Gustav Mahlers zehnte Symphonie: Entstehung, Analyse, Rezeption
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| Main Author: | |
|---|---|
| Format: | Thesis Book |
| Language: | German |
| Published: |
Frankfurt am Main [u.a.]
Lang
2003
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | 343 S. Noten |
| ISBN: | 3631504098 |
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Record in the Search Index
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|---|---|
| adam_text | Titel: Gustav Mahlers Zehnte Symphonie
Autor: Rothkamm, Jörg
Jahr: 2003
Inhalt
Vorwort...................................................................................................................................9
Einleitung.............................................................................................................................11
i.entstehung.................................................................................................................n
1.1. Gestalt des erhaltenen Manuskripts......................................................................17
1.2. Datierung der Entstehung........................................................................................30
1.2.1. Beginn der Komposition...............................................................................................34
1.2.2. Unterbrechung I: Ausbruch der privaten Krise.............................................................39
1.2.3. Fortsetzung der Komposition........................................................................................42
1.2.4. Unterbrechung II: Krankheit und Besuch bei Sigmund Freud......................................46
1.2.5. Letzte Beschäftigung mit der Komposition ..................................................................49
1.3. Entstehungsreihenfolge der einzelnen Sätze......................................................54
2. ANALYSE.........................................................................................................................61
2.1. Erster Satz: Adagio....................................................................................................61
2.1.1. Literaturüberblick..........................................................................................................61
2.1.2. Methodisches Vorgehen................................................................................................71
2.1.3. Die Motivgruppen und ihre Varianten..........................................................................74
2.1.4. Gliederung durch Dynamik und Instrumentation..........................................................86
2.1.5. Periodenbau..................................................................................................................87
2.1.6. Harmonik ......................................................................................................................91
2.1.7. Gliederungshinweise aus dem Entstehungsprozess.......................................................96
2.1.8. Form...............................................................................................................................97
2.1.9. Gehalt..........................................................................................................................101
2.2. Zweiter Satz: Scherzo.............................................................................................109
2.2.1. Literaturüberblick........................................................................................................109
2.2.2. Methodisches Vorgehen..............................................................................................112
2.2.3. Die Motivgruppen und ihre Varianten ........................................................................113
2.2.4. Form............................................................................................................................121
2.2.5. Rhythmus....................................................................................................................125
2.2.6. Gehalt..........................................................................................................................136
2.3. Dritter Satz: Purgatorio ..........................................................................................140
2.3.1. Literaturüberblick........................................................................................................140
2.3.2. Methodisches Vorgehen.............................................................................................. 142
2.3.3. Die Motivgruppen und ihre Varianten........................................................................142
2.3.4. Periodenbau.................................................................................................................146
2.3.5. Form............................................................................................................................151
2.3.6. Gehalt..........................................................................................................................153
2.4. Vierter Satz: [Scherzo]............................................................................................163
2.4.1. Literaturüberblick........................................................................................................163
2.4.2. Methodisches Vorgehen..............................................................................................165
2.4.3. Die Motivgruppen und ihre Varianten........................................................................166
2.4.4. Die Kombination der Motivgruppen zu einzelnen Themen........................................171
2.4.5. Weitere Gliederungshinweise .....................................................................................177
2.4.6. Form............................................................................................................................177
2.4.7. Gehalt..........................................................................................................................180
2.5. Fünfter Satz: Finale.................................................................................................184
2.5.1. Literaturüberblick........................................................................................................184
2.5.2. Methodisches Vorgehen..............................................................................................186
2.5.3. Die Motivgruppen und ihre Ableitung aus früheren Sätzen .......................................186
2.5.4. Form............................................................................................................................189
2.5.5. Gehalt..........................................................................................................................193
2.6. Stellung der Symphonie im Gesamtwerk Mahlers..........................................197
3. REZEPTION.....................................................................................................................205
3.1. Die Aktivitäten von Alma Mahler.......................................................................205
3.1.1. Alma Mahlers Umgang mit dem Manuskript.............................................................205
3.1.2. Faksimilierung und Teiluraufführung 1924.................................................................207
3.1.3. Weitere Aufführungen des Adagio und Purgatorio.....................................................213
3.1.4. Veröffentlichung der Partitur beider Sätze 1951 ........................................................216
3.1.5. Umgang mit Vollendungsversuchen...........................................................................218
3.2. Unabhängige Einrichtungen verschiedener Sätze...........................................222
3.2.1. Klavierauszüge............................................................................................................222
3.2.2. Bearbeitungen für Orchester und Kammerensemble ..................................................224
3.2.3. Künstlerische Rezeption .............................................................................................225
3.3. Orchesterfassungen der gesamten Symphonie..................................................228
3.3.1. Die Bearbeitung von Clinton A. Carpenter .............................................................229
3.3.2. Die performing edition von Joe Wheeler ................................................................233
3.3.3. Die Konzertfassung von Deryck Cooke ..................................................................238
3.3.4. Die Performing edition von Remo Mazzetti ...........................................................244
3.3.5. Die Aufführungsfassung von Rudolf Barshai..........................................................248
3.3.6. Die ricostruzione von Nicola Samale und Giuseppe Mazzuca................................251
3.3.7. Vergleich der Orchesterfassungen ..............................................................................254
3.3.7.1. Lesarten....................................................................................................................255
3.3.7.2. Orchesterbesetzung ..................................................................................................258
3.3.7.3. Tempo ......................................................................................................................264
3.3.7.4. Dynamik...................................................................................................................272
3.3.7.5. Ergänzungen des Tonsatzes .....................................................................................275
3.3.7.6. Instrumentation und Variation .................................................................................280
3.3.7.7. Bewertung................................................................................................................291
3.4. Diskussion der Rezeption......................................................................................294
4. SCHLUSS ........................................................................................................................299
5. ANHANG ........................................................................................................................303
5.1. Abkürzungsverzeichnis...........................................................................................303
5.1.1. Allgemeines.................................................................................................................303
5.1.2. Noten............................................................................................................................303
5.1.3. Manuskriptbezeichnungen...........................................................................................304
5.1.4. Instrumente...................................................................................................................304
5.1.5. Literatur.......................................................................................................................305
5.1.6. Archive und Bibliotheken...........................................................................................305
5.2. Quellenverzeichnis..................................................................................................306
5.2.1. Noten...........................................................................................................................306
5.2.2. Unpublizierte Korrespondenz .....................................................................................308
5.2.3. Tonaufnahmen ............................................................................................................311
5.2.4. Programmhefte und-Vorschauen ................................................................................312
5.2.5. Fernsehsendungen.......................................................................................................313
5.2.6. Literatur.......................................................................................................................314
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| spelling | Rothkamm, Jörg 1973- Verfasser (DE-588)124633080 aut Gustav Mahlers zehnte Symphonie Entstehung, Analyse, Rezeption Jörg Rothkamm Frankfurt am Main [u.a.] Lang 2003 343 S. Noten txt rdacontent n rdamedia nc rdacarrier Zugl.: Hamburg, Univ., Diss., 2002 Mahler, Gustav 1860-1911 Mahler, Gustav <1860-1911> Symphonies no. 10 Mahler, Gustav 1860-1911 Sinfonien Nr. 10 (DE-588)300098111 gnd rswk-swf Muziekinterpretatie gtt Symfonieën gtt (DE-588)4113937-9 Hochschulschrift gnd-content Mahler, Gustav 1860-1911 Sinfonien Nr. 10 (DE-588)300098111 u DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=010211428&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Rothkamm, Jörg 1973- Gustav Mahlers zehnte Symphonie Entstehung, Analyse, Rezeption Mahler, Gustav 1860-1911 Mahler, Gustav <1860-1911> Symphonies no. 10 Mahler, Gustav 1860-1911 Sinfonien Nr. 10 (DE-588)300098111 gnd Muziekinterpretatie gtt Symfonieën gtt |
| subject_GND | (DE-588)300098111 (DE-588)4113937-9 |
| title | Gustav Mahlers zehnte Symphonie Entstehung, Analyse, Rezeption |
| title_auth | Gustav Mahlers zehnte Symphonie Entstehung, Analyse, Rezeption |
| title_exact_search | Gustav Mahlers zehnte Symphonie Entstehung, Analyse, Rezeption |
| title_full | Gustav Mahlers zehnte Symphonie Entstehung, Analyse, Rezeption Jörg Rothkamm |
| title_fullStr | Gustav Mahlers zehnte Symphonie Entstehung, Analyse, Rezeption Jörg Rothkamm |
| title_full_unstemmed | Gustav Mahlers zehnte Symphonie Entstehung, Analyse, Rezeption Jörg Rothkamm |
| title_short | Gustav Mahlers zehnte Symphonie |
| title_sort | gustav mahlers zehnte symphonie entstehung analyse rezeption |
| title_sub | Entstehung, Analyse, Rezeption |
| topic | Mahler, Gustav 1860-1911 Mahler, Gustav <1860-1911> Symphonies no. 10 Mahler, Gustav 1860-1911 Sinfonien Nr. 10 (DE-588)300098111 gnd Muziekinterpretatie gtt Symfonieën gtt |
| topic_facet | Mahler, Gustav 1860-1911 Mahler, Gustav <1860-1911> Symphonies no. 10 Mahler, Gustav 1860-1911 Sinfonien Nr. 10 Muziekinterpretatie Symfonieën Hochschulschrift |
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