Twentieth-century crime fiction:
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Oxford [u.a.]
Oxford Univ. Press
2005
|
| Edition: | 1. publ. |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Klappentext |
| Item Description: | Hier auch später erschienene, unveränderte Nachdrucke |
| Physical Description: | XII, 313 S. |
| ISBN: | 9780199283453 9780199253265 0199253269 |
Staff View
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Record in the Search Index
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| adam_text | Contents
Introduction
i
The turn of the century: Sherlock Holmes and his contemporaries
Classic detection in the inter-war years
Transforming the tradition in the
2
66
The Black Mask boys
76
The mid-century paperback revolution
86
Contemporary investigations
98
3
112
The Prohibition-era gangsters
119
The killers inside us
127
Serial killers, pathologists, and police
138
4
158
Despairing of the Depression
165
Despoiling Florida
174
The politics of self-enrichment
I83
Black Appropriations
A Harlem of my mind
Writing the other Los Angeles
Diasporic identities in contemporary Britain
Detectives, mammies, bitches, and whores
XU
6 Regendering
Mothering feminist crime fiction in the
Butch v.
Unsolved crimes of the
Into the twenty-first century
Select Bibliography
Index
Twentieth-Century Crime Fiction aims to enhance understanding of one of the most
popular forms of genre fiction by examining a wide variety of the detective and
crime fiction produced in Britain and America during the twentieth century.
It introduces different theoretical approaches to crime fiction (e.g., formalist,
historicist, psychoanalytic,post-colonial,feminist) and will be a useful supplement
to a range of crime fiction courses, whether they focus on historical contexts,
ideological shifts, the emergence of sub-genres, or the application of critical
theories. Forty-seven widely available stories and novels are chosen for detailed
discussion.
Illuminating the relationship between different phases of generic development
Lee Horsley employs an overlapping historical framework to explore the extent
to which successive transformations have their roots within the earlier phases of
crime writing, as well as responding in complex ways to the anxieties of their
own eras.The first part of the study considers the nature and evolution of the
main sub-genres of crime fictionrthe classic and hard-boiled strands of detective
fiction,the non-investigative crime novel (centred on transgressors or victims),
and the mixed form of the police procedural.
The second half of the study examines the ways in which writers have used
crime fiction as a vehicle for socio-political critique.These chapters consider the
evolution of committed, oppositional strategies, tracing the development of
politicized detective and crime fiction, from Depression-era protests against
economic injustice to more recent decades which have seen writers launching
protests against ecological crimes, rampant consumerism, racism, and sexism.
is Senior Lecturer in English Literature at Lancaster University.
Cover painting is from the cover of Black Mask Magazine, May 1
renewed 1
ment with KeithAlan
and conservator of the respective copyrights and successor-in-tnterest to Popular Publications, Inc.
|
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| edition | 1. publ. |
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