Mysteries of the rectangle: essays on painting
In this book, Hustvedt gives us nine essays on the significance of particular works of art, replete with original insights and a few startling discoveries. In her essay on Giorgione's The Tempest, a painting that has mystified art critics for hundreds of years, the author reinterprets the canva...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Princeton Architectural Press
2005
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| Ausgabe: | 1. ed., a Winterhouse ed. |
| Schlagworte: | |
| Online-Zugang: | Table of contents |
| Zusammenfassung: | In this book, Hustvedt gives us nine essays on the significance of particular works of art, replete with original insights and a few startling discoveries. In her essay on Giorgione's The Tempest, a painting that has mystified art critics for hundreds of years, the author reinterprets the canvas as a work about art and voyeurism. While looking at The Third of May, she was astonished to discover that Goya had hidden his own self-portrait in a shadowy corner of his iconic masterwork. More than anything, the essays in this book display a true passion for art, from the still lifes of Jean-Baptiste Chardin and Giorgio Morandi to the contemporary works of Joan Mitchell and Gerhard Richter. Hustvedt captures perfectly the pleasure found in giving oneself up to the complexities and ambiguities of painting, discovering new subtleties and surprises the longer one takes the time to look.--Back cover. |
| Beschreibung: | Includes bibliographical references (p. 169-173) |
| Beschreibung: | XXI, 179 S. zahlr. Ill. |
| ISBN: | 1568985185 |
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| spelling | Hustvedt, Siri 1955- Verfasser (DE-588)115468943 aut Mysteries of the rectangle essays on painting Siri Hustvedt 1. ed., a Winterhouse ed. New York Princeton Architectural Press 2005 XXI, 179 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. 169-173) In this book, Hustvedt gives us nine essays on the significance of particular works of art, replete with original insights and a few startling discoveries. In her essay on Giorgione's The Tempest, a painting that has mystified art critics for hundreds of years, the author reinterprets the canvas as a work about art and voyeurism. While looking at The Third of May, she was astonished to discover that Goya had hidden his own self-portrait in a shadowy corner of his iconic masterwork. More than anything, the essays in this book display a true passion for art, from the still lifes of Jean-Baptiste Chardin and Giorgio Morandi to the contemporary works of Joan Mitchell and Gerhard Richter. Hustvedt captures perfectly the pleasure found in giving oneself up to the complexities and ambiguities of painting, discovering new subtleties and surprises the longer one takes the time to look.--Back cover. Geschichte gnd rswk-swf Painting Themes, motives Painting Appreciation Malerei (DE-588)4037220-0 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Malerei (DE-588)4037220-0 s Geschichte z DE-604 http://www.loc.gov/catdir/toc/ecip055/2004029909.html Table of contents |
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| title | Mysteries of the rectangle essays on painting |
| title_auth | Mysteries of the rectangle essays on painting |
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| title_full | Mysteries of the rectangle essays on painting Siri Hustvedt |
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| title_short | Mysteries of the rectangle |
| title_sort | mysteries of the rectangle essays on painting |
| title_sub | essays on painting |
| topic | Painting Themes, motives Painting Appreciation Malerei (DE-588)4037220-0 gnd |
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