovanni e Paolo 145 The Tomb of Doge Michele Morosini 145 The Doge's Palace 146 Santo Stefano 147 Sculpture on the Doge's Palace 147 Painting in the Doge's Palace 148 8 Pisa and Florence: Morality and Judgment 152 The Camposanto Frescoes in Pisa 152 Santa Maria Novella in Florence 155 The Strozzi Chapel 155 The Strozzi Altarpiece 156 The Black Death 156 The Guidalotti Chapel 158 The Apotheosis of 'St. Thomas Aquinas 159 The Way of Salvation 161 Contemporary Voice: The Bridge of Salvation 163 Social Upheaval and Civic Works in Florence 163 Or San Michele 167 Family Commissions 168 The Castellani Chapel 168 The Legend of the True Cross 169 Frescoes at San Miniato 170 Other Civic Imagery 171 Domestic Painting 173 9 Visconti Milan and Carrara Padua 174 Milan: The Visconti Court 174 Azzone Visconti and the Idea of Magnificence 176 Contemporary Voice: In Praise of Magnificence 177 Azzone Visconti's Tomb 178 Embellishments of the City 178 The Altarpiece of the Magi 181 The Equestrian Monument of Bernabò Visconti 181 The Cansignorio della Scala Monument in Verona 182 The Castello Visconteo 182 Manuscript Illumination 184 Contemporary Scene: Art and Gastronomy 185 Padua: The Carrara Court 185 The Padua Baptistry 186 Contemporary Voice: Illustrious Men 187 Patronage at the Santo 187 The St. James (San Felice) Chapel 187 St. Anthony of Padua 188 The Oratory of St. George 188 Milan: Giangaleazzo Visconti 189 The Certosa of Pavia 190 Cathedral Architecture 191 Cathedral Sculpture 193 The International Gothic Style 194 Manuscript Illumination 194 Michelino da Besozzo 195 Secular Frescoes 196 The Last Visconti and the Durability of the International Style 197 North Italian Influences in Naples 199 Aristocratic Patronage 199 Queen Giovanna II and the Monument to King Ladislas 201 The Caracciolo Chapel 201 The Fifteenth Century 203 1 0 Florence: Commune and Guild 204 Sculpture for the Cathedral Complex 204 The Competition for the Second Baptistry Doors 205 Contemporary Voice: Ghiberti versus Brunelleschi 207 Buttress Sculpture 209 Façade Sculpture 211 Or San Michele 212 The Foundling Hospital 217 Brunelleschi's Dome 218 Contemporary Scene: Art and Childbirth 219 Contemporary Voice: In Praise of Artists 220 Family Commissions 221 The Bartolini-Salimbeni Chapel 221 The Strozzi Chapel at Santa Trinità 224 The Quaratesi Altarpiece 225 Masaccio and the Brancacci Chapel 226 The Trinity and Single-Point Perspective 231 Altarpieces at Mid-Century 233 Civic Imagery 235 Narrative Frescoes 236 Castagno at Sant'Apollonia 236 Piero della Francesca in Arezzo 237 Sculptural Commissions Outside Florence 239 Siena: The Baptismal Font 239 Quercia in Bologna 241 Donatello and Michelozzo in Naples 242 The Brancacci Tomb 242 The Florence Cathedral Interior 243 The Gates of Paradise 246 The Tomb of Leonardo Bruni 250 11 Florence: The Medici and Political Propaganda 251 The Medici's Civic and Domestic Commissions 252 San Lorenzo 252 The Old Sacristy 253 San Marco 256 Contemporary Voice: A Job Application 257 The Medici Palace 259 Portrait Busts 260 The Medici Chapel 261 Other Decorations 262 Donatello in Padua 264 The Santo Altarpiece 264 The Gattamelata Monument 265 The Medici and Donatello's Late Work 267 Donatello's Bronze David and Judith and Holofernes 267 The San Lorenzo Pulpits 269 The Golden Age and Lorenzo the Magnificent 271 The Tomb of Piero and Giovanni de' Medici 271 The Mercanzia Niche at Or San Michele 272 The Devotional Image 272 Family Chapels 275 The Sassetti Chapel 275 The Strozzi Chapel 277 Portraiture 278 The Architecture of Magnificence 279 The Façade of Santa Maria Novella 279 The Strozzi Palace 281 Classical Antiquity and the Golden Age 281 Contemporary Scene: Art and the Collector 285 Antiquarianism 286 Savonarola and Reform 287 1 2 Rome: Re-establishing Papal Power 289 Martin V, Eugenius IV, and Nicholas V 289 A Cautionary Fresco 290 The Papal Basilicas 290 Santa Maria Maggiore 290 St. Peter's 291 The Vatican Palace 292 Contemporary Voice: Ruins and Dreams 293 Pius II 294 Cardinals' Commissions 297 Pienza 298 Paulii 299 Palazzo Venezia 300 A Roman School of Painting 300 Sixtus IV: Roma Caput Mundi 302 The Papal Family 302 The Hospital of Santo Spirito 303 Roman Churches 303 Santa Maria del Popolo 303 Sant'Agostino 304 Commemorative Monuments 305 The Cancelleria 305 The Sistine Chapel 306 Innocent VIII and Alexander VI: Power and Pleasure 309 Cardinals' Commissions 310 The Carafa Chapel 310 Michelangelo's Pietà 311 1 3 Venice: Affirming the Past and Present 313 Sculpture on the Doge's Palace 313 The Palazzo Foscari 315 The Ca' d'Oro 315 Contemporary Voice: Finishing Touches 316 The Cappella Nova 316 The Scuola della Carità 318 J acopo Bellini 319 The Cappella Nova in the late 1440s 321 Andrea Mantegna 322 The San Zeno Altarpiece 323 Venice: Heir of East and West 324 The Arsenal 324 Religious Architecture 325 Painting 327 The Scuole and Lay Commissions 330 Commemorative State Commissions 333 1 4 Courtly Art: The Gothic and Classic 336 Ferrara: The Este Family 336 Medals for Leonello d'Esté 336 Pisanello in Verona 337 Contemporary Voice: Praise for Pisanello 338 Contemporary Scene: Art and Punishment 339 Borsó d'Esté 340 Borso's Bible 340 The Palazzo Schifanoia 341 The Palazzo dei Diamanti 343 Naples: Alfonso the Magnanimous 343 The Castello Aragonese 343 An Arch for a Humanist Ruler 344 Rimini: Sigismondo Malatesta 347 Urbino 349 Portraits 350 Altarpieces 350 The Palazzo Ducale 351 Mantua: The Gonzaga Family 353 Sant'Andrea 353 The Palazzo Ducale 355 The Sala Pisanello 355 The Camera Picta 356 Male and Female Decorum 359 Contemporary Voice: Fighting for Chastity 361 15 Sforza Milan 362 The Sforzas 362 Completing Visconti Ecclesiastical Foundations 363 The Certosa 363 The Cathedral 364 Private Commissions 364 Ludovico il Moro and a Grand Classical Style 367 Santa Maria presso San Satiro 367 Santa Maria delle Grazie 367 Leonardo da Vinci 371 The Last Supper 371 Contemporary Voice: A Man of Many Talents 371 Madonna of the Rocks 373 Leonardo at Ludovico's Court 374 Д. ,8 The First Half of the Sixteenth Century 377 1 6 Lombardy: Instability and Religious Fervor 378 Leonardo at Court 379 Commemorative Commissions Alternatives to Leonardo 382 380 1 7 Florence: The Renewed Republic 387 The Republic as Patron 387 A New Civic Hero: Michelangelo's David 388 Sculpture at the Cathedral 389 The Imagery of State 390 The St. Anne Altarpiece 390 The Battle Paintings 392 Private Patrons 393 Portraits 393 Religious Painting 395 1 8 Rome: Julius II, Leo X, and Clement VII 397 The Imperial Style under Julius II 397 A New St. Peter's 398 The Tomb of Julius II 399 The Sistine Ceiling 402 Contemporary Voice: Michelangelo the Poet 403 Contemporary Scene: Art and Dissent 408 The Stanza della Segnatura 409 Roman Civic Imagery 410 The Stanza d'Eliodoro 412 Portraits 414 Contemporary Voice: The Courtier as Artist 415 Leo X: Papal Luxury 416 The Stanza dell'Incendio 416 The Sistine Tapestries 416 The Suburban Villa and Sybaritic Pleasure 418 Raphael and Michelangelo 422 Clement VII: The Dissolution of Papal Power 423 1 9 Mantua, Parma, and Genoa: The Arts at Court 425 Mantua: The Pleasure Palace 425 The Loves of Jupiter 428 Parma: Elegance and Illusionism 429 Correggio at San Paolo and the Cathedral 429 Parmigianino and Self-Conscious Artifice 429 Genoa: A Princely Republic 433 Doria Portraits 433 Villa Doria 434 Genoa in the Second Half of the Sixteenth Century 435 20 Florence: Mannerism and the Medici 437 Emerging Transformations of the Classical Style 438 A New Social Order 439 Domestic and Villa Decoration 441 Altarpieces 444 Michelangelo and the Medici 447 The Medici Chapel 447 The Laurentian Library 450 Florence under Cosimo I 452 Portraits 452 The Chapel of Eleonora of Toledo 454 Art as a Symbol of the Advanced State 457 A Dynasty Supported by History and Myth 457 Contemporary Voice: Casting the Perseus 459 Restructuring Civic Space: The Uffizi 460 The Sala del Gran Consiglio 461 The Florentine Academy 462 21 Venice: Vision and Monumentality 464 Visual Poetry 465 Eroticism and Antiquity 466 Poetic Altarpieces 469 Energized Altarpieces 470 Tullio Lombardo: Classicism for Ecclesiastical Patrons 473 Venetian Artists Working for Alfonso d'Esté 474 The Studio di Marmi 474 The Camerino d'Alabastro 475 Titian in Urbino 477 Refashioning the City Triumphant 479 The Zecca 479 The Library 479 The Loggetta 480 The Palazzo Corner 480 Titian: Images for the International Elite 481 The Vendramin Family 481 Charles V 482 Mythology and Sensuality 482 Colorito versus Disegno 484 Titian: The Artist as his Own Patron 484 Narrative Imagery in the Scuole 486 Celebrating the City in the Doge's Palace 488 Patronage of Commercial and Ecclesiastical Projects 490 The Fabbriche Nuove 490 The Rialto Bridge 491 Palladio 492 San Giorgio Maggiore 492 Contemporary Voice: Plague in Venice 493 The Redentore 493 Villa Barbaro 494 The Villa La Rotonda 496 The Teatro Olimpico 496 The Later Sixteenth Century 499 22 The Rome of Paul III 500 Michelangelo's Last Judgment 501 The Deposition 504 Contemporary Voice: A Word of Advice 505 Triumphalist History 505 Urbi et Orbi: The City 507 The Capitoline Hill 508 St. Peter's 510 Private Commissions 511 The Villa Giulia 511 The Farnese Hours 512 23 The Demands of the Council of Trent 513 Decrees on the Arts 514 Reform and Censorship 515 Contemporary Voice: Veronese Before the Inquisition 516 Reform and New Religious Orders 517 The Gesù 517 Painting for the Gesù 520 San Stefano Rotondo 521 Women as Patrons 523 Church Reform and Local Politics 524 24 Northern Italy: Reform and Innovation 527 Devotional Painting 527 Milanese Architecture 529 Portraits 531 Still-Life Painting 535 25 Rome: A European Capital City 538 Sixtus V and the Replanning of Rome 538 Urban Monuments 539 The Obelisks 539 The Roman Columns 541 The Acqua Felice 541 Papal Basilicas 542 Santa Maria Maggiore 542 Contemporary Scene: Art, Pilgrimage, and Processions 543 The Dome of St. Peter's 546 Continuity and Change 546 Genealogies 548 List of Popes 553 List of Venetian Doges 553 Time Chart 554 Glossary 556 Bibliography 558 Literary Credits, Picture Credits 566 Index 567
adam_txt	Contents Preface 10 Introduction: Art ¡η Context 12 Contemporary Scene: Art and Offerings 15 Patronage 16 Artists'Workshops 17 The Image of the Artist 17 Workshop Training 18 Contracts 21 Contemporary Voice: An Artist's Life 21 Materials and Methods 22 The Painting Studio 23 Wall Painting 23 Contemporary Voice: Terms of Employment 24 Tempera and Oil Painting 26 Mosaic and Stained Glass 27 The Sculpture Workshop 28 Bronze Sculpture 31 Drawings 32 Architecture 33 Other Workshops 36 Print Media 36 Renovations and Restorations 37 Historiography and Methodology 42 Vasari's Three Ages 42 Contemporary Voice: Fashioning the Female Artist 43 Naming the Renaissance 44 The Late Thirteenth and the Fourteenth Century 47 1 The Origins of the Renaissance 48 St. Francis and the Beginnings of Renaissance Art 48 Francis of Assisi 49 Contemporary Voice: Francis as Another Christ 50 The San Damiano Crucifix: Christus triumphans 50 Christus pattens 5 0 Defining St. Francis 52 St. Clare 53 Style and Meaning 53 Urban Contexts 55 Types of Cities 55 2 Rome: Artists, Popes, and Cardinals 56 Rome's Revival under Nicholas III 57 The Sancta Sanctorum 59 Contemporary Scene: Art and Miracles 60 Nicholas IV at Santa Maria Maggiore 61 Patrons from the Papal Curia 62 Pope Boniface VIII and an Imperial Language ofPower 64 Creating Images for an Absent Papacy 65 3 Assisi and Padua: Narrative Realism 67 Frescoes in San Francesco 69 Nave Frescoes 69 Contemporary Voice: St. Francis and the Christ Child 70 Padua: The Scrovegni Chapel 71 4 Florence: Traditions and Innovations 77 St. John the Baptist and the Baptistry 79 The Palazzo della Signoria and Urban Planning 80 Contemporary Scene: Art and Violence 82 Mendicant Churches 82 Santa Croce and Santa Maria Novella 82 Altarpieces Dedicated to the Virgin 84 Cimabue's Altarpiece for Santa Trinità 84 Duccio's Altarpiece for the Confraternity of the Laudesi 85 Giotto's Ognissanti Madonna 86 Santa Croce Frescoes 86 The Bardi Chapel 87 The Peruzzi Chapel 88 The Baroncelli Chapel 90 Altarpieces for Santa Croce 92 The Santa Croce Refectory Frescoes 93 The Cathedral Complex 94 Andrea Pisano's Baptistry Doors 96 5 Siena: City of the Virgin 99 The Cathedral 100 The Pulpit 101 The Façade 103 Duccio's Maestà 104 Contemporary Voice: The Procession of the Maestà 104 Altarpieces in the Transept Chapels 107 Later Sienese Altar Painting 110 Tomb Sculpture 110 Arezzo: The Tarlati Tomb 112 The Palazzo Pubblico 112 Simone Martini's Maestà for the Palazzo Pubblico 113 Lippo Memmi's Maestà for San Gimignano 113 Contemporary Scene: Art and Popular Piety 114 Secular Imagery in the Scala del Consiglio 116 The Sala della Pace: "Good Government" 116 Siena's Political System and Civic Art 120 Painting in the Palazzo Pubblico 120 Enhancements to the Campo 122 6 Naples: Art for a Royal Kingdom 124 The Court and the Importation of Artists 124 Architectural Commissions 127 Consolidating Angevin Rule: A Queen's Commissions 128 Cavallini and Giotto in Naples 129 Robert of Anjou 131 The Altarpiece of St. Louis 131 Sancia of Majorca and the Church of Santa Chiara 132 Tomb Monuments and Robert the Wise 132 The Tomb of Mary of Hungary 132 The Tomb of Robert of Anjou 133 7 Venice: The Most Serene Republic 135 St. Mark's Basilica 138 Piazza San Marco 140 Images of the State and the Individual 140 Doge Andrea Dandolo 140 Contemporary Voice: The Image as Document 141 Enhancements to St. Mark's 141 The Pala d'Oro 141 St. Mark's Baptistry 141 The Choir Screen 143 The Façade 144 The Church of Santi Giovanni e Paolo 145 The Tomb of Doge Michele Morosini 145 The Doge's Palace 146 Santo Stefano 147 Sculpture on the Doge's Palace 147 Painting in the Doge's Palace 148 8 Pisa and Florence: Morality and Judgment 152 The Camposanto Frescoes in Pisa 152 Santa Maria Novella in Florence 155 The Strozzi Chapel 155 The Strozzi Altarpiece 156 The Black Death 156 The Guidalotti Chapel 158 The Apotheosis of 'St. Thomas Aquinas 159 The Way of Salvation 161 Contemporary Voice: The Bridge of Salvation 163 Social Upheaval and Civic Works in Florence 163 Or San Michele 167 Family Commissions 168 The Castellani Chapel 168 The Legend of the True Cross 169 Frescoes at San Miniato 170 Other Civic Imagery 171 Domestic Painting 173 9 Visconti Milan and Carrara Padua 174 Milan: The Visconti Court 174 Azzone Visconti and the Idea of Magnificence 176 Contemporary Voice: In Praise of Magnificence 177 Azzone Visconti's Tomb 178 Embellishments of the City 178 The Altarpiece of the Magi 181 The Equestrian Monument of Bernabò Visconti 181 The Cansignorio della Scala Monument in Verona 182 The Castello Visconteo 182 Manuscript Illumination 184 Contemporary Scene: Art and Gastronomy 185 Padua: The Carrara Court 185 The Padua Baptistry 186 Contemporary Voice: Illustrious Men 187 Patronage at the Santo 187 The St. James (San Felice) Chapel 187 St. Anthony of Padua 188 The Oratory of St. George 188 Milan: Giangaleazzo Visconti 189 The Certosa of Pavia 190 Cathedral Architecture 191 Cathedral Sculpture 193 The International Gothic Style 194 Manuscript Illumination 194 Michelino da Besozzo 195 Secular Frescoes 196 The Last Visconti and the Durability of the International Style 197 North Italian Influences in Naples 199 Aristocratic Patronage 199 Queen Giovanna II and the Monument to King Ladislas 201 The Caracciolo Chapel 201 The Fifteenth Century 203 1 0 Florence: Commune and Guild 204 Sculpture for the Cathedral Complex 204 The Competition for the Second Baptistry Doors 205 Contemporary Voice: Ghiberti versus Brunelleschi 207 Buttress Sculpture 209 Façade Sculpture 211 Or San Michele 212 The Foundling Hospital 217 Brunelleschi's Dome 218 Contemporary Scene: Art and Childbirth 219 Contemporary Voice: In Praise of Artists 220 Family Commissions 221 The Bartolini-Salimbeni Chapel 221 The Strozzi Chapel at Santa Trinità 224 The Quaratesi Altarpiece 225 Masaccio and the Brancacci Chapel 226 The Trinity and Single-Point Perspective 231 Altarpieces at Mid-Century 233 Civic Imagery 235 Narrative Frescoes 236 Castagno at Sant'Apollonia 236 Piero della Francesca in Arezzo 237 Sculptural Commissions Outside Florence 239 Siena: The Baptismal Font 239 Quercia in Bologna 241 Donatello and Michelozzo in Naples 242 The Brancacci Tomb 242 The Florence Cathedral Interior 243 The Gates of Paradise 246 The Tomb of Leonardo Bruni 250 11 Florence: The Medici and Political Propaganda 251 The Medici's Civic and Domestic Commissions 252 San Lorenzo 252 The Old Sacristy 253 San Marco 256 Contemporary Voice: A Job Application 257 The Medici Palace 259 Portrait Busts 260 The Medici Chapel 261 Other Decorations 262 Donatello in Padua 264 The Santo Altarpiece 264 The Gattamelata Monument 265 The Medici and Donatello's Late Work 267 Donatello's Bronze David and Judith and Holofernes 267 The San Lorenzo Pulpits 269 The Golden Age and Lorenzo the Magnificent 271 The Tomb of Piero and Giovanni de' Medici 271 The Mercanzia Niche at Or San Michele 272 The Devotional Image 272 Family Chapels 275 The Sassetti Chapel 275 The Strozzi Chapel 277 Portraiture 278 The Architecture of Magnificence 279 The Façade of Santa Maria Novella 279 The Strozzi Palace 281 Classical Antiquity and the Golden Age 281 Contemporary Scene: Art and the Collector 285 Antiquarianism 286 Savonarola and Reform 287 1 2 Rome: Re-establishing Papal Power 289 Martin V, Eugenius IV, and Nicholas V 289 A Cautionary Fresco 290 The Papal Basilicas 290 Santa Maria Maggiore 290 St. Peter's 291 The Vatican Palace 292 Contemporary Voice: Ruins and Dreams 293 Pius II 294 Cardinals' Commissions 297 Pienza 298 Paulii 299 Palazzo Venezia 300 A Roman School of Painting 300 Sixtus IV: Roma Caput Mundi 302 The Papal Family 302 The Hospital of Santo Spirito 303 Roman Churches 303 Santa Maria del Popolo 303 Sant'Agostino 304 Commemorative Monuments 305 The Cancelleria 305 The Sistine Chapel 306 Innocent VIII and Alexander VI: Power and Pleasure 309 Cardinals' Commissions 310 The Carafa Chapel 310 Michelangelo's Pietà 311 1 3 Venice: Affirming the Past and Present 313 Sculpture on the Doge's Palace 313 The Palazzo Foscari 315 The Ca' d'Oro 315 Contemporary Voice: Finishing Touches 316 The Cappella Nova 316 The Scuola della Carità 318 J acopo Bellini 319 The Cappella Nova in the late 1440s 321 Andrea Mantegna 322 The San Zeno Altarpiece 323 Venice: Heir of East and West 324 The Arsenal 324 Religious Architecture 325 Painting 327 The Scuole and Lay Commissions 330 Commemorative State Commissions 333 1 4 Courtly Art: The Gothic and Classic 336 Ferrara: The Este Family 336 Medals for Leonello d'Esté 336 Pisanello in Verona 337 Contemporary Voice: Praise for Pisanello 338 Contemporary Scene: Art and Punishment 339 Borsó d'Esté 340 Borso's Bible 340 The Palazzo Schifanoia 341 The Palazzo dei Diamanti 343 Naples: Alfonso the Magnanimous 343 The Castello Aragonese 343 An Arch for a Humanist Ruler 344 Rimini: Sigismondo Malatesta 347 Urbino 349 Portraits 350 Altarpieces 350 The Palazzo Ducale 351 Mantua: The Gonzaga Family 353 Sant'Andrea 353 The Palazzo Ducale 355 The Sala Pisanello 355 The Camera Picta 356 Male and Female Decorum 359 Contemporary Voice: Fighting for Chastity 361 15 Sforza Milan 362 The Sforzas 362 Completing Visconti Ecclesiastical Foundations 363 The Certosa 363 The Cathedral 364 Private Commissions 364 Ludovico il Moro and a Grand Classical Style 367 Santa Maria presso San Satiro 367 Santa Maria delle Grazie 367 Leonardo da Vinci 371 The Last Supper 371 Contemporary Voice: A Man of Many Talents 371 Madonna of the Rocks 373 Leonardo at Ludovico's Court 374 Д. ,8 The First Half of the Sixteenth Century 377 1 6 Lombardy: Instability and Religious Fervor 378 Leonardo at Court 379 Commemorative Commissions Alternatives to Leonardo 382 380 1 7 Florence: The Renewed Republic 387 The Republic as Patron 387 A New Civic Hero: Michelangelo's David 388 Sculpture at the Cathedral 389 The Imagery of State 390 The St. Anne Altarpiece 390 The Battle Paintings 392 Private Patrons 393 Portraits 393 Religious Painting 395 1 8 Rome: Julius II, Leo X, and Clement VII 397 The Imperial Style under Julius II 397 A New St. Peter's 398 The Tomb of Julius II 399 The Sistine Ceiling 402 Contemporary Voice: Michelangelo the Poet 403 Contemporary Scene: Art and Dissent 408 The Stanza della Segnatura 409 Roman Civic Imagery 410 The Stanza d'Eliodoro 412 Portraits 414 Contemporary Voice: The Courtier as Artist 415 Leo X: Papal Luxury 416 The Stanza dell'Incendio 416 The Sistine Tapestries 416 The Suburban Villa and Sybaritic Pleasure 418 Raphael and Michelangelo 422 Clement VII: The Dissolution of Papal Power 423 1 9 Mantua, Parma, and Genoa: The Arts at Court 425 Mantua: The Pleasure Palace 425 The Loves of Jupiter 428 Parma: Elegance and Illusionism 429 Correggio at San Paolo and the Cathedral 429 Parmigianino and Self-Conscious Artifice 429 Genoa: A Princely Republic 433 Doria Portraits 433 Villa Doria 434 Genoa in the Second Half of the Sixteenth Century 435 20 Florence: Mannerism and the Medici 437 Emerging Transformations of the Classical Style 438 A New Social Order 439 Domestic and Villa Decoration 441 Altarpieces 444 Michelangelo and the Medici 447 The Medici Chapel 447 The Laurentian Library 450 Florence under Cosimo I 452 Portraits 452 The Chapel of Eleonora of Toledo 454 Art as a Symbol of the Advanced State 457 A Dynasty Supported by History and Myth 457 Contemporary Voice: Casting the Perseus 459 Restructuring Civic Space: The Uffizi 460 The Sala del Gran Consiglio 461 The Florentine Academy 462 21 Venice: Vision and Monumentality 464 Visual Poetry 465 Eroticism and Antiquity 466 Poetic Altarpieces 469 Energized Altarpieces 470 Tullio Lombardo: Classicism for Ecclesiastical Patrons 473 Venetian Artists Working for Alfonso d'Esté 474 The Studio di Marmi 474 The Camerino d'Alabastro 475 Titian in Urbino 477 Refashioning the City Triumphant 479 The Zecca 479 The Library 479 The Loggetta 480 The Palazzo Corner 480 Titian: Images for the International Elite 481 The Vendramin Family 481 Charles V 482 Mythology and Sensuality 482 Colorito versus Disegno 484 Titian: The Artist as his Own Patron 484 Narrative Imagery in the Scuole 486 Celebrating the City in the Doge's Palace 488 Patronage of Commercial and Ecclesiastical Projects 490 The Fabbriche Nuove 490 The Rialto Bridge 491 Palladio 492 San Giorgio Maggiore 492 Contemporary Voice: Plague in Venice 493 The Redentore 493 Villa Barbaro 494 The Villa La Rotonda 496 The Teatro Olimpico 496 The Later Sixteenth Century 499 22 The Rome of Paul III 500 Michelangelo's Last Judgment 501 The Deposition 504 Contemporary Voice: A Word of Advice 505 Triumphalist History 505 Urbi et Orbi: The City 507 The Capitoline Hill 508 St. Peter's 510 Private Commissions 511 The Villa Giulia 511 The Farnese Hours 512 23 The Demands of the Council of Trent 513 Decrees on the Arts 514 Reform and Censorship 515 Contemporary Voice: Veronese Before the Inquisition 516 Reform and New Religious Orders 517 The Gesù 517 Painting for the Gesù 520 San Stefano Rotondo 521 Women as Patrons 523 Church Reform and Local Politics 524 24 Northern Italy: Reform and Innovation 527 Devotional Painting 527 Milanese Architecture 529 Portraits 531 Still-Life Painting 535 25 Rome: A European Capital City 538 Sixtus V and the Replanning of Rome 538 Urban Monuments 539 The Obelisks 539 The Roman Columns 541 The Acqua Felice 541 Papal Basilicas 542 Santa Maria Maggiore 542 Contemporary Scene: Art, Pilgrimage, and Processions 543 The Dome of St. Peter's 546 Continuity and Change 546 Genealogies 548 List of Popes 553 List of Venetian Doges 553 Time Chart 554 Glossary 556 Bibliography 558 Literary Credits, Picture Credits 566 Index 567
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author	Paoletti, John T.
author_facet	Paoletti, John T.
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era_facet	Geschichte 1300-1550 Geschichte 1420-1600
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spelling	Paoletti, John T. Verfasser aut Art in Renaissance Italy John T. Paoletti ; Gary M. Radke 3. ed. Upper Saddle River, N.J. Pearson Prentice Hall 2005 576 S. zahlr. Ill., Kt. txt rdacontent n rdamedia nc rdacarrier Geschichte 1300-1550 gnd rswk-swf Geschichte 1420-1600 gnd rswk-swf Art and society Italy Art, Italian Art, Renaissance Italy Renaissance (DE-588)4049450-0 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Italien Italy Civilization 1268-1559 Italien (DE-588)4027833-5 gnd rswk-swf Italien (DE-588)4027833-5 g Kunst (DE-588)4114333-4 s Geschichte 1420-1600 z DE-604 Renaissance (DE-588)4049450-0 s Geschichte 1300-1550 z 1\p DE-604 Radke, Gary M. Sonstige oth Digitalisierung UB Bamberg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014789757&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk
spellingShingle	Paoletti, John T. Art in Renaissance Italy Art and society Italy Art, Italian Art, Renaissance Italy Renaissance (DE-588)4049450-0 gnd Kunst (DE-588)4114333-4 gnd
subject_GND	(DE-588)4049450-0 (DE-588)4114333-4 (DE-588)4027833-5
title	Art in Renaissance Italy
title_auth	Art in Renaissance Italy
title_exact_search	Art in Renaissance Italy
title_exact_search_txtP	Art in Renaissance Italy
title_full	Art in Renaissance Italy John T. Paoletti ; Gary M. Radke
title_fullStr	Art in Renaissance Italy John T. Paoletti ; Gary M. Radke
title_full_unstemmed	Art in Renaissance Italy John T. Paoletti ; Gary M. Radke
title_short	Art in Renaissance Italy
title_sort	art in renaissance italy
topic	Art and society Italy Art, Italian Art, Renaissance Italy Renaissance (DE-588)4049450-0 gnd Kunst (DE-588)4114333-4 gnd
topic_facet	Art and society Italy Art, Italian Art, Renaissance Italy Renaissance Kunst Italien Italy Civilization 1268-1559
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014789757&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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