The biological foundations of music:
Gespeichert in:
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
New York Acad. of Sciences
2001
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| Schriftenreihe: | Annals of the New York Academy of Sciences
930 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | X, 462 S. Ill., graph. Darst. |
| ISBN: | 1573313068 1573313076 |
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Datensatz im Suchindex
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| adam_text | ANNALS OF THE NEW YORK ACADEMY OF SCIENCES
Volume 930
June 2001
THE BIOLOGICAL FOUNDATIONS
OF MUSIC
Editors
Robert J. Zatorre and Isabelle Peretz
This volume is the result of a conference entitled The Biological Foundations of Music
held by the New York Academy of Sciences on May 20 22, 2000 at The Rockefeller Uni¬
versity, New York, New York.
CONTENTS
Preface. By ROBERT J. ZATORRE AND ISABELLE PERETZ ix
Part I. The Origins of Music
Musical Predispositions in Infancy. By Sandra E. Trehub 1
The Quest for Universals in Temporal Processing in Music. By Carolyn
Drake and Daisy Bertrand 17
Music, Cognition, Culture, and Evolution. By Ian Cross 28
Is Music an Evolutionary Adaptation? By David Huron 43
Part II. The Musical Mind
Similarity, Invariance, and Musical Variation. By Stephen McAdams and
Daniel Matzkin 62
Tonal Cognition. By Carol L. Krumhansl and Petri Toiviainen 77
Part III. The Neurons of Music
Neurobiological Foundations for the Theory of Harmony in Western Tonal
Music. By Mark Jude Tramo, Peter A. Cariani, Bertrand
Delgutte, and Louis D. Braida 92
Intracerebral Evoked Potentials in Pitch Perception Reveal a Functional
Asymmetry of the Human Auditory Cortex. By Catherine Liegeois
Chauvel, Kimberly Giraud, Jean Michel Badier, Patrick
Marquis, and Patrick Chauvel 117
The Neural Processing ofComplex Sounds. By Timothy D. Griffiths 133
Part IV. The Musical Brain
Music and the Neurologist: A Historical Perspective. By JOHN C. M. Brust .. 143
Brain Specialization for Music: New Evidence from Congenital Amusia. By
ISABELLE PERETZ 153
Cerebral Substrates for Musical Temporal Processes. By Severine Samson,
Nathalie Ehrle, and Michel Baulac 166
Cerebral Substrates of Musical Imagery. By Andrea R. Halpern 179
Neural Specializations for Tonal Processing. By ROBERT J. ZATORRE 193
Exploring the Functional Neuroanatomy of Music Performance, Perception,
and Comprehension. By Lawrence M. Parsons 211
Comparison between Language and Music. By MlRElLLE BESSON AND
Daniele Schon 232
Musical Sound Processing in the Human Brain: Evidence from Electric and
Magnetic Recordings. By MARI Tervaniemi 259
How Many Music Centers Are in the Brain? By ECKART O. ALTENMULLER ... 273
Part V. Musical Expertise/Brain Plasticity
The Brain of Musicians: A Model for Functional and Structural Adaptation.
By Gottfried Schlaug and Chi Chen 281
Representational Cortex in Musicians: Plastic Alterations in Response to
Musical Practice. By C. Pantev, A. Engelien, V. Candia,
and T. Elbert 300
The Brain That Plays Music and Is Changed by It.
By Alvaro Pascual Leone 315
Cortical Plasticity and Music. By JOSEF P. RAUSCHECKER 330
Part VI. Music and Related Cognitive Abilities
The Sounds of Poetry Viewed as Music. By Fred Lerdahl 337
Music and Nonmusical Abilities. By E. GLENN SCHELLENBERG 355
Part VII. Poster Papers
Are Music and Language Homologues? By Steven Brown 372
Ambiguous Musical Figures: Sequential Grouping by Common Pitch and
Sound Source Location versus Simultaneous Grouping by Temporal
Synchrony. By Martine Turgeon and Albert S. Bregman 375
Explaining Harmony: The Roles of Interval Dissonance and Chordal Tension.
By Norman D. Cook 382
Associations and Dissociations among Music Training, Tonal and Temporal
Order Processing, and Cognitive Skills. By Christine K. Koh,
Lola L. Cuddy, and Lorna S. Jakobson 386
Playing the Piano by Heart: From Behavior to Cognition. By RITA AlELLO ... 389
Absolute Pitch, Early Musical Instruction, and Spatial Abilities. By
Eugenia Costa Giomi, Ramona Gilmour, Jeanne Siddell, and
Elizabeth Lefebvre 394
Infant Long Term Memory for Music. By Jenny R. Saffran, Michelle M.
Loman, and Rachel R.W. Robertson 397
Phases in Children s Rhythmic Development. By Silvia Malbran 401
Variance Decomposition of Tempo Drift in Isochronous Rhythmic Tapping.
By Geoffrey L. Collier and R. Todd Ogden 405
Effects of Music Perception and Imagery on Sensorimotor Synchronization
with Complex Timing Patterns. By Bruno H. Repp 409
Estimates of Sequence Acceleration and Deceleration Support the Synchroni¬
zation of Internal Rhythms. By Amandine Penel, Marie Rivenez, and
Carolyn Drake 412
Frontal Lobe Contributions to Perception of Rhythmic Group Structure: An
EEG Investigation. By Philip G. Harris, Richard B. Silberstein,
GeoffE. Nield, and Andrew Pipingas 414
Cortical Representations of Temporal Structures in Music. By
Michael Grossbach, Helen Kuck, Marc Bangert, and
Eckart Altenmuller 418
Neapolitan Chords Activate the Area of Broca: A Magnetoencephalographic
Study. By Stefan Koelsch, Burkhard Maess, Thomas C.
GUNTER, AND ANGELA D. FRIEDERICI 420
Cortical Dynamics and the Perception of Tone Sequence Structure. By
Aniruddh D. Patel and Evan Balaban 422
On Practice: How the Brain Connects Piano Keys and Piano Sounds. By
Marc Bangert, Udo Haeusler, and Eckart Altenmuller 425
Electrical Brain Activity Associated with Automatic and Controlled
Processing of Melodic Contour and Interval. By L.J. Trainor,
K.L. McDonald, and C. Alain 429
Transcranial Magnetic Stimulation Produces Speech Arrest but Not Song
Arrest. By Lauren Stewart, Vincent Walsh, Uta Frith, and
John Rothwell 433
Development of the Happy Sad Distinction in Music Appreciation: Does
Tempo Emerge Earlier Than Mode? By S. Dalla Bella, I. Peretz,
L. Rousseau, N. Gosselin, J. Ayotte, and A. Lavoie 436
Frontal EEG Responses as a Function of Affective Musical Features.
By CD. Tsang, L.J. Trainor, D.L. Santesso, S.L. Tasker, and
L.A. Schmidt 439
Musical Processing in High Functioning Children with Autism.
By P. Heaton, L. Pring, and B. Hermelin 443
Impact of Music Therapy on the Communication Skills of Toddlers with Per¬
vasive Developmental Disorder. By Yeou Cheng M. Ma, Joseph Na
gler, Mathew H.M. Lee, and Izumi N. Cabrera 445
Music and Testosterone: A New Hypothesis for the Origin and Function of
Music. By Hajime Fukui 448
A Dynamic Systems Model of Musically Induced Emotions: Physiological and
Self Report Evidence. By Julian F. Thayer and Meredith L. Faith ... 452
Subject Index 457
Index of Contributors 461
Financial assistance was received from:
Major Funders
• THE CHARLES A. DANA FOUNDATION
• THE DAVID AND LUCILE PACKARD FOUNDATION
Supporters
• FONDAZIONE PIERFRANCO E LUISA MARIANI,
PEDIATRIC NEUROLOGY, MILAN ITALY
• INTERNATIONAL FOUNDATION FOR MUSIC RESEARCH
• NATIONAL ASSOCIATION OF MUSIC MERCHANTS, INC.,
INTERNATIONAL MUSIC PRODUCTS ASSOCIATION
• NATIONAL INSTITUTES OF HEALTH
NATIONAL INSTITUTE OF CHILD HEALTH AND HUMAN
DEVELOPMENT (NICHD)
NATIONAL INSTITUTE OF NEUROLOGICAL DISORDERS
AND STROKE (NINDS)
• NATIONAL SCIENCE FOUNDATION
The New York Academy of Sciences believes it has a responsibility to provide an open
forum for discussion of scientific questions. The positions taken by the participants in
the reported conferences are their own and not necessarily those of the Academy. The
Academy has no intent to influence legislation by providing such forums.
|
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| dewey-full | 781.11 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.11 |
| dewey-search | 781.11 |
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| dewey-tens | 780 - Music |
| discipline | Psychologie Musikwissenschaft |
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| title | The biological foundations of music |
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