Music in Egypt: experiencing music, expressing culture
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Oxford Univ. Press
2007
|
| Schriftenreihe: | Global music series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XXIV, 200 S. Ill., Kt., Notenbeisp. CD (12 cm) |
| ISBN: | 0195146441 9780195146448 9780195146455 019514645X |
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MARC
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| 245 | 1 | 0 | |a Music in Egypt |b experiencing music, expressing culture |c Scott L. Marcus |
| 264 | 1 | |a New York [u.a.] |b Oxford Univ. Press |c 2007 | |
| 300 | |a XXIV, 200 S. |b Ill., Kt., Notenbeisp. |e CD (12 cm) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Global music series | |
| 500 | |a Includes bibliographical references and index | ||
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Gesellschaft | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Religion | |
| 650 | 4 | |a Music |z Egypt |x History and criticism | |
| 650 | 4 | |a Music |x Social aspects |z Egypt | |
| 650 | 4 | |a Music |x Religious aspects |x Islam | |
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Datensatz im Suchindex
| _version_ | 1804135338883416064 |
|---|---|
| adam_text | 1
Foreword
Preface
CD Track List
1.
The Enduring Tradition
Giving the Call to Prayer
A Community of Callers
Responses to the Call: An Interactive
Phenomenon
Change
Mass-Mediated Broadcasts of the Call to Prayer
An Uneasy Juxtaposition
The Melodic Aspect of the Call to Prayer
2.
The
Melodic Texture
Arab Melodic Theory
The Scale System: Pitches and Intervals
Maqãm
Tetrachords
Transposition
Maqãm
Intonation
Accidentals
Melodic Leaps
viii
use of Multiple Upper Tetrachords
A Characteristic Progression through a Maqam s
Defining Features
CD Track
A Region for Beginning the Performance of a
Maqüm
A Characteristic Manner of Progressing through
the Rest of the
A Special Shape for the Islamic Call to Prayer
Modulation
3.
The Instruments in a Madh Ensemble
A Coffeehouse Context
A Sufi Zikr Context
Public Zikrs
Movement and Chanting at Zikr Rituals
A Weekly Zikr at the Mosque of
Music in a Madh Cycle
MadhMawwäl
Instrumental Passages
Features Shared among Many Eastern Arab
Music Traditions
4.
Skeletal Structures:
and
Ornamenting the Rhythms in Performance
A Variety of Takk Sounds
Other Rhythms
Wahda and
Malfüf
Maşmudî
Samă !
Additional Region-Specific or Culture-Specific
Rhythms
Changes Over Time
Contents
5.
Festivals:
A Mizmãr
Wedding
The Ensemble
Tipping
The Repertoire
Solo Instrumental Improvisation
The Songs Kan And! Ghazal and Sama ti Yum
Rannit KhulkMl
Male Stick Dancing at Weddings
Sa Tdï
Male Stick Dancing at Saint s-Day Festivals
Sa ïdt
Ensembles
Gypsies ? A Shared Middle Eastern Tradition
Sa ïdï
Shared Musical Tradition
6.
The Highest Authorities: The Qur an and the
Hadïth
Different Contexts/Different Rulers
Sufis: Developing the Art of Listening
The
Voices of Performers on the Accompanying CD
Other Voices in Present-Day Cairo
Maintaining a Separation between the Human
and the Divine
7.
Centuries: Takht Ensembles
From Takht to Firqa Ensembles
The Takht Ensemble
The Creation of a New Large Ensemble:
The Firqa
The Takht Repertoire: The
Reviving the Past
Creating
The Items in Tracks
The Improvisatory Genres:
Mawwäl 104
Layalî
Two
The Instrumental
Two Precomposed Song Genres
The
A Muwashshah
The
The
8.
Umm Kulthüm
A New Superstar Emerges
The Development of New Mass Media
The New Ughniya (Long Song) Genre
Umm
Umm Kulthüm s
Other Famous Ughniya Singers
Performances Videoed and Then on Television
Umm
The Umm Kulthum Song, Aruh Li
CD Tracks
The Hall, the Stage
The Instrumental Introduction (Muqaddima)
Umm Kulthum Begins to Sing: The Vocal
Refrain
The Poetic Text
Maqäm Rast 136
9.
A Zaffa
The Creation of the New
Ensemble
Contents °$° xi
The Sharqiyya
Three Categories
The Unique Sharqiyya
Zaffa
Maqãm Rãst
Beyond
A Sharqiyya
10.
Shabãbi
A Wedding Performance
A Typical Performance Schedule
The Band
The
Hakim s Rise to Fame
The Early Years
Muhammad All Street, a Historic Center
Musicians
Shameful, but Not
Stardom
Modern
An International Vision
Controversy
Creating
Adding
Components
The Arranger, a New Fourth Component
il-Kalam Da KabTr (CD Track
Continuity and Change
Afterword
Glossary
References
Resources
Index
|
| adam_txt |
1
Foreword
Preface
CD Track List
1.
The Enduring Tradition
Giving the Call to Prayer
A Community of Callers
Responses to the Call: An Interactive
Phenomenon
Change
Mass-Mediated Broadcasts of the Call to Prayer
An Uneasy Juxtaposition
The Melodic Aspect of the Call to Prayer
2.
The
Melodic Texture
Arab Melodic Theory
The Scale System: Pitches and Intervals
Maqãm
Tetrachords
Transposition
Maqãm
Intonation
Accidentals
Melodic Leaps
viii
use of Multiple Upper Tetrachords
A Characteristic Progression through a Maqam's
Defining Features
CD Track
A Region for Beginning the Performance of a
Maqüm
A Characteristic Manner of Progressing through
the Rest of the
A Special Shape for the Islamic Call to Prayer
Modulation
3.
The Instruments in a Madh Ensemble
A Coffeehouse Context
A Sufi Zikr Context
Public Zikrs
Movement and Chanting at Zikr Rituals
A Weekly Zikr at the Mosque of
Music in a Madh Cycle
MadhMawwäl
Instrumental Passages
Features Shared among Many Eastern Arab
Music Traditions
4.
Skeletal Structures:
and
Ornamenting the Rhythms in Performance
A Variety of Takk Sounds
Other Rhythms
Wahda and
Malfüf
Maşmudî
Samă'!
Additional Region-Specific or Culture-Specific
Rhythms
Changes Over Time
Contents
5.
Festivals:
A Mizmãr
Wedding
The Ensemble
"Tipping"
The Repertoire
Solo Instrumental Improvisation
The Songs "Kan 'And! Ghazal" and "Sama'ti Yum
Rannit KhulkMl"
Male Stick Dancing at Weddings
Sa'Tdï
Male Stick Dancing at Saint's-Day Festivals
Sa'ïdt
Ensembles
"Gypsies"? A Shared Middle Eastern Tradition
Sa'ïdï
Shared Musical Tradition
6.
The Highest Authorities: The Qur'an and the
Hadïth
Different Contexts/Different Rulers
Sufis: Developing the "Art of Listening"
The
Voices of Performers on the Accompanying CD
Other Voices in Present-Day Cairo
Maintaining a Separation between the Human
and the Divine
7.
Centuries: Takht Ensembles
From Takht to Firqa Ensembles
The Takht Ensemble
The Creation of a New Large Ensemble:
The Firqa
The Takht Repertoire: The
Reviving the Past
Creating
The Items in Tracks
The Improvisatory Genres:
Mawwäl 104
Layalî
Two
The Instrumental
Two Precomposed Song Genres
The
A Muwashshah
The
The
8.
Umm Kulthüm
A New Superstar Emerges
The Development of New Mass Media
The New Ughniya (Long Song) Genre
Umm
Umm Kulthüm's
Other Famous Ughniya Singers
Performances Videoed and Then on Television
Umm
The Umm Kulthum Song, "Aruh Li
CD Tracks
The Hall, the Stage
The Instrumental Introduction (Muqaddima)
Umm Kulthum Begins to Sing: The Vocal
Refrain
The Poetic Text
Maqäm Rast 136
9.
A Zaffa
The Creation of the New
Ensemble
Contents °$° xi
The Sharqiyya
Three Categories
The Unique Sharqiyya
Zaffa
Maqãm Rãst
Beyond
A Sharqiyya
10.
Shabãbi
A Wedding Performance
A Typical Performance Schedule
The Band
The
Hakim's Rise to Fame
The Early Years
Muhammad 'All Street, a Historic Center
Musicians
Shameful, but Not
Stardom
"Modern
An International Vision
Controversy
Creating
Adding
Components
The Arranger, a New Fourth Component
"il-Kalam Da KabTr" (CD Track
Continuity and Change
Afterword
Glossary
References
Resources
Index |
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| callnumber-raw | ML355.E3 |
| callnumber-search | ML355.E3 |
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| callnumber-subject | ML - Literature on Music |
| classification_rvk | LS 35200 |
| ctrlnum | (OCoLC)61461922 (DE-599)BVBBV021571913 |
| dewey-full | 780.962 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.962 |
| dewey-search | 780.962 |
| dewey-sort | 3780.962 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| geographic | Ägypten (DE-588)4000556-2 gnd |
| geographic_facet | Ägypten |
| id | DE-604.BV021571913 |
| illustrated | Illustrated |
| index_date | 2024-07-02T14:38:42Z |
| indexdate | 2024-07-09T20:38:55Z |
| institution | BVB |
| isbn | 0195146441 9780195146448 9780195146455 019514645X |
| language | English |
| lccn | 2005053942 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-014787708 |
| oclc_num | 61461922 |
| open_access_boolean | |
| owner | DE-473 DE-BY-UBG DE-703 DE-12 DE-20 DE-19 DE-BY-UBM DE-11 DE-188 DE-M29 DE-824 |
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| physical | XXIV, 200 S. Ill., Kt., Notenbeisp. CD (12 cm) |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Oxford Univ. Press |
| record_format | marc |
| series2 | Global music series |
| spelling | Marcus, Scott Lloyd 1952- Verfasser (DE-588)132740214 aut Music in Egypt experiencing music, expressing culture Scott L. Marcus New York [u.a.] Oxford Univ. Press 2007 XXIV, 200 S. Ill., Kt., Notenbeisp. CD (12 cm) txt rdacontent n rdamedia nc rdacarrier Global music series Includes bibliographical references and index Geschichte gnd rswk-swf Gesellschaft Musik Religion Music Egypt History and criticism Music Social aspects Egypt Music Religious aspects Islam Musik (DE-588)4040802-4 gnd rswk-swf Gesellschaft (DE-588)4020588-5 gnd rswk-swf Islam (DE-588)4027743-4 gnd rswk-swf Ägypten (DE-588)4000556-2 gnd rswk-swf Ägypten (DE-588)4000556-2 g Musik (DE-588)4040802-4 s Islam (DE-588)4027743-4 s Geschichte z DE-604 Gesellschaft (DE-588)4020588-5 s Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014787708&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Marcus, Scott Lloyd 1952- Music in Egypt experiencing music, expressing culture Gesellschaft Musik Religion Music Egypt History and criticism Music Social aspects Egypt Music Religious aspects Islam Musik (DE-588)4040802-4 gnd Gesellschaft (DE-588)4020588-5 gnd Islam (DE-588)4027743-4 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4020588-5 (DE-588)4027743-4 (DE-588)4000556-2 |
| title | Music in Egypt experiencing music, expressing culture |
| title_auth | Music in Egypt experiencing music, expressing culture |
| title_exact_search | Music in Egypt experiencing music, expressing culture |
| title_exact_search_txtP | Music in Egypt experiencing music, expressing culture |
| title_full | Music in Egypt experiencing music, expressing culture Scott L. Marcus |
| title_fullStr | Music in Egypt experiencing music, expressing culture Scott L. Marcus |
| title_full_unstemmed | Music in Egypt experiencing music, expressing culture Scott L. Marcus |
| title_short | Music in Egypt |
| title_sort | music in egypt experiencing music expressing culture |
| title_sub | experiencing music, expressing culture |
| topic | Gesellschaft Musik Religion Music Egypt History and criticism Music Social aspects Egypt Music Religious aspects Islam Musik (DE-588)4040802-4 gnd Gesellschaft (DE-588)4020588-5 gnd Islam (DE-588)4027743-4 gnd |
| topic_facet | Gesellschaft Musik Religion Music Egypt History and criticism Music Social aspects Egypt Music Religious aspects Islam Islam Ägypten |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014787708&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT marcusscottlloyd musicinegyptexperiencingmusicexpressingculture |