How to read a film: the world of movies, media, and multimedia ; language, history, theory
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York [u.a.]
Oxford Univ. Press
2000
|
Ausgabe: | 3. ed., completely rev. and expanded |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | Originally published: 1977 |
Beschreibung: | 672 S. zahlr. Ill., graph. Darst. |
ISBN: | 019513981X 019503869X |
Internformat
MARC
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245 | 1 | 0 | |a How to read a film |b the world of movies, media, and multimedia ; language, history, theory |c James Monaco |
250 | |a 3. ed., completely rev. and expanded | ||
264 | 1 | |a New York [u.a.] |b Oxford Univ. Press |c 2000 | |
300 | |a 672 S. |b zahlr. Ill., graph. Darst. | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a Originally published: 1977 | ||
650 | 4 | |a Cinéma | |
650 | 7 | |a Esthetica |2 gtt | |
650 | 7 | |a Films |2 gtt | |
650 | 7 | |a Filmtheorie |2 gtt | |
650 | 7 | |a Multimedia |2 gtt | |
650 | 4 | |a Film | |
650 | 4 | |a Ästhetik | |
650 | 4 | |a Motion pictures | |
650 | 0 | 7 | |a Filmsemiotik |0 (DE-588)4131553-4 |2 gnd |9 rswk-swf |
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Datensatz im Suchindex
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adam_text | Titel: How to read a film
Autor: Monaco, James
Jahr: 2000
CONTENTS
INTRODUCTION 12
Preface to the Second Edition 17
FILM AS AN ART 22
The Nature of Art 22
Ways of Looking at Art 28
The Spectrum of Abstraction
The Modes of Discourse
The Rapports de Production
Film, Recording, and the Other Arts 38
Film, Photography, and Painting
jc Film and the Novel
Film and Theater
Film and Music
Film and the Environmental Arts
The Structure of Art 62
TECHNOLOGY: IMAGE AND SOUND 68
Art and Technology 68
Image Technology
Sound Technology
The Lens 78
The Camera 86
TheFilmstock 100
Negatives, Prints, and Generations
Aspect Ratio
Grain, Gauge, and Speed
Color, Contrast, and Tone
XThe Soundtrack 124
. Postproduction 128
Editing
Mixing and Looping
Special Effects
Opticals, the Lab, and the Post House
Video and Film 143
Projection 145
3 ! THE LANGUAGE OF FILM: SIGNS AND SYNTAX 152
Signs 152
The Physiology of Perception
Denotative and Connotative Meaning
Syntax 172
Codes
Mise-en-Scene
The Framed Image
The Diachronic Shot
Sound
Montage
4 THE SHAPE OF FILM HISTORY 228
Movies/Film/Cinema 228
Movies : Economics 232
Film : Politics 261
Cinema : Esthetics 284
Creating an Art: Lumiere Versus Melies 285
The Silent Feature: Realism Versus Expressionism 288
Hollywood: Genre Versus Auteur 294
Neorealism and After: Hollywood Versus the World 301
The New Wave and the Third World:
Entertainment Versus Communication 313
V The Postmodern Sequel: Democracy, Technology, End of Cinema 358
5 FILM THEORY: FORM AND FUNCTION 388
The Critic 388
The Poet and the Philosopher: Lindsay and Miinsterberg 391
y Expressionism and Realism: Arnheim and Kracauer 394
Montage: Pudovkin, Eisenstein, Balazs, and Formalism 400
Mise en Scene: Neorealism, Bazin, and Godard 406
Film Speaks and Acts: Metz and Contemporary Theory 417
6 MEDIA: IN THE MIDDLE OF THINGS 428
Community 428
Print and Electronic Media 430
The Technology of Mechanical and Electronic Media 440
Radio and Records 460
Television and Video 465
Broadcasting : The Business 469
Television : The Art 480
TV : The Virtual Family 505
7 MULTIMEDIA: THE DIGITAL REVOLUTION 518
The Digital Revolution 518
The Myth of Multimedia 534
* The Myth of Virtual Reality 543
The Myth of Cyberspace 550
What Is to be Done? 558
I FILM AND MEDIA: A CHRONOLOGY 570
To 1895: Prehistory 570
1896-1915: The Birth of Film 572
1916-1930: Silent Film, The Births of Radio and Sound Film 573
1931-1945: The Great Age of Hollywood and Radio 575
1946-1960: The Growth of Television 578
1961-1980: The Media World 581
1981-Present: The Digital World 588
II READING ABOUT FILM AND MEDIA 604
Part One: A Basic Library 605
Part Two: Information 637
INDEX
Topics 644
People 652
Titles 663
|
any_adam_object | 1 |
author | Monaco, James 1942-2019 |
author_GND | (DE-588)109629647 |
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bvnumber | BV013846849 |
callnumber-first | P - Language and Literature |
callnumber-label | PN1994 |
callnumber-raw | PN1994 |
callnumber-search | PN1994 |
callnumber-sort | PN 41994 |
callnumber-subject | PN - General Literature |
classification_rvk | AP 45300 |
classification_tum | KOM 530f KOM 420f KUN 500f |
ctrlnum | (OCoLC)36379701 (DE-599)BVBBV013846849 |
dewey-full | 791.43/01/5 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43/01/5 |
dewey-search | 791.43/01/5 |
dewey-sort | 3791.43 11 15 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines Kunst Kommunikationswesen |
edition | 3. ed., completely rev. and expanded |
format | Book |
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id | DE-604.BV013846849 |
illustrated | Illustrated |
indexdate | 2024-07-09T18:53:05Z |
institution | BVB |
isbn | 019513981X 019503869X |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-009471072 |
oclc_num | 36379701 |
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owner | DE-703 DE-Aug4 DE-634 DE-11 |
owner_facet | DE-703 DE-Aug4 DE-634 DE-11 |
physical | 672 S. zahlr. Ill., graph. Darst. |
publishDate | 2000 |
publishDateSearch | 2000 |
publishDateSort | 2000 |
publisher | Oxford Univ. Press |
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spelling | Monaco, James 1942-2019 Verfasser (DE-588)109629647 aut How to read a film the world of movies, media, and multimedia ; language, history, theory James Monaco 3. ed., completely rev. and expanded New York [u.a.] Oxford Univ. Press 2000 672 S. zahlr. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Originally published: 1977 Cinéma Esthetica gtt Films gtt Filmtheorie gtt Multimedia gtt Film Ästhetik Motion pictures Filmsemiotik (DE-588)4131553-4 gnd rswk-swf Filmsemiotik (DE-588)4131553-4 s DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009471072&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Monaco, James 1942-2019 How to read a film the world of movies, media, and multimedia ; language, history, theory Cinéma Esthetica gtt Films gtt Filmtheorie gtt Multimedia gtt Film Ästhetik Motion pictures Filmsemiotik (DE-588)4131553-4 gnd |
subject_GND | (DE-588)4131553-4 |
title | How to read a film the world of movies, media, and multimedia ; language, history, theory |
title_auth | How to read a film the world of movies, media, and multimedia ; language, history, theory |
title_exact_search | How to read a film the world of movies, media, and multimedia ; language, history, theory |
title_full | How to read a film the world of movies, media, and multimedia ; language, history, theory James Monaco |
title_fullStr | How to read a film the world of movies, media, and multimedia ; language, history, theory James Monaco |
title_full_unstemmed | How to read a film the world of movies, media, and multimedia ; language, history, theory James Monaco |
title_short | How to read a film |
title_sort | how to read a film the world of movies media and multimedia language history theory |
title_sub | the world of movies, media, and multimedia ; language, history, theory |
topic | Cinéma Esthetica gtt Films gtt Filmtheorie gtt Multimedia gtt Film Ästhetik Motion pictures Filmsemiotik (DE-588)4131553-4 gnd |
topic_facet | Cinéma Esthetica Films Filmtheorie Multimedia Film Ästhetik Motion pictures Filmsemiotik |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009471072&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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