Out of the inkwell: Max Fleischer and the animation revolution
Max Fleischer (1883-1972) was for years considered Walt Disney's only real rival in the world of cartoon animation. The man behind the creation of such legendary characters as Betty Boop and the animation of Popeye the Sailor and Superman, Fleischer asserted himself as a major player in the dev...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lexington
Univ. Press of Kentucky
2005
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| Schlagworte: | |
| Online-Zugang: | Table of contents Inhaltsverzeichnis |
| Zusammenfassung: | Max Fleischer (1883-1972) was for years considered Walt Disney's only real rival in the world of cartoon animation. The man behind the creation of such legendary characters as Betty Boop and the animation of Popeye the Sailor and Superman, Fleischer asserted himself as a major player in the development of Hollywood entertainment. While deeply engaged with his characters, Fleischer also sought ways to improve his art through technical innovation. In the 1920s and 1930s, Fleischer created many patented inventions and introduced new special effects such as startling combinations of live action and animation, as well as a musical series involving jazz artists such as Cab Calloway and Louis Armstrong. In spite of its great popularity and success, however, the studio was abruptly closed in 1942. The animated cartoon industry was shocked, and the event went unexplained for many years. Now, Max's son Richard has at last solved the mystery of the shuttering of Fleischer Studios.--From publisher description. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XII, 184 S., [8] Bl. Ill. |
| ISBN: | 0813123550 |
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| 520 | 3 | |a Max Fleischer (1883-1972) was for years considered Walt Disney's only real rival in the world of cartoon animation. The man behind the creation of such legendary characters as Betty Boop and the animation of Popeye the Sailor and Superman, Fleischer asserted himself as a major player in the development of Hollywood entertainment. While deeply engaged with his characters, Fleischer also sought ways to improve his art through technical innovation. In the 1920s and 1930s, Fleischer created many patented inventions and introduced new special effects such as startling combinations of live action and animation, as well as a musical series involving jazz artists such as Cab Calloway and Louis Armstrong. In spite of its great popularity and success, however, the studio was abruptly closed in 1942. The animated cartoon industry was shocked, and the event went unexplained for many years. Now, Max's son Richard has at last solved the mystery of the shuttering of Fleischer Studios.--From publisher description. | |
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Datensatz im Suchindex
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MAX FLEISCHER J ANP THE ANIMATION REVOLUTION
With a Foreword by Leonard Maltin
THE UNIVERSITY PRESS OF KENTUCKY
Foreword ix
Preface and Acknowledgment s xi
1 They say that its difficult be ing a famous man s son 1
2 Two years after j o in ing the Brooklyn Daily Eagle 9
3 If ever a j ob was ta i lor -made for anyone 13
4 Br imming withpr ide a nd h igh hopes , Max 2 3
5 Late in 1920 , t he Bray organizat ion 31
6 The re were three movie palaces in midt own 3 9
7 Taking a page from his former employer 4 5
amp;The add i t ion ofs ound to the Fleischer car toons 4 9
9 Clearly, Max was r id ing the crest ofa wave 5 3
10The fortunes o f the Fleischer family 59
11 Several t imes du r i ng the wr i t ing o f these pages 6 3
12 Al though this book is pr imar i ly abou t Max 77
13 Fleischer Studios prospered 83
14 Because o f Max and Dave s personalities 8 7
15 Max was a dyed- in- the-wool N ew Yorker 93
16 Work at the New York studio continued 97
17 Paramount insisted on a Christmas release date 101
16 The studios move from New York to Miami 107
19 Max opened the contract, read the first paragraph 113
2 0 After the initial shock of the Paramount takeover 119
21 Almost before the news of the studio s sudden 125
2 2 It seems that Max s aim in life was to be 131
2 3 Leonard Miltonberg ran a company in 141
2 4 He wrote myriad and lengthy memos 147
2 5 The lawsuit against Paramount et al 151
2 6 The whole thing was incomprehensible to me 155
2 7 The article concerned a new copyright law 163
2 amp; The year 1972 turned out to be 169
Index 173
Illustrations follow page 82
viii Contents
|
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| callnumber-subject | NC - Drawing, Design, Illustration |
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| dewey-full | 791.43/34/092 |
| dewey-hundreds | 700 - The arts |
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| spelling | Fleischer, Richard Verfasser aut Out of the inkwell Max Fleischer and the animation revolution Richard Fleischer ; with a foreword by Leonard Maltin Lexington Univ. Press of Kentucky 2005 XII, 184 S., [8] Bl. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Max Fleischer (1883-1972) was for years considered Walt Disney's only real rival in the world of cartoon animation. The man behind the creation of such legendary characters as Betty Boop and the animation of Popeye the Sailor and Superman, Fleischer asserted himself as a major player in the development of Hollywood entertainment. While deeply engaged with his characters, Fleischer also sought ways to improve his art through technical innovation. In the 1920s and 1930s, Fleischer created many patented inventions and introduced new special effects such as startling combinations of live action and animation, as well as a musical series involving jazz artists such as Cab Calloway and Louis Armstrong. In spite of its great popularity and success, however, the studio was abruptly closed in 1942. The animated cartoon industry was shocked, and the event went unexplained for many years. Now, Max's son Richard has at last solved the mystery of the shuttering of Fleischer Studios.--From publisher description. Fleischer, Max 1883-1972 Fleischer, Max 1883-1972 (DE-588)124524621 gnd rswk-swf Animatiefilms gtt Cartoons gtt Animators United States Biography Animationsfilm (DE-588)4142484-0 gnd rswk-swf USA (DE-588)4006804-3 Biografie gnd-content Fleischer, Max 1883-1972 (DE-588)124524621 p Animationsfilm (DE-588)4142484-0 s DE-604 http://www.loc.gov/catdir/toc/ecip059/2005006834.html Table of contents HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013213050&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Fleischer, Richard Out of the inkwell Max Fleischer and the animation revolution Fleischer, Max 1883-1972 Fleischer, Max 1883-1972 (DE-588)124524621 gnd Animatiefilms gtt Cartoons gtt Animators United States Biography Animationsfilm (DE-588)4142484-0 gnd |
| subject_GND | (DE-588)124524621 (DE-588)4142484-0 (DE-588)4006804-3 |
| title | Out of the inkwell Max Fleischer and the animation revolution |
| title_auth | Out of the inkwell Max Fleischer and the animation revolution |
| title_exact_search | Out of the inkwell Max Fleischer and the animation revolution |
| title_full | Out of the inkwell Max Fleischer and the animation revolution Richard Fleischer ; with a foreword by Leonard Maltin |
| title_fullStr | Out of the inkwell Max Fleischer and the animation revolution Richard Fleischer ; with a foreword by Leonard Maltin |
| title_full_unstemmed | Out of the inkwell Max Fleischer and the animation revolution Richard Fleischer ; with a foreword by Leonard Maltin |
| title_short | Out of the inkwell |
| title_sort | out of the inkwell max fleischer and the animation revolution |
| title_sub | Max Fleischer and the animation revolution |
| topic | Fleischer, Max 1883-1972 Fleischer, Max 1883-1972 (DE-588)124524621 gnd Animatiefilms gtt Cartoons gtt Animators United States Biography Animationsfilm (DE-588)4142484-0 gnd |
| topic_facet | Fleischer, Max 1883-1972 Animatiefilms Cartoons Animators United States Biography Animationsfilm USA Biografie |
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