Closely watched films: an introduction to the art of narrative film technique
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Berkeley [u.a.]
University of California Press
2004
|
| Subjects: | |
| Online Access: | Contributor biographical information Publisher description Table of contents |
| Item Description: | Includes bibliographical references and index |
| Physical Description: | XVIII, 279 S. Ill. |
| ISBN: | 0520238621 0520238915 |
Staff View
MARC
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| 100 | 1 | |a Fabe, Marilyn |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Closely watched films |b an introduction to the art of narrative film technique |c Marilyn Fabe |
| 264 | 1 | |a Berkeley [u.a.] |b University of California Press |c 2004 | |
| 300 | |a XVIII, 279 S. |b Ill. | ||
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| 500 | |a Includes bibliographical references and index | ||
| 505 | 8 | |a The beginnings of film narrative: D. W. Griffith's The birth of a nation -- The art of montage: Sergei Eisenstein's The battleship Potemkin -- Expressionism and realism in film form: F. W. Murnau's The last laugh and Charles Chaplin's The adventurer -- The conversion to sound and the classical Hollywood film: Howard Hawks's His girl friday -- Expressive realism: Orson Welles's Citizen Kane -- Italien neorealism: Vittorio de Sica's The bicycle thief -- Auteur theory and the French new wave: Francois Truffaut's The 400 blows -- Hollywood auteur: Alfred Hitchcock's Notorious -- The european art film: Federico Fellini's 8 1/2 -- Film and postmodernism: Woody Allen's Annie Hall -- Political cinema: Spike Lee's Do the right thing -- Feminism and film form: Patricia Rozema's I've heard the mermaids singing -- Digital video and new forms of narrative in Mike Figgis's Timecode | |
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Record in the Search Index
| _version_ | 1804132854093840384 |
|---|---|
| any_adam_object | |
| author | Fabe, Marilyn |
| author_facet | Fabe, Marilyn |
| author_role | aut |
| author_sort | Fabe, Marilyn |
| author_variant | m f mf |
| building | Verbundindex |
| bvnumber | BV019400509 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.E9F17 2004 |
| callnumber-search | PN1995.9.E9F17 2004 |
| callnumber-sort | PN 41995.9 E9 F17 42004 |
| callnumber-subject | PN - General Literature |
| classification_rvk | AP 45000 AP 46100 |
| contents | The beginnings of film narrative: D. W. Griffith's The birth of a nation -- The art of montage: Sergei Eisenstein's The battleship Potemkin -- Expressionism and realism in film form: F. W. Murnau's The last laugh and Charles Chaplin's The adventurer -- The conversion to sound and the classical Hollywood film: Howard Hawks's His girl friday -- Expressive realism: Orson Welles's Citizen Kane -- Italien neorealism: Vittorio de Sica's The bicycle thief -- Auteur theory and the French new wave: Francois Truffaut's The 400 blows -- Hollywood auteur: Alfred Hitchcock's Notorious -- The european art film: Federico Fellini's 8 1/2 -- Film and postmodernism: Woody Allen's Annie Hall -- Political cinema: Spike Lee's Do the right thing -- Feminism and film form: Patricia Rozema's I've heard the mermaids singing -- Digital video and new forms of narrative in Mike Figgis's Timecode |
| ctrlnum | (OCoLC)298411599 (DE-599)BVBBV019400509 |
| dewey-full | 791.43/01522 791.43/015 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/015 22 791.43/015 |
| dewey-search | 791.43/015 22 791.43/015 |
| dewey-sort | 3791.43 215 222 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Book |
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| id | DE-604.BV019400509 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T19:59:26Z |
| institution | BVB |
| isbn | 0520238621 0520238915 |
| language | English |
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| physical | XVIII, 279 S. Ill. |
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| spelling | Fabe, Marilyn Verfasser aut Closely watched films an introduction to the art of narrative film technique Marilyn Fabe Berkeley [u.a.] University of California Press 2004 XVIII, 279 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index The beginnings of film narrative: D. W. Griffith's The birth of a nation -- The art of montage: Sergei Eisenstein's The battleship Potemkin -- Expressionism and realism in film form: F. W. Murnau's The last laugh and Charles Chaplin's The adventurer -- The conversion to sound and the classical Hollywood film: Howard Hawks's His girl friday -- Expressive realism: Orson Welles's Citizen Kane -- Italien neorealism: Vittorio de Sica's The bicycle thief -- Auteur theory and the French new wave: Francois Truffaut's The 400 blows -- Hollywood auteur: Alfred Hitchcock's Notorious -- The european art film: Federico Fellini's 8 1/2 -- Film and postmodernism: Woody Allen's Annie Hall -- Political cinema: Spike Lee's Do the right thing -- Feminism and film form: Patricia Rozema's I've heard the mermaids singing -- Digital video and new forms of narrative in Mike Figgis's Timecode Cinéma Cinéma - Esthétique Films - Évaluation Récit filmique ram Film Ästhetik Motion pictures Evaluation Motion pictures Aesthetics Motion pictures Film (DE-588)4017102-4 gnd rswk-swf Filmästhetik (DE-588)4140881-0 gnd rswk-swf Filmanalyse (DE-588)4140882-2 gnd rswk-swf Erzähltechnik (DE-588)4124854-5 gnd rswk-swf 1\p (DE-588)4151278-9 Einführung gnd-content Filmanalyse (DE-588)4140882-2 s DE-604 Film (DE-588)4017102-4 s Erzähltechnik (DE-588)4124854-5 s 2\p DE-604 Filmästhetik (DE-588)4140881-0 s 3\p DE-604 http://www.loc.gov/catdir/bios/ucal052/2004000202.html Contributor biographical information http://www.loc.gov/catdir/description/ucal051/2004000202.html Publisher description http://www.loc.gov/catdir/toc/ecip0413/2004000202.html Table of contents 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Fabe, Marilyn Closely watched films an introduction to the art of narrative film technique The beginnings of film narrative: D. W. Griffith's The birth of a nation -- The art of montage: Sergei Eisenstein's The battleship Potemkin -- Expressionism and realism in film form: F. W. Murnau's The last laugh and Charles Chaplin's The adventurer -- The conversion to sound and the classical Hollywood film: Howard Hawks's His girl friday -- Expressive realism: Orson Welles's Citizen Kane -- Italien neorealism: Vittorio de Sica's The bicycle thief -- Auteur theory and the French new wave: Francois Truffaut's The 400 blows -- Hollywood auteur: Alfred Hitchcock's Notorious -- The european art film: Federico Fellini's 8 1/2 -- Film and postmodernism: Woody Allen's Annie Hall -- Political cinema: Spike Lee's Do the right thing -- Feminism and film form: Patricia Rozema's I've heard the mermaids singing -- Digital video and new forms of narrative in Mike Figgis's Timecode Cinéma Cinéma - Esthétique Films - Évaluation Récit filmique ram Film Ästhetik Motion pictures Evaluation Motion pictures Aesthetics Motion pictures Film (DE-588)4017102-4 gnd Filmästhetik (DE-588)4140881-0 gnd Filmanalyse (DE-588)4140882-2 gnd Erzähltechnik (DE-588)4124854-5 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4140881-0 (DE-588)4140882-2 (DE-588)4124854-5 (DE-588)4151278-9 |
| title | Closely watched films an introduction to the art of narrative film technique |
| title_auth | Closely watched films an introduction to the art of narrative film technique |
| title_exact_search | Closely watched films an introduction to the art of narrative film technique |
| title_full | Closely watched films an introduction to the art of narrative film technique Marilyn Fabe |
| title_fullStr | Closely watched films an introduction to the art of narrative film technique Marilyn Fabe |
| title_full_unstemmed | Closely watched films an introduction to the art of narrative film technique Marilyn Fabe |
| title_short | Closely watched films |
| title_sort | closely watched films an introduction to the art of narrative film technique |
| title_sub | an introduction to the art of narrative film technique |
| topic | Cinéma Cinéma - Esthétique Films - Évaluation Récit filmique ram Film Ästhetik Motion pictures Evaluation Motion pictures Aesthetics Motion pictures Film (DE-588)4017102-4 gnd Filmästhetik (DE-588)4140881-0 gnd Filmanalyse (DE-588)4140882-2 gnd Erzähltechnik (DE-588)4124854-5 gnd |
| topic_facet | Cinéma Cinéma - Esthétique Films - Évaluation Récit filmique Film Ästhetik Motion pictures Evaluation Motion pictures Aesthetics Motion pictures Filmästhetik Filmanalyse Erzähltechnik Einführung |
| url | http://www.loc.gov/catdir/bios/ucal052/2004000202.html http://www.loc.gov/catdir/description/ucal051/2004000202.html http://www.loc.gov/catdir/toc/ecip0413/2004000202.html |
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