Seen / unseen: art, science, and intuition from Leonardo to the Hubble telescope
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford Univ. Press
2006
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XVI, 352 S. zahlr. Ill. 26 cm |
| ISBN: | 0199295727 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV021322456 | ||
| 003 | DE-604 | ||
| 005 | 20170517 | ||
| 007 | t | ||
| 008 | 060206s2006 a||| |||| 00||| eng d | ||
| 020 | |a 0199295727 |9 0-19-929572-7 | ||
| 035 | |a (OCoLC)255349980 | ||
| 035 | |a (DE-599)BVBBV021322456 | ||
| 040 | |a DE-604 |b ger |e rakwb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-29T |a DE-210 |a DE-B170 |a DE-11 |a DE-Y3 |a DE-255 |a DE-Y2 |a DE-19 | ||
| 050 | 0 | |a N72.S3 | |
| 082 | 0 | |a 701.05 | |
| 084 | |a LH 61100 |0 (DE-625)94210: |2 rvk | ||
| 084 | |a 11 |2 ssgn | ||
| 100 | 1 | |a Kemp, Martin |d 1942- |e Verfasser |0 (DE-588)115860819 |4 aut | |
| 245 | 1 | 0 | |a Seen / unseen |b art, science, and intuition from Leonardo to the Hubble telescope |c Martin Kemp |
| 246 | 1 | 3 | |a Seen unseen |
| 264 | 1 | |a Oxford |b Oxford Univ. Press |c 2006 | |
| 300 | |a XVI, 352 S. |b zahlr. Ill. |c 26 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Intuition - Visuelle Wahrnehmung | |
| 650 | 4 | |a Naturwissenschaften - Visuelle Wahrnehmung - Geschichte | |
| 650 | 4 | |a Visuelle Wahrnehmung - Kunst - Geschichte | |
| 650 | 4 | |a Art and science | |
| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Naturwissenschaften |0 (DE-588)4041421-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Perspektive |0 (DE-588)4045301-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Visuelle Vorstellung |0 (DE-588)4188427-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Geometrische Figur |0 (DE-588)4139878-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Naturwissenschaften |0 (DE-588)4041421-8 |D s |
| 689 | 0 | 1 | |a Visuelle Vorstellung |0 (DE-588)4188427-9 |D s |
| 689 | 0 | 2 | |a Geschichte |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Perspektive |0 (DE-588)4045301-7 |D s |
| 689 | 1 | 1 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 1 | |5 DE-604 | |
| 689 | 2 | 0 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 2 | 1 | |a Geometrische Figur |0 (DE-588)4139878-6 |D s |
| 689 | 2 | 2 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 2 | |5 DE-604 | |
| 856 | 4 | 2 | |m HBZ Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014642834&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-014642834 | ||
Datensatz im Suchindex
| _version_ | 1804135131799093248 |
|---|---|
| adam_text | CONTENTS
LIST OF ILLUSTRATIONS xii
Introduction 1
Venturing Out
PART I. JOURNEY INTO SPACE 11
1. Looking into the Box 13
The characteristics of perspectival representations in terms
of the rules of proportion and the individual observer:
Brunelleschian and Copernican themes, with Masaccio,
Mantegna, Correggio, Kepler, Brahe, and Galileo.
2. The Persistent Box 55
The persistence of the standard co ordinates of space onto
modern imaging; sonar scanning, big molecules, space probes.
Computer space. Gravitational forces in the perception and
representation of space in different cultures.
PART II. LESSER AND GREATER WORLDS 85
3. The Art of Analogy: Leonardo and Palissy 87
The vision of the microcosm through Leonardo s eyes.
Qualitative science. The artifice of nature as expressed in life
casts in the sixteenth century, most notably in the ceramics of
Palissy; his theories of the earth as microcosmically expressed
in his own procedures.
ix
CONTENTS 4. The Art of Interaction: Robert Thornton and the
Romantic Era 116
The dynamic vision of nature, as developed in art and science
in the eighteenth century, and expressed above all in
Romantic science after 1800. Erasmus Darwin and Thornton s
Temple of Nature; universal truths in the science of plants.
5. Wholes and Parts 144
Romantic notions and rhetorical reticence in Darwinian
evolution. Hard and soft explanations in the natural
sciences, including Mendel s laws of inheritance, and the
problems of levels of explanation in recent biology. The
move away from pictorial illustration.
PART III. DISCERNING DESIGNS 165
6. Natural Geometries 167
The application of mathematics, above all geometry, to the
sciences of nature, beginning with Leonardo and Durer. The
geometry of nature in early microscopy. Geometry in shells
and plants, including Runge and Goethe.
7. Growth and Form 200
The geometry of growth and form, above all in D Arcy
Thompson. Forms and materials in twentieth century art, and
the geometries of nature in molecular modelling, especially
by computer. Neo Thompsonism, Gould versus Dawkins.
Systems of order, fractals, chaos, criticality, and implicate order.
PART IV. OUT OF OUR HANDS 239
8. The Camera 241
Attempts to devise instruments for the depiction of nature;
techniques of representation. The problems of naturalism and
trust. The camera before photography. Talbot, Daguerre, early
photography in science, especially astronomy.
9. The Faithful Record 274
The uses and the problems of photography in medicine,
particularly anatomical demonstration. Notions of objectivity
and the role of classification, particularly in Anthropology
and Eugenics. Photography of the insane and of criminals.
x
10. Invisible Worlds 301 CONTENTS
Seeing the un seeable. Instantaneous photography and
X rays. Bubble chambers and particles, Feynman diagrams
and graphic modes. X ray diffraction and big molecules.
Images and models generated by computer. Sonar and
medical scans as modes of seeing and representing.
Problems of perception and representation by machines
in modern imagery.
Looking Backwards and Forwards 323
A speculative conclusion.
FURTHER READING 332
INDEX 341
xi
|
| adam_txt |
CONTENTS
LIST OF ILLUSTRATIONS xii
Introduction 1
Venturing Out
PART I. JOURNEY INTO SPACE 11
1. Looking into the Box 13
The characteristics of perspectival representations in terms
of the rules of proportion and the individual observer:
Brunelleschian and Copernican themes, with Masaccio,
Mantegna, Correggio, Kepler, Brahe, and Galileo.
2. The Persistent Box 55
The persistence of the standard co ordinates of space onto
modern imaging; sonar scanning, big molecules, space probes.
Computer space. Gravitational forces in the perception and
representation of space in different cultures.
PART II. LESSER AND GREATER WORLDS 85
3. The Art of Analogy: Leonardo and Palissy 87
The vision of the microcosm through Leonardo's eyes.
Qualitative science. The artifice of nature as expressed in life
casts in the sixteenth century, most notably in the ceramics of
Palissy; his theories of the earth as microcosmically expressed
in his own procedures.
ix
CONTENTS 4. The Art of Interaction: Robert Thornton and the
Romantic Era 116
The dynamic vision of nature, as developed in art and science
in the eighteenth century, and expressed above all in
'Romantic' science after 1800. Erasmus Darwin and Thornton's
Temple of Nature; universal truths in the science of plants.
5. Wholes and Parts 144
Romantic notions and rhetorical reticence in Darwinian
evolution. 'Hard' and 'soft' explanations in the natural
sciences, including Mendel's laws of inheritance, and the
problems of levels of explanation in recent biology. The
move away from pictorial illustration.
PART III. DISCERNING DESIGNS 165
6. Natural Geometries 167
The application of mathematics, above all geometry, to the
sciences of nature, beginning with Leonardo and Durer. The
geometry of nature in early microscopy. Geometry in shells
and plants, including Runge and Goethe.
7. Growth and Form 200
The geometry of growth and form, above all in D'Arcy
Thompson. Forms and materials in twentieth century art, and
the geometries of nature in molecular modelling, especially
by computer. Neo Thompsonism, Gould versus Dawkins.
Systems of order, fractals, chaos, criticality, and implicate order.
PART IV. OUT OF OUR HANDS 239
8. The Camera 241
Attempts to devise instruments for the depiction of nature;
techniques of representation. The problems of naturalism and
trust. The camera before photography. Talbot, Daguerre, early
photography in science, especially astronomy.
9. 'The Faithful Record' 274
The uses and the problems of photography in medicine,
particularly anatomical demonstration. Notions of objectivity
and the role of classification, particularly in Anthropology
and Eugenics. Photography of the insane and of criminals.
x
10. Invisible Worlds 301 CONTENTS
Seeing the un seeable. Instantaneous photography and
X rays. Bubble chambers and particles, Feynman diagrams
and graphic modes. X ray diffraction and big molecules.
Images and models generated by computer. Sonar and
medical scans as modes of seeing and representing.
Problems of perception and representation by machines
in modern imagery.
Looking Backwards and Forwards 323
A speculative conclusion.
FURTHER READING 332
INDEX 341
xi |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Kemp, Martin 1942- |
| author_GND | (DE-588)115860819 |
| author_facet | Kemp, Martin 1942- |
| author_role | aut |
| author_sort | Kemp, Martin 1942- |
| author_variant | m k mk |
| building | Verbundindex |
| bvnumber | BV021322456 |
| callnumber-first | N - Fine Arts |
| callnumber-label | N72 |
| callnumber-raw | N72.S3 |
| callnumber-search | N72.S3 |
| callnumber-sort | N 272 S3 |
| callnumber-subject | N - Visual Arts |
| classification_rvk | LH 61100 |
| ctrlnum | (OCoLC)255349980 (DE-599)BVBBV021322456 |
| dewey-full | 701.05 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 701 - Philosophy of fine & decorative arts |
| dewey-raw | 701.05 |
| dewey-search | 701.05 |
| dewey-sort | 3701.05 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02326nam a2200589 c 4500</leader><controlfield tag="001">BV021322456</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20170517 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">060206s2006 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0199295727</subfield><subfield code="9">0-19-929572-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)255349980</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV021322456</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-29T</subfield><subfield code="a">DE-210</subfield><subfield code="a">DE-B170</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-Y3</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-Y2</subfield><subfield code="a">DE-19</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">N72.S3</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">701.05</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 61100</subfield><subfield code="0">(DE-625)94210:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">11</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Kemp, Martin</subfield><subfield code="d">1942-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)115860819</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Seen / unseen</subfield><subfield code="b">art, science, and intuition from Leonardo to the Hubble telescope</subfield><subfield code="c">Martin Kemp</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Seen unseen</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oxford</subfield><subfield code="b">Oxford Univ. Press</subfield><subfield code="c">2006</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XVI, 352 S.</subfield><subfield code="b">zahlr. Ill.</subfield><subfield code="c">26 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Intuition - Visuelle Wahrnehmung</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Naturwissenschaften - Visuelle Wahrnehmung - Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Visuelle Wahrnehmung - Kunst - Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art and science</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Naturwissenschaften</subfield><subfield code="0">(DE-588)4041421-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Perspektive</subfield><subfield code="0">(DE-588)4045301-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Visuelle Vorstellung</subfield><subfield code="0">(DE-588)4188427-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Geometrische Figur</subfield><subfield code="0">(DE-588)4139878-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Naturwissenschaften</subfield><subfield code="0">(DE-588)4041421-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Visuelle Vorstellung</subfield><subfield code="0">(DE-588)4188427-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Perspektive</subfield><subfield code="0">(DE-588)4045301-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="1"><subfield code="a">Geometrische Figur</subfield><subfield code="0">(DE-588)4139878-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="2"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">HBZ Datenaustausch</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014642834&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-014642834</subfield></datafield></record></collection> |
| id | DE-604.BV021322456 |
| illustrated | Illustrated |
| index_date | 2024-07-02T13:59:22Z |
| indexdate | 2024-07-09T20:35:38Z |
| institution | BVB |
| isbn | 0199295727 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-014642834 |
| oclc_num | 255349980 |
| open_access_boolean | |
| owner | DE-29T DE-210 DE-B170 DE-11 DE-Y3 DE-255 DE-Y2 DE-19 DE-BY-UBM |
| owner_facet | DE-29T DE-210 DE-B170 DE-11 DE-Y3 DE-255 DE-Y2 DE-19 DE-BY-UBM |
| physical | XVI, 352 S. zahlr. Ill. 26 cm |
| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | Oxford Univ. Press |
| record_format | marc |
| spelling | Kemp, Martin 1942- Verfasser (DE-588)115860819 aut Seen / unseen art, science, and intuition from Leonardo to the Hubble telescope Martin Kemp Seen unseen Oxford Oxford Univ. Press 2006 XVI, 352 S. zahlr. Ill. 26 cm txt rdacontent n rdamedia nc rdacarrier Geschichte gnd rswk-swf Intuition - Visuelle Wahrnehmung Naturwissenschaften - Visuelle Wahrnehmung - Geschichte Visuelle Wahrnehmung - Kunst - Geschichte Art and science Kunst (DE-588)4114333-4 gnd rswk-swf Naturwissenschaften (DE-588)4041421-8 gnd rswk-swf Perspektive (DE-588)4045301-7 gnd rswk-swf Visuelle Vorstellung (DE-588)4188427-9 gnd rswk-swf Geometrische Figur (DE-588)4139878-6 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Naturwissenschaften (DE-588)4041421-8 s Visuelle Vorstellung (DE-588)4188427-9 s Geschichte z DE-604 Perspektive (DE-588)4045301-7 s Ästhetik (DE-588)4000626-8 s Kunst (DE-588)4114333-4 s Geometrische Figur (DE-588)4139878-6 s HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014642834&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Kemp, Martin 1942- Seen / unseen art, science, and intuition from Leonardo to the Hubble telescope Intuition - Visuelle Wahrnehmung Naturwissenschaften - Visuelle Wahrnehmung - Geschichte Visuelle Wahrnehmung - Kunst - Geschichte Art and science Kunst (DE-588)4114333-4 gnd Naturwissenschaften (DE-588)4041421-8 gnd Perspektive (DE-588)4045301-7 gnd Visuelle Vorstellung (DE-588)4188427-9 gnd Geometrische Figur (DE-588)4139878-6 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4041421-8 (DE-588)4045301-7 (DE-588)4188427-9 (DE-588)4139878-6 (DE-588)4000626-8 |
| title | Seen / unseen art, science, and intuition from Leonardo to the Hubble telescope |
| title_alt | Seen unseen |
| title_auth | Seen / unseen art, science, and intuition from Leonardo to the Hubble telescope |
| title_exact_search | Seen / unseen art, science, and intuition from Leonardo to the Hubble telescope |
| title_exact_search_txtP | Seen / unseen art, science, and intuition from Leonardo to the Hubble telescope |
| title_full | Seen / unseen art, science, and intuition from Leonardo to the Hubble telescope Martin Kemp |
| title_fullStr | Seen / unseen art, science, and intuition from Leonardo to the Hubble telescope Martin Kemp |
| title_full_unstemmed | Seen / unseen art, science, and intuition from Leonardo to the Hubble telescope Martin Kemp |
| title_short | Seen / unseen |
| title_sort | seen unseen art science and intuition from leonardo to the hubble telescope |
| title_sub | art, science, and intuition from Leonardo to the Hubble telescope |
| topic | Intuition - Visuelle Wahrnehmung Naturwissenschaften - Visuelle Wahrnehmung - Geschichte Visuelle Wahrnehmung - Kunst - Geschichte Art and science Kunst (DE-588)4114333-4 gnd Naturwissenschaften (DE-588)4041421-8 gnd Perspektive (DE-588)4045301-7 gnd Visuelle Vorstellung (DE-588)4188427-9 gnd Geometrische Figur (DE-588)4139878-6 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Intuition - Visuelle Wahrnehmung Naturwissenschaften - Visuelle Wahrnehmung - Geschichte Visuelle Wahrnehmung - Kunst - Geschichte Art and science Kunst Naturwissenschaften Perspektive Visuelle Vorstellung Geometrische Figur Ästhetik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014642834&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT kempmartin seenunseenartscienceandintuitionfromleonardotothehubbletelescope AT kempmartin seenunseen |