The Cambridge history of seventeenth-century music:
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2005
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | The Cambridge history of music
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XXVII, 591 S. |
| ISBN: | 0521792738 9780521792738 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804133034509729792 |
|---|---|
| adam_text | Contents
Notes
Preface xv
i
TIM CARTER
Renaissance
Mannerism
Baroque lz
Some geographical problems
Issues of style
2 •
JOHN BUTT
Attempts to define a work-concept5 z8
Some problems
Artful artefact or social construction?
The seventeenth century as contradiction
Individuality within a culture of imitation
Disenchantment3 and re-enchantment
3 •
STEPHEN ROSE
The demand for music
Polarisation and professionalisation 6z
Patterns of dissemination 6y
Musical training
Servants, employees and entrepreneurs yy
The musician in society
4 •
VICTOR ANAND COELHO
Q&omodo cantabimus canticum
Repertory and transmission
Instrumental diplomacy p6
[vii]
vai
Goa: a
(Re)Writing colonial history in seventeenth-century Rome:
Kaçsbergefs
5 •
BARBARA
Ancients and Moderns nz
Order and disorder
Motion and emotion, action and reaction
Naturalism and illusion
Drama and stasis
6 •
PENELOPE GOUK
Changing definitions: science, art and philosophy
Music and the Scientific Revolution
Galileo Galilei and the Two New Sciences
Francis Bacon, natural magic and the experimental philosophy
Mersenne: experimental science and music
Kircher, natural magic and the harmony of the world
Performance practice and public science
Joseph
7 •
TIM CARTER
Poetics and taxonomies
Words and music
Modal types and tonal categories
Signs and symbols
Wordless rhetoric
Text and performance
The stile
8 •
LOIS ROSOW
Setting the stage
Setting the stage (a): the
The beginnings of opera
Monteverdi s Orfeo
Northern Italian festivals in the early decades of the century
The Stuart court masque
The Barberini operas in Rome
Mid-century Italian influence in Paris and Madrid
Ballet and opera at the French court under Louis XIV
Contents
9 •
TIM CARTER
Francesco Cavalli
Antonio Sartorio
Alessandro Scarlatti
10 •
NOEL O REGAN
Places and forms of service
Taxonomies of style
Continuity: the stylus ecclesiasticus
Large-scale non-concertato writing
Small-scale writing: the concerto
Large-scale
11 •
and oratorios
ROBERT L. KENDRICK
Rhetorics and texts
Occasions
National traditions and innovations
Domestic motets and vernacular dialogues
Oratories and oratorios
The end of the century
12 •
MARGARET
Social contexts of secular singing
Repertories
13 •
ALEXANDER
Instruments and their repertories
The players
The sources
Performing environments
Solo music in churches
Solo music in the chamber
Solo music in theatres and out of doors
Varieties of solo music
14 •
GREGORY BARNETT
Canzoni alla francese
Contents
For church and chamber
The sonata
Ensembles
The sonata da camera and the proper exercises of nobles
The sonata
Topoi, tonality and the churchly
Concerto and concerto
The sonata abroad
The German sonata and suite
Purcell
The stylusphantasticus
Appendix I
STEPHEN ROSE
Appendix II
STEPHEN ROSE
Appendix III
STEPHEN ROSE
Index
The Cambridge History of Seventeenth-
Century Music seeks to provide the most
up-to-date knowledge on seventeenth-
century music, together with a vital
questioning of the way in which such a
history can be told or put together for our
present purposes. Written by a
distinguished team of experts in the field,
the chapters not only address traditional
areas of study such as opera and church
music, but also look at the way this
extremely diverse and dynamic musical
world has been categorised in the past, and
how its products are viewed from various
cultural points of view. While this history
does not depart entirely from the
traditional study of musical works and
their composers, there is a strong emphasis
on the institutions, cultures and politics of
the age, together with an interrogation of
the ways in which music related to
contemporary arts, sciences and beliefs.
TIM carter is the author of the Cambridge
Opera Handbook on Mozart s
Figaro
Life and Works
Renaissance and Early Baroque Italy (199a)
and Monteverdi s Musical Theatre (200a). He
has also published numerous journal articles
and essays on music in sixteenth- and early
seventeenth-century Italy; those to
reprinted in Music, Patronage and Printing in
Late Renaissance Florence and Monteverdi
and his Contemporaries (both
he became David G.
Professor of Music at the University of North
Carolina at Chapel Hill.
John butt is the Gardiner Professor of
Music at the University of Glasgow. His book
Playing With History: The Historical
Approach to Music Performance (Cambridge,
2002)
Academy Book Prize, and in the same year he
won the Dent Medal, He is the author of
Music Education and the Art of Performance
in the German Baroque
B Minor (1991) and Bach Interpretation
(1990),
Press, and has edited The Cambridge
Companion to Bach
ly acclaimed harpsichordist and organist, and
has recorded CDs for
France.
|
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| discipline | Geschichte Musikwissenschaft |
| edition | 1. publ. |
| era | Geschichte 1600-1700 Geschichte 1600-1700 gnd |
| era_facet | Geschichte 1600-1700 |
| format | Book |
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| spelling | The Cambridge history of seventeenth-century music ed. by Tim Carter and John Butt The Cambridge history of seventeenth century music Seventeenth-century music 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2005 XXVII, 591 S. txt rdacontent n rdamedia nc rdacarrier The Cambridge history of music Geschichte 1600-1700 Geschichte 1600-1700 gnd rswk-swf Musik - Geschichte 1600-1700 Musik Music 17th century History and criticism Musik (DE-588)4040802-4 gnd rswk-swf Musik (DE-588)4040802-4 s Geschichte 1600-1700 z DE-604 Carter, Tim 1954- Sonstige (DE-588)133206491 oth Butt, John 1960- Sonstige (DE-588)128708824 oth Digitalisierung UBRegensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=012985227&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=012985227&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | The Cambridge history of seventeenth-century music Musik - Geschichte 1600-1700 Musik Music 17th century History and criticism Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4040802-4 |
| title | The Cambridge history of seventeenth-century music |
| title_alt | The Cambridge history of seventeenth century music Seventeenth-century music |
| title_auth | The Cambridge history of seventeenth-century music |
| title_exact_search | The Cambridge history of seventeenth-century music |
| title_full | The Cambridge history of seventeenth-century music ed. by Tim Carter and John Butt |
| title_fullStr | The Cambridge history of seventeenth-century music ed. by Tim Carter and John Butt |
| title_full_unstemmed | The Cambridge history of seventeenth-century music ed. by Tim Carter and John Butt |
| title_short | The Cambridge history of seventeenth-century music |
| title_sort | the cambridge history of seventeenth century music |
| topic | Musik - Geschichte 1600-1700 Musik Music 17th century History and criticism Musik (DE-588)4040802-4 gnd |
| topic_facet | Musik - Geschichte 1600-1700 Musik Music 17th century History and criticism |
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