Stages and playgoers: from guild plays to Shakespeare
"The tradition of direct address has little to do with the frequently touted notion of the "fluidity of the Renaissance stage": the point is not that stage characters can talk to the audience but that they actually do reach out to the playgoers and in so doing import aspects of the au...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Montreal [u.a.]
McGill-Queenʹs Univ. Press
2002
|
Schlagworte: | |
Zusammenfassung: | "The tradition of direct address has little to do with the frequently touted notion of the "fluidity of the Renaissance stage": the point is not that stage characters can talk to the audience but that they actually do reach out to the playgoers and in so doing import aspects of the audience world to the stage. These exchanges appear frequently in late-medieval drama and continue to be crucial stage strategies for Shakespeare, in whose work they grow and change."--BOOK JACKET. |
Beschreibung: | 241 S. |
ISBN: | 0773522735 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV019357931 | ||
003 | DE-604 | ||
005 | 20100715 | ||
007 | t | ||
008 | 040809s2002 |||| 00||| eng d | ||
020 | |a 0773522735 |9 0-7735-2273-5 | ||
035 | |a (OCoLC)47120092 | ||
035 | |a (DE-599)BVBBV019357931 | ||
040 | |a DE-604 |b ger |e rakwb | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-19 | ||
050 | 0 | |a HC102.5.W35 | |
050 | 0 | |a PR658.A88 | |
082 | 0 | |a 822/.045/09031 |2 22 | |
084 | |a 8 |2 ssgn | ||
100 | 1 | |a Hill, Janet |e Verfasser |4 aut | |
245 | 1 | 0 | |a Stages and playgoers |b from guild plays to Shakespeare |c Janet Hill |
264 | 1 | |a Montreal [u.a.] |b McGill-Queenʹs Univ. Press |c 2002 | |
300 | |a 241 S. | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
520 | 1 | |a "The tradition of direct address has little to do with the frequently touted notion of the "fluidity of the Renaissance stage": the point is not that stage characters can talk to the audience but that they actually do reach out to the playgoers and in so doing import aspects of the audience world to the stage. These exchanges appear frequently in late-medieval drama and continue to be crucial stage strategies for Shakespeare, in whose work they grow and change."--BOOK JACKET. | |
600 | 1 | 4 | |a Shakespeare, William <1564-1616> |x Stage history |y To 1625 |
600 | 1 | 4 | |a Shakespeare, William <1564-1616> |x Technique |
648 | 4 | |a Geschichte 1600-1700 | |
648 | 4 | |a Geschichte 1500-1600 | |
648 | 7 | |a Geschichte 1400-1616 |2 gnd |9 rswk-swf | |
650 | 4 | |a Monologue | |
650 | 4 | |a Soliloque | |
650 | 4 | |a Théâtre (Genre littéraire) - Technique | |
650 | 4 | |a Théâtre anglais - 1500-1600 (Moderne et élisabéthain) - Histoire et critique | |
650 | 4 | |a Théâtre anglais - 17e siècle - Histoire et critique | |
650 | 4 | |a Geschichte | |
650 | 4 | |a Drama |x Technique | |
650 | 4 | |a English drama |y 17th century |x History and criticism | |
650 | 4 | |a English drama |y Early modern and Elizabethan, 1500-1600 |x History and criticism | |
650 | 4 | |a Mysteries and miracle plays, English |x History and criticism | |
650 | 4 | |a Soliloquy | |
650 | 4 | |a Theater audiences |z England |x History |y 16th century | |
650 | 4 | |a Theater audiences |z England |x History |y 17th century | |
650 | 4 | |a Theater audiences |z England |x History |y To 1500 | |
650 | 0 | 7 | |a Theater |0 (DE-588)4059702-7 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Englisch |0 (DE-588)4014777-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Drama |0 (DE-588)4012899-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Publikum |0 (DE-588)4047764-2 |2 gnd |9 rswk-swf |
651 | 7 | |a England |0 (DE-588)4014770-8 |2 gnd |9 rswk-swf | |
689 | 0 | 0 | |a Englisch |0 (DE-588)4014777-0 |D s |
689 | 0 | 1 | |a Drama |0 (DE-588)4012899-4 |D s |
689 | 0 | 2 | |a Publikum |0 (DE-588)4047764-2 |D s |
689 | 0 | 3 | |a Geschichte 1400-1616 |A z |
689 | 0 | |5 DE-604 | |
689 | 1 | 0 | |a England |0 (DE-588)4014770-8 |D g |
689 | 1 | 1 | |a Theater |0 (DE-588)4059702-7 |D s |
689 | 1 | 2 | |a Publikum |0 (DE-588)4047764-2 |D s |
689 | 1 | 3 | |a Geschichte 1400-1616 |A z |
689 | 1 | |C b |5 DE-604 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-012821764 |
Datensatz im Suchindex
_version_ | 1804132790839541760 |
---|---|
any_adam_object | |
author | Hill, Janet |
author_facet | Hill, Janet |
author_role | aut |
author_sort | Hill, Janet |
author_variant | j h jh |
building | Verbundindex |
bvnumber | BV019357931 |
callnumber-first | H - Social Science |
callnumber-label | HC102 |
callnumber-raw | HC102.5.W35 PR658.A88 |
callnumber-search | HC102.5.W35 PR658.A88 |
callnumber-sort | HC 3102.5 W35 |
callnumber-subject | HC - Economic History and Conditions |
ctrlnum | (OCoLC)47120092 (DE-599)BVBBV019357931 |
dewey-full | 822/.045/09031 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 822 - English drama |
dewey-raw | 822/.045/09031 |
dewey-search | 822/.045/09031 |
dewey-sort | 3822 245 49031 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
era | Geschichte 1600-1700 Geschichte 1500-1600 Geschichte 1400-1616 gnd |
era_facet | Geschichte 1600-1700 Geschichte 1500-1600 Geschichte 1400-1616 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03081nam a2200721 c 4500</leader><controlfield tag="001">BV019357931</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20100715 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">040809s2002 |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0773522735</subfield><subfield code="9">0-7735-2273-5</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)47120092</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV019357931</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-19</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">HC102.5.W35</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PR658.A88</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">822/.045/09031</subfield><subfield code="2">22</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">8</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Hill, Janet</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Stages and playgoers</subfield><subfield code="b">from guild plays to Shakespeare</subfield><subfield code="c">Janet Hill</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Montreal [u.a.]</subfield><subfield code="b">McGill-Queenʹs Univ. Press</subfield><subfield code="c">2002</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">241 S.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="1" ind2=" "><subfield code="a">"The tradition of direct address has little to do with the frequently touted notion of the "fluidity of the Renaissance stage": the point is not that stage characters can talk to the audience but that they actually do reach out to the playgoers and in so doing import aspects of the audience world to the stage. These exchanges appear frequently in late-medieval drama and continue to be crucial stage strategies for Shakespeare, in whose work they grow and change."--BOOK JACKET.</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Shakespeare, William <1564-1616></subfield><subfield code="x">Stage history</subfield><subfield code="y">To 1625</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Shakespeare, William <1564-1616></subfield><subfield code="x">Technique</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1600-1700</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1500-1600</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1400-1616</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Monologue</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Soliloque</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Théâtre (Genre littéraire) - Technique</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Théâtre anglais - 1500-1600 (Moderne et élisabéthain) - Histoire et critique</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Théâtre anglais - 17e siècle - Histoire et critique</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Drama</subfield><subfield code="x">Technique</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English drama</subfield><subfield code="y">17th century</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English drama</subfield><subfield code="y">Early modern and Elizabethan, 1500-1600</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Mysteries and miracle plays, English</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Soliloquy</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Theater audiences</subfield><subfield code="z">England</subfield><subfield code="x">History</subfield><subfield code="y">16th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Theater audiences</subfield><subfield code="z">England</subfield><subfield code="x">History</subfield><subfield code="y">17th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Theater audiences</subfield><subfield code="z">England</subfield><subfield code="x">History</subfield><subfield code="y">To 1500</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Drama</subfield><subfield code="0">(DE-588)4012899-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Publikum</subfield><subfield code="0">(DE-588)4047764-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">England</subfield><subfield code="0">(DE-588)4014770-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Drama</subfield><subfield code="0">(DE-588)4012899-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Publikum</subfield><subfield code="0">(DE-588)4047764-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1400-1616</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">England</subfield><subfield code="0">(DE-588)4014770-8</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Publikum</subfield><subfield code="0">(DE-588)4047764-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Geschichte 1400-1616</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="C">b</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-012821764</subfield></datafield></record></collection> |
geographic | England (DE-588)4014770-8 gnd |
geographic_facet | England |
id | DE-604.BV019357931 |
illustrated | Not Illustrated |
indexdate | 2024-07-09T19:58:25Z |
institution | BVB |
isbn | 0773522735 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-012821764 |
oclc_num | 47120092 |
open_access_boolean | |
owner | DE-12 DE-19 DE-BY-UBM |
owner_facet | DE-12 DE-19 DE-BY-UBM |
physical | 241 S. |
publishDate | 2002 |
publishDateSearch | 2002 |
publishDateSort | 2002 |
publisher | McGill-Queenʹs Univ. Press |
record_format | marc |
spelling | Hill, Janet Verfasser aut Stages and playgoers from guild plays to Shakespeare Janet Hill Montreal [u.a.] McGill-Queenʹs Univ. Press 2002 241 S. txt rdacontent n rdamedia nc rdacarrier "The tradition of direct address has little to do with the frequently touted notion of the "fluidity of the Renaissance stage": the point is not that stage characters can talk to the audience but that they actually do reach out to the playgoers and in so doing import aspects of the audience world to the stage. These exchanges appear frequently in late-medieval drama and continue to be crucial stage strategies for Shakespeare, in whose work they grow and change."--BOOK JACKET. Shakespeare, William <1564-1616> Stage history To 1625 Shakespeare, William <1564-1616> Technique Geschichte 1600-1700 Geschichte 1500-1600 Geschichte 1400-1616 gnd rswk-swf Monologue Soliloque Théâtre (Genre littéraire) - Technique Théâtre anglais - 1500-1600 (Moderne et élisabéthain) - Histoire et critique Théâtre anglais - 17e siècle - Histoire et critique Geschichte Drama Technique English drama 17th century History and criticism English drama Early modern and Elizabethan, 1500-1600 History and criticism Mysteries and miracle plays, English History and criticism Soliloquy Theater audiences England History 16th century Theater audiences England History 17th century Theater audiences England History To 1500 Theater (DE-588)4059702-7 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Publikum (DE-588)4047764-2 gnd rswk-swf England (DE-588)4014770-8 gnd rswk-swf Englisch (DE-588)4014777-0 s Drama (DE-588)4012899-4 s Publikum (DE-588)4047764-2 s Geschichte 1400-1616 z DE-604 England (DE-588)4014770-8 g Theater (DE-588)4059702-7 s b DE-604 |
spellingShingle | Hill, Janet Stages and playgoers from guild plays to Shakespeare Shakespeare, William <1564-1616> Stage history To 1625 Shakespeare, William <1564-1616> Technique Monologue Soliloque Théâtre (Genre littéraire) - Technique Théâtre anglais - 1500-1600 (Moderne et élisabéthain) - Histoire et critique Théâtre anglais - 17e siècle - Histoire et critique Geschichte Drama Technique English drama 17th century History and criticism English drama Early modern and Elizabethan, 1500-1600 History and criticism Mysteries and miracle plays, English History and criticism Soliloquy Theater audiences England History 16th century Theater audiences England History 17th century Theater audiences England History To 1500 Theater (DE-588)4059702-7 gnd Englisch (DE-588)4014777-0 gnd Drama (DE-588)4012899-4 gnd Publikum (DE-588)4047764-2 gnd |
subject_GND | (DE-588)4059702-7 (DE-588)4014777-0 (DE-588)4012899-4 (DE-588)4047764-2 (DE-588)4014770-8 |
title | Stages and playgoers from guild plays to Shakespeare |
title_auth | Stages and playgoers from guild plays to Shakespeare |
title_exact_search | Stages and playgoers from guild plays to Shakespeare |
title_full | Stages and playgoers from guild plays to Shakespeare Janet Hill |
title_fullStr | Stages and playgoers from guild plays to Shakespeare Janet Hill |
title_full_unstemmed | Stages and playgoers from guild plays to Shakespeare Janet Hill |
title_short | Stages and playgoers |
title_sort | stages and playgoers from guild plays to shakespeare |
title_sub | from guild plays to Shakespeare |
topic | Shakespeare, William <1564-1616> Stage history To 1625 Shakespeare, William <1564-1616> Technique Monologue Soliloque Théâtre (Genre littéraire) - Technique Théâtre anglais - 1500-1600 (Moderne et élisabéthain) - Histoire et critique Théâtre anglais - 17e siècle - Histoire et critique Geschichte Drama Technique English drama 17th century History and criticism English drama Early modern and Elizabethan, 1500-1600 History and criticism Mysteries and miracle plays, English History and criticism Soliloquy Theater audiences England History 16th century Theater audiences England History 17th century Theater audiences England History To 1500 Theater (DE-588)4059702-7 gnd Englisch (DE-588)4014777-0 gnd Drama (DE-588)4012899-4 gnd Publikum (DE-588)4047764-2 gnd |
topic_facet | Shakespeare, William <1564-1616> Stage history To 1625 Shakespeare, William <1564-1616> Technique Monologue Soliloque Théâtre (Genre littéraire) - Technique Théâtre anglais - 1500-1600 (Moderne et élisabéthain) - Histoire et critique Théâtre anglais - 17e siècle - Histoire et critique Geschichte Drama Technique English drama 17th century History and criticism English drama Early modern and Elizabethan, 1500-1600 History and criticism Mysteries and miracle plays, English History and criticism Soliloquy Theater audiences England History 16th century Theater audiences England History 17th century Theater audiences England History To 1500 Theater Englisch Drama Publikum England |
work_keys_str_mv | AT hilljanet stagesandplaygoersfromguildplaystoshakespeare |