The Imperial screen: Japanese film culture in the Fifteen years' war, 1931-1945
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English Japanese |
| Published: |
Madison
Univ. of Wisconsin Pr.
2003
|
| Series: | Wisconsin studies in film
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Item Description: | Includes bibliographical references (p. 559-571) and indexes |
| Physical Description: | XXX, 586 S. Illustrationen |
| ISBN: | 0299181308 0299181340 |
Staff View
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| 245 | 1 | 0 | |a The Imperial screen |b Japanese film culture in the Fifteen years' war, 1931-1945 |c Peter B. High |
| 264 | 1 | |a Madison |b Univ. of Wisconsin Pr. |c 2003 | |
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| 490 | 0 | |a Wisconsin studies in film | |
| 500 | |a Includes bibliographical references (p. 559-571) and indexes | ||
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| 650 | 4 | |a Film | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Weltkrieg (1939-1945) | |
| 650 | 4 | |a Culture in motion pictures | |
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Record in the Search Index
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|---|---|
| adam_text | CONTENTS
List of Illustrations ix
Introduction xiii
Contextualizing the Book xvi
Parameters of the Book xxvii
Prologue 3
1 Into a Valley of Darkness 13
A Brief Season of Pacifism 13
Censorship ä la 1930 20
Militarism and the Youth Culture 23
Phantom Events and Psychic Holograms:
Media in the Thirties 26
The Manchurian Incident as Media Event 29
Step Two: The Crisis Time Japan Mood 39
2 The Unsatisfactory Mirror 51
A Matter of Patriotism and Profit 51
Regulating National Life and Controlling
the Producers of Culture 55
The Critics and Thought Control 62
The Film Law 70
The Foreign Film Menace 76
The Kondankai System in Practice 82
The Faith of the Reform Bureaucrats 85
3 The Glory Days of the Kulturfilm 92
News Films and the Outbreak of the
China Incident 92
Feature Length Documentaries in the First Year
of the China Incident 99
The Kamei Fumio Case 100
Issues Raised by Other Toho Military Documentaries 114
Hopes for Culture Film Inspired by the Film Law 120
v
The Makers of Culture Film 124
Pure Science and the Screen of Ambiguity 127
The Propaganda Problem 133
And, Finally, a Reality Problem 140
4 The Film Industry in the China Incident 149
A Conflict of Egos 149
Flickers of Resistance in Jidaigeki 156
The Fates of Three Directors 158
A Troubled Era of Greatness: Gendaigeki 164
Fooling the Censors 171
Filmworld Individuais in the China Incident 180
5 War Dramas in the China Incident 190
A Treason of the Film Companies 190
Five Seouls: The Beast with Many Bodies 192
Tasaka and the Rejection of History 201
Mud and Soldiers and Legend of Tank Commander Nishizumi 204
The Issue of Humanism in a War Film 217
6 The Time for Rationality Is at an End 223
The Rise of the Spiritist Film: Sawamura Tsutomu
and Kumagai Hisatora 223
Kumagai Hisatora s The Abe Clan 226
The Naval Brigade at Shanghai 233
A Story of Leadership 239
Other Spiritist Films 246
Spiritist Women and Women of Spirit 251
Sky Above, Death Below 259
7 China Dreams 265
Intractable Footage and the Anxiety of Vastness 265
Invitations to a Royal Paradise 268
Ri Koran 271
Depicting the Chinese 276
8 On the Eve of a New War 286
1940: Luxury Is the Enemy! 286
Shortening the Leash on the Film Industry 291
Life Inside the ABCD Encirclement 295
The Bizarre Case of You andMe 308
Not One Foot of Raw Film Stock to Spare! 314
9 Repression and Internalization of Control 322
No Regrets for Whose Youth? 322
Iwasaki Akira Goes into the Pig Box 324
Dancing in a Circle of Spearmen 329
10 The First Year of the Pacific War 343
The Japanese Film World: In the Light of
a Perfectly Clear Situation 343
Films in the Season of Victory: 1942 347
Imaging an Alien World 353
A Lot Easier Than in China! : Malay War Record and
Burma War Record 363
Early Pacific War Drama Films 374
In the End, We All Became Servants of
National Policy 376
11 The New Spiritism— A Progress of Souls 382
The Travails of Making a Combat Spectacular 382
The Return of Spiritism in Film 385
The Novice 395
The Trainee 396
The Initiate 397
The Warrior and His Sacred Mission 398
Fulfillment in Extinction 398
Militarist Mothers 399
The Demoted Hero of the Pure Combat Film 405
The Yasukuni Doctrine 408
There Can Be No Improvement in Production
without Improvement in Character 411
12 Trends in the Middle Phase 422
Hate the Enemy: A New Role for the History Film 422
Liberation and Antiliberation Films 432
Spy Films 442
Tales of Jungle Combat 450
13 The Late War Period 458
Closing the Lid of an Iron Coffin 458
In the Wake of the Decisive War Emergency Measures 460
The Fate of the Culture Film 465
The Fate of the Cartoon Film 470
Twilight of the Film Critics 474
14 In the Shadow of Defeat 478
Raising the Divine Wind 478
The Firestorm Descends 489
Spiritual Countermeasures 491
Scorched Earth 496
His Majesty s Voice 499
The Occupiers Arrive 503
Epilogue 506
Notes 517
English Source Bibliography 559
Japanese Source Bibliography 565
Index of Names 573
Index of Films 579
ILLUSTRATIONS
1. Ad for a showing at the Denkikan Theater (1905) 4
2. News footage of maneuvers shortly before the naval victory
at Tsushima (1905) g
3. The Taishokan Theater in Asakusa, Tokyo 11
4. Scene from Ushihara Kiyohiko s The Army Advances (1930) 17
5. The Asakusa movie district in the early thirties 19
6. Home Ministry censors screening a film (1936) 22
7. Scene from Yamanaka Minetarö s novel hon Man
of East Asia (1932) 25
8. Yomiuri Shinbun s gondola descending into the Miharayama
crater (1933) 29
9. Characters in Tagawa Suihö s Nora Kuro comic strip emulate
the Three Human Bomb Patriots (1932) 38
10. Bandö Tsumasaburö as Sakamoto Ryoma (1928) 45
11. Ad for The Great Order (1934) 48
12. Cartoon showing intellectuals and politicians groping
a beast labeled fascism (1932) 50
13. Cartoon in which Italy, Japan, and Germany smash
the internationalJewish economy (1943) 57
14. Film critic and theorist Imamura Taihei (1911 86) in 1939 68
15. Director producer Makino Shözö (1878 1929) 80
16. Tatebayashi Mikio surrounded by filmworld personnel (1939) 83
17. Kikuchi Kan and Karasawa Toshiki (1941) 89
18. Housewives collecting sennin bari for the boys at the front (1937) 94
19. Director Kamei Fumio (1908 87) 104
20. Scene from Kamei s Shanghai (1938) 107
21. Scene from Kamei s Fighting Soldiers (1939) 111
22. Novelist Ishikawa Tatsuzö (1905 ) in 1940 117
23. Ad for The Story of the Microbes (1941) 129
24. Tani Masaharu of the Cabinet Information Bureau (1942) 138
25. Scene from Yamamoto Kajirö s The Composition Class (1938) 141
ix
26. Scene from Gosho Heinosuke s The Lady Next Door and
My Wife (1931) 15°
27. The Nichigeki Theater in 1937 153
28. Actor Hayashi Chöjürö/Hasegawa Kazuo (1929) 155
29. Directors Ozu Yasujirö and Yamanaka Sadao (1938) 160
30. Directors Arnold Fanck and Itami Mansaku on location
for The New Earth (1937) 162
31. Scene from The New Earth (1938) 163
32. Scene from Naruse Mikio s The Whole Family Works (1939) 176
33. Scene from Uchida Tomu s Endless Advance (1937) 179
34. Director Mizoguchi Kenji and scriptwriter Yoda
Yoshikata (1939) 184
35. Ad for Mizoguchi s Camp Song (1938) 185
36. Original cover of Hino Ashihei s war reportage novel
Barley and Soldiers (1938) 193
37. Sharingjapanese soldiers in Five Scouts (1938) 197
38. Smüing soldier from Five Scouts 199
39. Elite figures of the literary world arrive in Shanghai as
members of the Pen Battalion (1938) 205
40. Director Tasaka Tomotaka (1902 74) in 1937 207
41. Scene from Tasaka s Mud and Soldiers (1939) 210
42. Scene from Yoshimura Közaburö s Legend of Tank Commander
Nishi^umi (1940) 214
43. Scene from Tasaka s Mud and Soldiers 220
44. Scene from Kumagai s Naval Brigade at Shanghai (1939) 238
45. Scriptwriter Sawamura Tsutomu and director Kumagai
Hisatora (1941) 240
46. Scene from Kumagai s Story of Leadership (1941) 244
47. Scene from Abe Yutaka s Fläming Sky (1940) 262
48. Finale of Fläming Sky 264
49. Scene from Suzuki Shigeyoshi s The Road to Peace in the Orient
(1938) 278
50. Scene from China JVights (1940) 281
51. Scene from Shimizu Hiroshi s Sayon s Bell (1943) 284
52. Scene from Karl Ritter s Leave on Word of Honor (1938) 299
53. Scene from Taguchi Satoshi s General, Stoff, and Soldiers (1942) 303
54. Meeting between members of the Cabinet Information Bureau
and the filmworld executives (1941) 317
55. Film critic Iwasaki Akira (1903 81) in 1946 326
56. Scene from Yoshimura Közaburö s Wind from the South,
Part 2 (1942) 358
57 Scenes from Malay War Record (1942) and in Momotaro,
Divine Warrior of the Sea (1944): General Yamashita
browbeating General Percival into surrendering Singapore 368
58. Scene from Malay War Record 370
59. Scene from Yamamoto Satsuo s Winged Victory (1942) 379
60. Scene from Yamamoto Kajirö s Sea War from Hawaii to
Malaya (1942) 383
61. Scene from Tasaka Tomotaka s Navy (1943) 389
62. The stalwart Japanese spirit remains serenely unmoved
by the lies poured forth by the demon Roosevelt (1943) 391
63. Scene from Watanabe Kunio s Toward the Decisive Batik
in the Sky {1943) 397
64. Scenes from Yamamoto s Sea War from Hawaii to Malaya 401
65. Scene from Kinoshita Keisuke s Army (1944) 403
66. Scene from Yoshimura Misao s Last Visit Home (1945) 404
67. Scene from Toward the Decisive Battle in the Sky 409
68. Scene from Yamamoto Satsuo s Searing Wind (1943) 417
69. Scene from Kurosawa Akira s Most Beautiful (1945) 420
70. Scene from Makino Masahiro s Opium War (1943) 425
71. Scene from Tsuji Kichirö s Pirate s Flag BlastedAway (1943) 429
72. Sugiura Yukio s cartoon for his essay This Is the Kind
of Hate the Enemy Film We Need (1943) 431
73. Scene from Kinugasa Teinosuke s Forward, Flagof Independence
(i943) 437
74. Scene from Imai Tadashi s Suicide Troops of the Watchtower (1943) 441
75. Storyboard card for the spy awareness campaign 443
76. Scene from Yoshimura Közaburö s On the Eve of War (1942) 446
77. Scene from On the Spy Front (1941). 449
78. Poster for Abe Yutaka s Shoot That Flag (a.k.a. Dawn
of Freedom) (1943) 455
79. Ad for Nihon Ko on, manufacturers of 16 mm. projectors
(1943) 460
80. Nichigeki Theater, closed for the duration and converted
to war production (1944) 462
81. Scene from Bomb Blasts and Shell Fragments (1944) 467
82. Scene from Navy Hospital Ship (1944) 469
83. Single frame cartoon of the character Momotaro (1943) 473
84. Film critic Tsumura Hideo (1907 85) 476
85. Scene from a news film (1945) 481
86. Enomoto Ken ichi (1904 70), Yamamoto Kajirö (1902 91),
and Furukawa Roppa (1903 61) 495
|
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| discipline | Allgemeines Geschichte |
| era | Geschichte 1931-1945 gnd |
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| indexdate | 2024-07-09T19:03:22Z |
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| spelling | High, Peter B. 1944- Verfasser (DE-588)136248195 aut Teikoku no ginmaku The Imperial screen Japanese film culture in the Fifteen years' war, 1931-1945 Peter B. High Madison Univ. of Wisconsin Pr. 2003 XXX, 586 S. Illustrationen txt rdacontent n rdamedia nc rdacarrier Wisconsin studies in film Includes bibliographical references (p. 559-571) and indexes Geschichte 1931-1945 gnd rswk-swf Cinéma - Japon - Histoire Conflit sino-japonais, 1937-1945 - Cinéma et conflit Guerre mondiale, 1939-1945 - Cinéma et guerre Film Geschichte Weltkrieg (1939-1945) Culture in motion pictures Motion pictures Japan History Sino-Japanese War, 1937-1945 Motion pictures and the war World War, 1939-1945 Motion pictures and the war Film (DE-588)4017102-4 gnd rswk-swf Japan (DE-588)4028495-5 gnd rswk-swf Japan (DE-588)4028495-5 g Film (DE-588)4017102-4 s Geschichte 1931-1945 z DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009891888&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | High, Peter B. 1944- The Imperial screen Japanese film culture in the Fifteen years' war, 1931-1945 Cinéma - Japon - Histoire Conflit sino-japonais, 1937-1945 - Cinéma et conflit Guerre mondiale, 1939-1945 - Cinéma et guerre Film Geschichte Weltkrieg (1939-1945) Culture in motion pictures Motion pictures Japan History Sino-Japanese War, 1937-1945 Motion pictures and the war World War, 1939-1945 Motion pictures and the war Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4028495-5 |
| title | The Imperial screen Japanese film culture in the Fifteen years' war, 1931-1945 |
| title_alt | Teikoku no ginmaku |
| title_auth | The Imperial screen Japanese film culture in the Fifteen years' war, 1931-1945 |
| title_exact_search | The Imperial screen Japanese film culture in the Fifteen years' war, 1931-1945 |
| title_full | The Imperial screen Japanese film culture in the Fifteen years' war, 1931-1945 Peter B. High |
| title_fullStr | The Imperial screen Japanese film culture in the Fifteen years' war, 1931-1945 Peter B. High |
| title_full_unstemmed | The Imperial screen Japanese film culture in the Fifteen years' war, 1931-1945 Peter B. High |
| title_short | The Imperial screen |
| title_sort | the imperial screen japanese film culture in the fifteen years war 1931 1945 |
| title_sub | Japanese film culture in the Fifteen years' war, 1931-1945 |
| topic | Cinéma - Japon - Histoire Conflit sino-japonais, 1937-1945 - Cinéma et conflit Guerre mondiale, 1939-1945 - Cinéma et guerre Film Geschichte Weltkrieg (1939-1945) Culture in motion pictures Motion pictures Japan History Sino-Japanese War, 1937-1945 Motion pictures and the war World War, 1939-1945 Motion pictures and the war Film (DE-588)4017102-4 gnd |
| topic_facet | Cinéma - Japon - Histoire Conflit sino-japonais, 1937-1945 - Cinéma et conflit Guerre mondiale, 1939-1945 - Cinéma et guerre Film Geschichte Weltkrieg (1939-1945) Culture in motion pictures Motion pictures Japan History Sino-Japanese War, 1937-1945 Motion pictures and the war World War, 1939-1945 Motion pictures and the war Japan |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009891888&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT highpeterb teikokunoginmaku AT highpeterb theimperialscreenjapanesefilmcultureinthefifteenyearswar19311945 |