Copyright and multimedia:
Saved in:
| Main Author: | |
|---|---|
| Format: | Thesis Book |
| Language: | English |
| Published: |
The Hague [u.a.]
Kluwer Law International
2003
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Item Description: | Includes bibliographical references |
| Physical Description: | XVI, 244 S. |
| ISBN: | 9041189025 |
Staff View
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| 650 | 4 | |a Copyright -- Audio-visual materials | |
| 650 | 4 | |a Copyright and electronic data processing | |
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Record in the Search Index
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| adam_text | COPYRIGHT AND MULTIMEDIA BY JULIAN RODRIGUEZ PARDO * KLUWER LAW
INTERNATIONAL THE HAGUE / LONDON / NEW YORK CONTENTS ACKNOWLEDGMENT VII
PROLOGUE XIII CHAPTER I - DEFINING THE MULTIMEDIA WORK 1 1. THE
MULTIMEDIA WORK 3 1.1. FORMULATION OF ITS MEANING 5 1.1.1. MULTIMEDIA AS
A COMBINATION OF TEXTUAL, AUDIOVISUAL AND COMPUTER ELEMENTS 5 1.1.2.
CONCEPTS DISTINCTION: HYPERTEXT, MULTIMEDIA, AND HYPERMEDIA 9 1.2.
FORMULATION OF A TYPOLOGY OF ITS OWN 10 CHAPTER II - DESCRIPTION OF
COPYRIGHT AND ITS BASIC FEATURES THROUGHOUT ITS HISTORY 15 1.
ANTECEDENTS 17 1.1. THE SOCIAL SIGNIFICANCE OF AUTHORS IN GREECE AND
ROME (FIFTH CENTURY BC) 17 1.2. INVENTION OF THE PRINTING PRESS (1450)
AND THE BIRTH OF PRIVILEGES 22 1.2.1. THE PRIVILEGE: A RIGHT IN FAVOR OF
PRINTERS 24 1.2.2. INTERNATIONAL SPREADING OF PRIVILEGES AND THE SHAPING
OF THEIR NATIONAL FEATURES 27 2. THE STATUTE OF QUEEN ANNE (1709): FIRST
POSITIVE MATERIALIZATION OF A RIGHT IN FAVOR OF AUTHORS 36 2.1.
CONTENTS: RECOGNITION OF A TIME LIMITED EXCLUSIVE RIGHT 36 2.2.
APPLICATION: DONALDSON VS. BECKETT 39 3. CREATION AND CONSOLIDATION IN
THE NATIONAL LAWS (18TH-19TH CENTURIES) 41 3.1. ENGLAND AND THE SEARCH
OF A BALANCE BETWEEN AUTHOR S RIGHT AND COPYRIGHT 41 3.2. THE ENGLISH
INFLUENCE IN AMERICAN COPYRIGHT 42 3.3. THE FRENCH FORMULATION OF THE
DROH D AUTEUR AS A PROPERTY RIGHT 46 IX CONTENTS 3.4. GERMANY AND
COPYRIGHT AS A MORAL RIGHT 49 CHAPTER III - INTERNATIONAL TREATIES FOR
THE PROTECTION OF COPYRIGHT AND THEIR APPLICATION TO MULTIMEDIA WORKS 53
1. INTRODUCTION: THE BERNE CONVENTION OF 1886, AND ITS PROMOTION AS A
RESULT OF TECHNOLOGICAL DEVELOPMENT. FROM THE PROTECTION OF PRINTED
WORKS TO THE PROTECTION OF DISTRIBUTION BY WIRE 55 1.1. DEVELOPING A
RIGHT FOR PRINTED WORKS 56 1.2. PROTECTION OF CINEMATOGRAPHIC, SOUND AND
AUDIOVISUAL WORKS 57 1.3. A POINT OF CONTACT WITH THE NEW TECHNOLOGIES:
PROTECTION OF SATELLITE AND CABLE BROADCASTING 61 2. THE GATT AGREEMENT
OF 1994, AND THE BERNE PROTOCOL OF 1996: PROTECTION OF MULTIMEDIA WORKS
THROUGH NEW COPYRIGHT CATEGORIES 63 2.1. FIRST MULTIMEDIA COPYRIGHTS
COVERED BY INTERNATIONAL TREATIES: SOFTWARE AND DATABASES IN THE GATT
AGREEMENT OF 1994 64 2.1.1. COMPUTER PROGRAMS PROTECTED AS LITERARY
WORKS: OBJECTIONS TO THIS ASSIMILATION 65 2.1.2. PATENT RIGHTS AS AN
ALTERNATIVE TO COPYRIGHT PROTECTION OF SOFTWARE? 70 2.1.3. PROTECTION
FOR DATABASES AS COMPILATIONS ACCORDING TO THE SELECTION OR ARRANGEMENT
OF CONTENTS 76 2.2. NEW COPYRIGHT PROTECTION FOR MULTIMEDIA: THE WIPO
TREATIES OR THE PROTOCOL TO THE BERNE CONVENTION OF 1996 79 2.2.1. THE
ATTEMPT TO AFFORD PROTECTION TO DATABASES MAKERS WAS A FAILURE 81 2.2.2.
REINTRODUCING THE CONTENTS OF THE GATT AGREEMENT AND THE INCLUSION OF
THE RIGHT TO MAKE AVAILABLE TO THE PUBLIC 87 2.2.3. OTHER PRINCIPLES
ESTABLISHED 92 3. TOWARD A GLOBAL SOLUTION FOR MULTIMEDIA COPYRIGHTS 93
3.1. BASIC PRINCIPLES OF THE BERNE SYSTEM APPLIED TO THE DIGITAL
COMMUNICATION FIELD 94 3.2. PROTECTION OF COPYRIGHT OWNERS AND RELATED
OR NEIGHBORING RIGHTS 97 3.2.1. THE MULTIMEDIA AUTHOR 98 3.2.2.
INDIVIDUAIS RELATED TO THE AUTHOR: INTERNET PROVIDERS AND INTEGRATED
SERVICES DIGITAL NETWORK PROVIDERS (ISDN) 101 3.3. PROTECTION OF THE
SUBJECT MATTER OF COPYRIGHT 102 CONTENTS 3.3.1. NOVELTY AND FIXATION IN
A TANGIBLE MEDIUM, TWO REQUIREMENTS APPLIED TO ON-LINE CREATIONS 102
3.3.2. THE MULTIMEDIA WORK AS A GENERAL CATEGORY 105 3.3.3.
INCORPORATION OF PRE-EXISTING ELEMENTS 106 3.3.4. LINKS IN WEB PAGES AND
PROTECTION OF DOMAIN NAMES 109 3.4. PROTECTION OF THE CONTENT OF
COPYRIGHT 111 3.4.1. THE MORAL RIGHTS OF THE MULTIMEDIA AUTHOR 111
3.4.2. ECONOMIC RIGHTS OF THE MULTIMEDIA AUTHOR 113 3.4.3. MORAL AND
ECONOMIC RIGHTS OF RELATED OR NEIGHBORING RIGHTS HOLDERS 117 3.5. OTHER
APPLICABLE LEGAL PRINCIPLES 120 3.5.1. TERMOF PROTECTION 120 3.5.2.
FULFILLMENT OF CERTAIN FORMALITIES FOR THE PROTECTION OF A WORK 124
3.5.3. PROPOSAIS FOR AN EFFECTIVE LEGAL PROTECTION OF COPYRIGHTS: LEGAL
PROCEEDINGS AND ARBITRATION AS WAYS TO SOLVE DISPUTES 125 3.6. THE
TECHNOLOGICAL SOLUTION AS AN ALTERNATIVE TO LAW FOR THE PROTECTION OF
MULTIMEDIA WORKS 131 CHAPTER IV - THE DEVELOPMENT OF COMMUNITY COPYRIGHT
PRINCIPLES THROUGH THE REGULATION OF MULTIMEDIA WORKS IN THE INFORMATION
SOCIETY 134 1. ANTECEDENTS 137 1.1. AN APPROACH TO THE ORIGINS OF THE
COMMUNITY REGULATION ON COPYRIGHTS 137 1.1.1. INTELLECTUAL PROPERTY IN
THE FREE MARKET GAME 137 1.1.2. THE RIGHTS OF THE CULTURAL WORKER 141
1.1.3. INTEGRATING AN AUDIOVISUAL SECTOR WITH AN IMPORTANCE OF ITSOWN
143 1.2. THE PROTECTION OF COMPUTER PROGRAMS AS LITERARY WORKS: FIRST
STEP FOR THE PROTECTION OF MULTIMEDIA (1991) 146 1.2.1. OBJECTIVES OF
THE REGULATION 146 1.2.2. REQUIREMENTS FOR PROTECTION: INTERPRETATION OF
THE CONCEPTS OF ORIGINALITY AND FORMAL EXPRESSION OF A WORK 149 1.2.3.
COMPUTER AUTHORSHIP AND RIGHT HOLDERS 153 1.2.4. EXCEPTIONS TO THE
EXERCISE OF ECONOMIC RIGHTS: THE OBLIGATORY AUTHORIZATION OF THE ACTS
REQUIRED FOR THE FUNCTIONING OF SOFTWARE 156 1.2.5. IS THE TERM OF
PROTECTION APPROPRIATE? 161 CONTENTS 2. REGULATION OF MULTIMEDIA WORKS
AND DIGITAL TECHNOLOGY 163 2.1. COPYRIGHT IN THE LEGAL FRAMEWORK OF THE
INFORMATION SOCIETY 163 2.2. THE PROTECTION OF DATABASES REGARDING
CONTENT SELECTION AND ARRANGEMENT: CREATION OF A SUI GENERIS RIGH T IN
FAVOR OF MAKER(1996) 167 2.2.1. OBJECTIVES OF THE REGULATION 167 2.2.2.
REQUIREMENTS FOR THE PROTECTION AND DEFINITION OF AUTHORSHIP 170 2.2.3.
THE RIGHTS OF THE AUTHOR AND THE TERM OF PROTECTION 173 2.2.4. SUBJECT,
OBJECT AND CONTENT OF THE SUI GENERIS RIGHT 176 2.2.5. COPYRIGHT AND SUI
GENERIS RIGHT, A COMPLEMENTARY PROTECTION? ... 181 2.3. THE
LEGAL-TECHNICAL PROTECTION OF COPYRIGHT IN THE INFORMATION SOCIETY
(2001) 184 2.3.1. THE DIGITAL ISSUE WITHIN THE COMMUNITY 184 2.3.2. THE
NEW DIRECTIVE ITERLEGIS 189 2.3.3. CONSOLIDATION OF THE COMMUNITY
DISTRIBUTION RIGHT 193 2.3.4. SCOPE OF THE REPRODUCTION RIGHT IN A
DIGITAL ENVIRONMENT 196 2.3.5. INTRODUCTION OF THE RIGHT OF MAKING
AVAILABLE TO THE PUBLIC 203 2.3.6. THE LEGAL PROMOTION OF THE PROTECTION
OF ELECTRONIC COPYRIGHT MANAGEMENT 208 2.3.7. OTHER CONTENTS OFLNTEREST
215 BIBLIOGRAPHY 217 REFERENCE BOOKS 217 ARTICLES 228 LEGAL TEXTS 233 XN
|
| adam_txt |
COPYRIGHT AND MULTIMEDIA BY JULIAN RODRIGUEZ PARDO * KLUWER LAW
INTERNATIONAL THE HAGUE / LONDON / NEW YORK CONTENTS ACKNOWLEDGMENT VII
PROLOGUE XIII CHAPTER I - DEFINING THE MULTIMEDIA WORK 1 1. THE
MULTIMEDIA WORK 3 1.1. FORMULATION OF ITS MEANING 5 1.1.1. MULTIMEDIA AS
A COMBINATION OF TEXTUAL, AUDIOVISUAL AND COMPUTER ELEMENTS 5 1.1.2.
CONCEPTS DISTINCTION: HYPERTEXT, MULTIMEDIA, AND HYPERMEDIA 9 1.2.
FORMULATION OF A TYPOLOGY OF ITS OWN 10 CHAPTER II - DESCRIPTION OF
COPYRIGHT AND ITS BASIC FEATURES THROUGHOUT ITS HISTORY 15 1.
ANTECEDENTS 17 1.1. THE SOCIAL SIGNIFICANCE OF AUTHORS IN GREECE AND
ROME (FIFTH CENTURY BC) 17 1.2. INVENTION OF THE PRINTING PRESS (1450)
AND THE BIRTH OF PRIVILEGES 22 1.2.1. THE PRIVILEGE: A RIGHT IN FAVOR OF
PRINTERS 24 1.2.2. INTERNATIONAL SPREADING OF PRIVILEGES AND THE SHAPING
OF THEIR NATIONAL FEATURES 27 2. THE STATUTE OF QUEEN ANNE (1709): FIRST
POSITIVE MATERIALIZATION OF A RIGHT IN FAVOR OF AUTHORS 36 2.1.
CONTENTS: RECOGNITION OF A TIME LIMITED EXCLUSIVE RIGHT 36 2.2.
APPLICATION: DONALDSON VS. BECKETT 39 3. CREATION AND CONSOLIDATION IN
THE NATIONAL LAWS (18TH-19TH CENTURIES) 41 3.1. ENGLAND AND THE SEARCH
OF A BALANCE BETWEEN AUTHOR'S RIGHT AND COPYRIGHT 41 3.2. THE ENGLISH
INFLUENCE IN AMERICAN COPYRIGHT 42 3.3. THE FRENCH FORMULATION OF THE
DROH D'AUTEUR AS A PROPERTY RIGHT 46 IX CONTENTS 3.4. GERMANY AND
COPYRIGHT AS A MORAL RIGHT 49 CHAPTER III - INTERNATIONAL TREATIES FOR
THE PROTECTION OF COPYRIGHT AND THEIR APPLICATION TO MULTIMEDIA WORKS 53
1. INTRODUCTION: THE BERNE CONVENTION OF 1886, AND ITS PROMOTION AS A
RESULT OF TECHNOLOGICAL DEVELOPMENT. FROM THE PROTECTION OF PRINTED
WORKS TO THE PROTECTION OF DISTRIBUTION BY WIRE 55 1.1. DEVELOPING A
RIGHT FOR PRINTED WORKS 56 1.2. PROTECTION OF CINEMATOGRAPHIC, SOUND AND
AUDIOVISUAL WORKS 57 1.3. A POINT OF CONTACT WITH THE NEW TECHNOLOGIES:
PROTECTION OF SATELLITE AND CABLE BROADCASTING 61 2. THE GATT AGREEMENT
OF 1994, AND THE BERNE PROTOCOL OF 1996: PROTECTION OF MULTIMEDIA WORKS
THROUGH NEW COPYRIGHT CATEGORIES 63 2.1. FIRST MULTIMEDIA COPYRIGHTS
COVERED BY INTERNATIONAL TREATIES: SOFTWARE AND DATABASES IN THE GATT
AGREEMENT OF 1994 64 2.1.1. COMPUTER PROGRAMS PROTECTED AS LITERARY
WORKS: OBJECTIONS TO THIS ASSIMILATION 65 2.1.2. PATENT RIGHTS AS AN
ALTERNATIVE TO COPYRIGHT PROTECTION OF SOFTWARE? 70 2.1.3. PROTECTION
FOR DATABASES AS COMPILATIONS ACCORDING TO THE SELECTION OR ARRANGEMENT
OF CONTENTS 76 2.2. NEW COPYRIGHT PROTECTION FOR MULTIMEDIA: THE WIPO
TREATIES OR THE PROTOCOL TO THE BERNE CONVENTION OF 1996 79 2.2.1. THE
ATTEMPT TO AFFORD PROTECTION TO DATABASES MAKERS WAS A FAILURE 81 2.2.2.
REINTRODUCING THE CONTENTS OF THE GATT AGREEMENT AND THE INCLUSION OF
THE RIGHT TO MAKE AVAILABLE TO THE PUBLIC 87 2.2.3. OTHER PRINCIPLES
ESTABLISHED 92 3. TOWARD A GLOBAL SOLUTION FOR MULTIMEDIA COPYRIGHTS 93
3.1. BASIC PRINCIPLES OF THE BERNE SYSTEM APPLIED TO THE DIGITAL
COMMUNICATION FIELD 94 3.2. PROTECTION OF COPYRIGHT OWNERS AND RELATED
OR NEIGHBORING RIGHTS 97 3.2.1. THE MULTIMEDIA AUTHOR 98 3.2.2.
INDIVIDUAIS RELATED TO THE AUTHOR: INTERNET PROVIDERS AND INTEGRATED
SERVICES DIGITAL NETWORK PROVIDERS (ISDN) 101 3.3. PROTECTION OF THE
SUBJECT MATTER OF COPYRIGHT 102 CONTENTS 3.3.1. NOVELTY AND FIXATION IN
A TANGIBLE MEDIUM, TWO REQUIREMENTS APPLIED TO ON-LINE CREATIONS 102
3.3.2. THE MULTIMEDIA WORK AS A GENERAL CATEGORY 105 3.3.3.
INCORPORATION OF PRE-EXISTING ELEMENTS 106 3.3.4. LINKS IN WEB PAGES AND
PROTECTION OF DOMAIN NAMES 109 3.4. PROTECTION OF THE CONTENT OF
COPYRIGHT 111 3.4.1. THE MORAL RIGHTS OF THE MULTIMEDIA AUTHOR 111
3.4.2. ECONOMIC RIGHTS OF THE MULTIMEDIA AUTHOR 113 3.4.3. MORAL AND
ECONOMIC RIGHTS OF RELATED OR NEIGHBORING RIGHTS HOLDERS 117 3.5. OTHER
APPLICABLE LEGAL PRINCIPLES 120 3.5.1. TERMOF PROTECTION 120 3.5.2.
FULFILLMENT OF CERTAIN FORMALITIES FOR THE PROTECTION OF A WORK 124
3.5.3. PROPOSAIS FOR AN EFFECTIVE LEGAL PROTECTION OF COPYRIGHTS: LEGAL
PROCEEDINGS AND ARBITRATION AS WAYS TO SOLVE DISPUTES 125 3.6. THE
TECHNOLOGICAL SOLUTION AS AN ALTERNATIVE TO LAW FOR THE PROTECTION OF
MULTIMEDIA WORKS 131 CHAPTER IV - THE DEVELOPMENT OF COMMUNITY COPYRIGHT
PRINCIPLES THROUGH THE REGULATION OF MULTIMEDIA WORKS IN THE INFORMATION
SOCIETY 134 1. ANTECEDENTS 137 1.1. AN APPROACH TO THE ORIGINS OF THE
COMMUNITY REGULATION ON COPYRIGHTS 137 1.1.1. INTELLECTUAL PROPERTY IN
THE FREE MARKET GAME 137 1.1.2. "THE RIGHTS OF THE "CULTURAL WORKER" 141
1.1.3. INTEGRATING AN AUDIOVISUAL SECTOR WITH AN IMPORTANCE OF ITSOWN
143 1.2. THE PROTECTION OF COMPUTER PROGRAMS AS LITERARY WORKS: FIRST
STEP FOR THE PROTECTION OF MULTIMEDIA (1991) 146 1.2.1. OBJECTIVES OF
THE REGULATION 146 1.2.2. REQUIREMENTS FOR PROTECTION: INTERPRETATION OF
THE CONCEPTS OF ORIGINALITY AND FORMAL EXPRESSION OF A WORK 149 1.2.3.
COMPUTER AUTHORSHIP AND RIGHT HOLDERS 153 1.2.4. EXCEPTIONS TO THE
EXERCISE OF ECONOMIC RIGHTS: THE OBLIGATORY AUTHORIZATION OF THE ACTS
REQUIRED FOR THE FUNCTIONING OF SOFTWARE 156 1.2.5. IS THE TERM OF
PROTECTION APPROPRIATE? 161 CONTENTS 2. REGULATION OF MULTIMEDIA WORKS
AND DIGITAL TECHNOLOGY 163 2.1. COPYRIGHT IN THE LEGAL FRAMEWORK OF THE
INFORMATION SOCIETY 163 2.2. THE PROTECTION OF DATABASES REGARDING
CONTENT SELECTION AND ARRANGEMENT: CREATION OF A SUI GENERIS RIGH T IN
FAVOR OF MAKER(1996) 167 2.2.1. OBJECTIVES OF THE REGULATION 167 2.2.2.
REQUIREMENTS FOR THE PROTECTION AND DEFINITION OF AUTHORSHIP 170 2.2.3.
THE RIGHTS OF THE AUTHOR AND THE TERM OF PROTECTION 173 2.2.4. SUBJECT,
OBJECT AND CONTENT OF THE SUI GENERIS RIGHT 176 2.2.5. COPYRIGHT AND SUI
GENERIS RIGHT, A COMPLEMENTARY PROTECTION? . 181 2.3. THE
LEGAL-TECHNICAL PROTECTION OF COPYRIGHT IN THE INFORMATION SOCIETY
(2001) 184 2.3.1. THE DIGITAL ISSUE WITHIN THE COMMUNITY 184 2.3.2. THE
NEW DIRECTIVE "ITERLEGIS" 189 2.3.3. CONSOLIDATION OF THE COMMUNITY
DISTRIBUTION RIGHT 193 2.3.4. SCOPE OF THE REPRODUCTION RIGHT IN A
DIGITAL ENVIRONMENT 196 2.3.5. INTRODUCTION OF THE RIGHT OF MAKING
AVAILABLE TO THE PUBLIC 203 2.3.6. THE LEGAL PROMOTION OF THE PROTECTION
OF ELECTRONIC COPYRIGHT MANAGEMENT 208 2.3.7. OTHER CONTENTS OFLNTEREST
215 BIBLIOGRAPHY 217 REFERENCE BOOKS 217 ARTICLES 228 LEGAL TEXTS 233 XN |
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| dewey-ones | 346 - Private law |
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| dewey-sort | 3346.04 282 221 |
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| discipline | Rechtswissenschaft |
| discipline_str_mv | Rechtswissenschaft |
| format | Thesis Book |
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| index_date | 2024-07-02T14:06:00Z |
| indexdate | 2024-07-09T20:36:21Z |
| institution | BVB |
| isbn | 9041189025 |
| language | English |
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| physical | XVI, 244 S. |
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| spelling | Rodríguez Pardo, Julián Verfasser aut El derecho de autor en la obra multimedia Copyright and multimedia by Julian Rodríguez Pardo The Hague [u.a.] Kluwer Law International 2003 XVI, 244 S. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references Zugl.: Diss. Copyright -- Interactive multimedia Copyright -- Audio-visual materials Copyright and electronic data processing (DE-588)4113937-9 Hochschulschrift gnd-content GBV Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014674928&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Rodríguez Pardo, Julián Copyright and multimedia Copyright -- Interactive multimedia Copyright -- Audio-visual materials Copyright and electronic data processing |
| subject_GND | (DE-588)4113937-9 |
| title | Copyright and multimedia |
| title_alt | El derecho de autor en la obra multimedia |
| title_auth | Copyright and multimedia |
| title_exact_search | Copyright and multimedia |
| title_exact_search_txtP | Copyright and multimedia |
| title_full | Copyright and multimedia by Julian Rodríguez Pardo |
| title_fullStr | Copyright and multimedia by Julian Rodríguez Pardo |
| title_full_unstemmed | Copyright and multimedia by Julian Rodríguez Pardo |
| title_short | Copyright and multimedia |
| title_sort | copyright and multimedia |
| topic | Copyright -- Interactive multimedia Copyright -- Audio-visual materials Copyright and electronic data processing |
| topic_facet | Copyright -- Interactive multimedia Copyright -- Audio-visual materials Copyright and electronic data processing Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014674928&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT rodriguezpardojulian elderechodeautorenlaobramultimedia AT rodriguezpardojulian copyrightandmultimedia |