Global scriptwriting:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Boston u.a.
Focal Pr.
2001
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XIV, 254 S. |
| ISBN: | 0240804287 |
Internformat
MARC
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| 100 | 1 | |a Dancyger, Ken |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Global scriptwriting |c Ken Dancyger |
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Datensatz im Suchindex
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|---|---|
| adam_text | . GLOBAL SCRIPTWRITING KEN DANCYGER FOCAL PRESS BOSTON OXFORD AUCKLAND
JOHANNESBURG MELBOURNE NEW DELHI CONTENTS ACKNOWLEDGMENTS IX
INTRODUCTION* XI PART I UNIVERSAL ELEMENTS OF SCRIPT 1 1 THE BASICS 3
THE VISUAL VERSUS THE SPOKEN 4 TERMS*USEFUL, CRITICAL 6 A CASE STUDY IN
THE BASICS: ELIA KAZAN S AMERICA AMERICA 14 IMAGINATION AND SUCCESS IN
THE SCREENPLAY 20 THE SHORT FILM AND THE LONG FILM 24 DRAMA VERSUS
DOCUMENTARY VERSUS EXPERIMENTAL NARRATIVES 25 2 CHARACTER 26 OWNERSHIP
OF STORY 26 THE MAIN CHARACTER AND THE ROLE OF A GOAL 27 SOURCES OF
RESISTANCE TO CHARACTER AND GOAL 27 THE SOURCE OF GREATEST RESISTANCE:
THE ANTAGONIST 28 CHARACTER CONSTRUCTION 29 MYTHS ABOUT CHARACTER 30
ISSUES OF IDENTIFICATION 32 CHARACTER IN THE PLOT-DRIVEN FILM: THE FILMS
OF JOSEPH RUBEN 38 THE CHARACTER-DRIVEN FILM: THE FILMS OF LASSE
HALLSTROM 39 3 STRUCTURE 43 THREE-ACT STRUCTURE 43 ACT I 44 ACT II
51 ACT III 56 4 GENRE 59 THE AUDIENCE 60 ISSUES OF THE DAY 61 THE ROLE
OF CHARACTER IN GENRE 63 THE ROLE OF STRUCTURE IN GENRE 65 THE CASE OF
MICHAEL MANN S HEAT 66 THE CASE OF MICHAEL MANN S THE INSIDER 68 VI
GLOBAL SCRIPTWRITING THE CASE OF MICHAEL MANN S THE LAST OF THE MOHICANS
70 THE CASE OF FRANKLIN SCHAFFNER S PLANET OF THE APES 71 THE CASE OF
RIDLEY SCOTT S BLADE RUNNER 71 THE CASE OF JOHN FRANKENHEIMER S SECONDS
71 WORKING WITH GENRE 73 WORKING AGAINST GENRE 73 5 TONE 75 THE CASE OF
PETER MEDAK S ROMEO IS BLEEDING 76 THE CASE OF THE FILMS OF ANG LEE AND
STANLEY KUBRICK 77 THE CASE OF THE FILMS OF JOHN FORD, FRITZ LANG, AND
BILLY WILDER 78 THE CASE OF THE FILMS OF STONE, LEE, MAMET, BERTOLUCCI,
AND EGOYAN 80 GENRES THAT ELEVATE VOICE 83 PART II PARTICULARS ABOUT
SCRIPTWRITING 89 6 THE HOLLYWOOD MODEL 91 THE CAN-DO CHARACTER 92 THE
USE OF PLOT 93 THE ATTRACTION TO GENRES OF ACTION 94 THE VOICE OF
POSSIBILITY OVER ADVERSITY 95 THE TRANSFORMATION OF THE MAIN CHARACTER
INTO A HERO 96 THE ROLE OF DISSENT IN THE HOLLYWOOD FILM 98 THE CASE OF
HOWARD HAWKS BALL OF FIRE 99 THE CASE OF SAVING PRIVATE RYAN 101 7 THE
INDEPENDENT MODEL 103 THE CENTRALITY OF CHARACTER: THE CASE OF JOHN
CASSAVETES* HUSBANDS AND OPENING NIGHT 104 POLITICS AND THE INDEPENDENT
FILM I: THE CASE OF THE BALLAD OF LITTLE JO 106 POLITICS AND THE
INDEPENDENT FILM II: THE CASE OF SLAM 107 POLITICS AND THE INDEPENDENT
FILM III: , THE CASE OF BOYS DON T CRY 107 THE EXPERIMENTAL NARRATIVE I:
THE CASE OF THE DRAUGHTSMAN S CONTRACT 108 THE EXPERIMENTAL NARRATIVE
II: THE CASE OF THE COOK, THE THIEF, HIS WIFE AND HER LOVER 110 BREAKING
THE RULES 110 BREAKING THE RULES I: THE CASE OF SHE S GOTTA HAVE IT 111
BREAKING THE RULES II: THE CASE OF MEAN STREETS 112 BREAKING THE RULES
III: THE CASE OF THE NASTY GIRL 112 8 THE NATIONAL MODEL 114 THE ARTS
AND THEIR INFLUENCE: THE CASE OF ITALY 116 THE ART OF POSSIBILITY: THE
CASE OF FRANCE 117 CONTENTS VII WORKING WITH GENRE: THE CASE OF THE
UNITED KINGDOM 120 CHALLENGING GENRE: THE CASE OF AUSTRALIA 124 9 NEW
MODELS 127 MYTH 129 THE MTV NARRATIVE 132 WOMEN TELLING STORIES 133 THE
NONLINEAR STORY 135 10 EXPERIMENTS IN VOICE 139 THE CASE OF THE
MANCHURIAN CANDIDATE 139 THE INTELLECTUAL VOICE: MIKE NICHOLS AND
FRANKLIN SCHAFFNER 141 THE MORE ASSERTIVE VOICE: ARTHUR PENN AND ROBERT
ALTMAN 144 THE ASSERTIVE VOICE: STANLEY KUBRICK AND QUENTIN TARANTINO
148 PART III THE INTERNATIONALIZATION OF STORYTELLING 151 11 THE ASCENT
OF VOICE 153 JUZO ITAMI*THE SOFT SATIRIST 153 NEIL LABUTE*THE CRUEL
SATIRIST 155 NEIL JORDAN*THE VOICE OF TOLERANCE 156 SPIKE LEE*THE
TEACHER/PREACHER 158 THORN FITZGERALD*THE VOICE OF SEXUAL DIFFERENCE 159
CLARA LAW*THE MODERN TRADITIONALIST 160 TOD SOLONDZ*THE SCREAM AS VOICE
161 12 THE SEARCH FOR NEW FORMS 164 THEATER AS A MODEL 164 THE NOVEL AS
A MODEL 166 TELEVISION AS A MODEL 167 FILM AS A MODEL 170 13 THE
STRUGGLE OF STYLE AND CONTENT 175 THE SUBVERSION OF NARRATIVE: THE CASE
OF BUNUEL AND GODARD 175 THE SUBVERSION OF REALISM: THE CASE OF STONE
AND SCORSESE 178 / THE DYNAMIC OF THE OVERWROUGHT TREATMENT OF
NARRATIVE: THE CASE OF BERTOLUCCI S BESEIGED 179 . THE STRUCTURAL
CHALLENGE TO CONTENT 180 ALTERNATING STRUCTURES 181 THE TONAL CHALLENGE
TO CONTENT 183 NARRATION SUBVERTS THE NARRATIVE 184 IRONY AND VOICE 187
14 THE MEDIUM IS THE MESSAGE 188 THE PRE-MCLUHAN ERA IN FILM 188 THE
POST-MCLUHAN ERA IN FILM 191 VIII GLOBAL SCRIPTWRITING 15 THE CENTRALITY
OFMETAGENRE 197 MELODRAMA 199 DOCUDRAMA 201 HYPERDRAMA 204 EXPERIMENTAL
NARRATIVE 207 16 BIG ISSUES PLUS NATIONAL STEREOTYPES 209 THE CASE OF
ELIZABETH 209 THE CASE OF FIRE 211 THE CASE OF ANTONIA S LINE 212 THE
CASE OF ALL ABOUT MY MOTHER 213 THE CASE OF FRENCH TWIST 214 THE CASE OF
SHALL WE DANCE 215 THE CASE OF THE FULL MONTY 216 17 THE SEARCH FOR THE
GLOBAL TALE 218 THE CASE OF AGNIESKA HOLLAND S OLIVIER OLIVIER 221 THE
CASE OF MIKE RADFORD S II POSTINO 222 THE CASE OF ANG LEE S THE ICE
STORM 223 THE CASE OF SAM MENDES AMERICAN BEAUTY 224 THE CASE OF MARY
HARRON S AMERICAN PSYCHO 226 APPENDIX: SCRIPT TREATMENT 229 TREATMENT
SAMPLE 229 MASTER SCENE FORMAT 234 INDEX 241
|
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| indexdate | 2024-07-09T18:55:23Z |
| institution | BVB |
| isbn | 0240804287 |
| language | English |
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| physical | XIV, 254 S. |
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| publisher | Focal Pr. |
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| spelling | Dancyger, Ken Verfasser aut Global scriptwriting Ken Dancyger Boston u.a. Focal Pr. 2001 XIV, 254 S. txt rdacontent n rdamedia nc rdacarrier Schreiben (DE-588)4116418-0 gnd rswk-swf Drehbuch (DE-588)4127976-1 gnd rswk-swf Drehbuch (DE-588)4127976-1 s Schreiben (DE-588)4116418-0 s DE-604 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009564140&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| subject_GND | (DE-588)4116418-0 (DE-588)4127976-1 |
| title | Global scriptwriting |
| title_auth | Global scriptwriting |
| title_exact_search | Global scriptwriting |
| title_full | Global scriptwriting Ken Dancyger |
| title_fullStr | Global scriptwriting Ken Dancyger |
| title_full_unstemmed | Global scriptwriting Ken Dancyger |
| title_short | Global scriptwriting |
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