Cinema and semiotic: Peirce and film aesthetics, narration, and representation
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Toronto u.a.
Univ. of Toronto Pr.
2005
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | X, 682 S. |
| ISBN: | 080203912X |
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Record in the Search Index
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| adam_text |
Cinema and Semiotic
Peirce and Film Aesthetics,
Narration, and Representation
Johannes Ehrat
UNIVERSITY OF TORONTO PRESS
Toronto Buffalo London
Acknowledgments ix
Introduction 3
1 On Signs, Categories, and Reality and How They Relate to
Cinema 8
1 1 The Use of Signs 14
1 2 The Construction of Meaning 24
1 3 Investigating Conduct as a Form 31
1 4 The Categories of Behaviour 50
1 5 The Categorial Form of Behaviour 54
1 6 Logic of Relations 69
1 7 The Metaphysics of Pragmaticistic Semiotic 96
2 Semiotic and Its Practical Use for Cinema 112
2 1 Cinema'Is'a Class of Sign 116
2 2 The Iconism of Cinema: A first Semiotic Approach 135
2 3 (From Film Pragmatics to) The Pragmaticism of Cinema 148
3 What 'Is' Cinema? 165
3 1 Cinema 'Is' Syntagma 171
3 2 Cinema 'Is' Sign Function 180
3 3 Cinema 'Is' Percept 191
3 4 Cinema 'Is' Moving Matter or Time 214
3 5 What Cinema Becomes: Theory Objects Compared, Reconciled,
Rejected 243
Intermezzo: Cinematic Imagination of Godard's Je vous salue,
Marie 248
viii Contents
4 Narration in Film and Film Theory 283
4 1 The Narratological Question, Peirce, and Cinema 284
4 2 The Semiotic of Narrative Time 287
4 3 Cinematic Time 314
Intermezzo: Two Kinds of Narrative Time in Dreyer's Ordet 320
5 Narration, Time, and Narratologies 345
5 1 Ricoeur's Mimesis 346
5 2 Heidegger's Ekstasis 350
5 3 Aristotle's Poesis 360
5 4 Greimas's Semiosis 371
5 5 Bordwell's Formalism 379
5 6 Olmi's Genesi 387
6 Enunciation in Cinema 398
6 1 Enunciation: From Vagueness to Generality 401
6 2 Narrative Enunciation 409
6 3 Rhetorical Enunciation in Cinema: Meaning in Figures 435
6 4 Aesthetic Enunciation in Film 457
Epilogue: Two Aesthetic Processes in Cinema 528
Conclusion 555
Notes 561
Bibliography 649
Filmography, by Director 663
Index 667 |
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| contents | On signs, categories, and reality and how the relate to cinema -- Semiotic and its practical use for cinema -- Waht is cinema? -- Cinematic imaginations of Godard's Je vous salue, Marie -- Narration in film and film theory -- Two kinds of narrative time in Dreyer's Ordet -- Narration, time, and narratologies -- Enunciation in cinema -- Two aesthetic processes in cinema |
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| discipline | Allgemeines Philosophie |
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| indexdate | 2024-07-20T08:42:39Z |
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| isbn | 080203912X |
| language | English |
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| spelling | Ehrat, Johannes 1952- Verfasser (DE-588)140082670 aut Cinema and semiotic Peirce and film aesthetics, narration, and representation Johannes Ehrat Toronto u.a. Univ. of Toronto Pr. 2005 X, 682 S. txt rdacontent n rdamedia nc rdacarrier On signs, categories, and reality and how the relate to cinema -- Semiotic and its practical use for cinema -- Waht is cinema? -- Cinematic imaginations of Godard's Je vous salue, Marie -- Narration in film and film theory -- Two kinds of narrative time in Dreyer's Ordet -- Narration, time, and narratologies -- Enunciation in cinema -- Two aesthetic processes in cinema Peirce, Charles S. 1839-1914 (DE-588)118592459 gnd rswk-swf Filmästhetik (DE-588)4140881-0 gnd rswk-swf Filmsemiotik (DE-588)4131553-4 gnd rswk-swf Peirce, Charles S. 1839-1914 (DE-588)118592459 p Filmästhetik (DE-588)4140881-0 s DE-604 Filmsemiotik (DE-588)4131553-4 s HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013141409&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Ehrat, Johannes 1952- Cinema and semiotic Peirce and film aesthetics, narration, and representation On signs, categories, and reality and how the relate to cinema -- Semiotic and its practical use for cinema -- Waht is cinema? -- Cinematic imaginations of Godard's Je vous salue, Marie -- Narration in film and film theory -- Two kinds of narrative time in Dreyer's Ordet -- Narration, time, and narratologies -- Enunciation in cinema -- Two aesthetic processes in cinema Peirce, Charles S. 1839-1914 (DE-588)118592459 gnd Filmästhetik (DE-588)4140881-0 gnd Filmsemiotik (DE-588)4131553-4 gnd |
| subject_GND | (DE-588)118592459 (DE-588)4140881-0 (DE-588)4131553-4 |
| title | Cinema and semiotic Peirce and film aesthetics, narration, and representation |
| title_auth | Cinema and semiotic Peirce and film aesthetics, narration, and representation |
| title_exact_search | Cinema and semiotic Peirce and film aesthetics, narration, and representation |
| title_full | Cinema and semiotic Peirce and film aesthetics, narration, and representation Johannes Ehrat |
| title_fullStr | Cinema and semiotic Peirce and film aesthetics, narration, and representation Johannes Ehrat |
| title_full_unstemmed | Cinema and semiotic Peirce and film aesthetics, narration, and representation Johannes Ehrat |
| title_short | Cinema and semiotic |
| title_sort | cinema and semiotic peirce and film aesthetics narration and representation |
| title_sub | Peirce and film aesthetics, narration, and representation |
| topic | Peirce, Charles S. 1839-1914 (DE-588)118592459 gnd Filmästhetik (DE-588)4140881-0 gnd Filmsemiotik (DE-588)4131553-4 gnd |
| topic_facet | Peirce, Charles S. 1839-1914 Filmästhetik Filmsemiotik |
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