Textdeklamation in der Motette des 15. Jahrhunderts:
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | German |
| Published: |
Turnhout
Brepols
2003
|
| Series: | Collection "Épitome musical"
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Item Description: | Teilw. zugl.: Heidelberg, Univ., Habil.-Schr., 2000 |
| Physical Description: | XV, 556 S. zahlr. Notenbeisp. |
| ISBN: | 2503514901 |
Staff View
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Record in the Search Index
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|---|---|
| adam_text | Titel: Textdeklamation in der Motette des 15. Jahrhunderts
Autor: Schmidt-Beste, Thomas
Jahr: 2003
Inhaltsverzeichnis
Vorwort .................................... ix
Abkurzungsverzfichnis xi
Verzeichnis der Notenbeispiele und Abbildungen................... xii
Zur Transkription der Text- und Notenbeispiele ................... xv
~ i ~
Einleitung ..................................... i
~ 2 ~
Grundlagen .................................... 15
1. Rhythmus und Mensur in der Musik..................... 15
2. Rhythmus und Prosodie im Text ....................... 20
2.1. Akzent ................................. 20
2.2. Silbenquantität ............................. 23
2.5. Versrhythmus .............................. 28
2.4. Die Frage der .französischen Endbetonung................ 3c
3. Musik und Text ............................... 40
3.1. Das Problem der Untcrlegung ...................... 40
3.2. Deklamationsmuster........................... 52
3.3. Johannes Carmens Venite aàoremus dominum ................. 56
Die Vertonung von Verstexten ........................... 63
1. Liedhafte Gartungen............................. 63
i.i. Die italienische Lauda ....................... 64
Tempus-perfectum-Jauden bis ¡a. 14JO..................... 65
Die geroJlaktigt lauda um tjoo........................ 75
1.2. Liedformen im frankophonen Raum ................... 84
1.3. Die Cantilena und der Carol in England.................. 94
1.4. Die Cantío in Mittel- und Osteuropa................... loi
1.5. Hymnen und Sequenzen ......................... 117
2. Die Liedmotette............................... 123
2.1. Die Diskantmotttte ........................... 124
Inhaltverzeichnis ¦
2.2. Die Kantionalmotette in Frankreich und Italien.............. 134
T ieT iskant-Tenor-Jiotette ......................... li5
T ie norditalienisch Jauàenmotette ....................... H4
Já.otettí missales............................... H7
Jaudenmotetten............................... 156
T)ieT(aptwnalmotettenvonJosquinT)esprez................... 160
rKantionaler$til in Versmotetten um IjOO.................... 169
2.3. Deutschland und Ostmitteleuropa .................... i79
2.4. England................................. 86
~4~
Motetten mit strukturellem Cantus Firmus ..................... 195
1. Die isorhythmische Motette und verwandte Gattungen ............. 195
1.1. Regionale Traditionen bis ca. 1400..................... 198
Trankreich................................. 198
Jtalien .................................. 203
1.2. Isorhythmische Motetten des 15. Jahrhunderts............... 210
atrophische Motetten ............................ 210
Trete Versmotetten und Trosamotetten...................... 231
Vertonungen metrischer Texte ........................ 238
1.3. England ................................. 249
1.4. Die letzten isorhythmischen Motetten .................. 260
2. Tenormotetten ................................ 262
2.1. Die Tenormotette als Choralbearbeitung ................. 263
2.2. Tenormotetten auf metrische Texte.................... 268
2.3. Tenormotetten auf Verstexte ....................... 289
^ilbenzählmie VtrstexU ........................... 289
Rhythmische Verstexte ............................ 296
Weihnachtsmotetten ............................. 307
2.4. Tenormotetten auf Prosatexte ...................... 310
Anhang 1: Die isorhythmischen Motetten Guillaume Dufays............ 316
Anhang 2: Tenormotetten, ca. 1450-1510...................... 320
~5~
Vertonungen von Prosatexten............................ 327
1. Rezitatorische Gattungen ........................... 327
i.i. Psalmen ................................. 328
1.2. Incroitusverse .............................. 350
1.3. Passionen ................................ 354
1.4. Lamentationen ............................. 363
~ Inhaltverzeichnis
2. Die Prosamotette ............................... 375
2.1. Hoheliedmotetten ........................... 376
2.2. Die Prosamotette ab ca. 1470 ...................... 387
Tsalmmotetten und Qantica ......................... 390
Trete Trosamotetten ............................ 420
,Versartige Trosadeklamation in Trankreich und Tlandern ............. 430
Trosamotetten in £ngland und Schottland .................... 448
~6 ~
Choralbearbeitungen ................................ 457
~ 7 ~
Vertonungen metrischer Texte und die Frage des Humanismus ........... 475
~8~
Fazit ........................................ 495
Literaturverzeichnis ................................ 499
Index ....................................... 525
|
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| dewey-full | 782.2/6/09031 |
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| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 1400-1500 Geschichte 1400-1500 gnd |
| era_facet | Geschichte 1400-1500 |
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| spelling | Schmidt-Beste, Thomas 1968- Verfasser (DE-588)130330590 aut Textdeklamation in der Motette des 15. Jahrhunderts Thomas Schmidt-Beste Turnhout Brepols 2003 XV, 556 S. zahlr. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Collection "Épitome musical" Teilw. zugl.: Heidelberg, Univ., Habil.-Schr., 2000 Geschichte 1400-1500 Geschichte 1400-1500 gnd rswk-swf Motets - 15e siècle - Histoire et critique Motetten gtt Musique et langage Tekstbehandeling gtt Motets 15th century History and criticism Music and language Wort (DE-588)4066951-8 gnd rswk-swf Deklamation (DE-588)4149028-9 gnd rswk-swf Ton Akustik (DE-588)4185645-4 gnd rswk-swf Motette (DE-588)4040357-9 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Motette (DE-588)4040357-9 s Wort (DE-588)4066951-8 s Ton Akustik (DE-588)4185645-4 s Geschichte 1400-1500 z DE-604 Deklamation (DE-588)4149028-9 s b DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=010592678&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Schmidt-Beste, Thomas 1968- Textdeklamation in der Motette des 15. Jahrhunderts Motets - 15e siècle - Histoire et critique Motetten gtt Musique et langage Tekstbehandeling gtt Motets 15th century History and criticism Music and language Wort (DE-588)4066951-8 gnd Deklamation (DE-588)4149028-9 gnd Ton Akustik (DE-588)4185645-4 gnd Motette (DE-588)4040357-9 gnd |
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| title | Textdeklamation in der Motette des 15. Jahrhunderts |
| title_auth | Textdeklamation in der Motette des 15. Jahrhunderts |
| title_exact_search | Textdeklamation in der Motette des 15. Jahrhunderts |
| title_full | Textdeklamation in der Motette des 15. Jahrhunderts Thomas Schmidt-Beste |
| title_fullStr | Textdeklamation in der Motette des 15. Jahrhunderts Thomas Schmidt-Beste |
| title_full_unstemmed | Textdeklamation in der Motette des 15. Jahrhunderts Thomas Schmidt-Beste |
| title_short | Textdeklamation in der Motette des 15. Jahrhunderts |
| title_sort | textdeklamation in der motette des 15 jahrhunderts |
| topic | Motets - 15e siècle - Histoire et critique Motetten gtt Musique et langage Tekstbehandeling gtt Motets 15th century History and criticism Music and language Wort (DE-588)4066951-8 gnd Deklamation (DE-588)4149028-9 gnd Ton Akustik (DE-588)4185645-4 gnd Motette (DE-588)4040357-9 gnd |
| topic_facet | Motets - 15e siècle - Histoire et critique Motetten Musique et langage Tekstbehandeling Motets 15th century History and criticism Music and language Wort Deklamation Ton Akustik Motette Hochschulschrift |
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