Mahler and his world:
From the composer's lifetime to the present day, Gustav Mahler's music has provoked extreme responses from the public and from experts. Poised between the Romantic tradition he radically renewed and the austere modernism whose exponents he inspired, Mahler was a consummate public persona a...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Princeton, N.J. [u.a.]
Princeton Univ. Press
2002
|
| Schriftenreihe: | The Bard Music Festival Princeton paperbacks
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | From the composer's lifetime to the present day, Gustav Mahler's music has provoked extreme responses from the public and from experts. Poised between the Romantic tradition he radically renewed and the austere modernism whose exponents he inspired, Mahler was a consummate public persona and yet an impassioned artist who withdrew to his lakeside hut where he composed his vast symphonies and intimate song cycles. His advocates have produced countless studies of the composer's life and work. But they have focused on analysis internal to the compositions, along with their programmatic contexts. In this volume, musicologists and historians turn outward to examine the broader political, social, and literary changes reflected in Mahler's music. Peter Franklin takes up questions of gender, Talia Pecker Berio examines the composer's Jewish identity, and Thomas Peattie, Charles S. Maier, and Karen Painter consider contemporary theories of memory, the theatricality of Mahler's art and fin-de-sic̈le politics, and the impinging confrontation with mass society. Mahler's symphonies challenged Europeans and Americans to experience music in new ways. Before his decision to move to the United States, the composer knew of the enthusiastic response from America's urban musical audiences. Mahler and his world reproduces reviews of these early performances for the first time. The Mahler controversy that polarized Austrians and Germans also unfolds through a series of documents heretofore unavailable in English, edited by Painter and Bettina Varwig, and the terms of the debate are examined by Leon Botstein in the context of the late-twentieth-century Mahler revival. |
| Beschreibung: | XIII, 393 S. Ill., Notenbeisp. |
| ISBN: | 0691092435 0691092443 |
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| 520 | 3 | |a From the composer's lifetime to the present day, Gustav Mahler's music has provoked extreme responses from the public and from experts. Poised between the Romantic tradition he radically renewed and the austere modernism whose exponents he inspired, Mahler was a consummate public persona and yet an impassioned artist who withdrew to his lakeside hut where he composed his vast symphonies and intimate song cycles. His advocates have produced countless studies of the composer's life and work. But they have focused on analysis internal to the compositions, along with their programmatic contexts. In this volume, musicologists and historians turn outward to examine the broader political, social, and literary changes reflected in Mahler's music. Peter Franklin takes up questions of gender, Talia Pecker Berio examines the composer's Jewish identity, and Thomas Peattie, Charles S. Maier, and Karen Painter consider contemporary theories of memory, the theatricality of Mahler's art and fin-de-sic̈le politics, and the impinging confrontation with mass society. Mahler's symphonies challenged Europeans and Americans to experience music in new ways. Before his decision to move to the United States, the composer knew of the enthusiastic response from America's urban musical audiences. Mahler and his world reproduces reviews of these early performances for the first time. The Mahler controversy that polarized Austrians and Germans also unfolds through a series of documents heretofore unavailable in English, edited by Painter and Bettina Varwig, and the terms of the debate are examined by Leon Botstein in the context of the late-twentieth-century Mahler revival. | |
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Datensatz im Suchindex
| _version_ | 1804129935569190912 |
|---|---|
| adam_text | INHALTSVERZEICHNIS
BOTSTEIN, LEON
WHOSE GUSTAV MAHLER? RECEPTION, INTERPRETATION, AND HISTORY
S. 1-
MAIER, CHARLES S.
MAHLERS THEATER: THE PERFORMATIVE AND THE POLITICAL IN CENTRAL EUROPE,
18901910
S. 55-
BERIO, TALIA PECKER
MAHLERS JEWISH PARABLE
S. 87-
FRANKLIN, PETER
A SOLDIERS SWEETHEARTS MOTHERS TALE? MAHLERS GENDERED MUSICAL DISCOURSE
S. 111-
PAINTER, KAREN
THE AESTHETICS OF MASS CULTURE: MAHLERS EIGHTH SYMPHONY AND ITS LEGACY
S. 127-
BORK, CAMILLA / ZEDLACHER, IRENE
MUSICAL LYRICISM AS SELF-EXPLORATION: REFLECTIONS ON MAHLERS ICH BIN DER
WELT ABHANDEN GEKOMMEN
S. 159-
REVERS, PETER / ZEDLACHER, IRENE
... THE HEART-WRENCHING SOUND OF FAREWELL: MAHLER, RUECKERT, AND THE
KINDERTOTENLIEDER
S. 173-
PEATTIE, THOMAS
IN SEARCH OF LOST TIME: MEMORY AND MAHLERS BROKEN PASTORAL
S. 185-
HEFLING, STEPHEN E.
ASPECTS OF MAHLERS LATE STYLE
S. 199-
ALDRICH, RICHARD
MAHLERS FOURTH SYMPHONY IN NEW YORK
S. 230-
ROEDTER, EMMA L.
THE AMERICAN PREMIERE OF MAHLERS FIFTH SYMPHONY
S. 239-
SPANUTH, AUGUST / HALE, PHILIP / PARKER, HENRY TAYLOR
BOSTON SYMPHONY ORCHESTRA
S. 240-
ALDRICH, RICHARD / LEIBLING, LEONARD
EAST COAST TOUR
S. 253-
BIENENFELD, ELSA / GUTMANN, EMIL / BAHR, HERMANN
MAHLER AS CONDUCTOR
S. 272-
GRAF, MAX / HANSLICK, EDUARD / HELM, THEODOR / HIRSCHFELD, ROBERT
THE FIRST SYMPHONY
S. 283-
NODNAGEL, ERNST OTTO / LOEWENGARD, MAX / KALBECK, MAX / SCHOENAICH,
GUSTAV
THE FIFTH SYMPHONY
S. 298-
ADLER, FELIX / BATKA, RICHARD / BIENENFELD, ELSA / KORNGOLD, JULIUS
THE SEVENTH SYMPHONY
S. 316-
SPECHT, RICHARD / LOUIS, RUDOLF / PFOHL, FERDINAND
DAS LIED VON DER ERDE
S. 332-
HIRSCHFELD, ROBERT / BEKKER, PAUL / WEISSMANN, ADOLF / ZSCHORLICH, PAUL
OBITUARIES
S. 344-
BIE, OSKAR / STEFAN, PAUL / ADLER, GUIDO / BIE, OSKAR
THE MAHLER AMSTERDAM FESTIVAL, 1920
S. 357-
INHALTSVERZEICHNIS ALS PDF
2000- OESTERR. BIBLIOTHEKENVERBUND & SERVICE GMBH [HTML 4.0 /
GENERATED: 2008.09.15]
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| spelling | Mahler and his world ed. by Karen Painter Princeton, N.J. [u.a.] Princeton Univ. Press 2002 XIII, 393 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier The Bard Music Festival Princeton paperbacks From the composer's lifetime to the present day, Gustav Mahler's music has provoked extreme responses from the public and from experts. Poised between the Romantic tradition he radically renewed and the austere modernism whose exponents he inspired, Mahler was a consummate public persona and yet an impassioned artist who withdrew to his lakeside hut where he composed his vast symphonies and intimate song cycles. His advocates have produced countless studies of the composer's life and work. But they have focused on analysis internal to the compositions, along with their programmatic contexts. In this volume, musicologists and historians turn outward to examine the broader political, social, and literary changes reflected in Mahler's music. Peter Franklin takes up questions of gender, Talia Pecker Berio examines the composer's Jewish identity, and Thomas Peattie, Charles S. Maier, and Karen Painter consider contemporary theories of memory, the theatricality of Mahler's art and fin-de-sic̈le politics, and the impinging confrontation with mass society. Mahler's symphonies challenged Europeans and Americans to experience music in new ways. Before his decision to move to the United States, the composer knew of the enthusiastic response from America's urban musical audiences. Mahler and his world reproduces reviews of these early performances for the first time. The Mahler controversy that polarized Austrians and Germans also unfolds through a series of documents heretofore unavailable in English, edited by Painter and Bettina Varwig, and the terms of the debate are examined by Leon Botstein in the context of the late-twentieth-century Mahler revival. Mahler, Gustav <1860-1911> - Critique et interprétation Mahler, Gustav <1860-1911> Criticism and interpretation Mahler, Gustav 1860-1911 (DE-588)118576291 gnd rswk-swf Receptie gtt Tijdgenoten gtt Rezeption (DE-588)4143413-4 Aufsatzsammlung gnd-content Mahler, Gustav 1860-1911 (DE-588)118576291 p DE-604 Painter, Karen 1965- Sonstige (DE-588)137009186 oth OEBV Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=010282175&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Mahler and his world |
| title_auth | Mahler and his world |
| title_exact_search | Mahler and his world |
| title_full | Mahler and his world ed. by Karen Painter |
| title_fullStr | Mahler and his world ed. by Karen Painter |
| title_full_unstemmed | Mahler and his world ed. by Karen Painter |
| title_short | Mahler and his world |
| title_sort | mahler and his world |
| topic | Mahler, Gustav <1860-1911> - Critique et interprétation Mahler, Gustav <1860-1911> Criticism and interpretation Mahler, Gustav 1860-1911 (DE-588)118576291 gnd Receptie gtt Tijdgenoten gtt Rezeption |
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