La Haine: (Mathieu Kassovitz, 1995)
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
London [u.a.]
Tauris
2005
|
| Series: | Ciné-files: the French film guides
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Klappentext |
| Physical Description: | X, 118 S. Ill. |
| ISBN: | 9781845112165 9781845111014 1845112164 184511101x |
Staff View
MARC
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Record in the Search Index
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|---|---|
| adam_text | Contents
Acknowledgements
vii
Synopsis
ix
Introduction
1
1
Production contexts
3
A young team
3
The project
12
The Parisian
banlieue
and its images
16
Race relations and representations, French-style
27
Jeune cinéma français
and the new realism
33
Notes
36
2
Narrative, style and ideology in
La Haine
40
Tension and randomness: the narrative structure
40
Virtuoso
noir:
the aesthetics of
La Haine
46
Vinz, Said, Hubert: an explosive trio
58
Image and ideology in
La Haine
67
A transnational film
72
Notes
76
3
Box office and critical reception
80
Reception in France
80
International reception
92
A lucky break: life after
La Haine
95
Conclusion
98
Notes
99
Appendix 1:
Credits
103
Appendix 2:
Scene breakdown
106
Appendix
3:
My visit to Chanteloup-les-
Vignes
109
Appendix
4:
Filmographies
and awards
114
Appendix
5:
A verlan
glossary
116
Appendix
6:
Select bibliography
117
RELEASED in
1995,
La Haine ¡s
the black and white chronicle
of
24
hours in the life of a mixed-race young male trio from
a run-down Parisian suburb.The work of a then unknown
young team (director and actors were all under
30),
it
became hugely and unexpectedly successful, launching
director
Mathieu Kassovitz
and lead player Vincent
Cassei
to stardom.The film s combination of hard-hitting social
exposé,
stylish black and white cinematography and hip-
hop culture also turned it into an enduring cult movie with
younger viewers.
With great style and insight,
Ginette Vincendeau
provides a thorough understanding of the context of the
film s making, its narrative tension, stylistic sophistication
and ideological ambiguity and of its extraordinary success
nationally and internationally. She thus explains why, out of
so many films about disaffected youth,
¿із
Haine
is the one
that caught the imagination, becoming an instant classic.
Ginette Vincendeau
is Professor of Film Studies at the
University of Warwick. Her books include Stars and Stardom
in French Cinema
(2000)
and Jean-Pierre Melville. An
American in Paris
(2003).
She is Series Editor of I.B. Tauris
Ciné-Files:
The French Film
Cuides.
Vincite
Vincendeau has assembled an elite corps of film
scholars to address a marvelous array of modem and classic
french films with the dose-up scrutiny they deserve.
-Dudley Andrew
|
| adam_txt |
Contents
Acknowledgements
vii
Synopsis
ix
Introduction
1
1
Production contexts
3
A young team
3
The project
12
The Parisian
banlieue
and its images
16
Race relations and representations, French-style
27
Jeune cinéma français
and the 'new realism'
33
Notes
36
2
Narrative, style and ideology in
La Haine
40
Tension and randomness: the narrative structure
40
Virtuoso
noir:
the aesthetics of
La Haine
46
Vinz, Said, Hubert: an explosive trio
58
Image and ideology in
La Haine
67
A transnational film
72
Notes
76
3
Box office and critical reception
80
Reception in France
80
International reception
92
A lucky break: life after
La Haine
95
Conclusion
98
Notes
99
Appendix 1:
Credits
103
Appendix 2:
Scene breakdown
106
Appendix
3:
My visit to Chanteloup-les-
Vignes
109
Appendix
4:
Filmographies
and awards
114
Appendix
5:
A verlan
glossary
116
Appendix
6:
Select bibliography
117
RELEASED in
1995,
La Haine ¡s
the black and white chronicle
of
24
hours in the life of a mixed-race young male trio from
a run-down Parisian suburb.The work of a then unknown
young team (director and actors were all under
30),
it
became hugely and unexpectedly successful, launching
director
Mathieu Kassovitz
and lead player Vincent
Cassei
to stardom.The film's combination of hard-hitting social
exposé,
stylish black and white cinematography and hip-
hop culture also turned it into an enduring cult movie with
younger viewers.
With great style and insight,
Ginette Vincendeau
provides a thorough understanding of the context of the
film's making, its narrative tension, stylistic sophistication
and ideological ambiguity and of its extraordinary success
nationally and internationally. She thus explains why, out of
so many films about disaffected youth,
¿із
Haine
is the one
that caught the imagination, becoming an instant classic.
Ginette Vincendeau
is Professor of Film Studies at the
University of Warwick. Her books include Stars and Stardom
in French Cinema
(2000)
and Jean-Pierre Melville. An
American in Paris
(2003).
She is Series Editor of I.B. Tauris'
Ciné-Files:
The French Film
Cuides.
Vincite
Vincendeau has assembled an elite corps of film
scholars to address a marvelous array of modem and classic
french films with the dose-up scrutiny they deserve.'
-Dudley Andrew |
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| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
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| index_date | 2024-07-02T13:44:37Z |
| indexdate | 2024-07-09T20:34:22Z |
| institution | BVB |
| isbn | 9781845112165 9781845111014 1845112164 184511101x |
| language | English |
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| physical | X, 118 S. Ill. |
| publishDate | 2005 |
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| publisher | Tauris |
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| series2 | Ciné-files: the French film guides |
| spelling | Vincendeau, Ginette 1948- Verfasser (DE-588)123908523 aut La Haine (Mathieu Kassovitz, 1995) Ginette Vincendeau London [u.a.] Tauris 2005 X, 118 S. Ill. txt rdacontent n rdamedia nc rdacarrier Ciné-files: the French film guides Haine (Motion picture : 1995) La haine <Film , 1995> swd Filmanalyse swd Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014592726&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014592726&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Vincendeau, Ginette 1948- La Haine (Mathieu Kassovitz, 1995) Haine (Motion picture : 1995) La haine <Film , 1995> swd Filmanalyse swd |
| title | La Haine (Mathieu Kassovitz, 1995) |
| title_auth | La Haine (Mathieu Kassovitz, 1995) |
| title_exact_search | La Haine (Mathieu Kassovitz, 1995) |
| title_exact_search_txtP | La Haine (Mathieu Kassovitz, 1995) |
| title_full | La Haine (Mathieu Kassovitz, 1995) Ginette Vincendeau |
| title_fullStr | La Haine (Mathieu Kassovitz, 1995) Ginette Vincendeau |
| title_full_unstemmed | La Haine (Mathieu Kassovitz, 1995) Ginette Vincendeau |
| title_short | La Haine |
| title_sort | la haine mathieu kassovitz 1995 |
| title_sub | (Mathieu Kassovitz, 1995) |
| topic | Haine (Motion picture : 1995) La haine <Film , 1995> swd Filmanalyse swd |
| topic_facet | Haine (Motion picture : 1995) La haine <Film , 1995> Filmanalyse |
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