Copyright law in the digital society: the challenges of multimedia
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | German |
| Veröffentlicht: |
Oxford [u.a.]
Hart
2005
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XXXVI, 288 S. |
| ISBN: | 9781841133560 1841133566 |
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Datensatz im Suchindex
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| adam_text | CONTENTS
Preface vii
Table ofCases xiii
Table of Legislation xxi
Table ofTreaties and Conventions xxxv
1 Understanding Multimedia 1
Introduction 1
Technical view 2
Legal View 7
Conclusion 14
2 Justifications for Protecting Multimedia Works 16
Introduction 16
Economic Rationale 18
Natural Law Rationale 26
1. Personality Theory 26
2. Labour Theory 31
Conclusion 35
3 Subsistence of Copyright in Multimedia Works 36
Introduction 36
1. Computer Program 38
2. Compilations and Copyright Databases 41
a. Meaning of Table orCompilation 42
b. Definition ofDatabase 44
c. The Test of Originality 52
3. Suigeneris Databases 59
a. Substantial Investment 60
b. Obtaining, Verification and Presentation of the
Database Contents 63
i. Obtaining 63
ii. Verification 69
iii. Presentation 70
c. Spin off Doctrine 71
4. Füm 73
x Contents
5. DramaticWork 77
6. Broadcasts 80
Authorship and Ownership 84
1. Partidpants in Multimedia Creation 85
2. Authorship of Multimedia Works Protected under Copyright 85
a. Computer Programs 86
b. Compilations 87
c. Copyright Databases 87
d. Films 87
e. Dramatic Works 88
3. Authorship of Multimedia Works Protected by the Database Right 89
Duration 92
1. Copyright Works 92
2. Sui Generis Databases 92
Conclusion 95
4 Scope of Protection for Multimedia Works 98
Introduction 98
Right to Copy 99
1. EULaw 99
2. UKLaw 110
a. Temporary Copying 112
b. Copying of Computer Programs 115
c. Compilations and Databases 118
Right to Make an Adaptation 120
Right to Issue Copies to the Public 122
Rental or Lending of the Work to the Public 125
Performance, Showing or Playing of the Work in Public 126
Right of Communication to the Public 127
1. International Context 127
2. European Context 133
3. UK Context 136
Sui Generis Database Right 137
1. Extraction and Re utilisation 137
2. Substantial Part of the Contents of a Database 141
3. Scope ofArticle 7(5) 145
Hyperlinking and Framing 147
1. Hyperlinking and Framing 147
2. Hyperlinking as Infringement 149
a. Surface and Deep Linking 149
b. In line Linking 155
Contents xi
c. ISP Liability for Linking 156
3. Framing 157
Conclusion 159
5 Exceptions and Multimedia Works 162
Introduction 162
Computer Programs 162
1. Reverse Engineering other than Decompilation 162
a. EULaw 163
b. UKLaw 164
2. Decompilation 166
a. EULaw 166
b. UKLaw 169
3. Back up Copies 172
4. Error Correction 172
5. Right to Repair 174
Copyright Databases 175
1. Mandatory Lawful User Exception 176
2. Optional Exceptions 178
Database Right Exceptions 180
1. EULaw 180
2. UKLaw 183
Fair Dealing and other Royalty free Exceptions 185
1. EULaw 185
2. UK Exceptions 191
a. Fair Dealing for the Purpose of Research or Private Study 191
b. Performance of Dramatic Works; Playing of Films before
Audiences of Educational Establishments 197
c. Incidental Inclusion 198
Conclusion 200
6 Reform Proposais 202
Introduction 202
Summary of Existing Protection for Multimedia Works 202
Reforms to Existing Copyright Categories 204
1. Replacing Film Works with an Audiovisual Work Category 204
2. Right ofNon literalReproduction 210
3. Computer Program 214
4. Compilation/Database 216
A New Copyright Category 217
1. Distortionof Existing Categories 217
xii Contents
2. Gaps in Protection 222
a. Protection of Part of a Multimedia Work 224
b. UseofTPMs 224
i. Article7(l)(c) Software Directive 225
ii. Pre 31October2003 225
iii. Post 31October2003 229
iv. Article 6 of the Information Society Directive 231
v. UK Implementation of Article 6 238
3. Better Tailored Protection 242
Abolishing the Closed List Approach to Copyright Works 246
A Sui Generis Regime for Multimedia Works 250
Conclusion 252
Bibliography 255
Index 283
|
| adam_txt |
CONTENTS
Preface vii
Table ofCases xiii
Table of Legislation xxi
Table ofTreaties and Conventions xxxv
1 Understanding Multimedia 1
Introduction 1
Technical view 2
Legal View 7
Conclusion 14
2 Justifications for Protecting Multimedia Works 16
Introduction 16
Economic Rationale 18
Natural Law Rationale 26
1. Personality Theory 26
2. Labour Theory 31
Conclusion 35
3 Subsistence of Copyright in Multimedia Works 36
Introduction 36
1. Computer Program 38
2. Compilations and Copyright Databases 41
a. Meaning of Table orCompilation 42
b. Definition ofDatabase 44
c. The Test of Originality 52
3. Suigeneris Databases 59
a. Substantial Investment 60
b. Obtaining, Verification and Presentation of the
Database Contents 63
i. Obtaining 63
ii. Verification 69
iii. Presentation 70
c. 'Spin off Doctrine 71
4. Füm 73
x Contents
5. DramaticWork 77
6. Broadcasts 80
Authorship and Ownership 84
1. Partidpants in Multimedia Creation 85
2. Authorship of Multimedia Works Protected under Copyright 85
a. Computer Programs 86
b. Compilations 87
c. Copyright Databases 87
d. Films 87
e. Dramatic Works 88
3. Authorship of Multimedia Works Protected by the Database Right 89
Duration 92
1. Copyright Works 92
2. Sui Generis Databases 92
Conclusion 95
4 Scope of Protection for Multimedia Works 98
Introduction 98
Right to Copy 99
1. EULaw 99
2. UKLaw 110
a. Temporary Copying 112
b. Copying of Computer Programs 115
c. Compilations and Databases 118
Right to Make an Adaptation 120
Right to Issue Copies to the Public 122
Rental or Lending of the Work to the Public 125
Performance, Showing or Playing of the Work in Public 126
Right of Communication to the Public 127
1. International Context 127
2. European Context 133
3. UK Context 136
Sui Generis Database Right 137
1. Extraction and Re utilisation 137
2. Substantial Part of the Contents of a Database 141
3. Scope ofArticle 7(5) 145
Hyperlinking and Framing 147
1. Hyperlinking and Framing 147
2. Hyperlinking as Infringement 149
a. Surface and Deep Linking 149
b. In line Linking 155
Contents xi
c. ISP Liability for Linking 156
3. Framing 157
Conclusion 159
5 Exceptions and Multimedia Works 162
Introduction 162
Computer Programs 162
1. Reverse Engineering other than Decompilation 162
a. EULaw 163
b. UKLaw 164
2. Decompilation 166
a. EULaw 166
b. UKLaw 169
3. Back up Copies 172
4. Error Correction 172
5. Right to Repair 174
Copyright Databases 175
1. Mandatory Lawful User Exception 176
2. Optional Exceptions 178
Database Right Exceptions 180
1. EULaw 180
2. UKLaw 183
Fair Dealing and other Royalty free Exceptions 185
1. EULaw 185
2. UK Exceptions 191
a. Fair Dealing for the Purpose of Research or Private Study 191
b. Performance of Dramatic Works; Playing of Films before
Audiences of Educational Establishments 197
c. Incidental Inclusion 198
Conclusion 200
6 Reform Proposais 202
Introduction 202
Summary of Existing Protection for Multimedia Works 202
Reforms to Existing Copyright Categories 204
1. Replacing Film Works with an Audiovisual Work Category 204
2. Right ofNon literalReproduction 210
3. Computer Program 214
4. Compilation/Database 216
A New Copyright Category 217
1. Distortionof Existing Categories 217
xii Contents
2. Gaps in Protection 222
a. Protection of Part of a Multimedia Work 224
b. UseofTPMs 224
i. Article7(l)(c) Software Directive 225
ii. Pre 31October2003 225
iii. Post 31October2003 229
iv. Article 6 of the Information Society Directive 231
v. UK Implementation of Article 6 238
3. Better Tailored Protection 242
Abolishing the 'Closed List' Approach to Copyright Works 246
A Sui Generis Regime for Multimedia Works 250
Conclusion 252
Bibliography 255
Index 283 |
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| spellingShingle | Aplin, Tanya Copyright law in the digital society the challenges of multimedia Recht Copyright and electronic data processing Copyright and electronic data processing Great Britain Copyright Computer programs Copyright Computer programs Great Britain Software protection Law and legislation Software protection Law and legislation Great Britain Neue Medien (DE-588)4196910-8 gnd Urheberrecht (DE-588)4062127-3 gnd |
| subject_GND | (DE-588)4196910-8 (DE-588)4062127-3 |
| title | Copyright law in the digital society the challenges of multimedia |
| title_auth | Copyright law in the digital society the challenges of multimedia |
| title_exact_search | Copyright law in the digital society the challenges of multimedia |
| title_exact_search_txtP | Copyright law in the digital society the challenges of multimedia |
| title_full | Copyright law in the digital society the challenges of multimedia Tanya Aplin |
| title_fullStr | Copyright law in the digital society the challenges of multimedia Tanya Aplin |
| title_full_unstemmed | Copyright law in the digital society the challenges of multimedia Tanya Aplin |
| title_short | Copyright law in the digital society |
| title_sort | copyright law in the digital society the challenges of multimedia |
| title_sub | the challenges of multimedia |
| topic | Recht Copyright and electronic data processing Copyright and electronic data processing Great Britain Copyright Computer programs Copyright Computer programs Great Britain Software protection Law and legislation Software protection Law and legislation Great Britain Neue Medien (DE-588)4196910-8 gnd Urheberrecht (DE-588)4062127-3 gnd |
| topic_facet | Recht Copyright and electronic data processing Copyright and electronic data processing Great Britain Copyright Computer programs Copyright Computer programs Great Britain Software protection Law and legislation Software protection Law and legislation Great Britain Neue Medien Urheberrecht Großbritannien |
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