Canadian national cinema: ideology, difference and representation
"Canadian National Cinema explores the idea of the nation across Canada's film history, from early treatments of colonization and white settlement such as The Wheatfields of Canada to more recent films such as The Grey Fox, The Adjuster, No, Le confessionnal and Map of the Human Heart.&quo...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Routledge
2002
|
| Schriftenreihe: | National cinemas series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Canadian National Cinema explores the idea of the nation across Canada's film history, from early treatments of colonization and white settlement such as The Wheatfields of Canada to more recent films such as The Grey Fox, The Adjuster, No, Le confessionnal and Map of the Human Heart." "Through case studies of key films - both well-known and neglected - Christopher Gittings uncovers the tensions in Canadian cinema between white Anglo and Native representations, and between Francophone and Anglo-Canadian narratives. Engaging with questions of inclusion and exclusion, race and representation, gender and sexuality, he shows how access to the production of cinematic images has determined who is represented, and how." "Following the changing images of the 'founding nations' from early ethnographic films such as Saving the Sagas to documentary and feature films by contemporary First Nation film-makers, Canadian National Cinema traces Canadian cinema's continuing reinvention of the nation."--BOOK JACKET. |
| Beschreibung: | IX, 338 S. Ill. |
| ISBN: | 9780415142816 9780415142823 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Titel: Canadian national cinema
Autor: Gittings, Christopher E.
Jahr: 2002
CONTENTS
List of illustrations vii
Acknowledgements ix
Introduction: Canadian national cinemas - ideology,
difference and representation 1
1 Immigration and empire-building: film as a colonizing
discourse 7
Immigration films - attracting the right/white kind of
invader-settlers 8
Melodrama and the ideological cinema of white invasion and
settlement 12
2 Who is ethnographiable? 33
White ethnographies: some white people are whiter than
others 34
3 Producing a national cinema 76
Legislating a national cinema 77
^Establishing the National Film Board of Canada 79
Postwar schemes and dependency 86
The NFB and feature production 89
Funding differences at the NFB: regionalization, Studio D
and new initiatives in film 89
State intervention: the legislation of a Canadian feature-film
industry 93
The tax-shelter boom and Canada s Hollywood features 96
Telefilm Canada 98
Co-production 99
CONTENTS
4 Narrating nations/ma(r)king differences 103
External and internal colonialism 103
Ethnic and gendered nationalisms 106
Genre texts 113
Melodrama 114
The road movie: My American Cousin, Highway 61, Goin
Down the Road 149
The western: Road to Saddle River and The Grey Fox 163
Re-presenting the FLQ crisis 176
5 Visualizing first nations 196
Whiting-out the Indigene 199
^Returning the gaze: Aboriginal film-makers and
1 decolonization 215
6 Multicultural fields of vision 231
7 Screening gender and sexuality 263
Screening gender 263
Screening sexuality 281
Notes 296
Bibliography 315
Select filmography 328
Index 331
VI
ILLUSTRATIONS
Plates
1 Canadians of Chinese descent played hockey during this period 35
2 Mon oncle Antoine (1971) 118
3 Les bons debarras (1980) 120
4 Le confessionnal (1995) 128
5 Le confessionnal (1995) 130
6 Margaret s Museum (1995) 137
7 M«^ar^Af»^Mw(1995) 138
8 7fe garter (1991) 148
9 My American Cousin( 1985) 151
10 HJ0*Bwy6i (1992) 155
11 Goin Down the Road (1970) 162
12 itoarf to Saddle River (1993) 168
13 The Grey Fox {1982) 174
14 Action: The October Crisis of 1970 {1973) 181
15 Action: The October Crisis of 1970 {197?,) 183
16 Ocfo rer (1994.) 188
17 No(1998) 190
18 Wi«rf« (1994) 204
19 Windigo {1994): Eddie Laroche 205
20 Dance Me Outside {1995): Silas and Frank 213
21 £ ?« W? Happiness {1994) 240
22 Rude {1995) 259
23 I ve Heard the Mermaids Sinjinj (1988) 277
24 I ve Heard the Mermaids Singinjj{1988) 277
25 The Making of Monsters {1991) 282
26 Zero Patience {1993) 289
27 Zero Patience (1993) 291
ILLUSTRATIONS
Figures
1.1-11 Back to God s Country (1919) 24-5
1.12-17 Back to God s Country (1919) 28
1.18-24 Back to God s Country (1919) 29
2.1-6 Saving the Sagas (1928) 49
2.7-13 Secrets of Chinatown (1935) 60
2.14-20 Secrets of Chinatown (19 3S) 65
4.1-2 MononcleAntoine(l971) 116
4.3-7 Les bons debarras (1980) 122
4.8-16 Les bons debarras (1980) 124-5
4.17-21 The Adjuster (1991) 143
4.22-6 Road to Saddle River (1993) 167
5.1-3 i/o«^Afo«»«w(1998) 229
6.1-8 By JTiisParting (1998) 242
7.1-2 How Tfey Saw Lfr Caraw a»rf Cmrf/« (1977) 266
7.3 7^v C«//«* E/r fL« Filles du Roy (1974) 270
|
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| spelling | Gittings, Christopher E. Verfasser aut Canadian national cinema ideology, difference and representation Christopher E. Gittings London [u.a.] Routledge 2002 IX, 338 S. Ill. txt rdacontent n rdamedia nc rdacarrier National cinemas series "Canadian National Cinema explores the idea of the nation across Canada's film history, from early treatments of colonization and white settlement such as The Wheatfields of Canada to more recent films such as The Grey Fox, The Adjuster, No, Le confessionnal and Map of the Human Heart." "Through case studies of key films - both well-known and neglected - Christopher Gittings uncovers the tensions in Canadian cinema between white Anglo and Native representations, and between Francophone and Anglo-Canadian narratives. Engaging with questions of inclusion and exclusion, race and representation, gender and sexuality, he shows how access to the production of cinematic images has determined who is represented, and how." "Following the changing images of the 'founding nations' from early ethnographic films such as Saving the Sagas to documentary and feature films by contemporary First Nation film-makers, Canadian National Cinema traces Canadian cinema's continuing reinvention of the nation."--BOOK JACKET. Cinéma - Canada - Histoire Cinéma - Industrie - Canada - Histoire Filmkunst gtt Film Geschichte Motion picture industry Canada History Motion pictures Canada History Geschichte (DE-588)4020517-4 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Nationalbewusstsein (DE-588)4041282-9 gnd rswk-swf Kanada Kanada (DE-588)4029456-0 gnd rswk-swf Kanada (DE-588)4029456-0 g Film (DE-588)4017102-4 s Geschichte (DE-588)4020517-4 s DE-604 Nationalbewusstsein (DE-588)4041282-9 s HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009727725&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Canadian national cinema ideology, difference and representation |
| title_auth | Canadian national cinema ideology, difference and representation |
| title_exact_search | Canadian national cinema ideology, difference and representation |
| title_full | Canadian national cinema ideology, difference and representation Christopher E. Gittings |
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| title_short | Canadian national cinema |
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