Toward an open-ended method of analysis of contemporary music:
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | Undetermined |
| Published: |
1976
|
Staff View
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV018810833 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | t | ||
| 008 | 040418s1976 |||| 00||| und d | ||
| 035 | |a (OCoLC)164782457 | ||
| 035 | |a (DE-599)BVBBV018810833 | ||
| 040 | |a DE-604 |b ger | ||
| 041 | |a und | ||
| 049 | |a DE-12 | ||
| 084 | |a 9,2 |2 ssgn | ||
| 100 | 1 | |a Yannay, Yehuda |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Toward an open-ended method of analysis of contemporary music |
| 264 | 1 | |c 1976 | |
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 0 | |a A study of selected works by Edgard Varèse and György Ligeti. Compositions: "At the end of the parade." 6 Songs for baritone and 6 players on poems by William Carlos Williams and "Seven late spring pieces."<br>Ann Arbor/Mich.:Univ. Microfilms | |
| 505 | 0 | |a (1796). 4 T. m. getr. Pag.<br>Diss. Univ. of Illinois, Urbana-Champaign 1974. Xerokopie | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-011581567 | ||
| 980 | 4 | |a (DE-12)AK24500761 | |
Record in the Search Index
| _version_ | 1804131434134241280 |
|---|---|
| any_adam_object | |
| author | Yannay, Yehuda |
| author_facet | Yannay, Yehuda |
| author_role | aut |
| author_sort | Yannay, Yehuda |
| author_variant | y y yy |
| building | Verbundindex |
| bvnumber | BV018810833 |
| contents | A study of selected works by Edgard Varèse and György Ligeti. Compositions: "At the end of the parade." 6 Songs for baritone and 6 players on poems by William Carlos Williams and "Seven late spring pieces."<br>Ann Arbor/Mich.:Univ. Microfilms (1796). 4 T. m. getr. Pag.<br>Diss. Univ. of Illinois, Urbana-Champaign 1974. Xerokopie |
| ctrlnum | (OCoLC)164782457 (DE-599)BVBBV018810833 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01022nam a2200277zc 4500</leader><controlfield tag="001">BV018810833</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">040418s1976 |||| 00||| und d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)164782457</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV018810833</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">und</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Yannay, Yehuda</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Toward an open-ended method of analysis of contemporary music</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">1976</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">A study of selected works by Edgard Varèse and György Ligeti. Compositions: "At the end of the parade." 6 Songs for baritone and 6 players on poems by William Carlos Williams and "Seven late spring pieces."<br>Ann Arbor/Mich.:Univ. Microfilms</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">(1796). 4 T. m. getr. Pag.<br>Diss. Univ. of Illinois, Urbana-Champaign 1974. Xerokopie</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-011581567</subfield></datafield><datafield tag="980" ind1="4" ind2=" "><subfield code="a">(DE-12)AK24500761</subfield></datafield></record></collection> |
| id | DE-604.BV018810833 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-09T19:36:52Z |
| institution | BVB |
| language | Undetermined |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-011581567 |
| oclc_num | 164782457 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| publishDate | 1976 |
| publishDateSearch | 1976 |
| publishDateSort | 1976 |
| record_format | marc |
| spelling | Yannay, Yehuda Verfasser aut Toward an open-ended method of analysis of contemporary music 1976 txt rdacontent n rdamedia nc rdacarrier A study of selected works by Edgard Varèse and György Ligeti. Compositions: "At the end of the parade." 6 Songs for baritone and 6 players on poems by William Carlos Williams and "Seven late spring pieces."<br>Ann Arbor/Mich.:Univ. Microfilms (1796). 4 T. m. getr. Pag.<br>Diss. Univ. of Illinois, Urbana-Champaign 1974. Xerokopie |
| spellingShingle | Yannay, Yehuda Toward an open-ended method of analysis of contemporary music A study of selected works by Edgard Varèse and György Ligeti. Compositions: "At the end of the parade." 6 Songs for baritone and 6 players on poems by William Carlos Williams and "Seven late spring pieces."<br>Ann Arbor/Mich.:Univ. Microfilms (1796). 4 T. m. getr. Pag.<br>Diss. Univ. of Illinois, Urbana-Champaign 1974. Xerokopie |
| title | Toward an open-ended method of analysis of contemporary music |
| title_auth | Toward an open-ended method of analysis of contemporary music |
| title_exact_search | Toward an open-ended method of analysis of contemporary music |
| title_full | Toward an open-ended method of analysis of contemporary music |
| title_fullStr | Toward an open-ended method of analysis of contemporary music |
| title_full_unstemmed | Toward an open-ended method of analysis of contemporary music |
| title_short | Toward an open-ended method of analysis of contemporary music |
| title_sort | toward an open ended method of analysis of contemporary music |
| work_keys_str_mv | AT yannayyehuda towardanopenendedmethodofanalysisofcontemporarymusic |