The Bedford companion to Shakespeare: an introduction with documents
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| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Boston [u.a.]
Bedford/St. Martin's
2001
|
| Edition: | 2. ed. |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | XXIII, 451 S. Ill. |
| ISBN: | 0333947118 0312248806 |
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Record in the Search Index
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| adam_text | The Bedford Companion
to Shakespeare
An Introduction with Documents
SECOND EDITION
RUSS MCDONALD
University of North Carolina at Greensboro
Bedford/St Martins
BOSTON • NEW YORK
Contents
PREFACE VII
TO THE READER XIII
• Introduction
Shakespeare in Our Time i
The Uses of a Companion 3
The Illustrations and Documents 4
Three Troublesome Topics: Terminology, Modernization, and Money 7
A Final Word 8
CHAPTER I
Shakespearey Shakespeare, and the Problem
of Authorship u
Early Life 12
London: The First Decade 15
xv
XVI I CONTENTS
London: Maturity 19
Retirement 22
The Anti-Stratfordians 24
What Is an Author? 26
ILLUSTRATIONS AND DOCUMENTS
The House Known as Shakespeare s Birthplace 29
Record of Shakespeare s Baptism 29
Map of Stratford-upon-Avon 31
Francis Meres, From Palladis Tamia: Wit s Treasury 32
The Royal License for Shakespeare s Company 33
A Plague Bill 33
John Ward, Vicar of Stratford, From His Diary 34
Detail from the Agas Map of London (With Shakespeare s Lodging
Indicated) 34
CHAPTER 2
To What End Are AllThese Words?:
Shakespeare s Dramatic Language j6
Early Modern English 38
Rhetoric 42
Wordplay 44
The Forms of Dramatic Language 47
Language as Theme 55
ILLUSTRATIONS AND DOCUMENTS
Desiderius Erasmus, From the Foreword to the Third Edition of the
Latin New Testament 59
Thomas Wilson, From The Art of Rhetoric (Of Composition) 60
Samuel Daniel, From Musophilus 62
Michel de Montaigne, From Of the Vanity of Words 63
Roger Ascham, From The Schoolmaster 64
Ralph Lever, From The Art of Reason, Rightly Termed Witcraft 66
George Puttenham, From The Art of English Poesy 68
Baldassare Castiglione, From The Book of the Courtier 73
Chart of the Relative Proportions of Poetry and Prose
in Shakespeare s Plays JJ
CONTENTS | XVII
CHAPTER 3
Theater a la Mode: Shakespeare and the Kinds
of Drama yy
Comedy 81
Tragedy 85
History 90
Romance 94
Mixed Modes 97
ILLUSTRATIONS AND DOCUMENTS
Sir Philip Sidney, From The Defense of Poesy 99
Elizabeth Cary, From The Tragedy ofMariam, Fair Queen of Jewry 100
Aristotle, From Poetics 101
Tide Page of Richard III (First Quarto) 105
William Lambarde, From His Notes of a Conversation with Queen
Elizabeth I about Richard II 107
John Fletcher, From His Preface to The Faithful Shepherdess IOJ
Thomas Rymer, From A ShorfrView of Tragedy 108
CHAPTER 4
Performances, Playhouses, and Players 109
Going to a Play, Circa 1595 109
The Playhouses 114
The Companies 120
The Theater and the Authorities 123
ILLUSTRATIONS AND DOCUMENTS
Map Showing the Playhouses in Shakespeare s Time 128
Henry Peacham, Sketch Accompanying Lines from
Titus Andronicus 128
Inventory of Theatrical Costumes (From Henslowe s Papers) 129
Remains of the Rose Playhouse 132
Two Plans of the Rose Playhouse 133
C Walter Hodges, Illustration of the Second Globe 134
Copy of De Witt s Sketch of the Swan Playhouse 135
Wenceslas Hollar/Detail from Long View of London 137
XVIII I CONTENTS
Philip Henslowe, Log of Plays from His Diary lyj
Testimony about a Performance of Richard II 140
Record of King James s Payment to the King s Men 140
Thomas Heywood, From An Apology for Actors 141
Edward Alleyn, Letter to His Wife 143
CHAPTER5
I Loved My Books: Shakespeare s Reading 145
Shakespeare and the Classics 147
Major Influences 149
Indirect Sources 154
Shakespeare s Favorites 158
ILLUSTRATIONS AND DOCUMENTS
Edward Hall, From The Union of the Two Noble andlllustre Families
of Lancaster and York 163
From the Geneva Bible 164
Giovanni Battista Giraldi Cinthio, From Gli Hecatommithi
(The Principal Source for Othello) 169
From The Book of Common Prayer (The Order for the Burial
of the Dead) 171
John Foxe, From Acts and Monuments 174
A Moralized Ballad 178
Sir William Strachey, From A True Reportory of the Wreck and Redemption
of Sir Thomas Gates (A Source for The Tempest) 180
Christopher Marlowe, From Tamburlaine the Great 182
Sir Philip Sidney, Two Sonnets from Astrophil and Stella 183
Lady Mary Wroth, Two Sonnets from Pamphilia to Amphilanthus 184
Raphael Holinshed, From The Chronicles of England, Scotland, and Ireland
(Second Edition) 185
Plutarch, From Lives of the Noble Grecians and Romans (Translated by Sir
Thomas North) 186
Mary Sidney Herbert, Countess of Pembroke, From Her Translation of
The Tragedy ofAntonie by Robert Gamier 187
Ovid, From Metamorphoses (Translated by Arthur Golding) 190
CONTENTS | XIX
CHAPTER 6
What Is Your Text? 194
What Is a Shakespearean Text? 195
From Pen to Press: The Printing of Renaissance Plays 198
Illustration of the Folding and Printing Process 200
Shakespeare s Plays in Print 201
Some Examples of Textual Instability 206
Shakespeare s Texts and the General Reader 210
ILLUSTRATIONS AND DOCUMENTS
Title Page of Titus Andronicus (First Quarto) 211
Title Page and Catalogue of the First Folio 212
Illustration of a Seventeenth-Century Print Shop (Frontispiece to
Edmund Rive s Twelve Rules Introducing to the Art of Latin) 214
Facsimile of the Last Page of King Lear (First Quarto) 215
Facsimile of To be or not to be from Hamlet, Prince of Denmark
(First Quarto) 216
Facsimile of To be or not to be from Hamlet, Prince of Denmark
(1623 Folio) 217
A Comparison of the Work of Compositors A and B on the 1623 Folio 218
CHAPTER7
Town and Country: Life in Shakespeare s England 219
London 221
The Suburbs 224
The Countryside 225
Rural Life 228
The Daily Routine 231
Clothing 231
Getting and Spending 233
ILLUSTRATIONS AND DOCUMENTS
William Harrison, From The Description of England (The Conditions
of English Inns and Overnight Travel) 237
John Stow, From Survey of London (The Location of Tradesmen
in London) 238
XX I CONTENTS
Isabella Whitney, From The Manner of Her Will, and What She
Left to London 239
Thomas Platter, From Travels in England (The Thames River) 241
Lupold von Wedel, From Journey through England and Scotland (A Visit to
the Bearbaiting Arena) 241
Thomas Nashe, From Christ s Tears over Jerusalem (The Brothels of
Suburban London) 242
Gervase Markham, From The English Husbandman (Rural Domestic
Architecture and Interior Design) 243
John Moore, From A Target for Tillage 245
Sir Anthony Fitzherbert, From The Book of Husbandry (What Works
a Wife Should Do) 246
William Harrison, From The Description of England (Dining Customs) 248
Richard Mulcaster, From Positions for the Training Up of Children
(Chapter 27, Of the Ball) 248
William Harrison, From The Description of England (Fashion) 250
John Murrell, From A Delightful Daily Exercise for Ladies and
Gentlewomen 252
CHAPTER 8
Men and Women: Gender, Family, Society
The Situation of Women 253
Patriarchy 259
Primogeniture 263
Marriage and Money 265
Family Life 269
The Social Structure 273
Conclusion: The Body Politic 277
ILLUSTRATIONS AND DOCUMENTS
Aristode, From HistoriaAnimalium 278
William Vaughan, From Natural and Artificial Directions for Health 279
Lady Anne Southwell, Letter on Poetry 279
Aemilia Lanyer, From Salve Deus Rexjudaeorum 281
Sir Robert Filmer, From Patriarcha, or The Natural Power of Kings 283
From An Homily of the State of Matrimony 285
William Gouge, From Of DomesticalDuties: Eight Treatises 290
CONTENTS | XXI
Sir Thomas Smith, From De RepublicaAnglorum: The Manner of Government
or Policy of the Realm of England (Of Children) 292
George Whetstone, Fromyfw Heptameron of Civil Discourses (Household
Laws to Keep the Married in Love, Peace, and Amity) 292
Elizabeth Clinton, From The Countess of Lincoln s Nursery 293
Ben Jonson, On My First Son 295
Excerpts from Conduct Books 295
Sir Edward Coke, From The Third Part of the Institutes of the Laws of England
(Of Buggery or Sodomy) 296
Richard Barnfield, From The Tears of an Affectionate Shepherd Sick for Love, or
The Complaint ofDaphnisfor the Love of Ganymede 298
Queen Elizabeth I, List of Royal Proclamations 299
Queen Elizabeth I, Royal Proclamation against Vagabonds and Unlawful
Assemblies 301
Queen Elizabeth I, Edict Arranging for the Expulsion from England of
Negroes and Blackamoors 302
CHAPTER9
Politics and Religion: Early Modern Ideologies JOJ
An Absolute Monarchy? 304
Councillors 306
The Monarchs 308
The Ermine Portrait of Elizabeth I 309
Portrait of James I, by Paul van Somer 310
The Church 315
The Ideology of Order 318
Shakespeare s Theater and the Problem of Authority 322
The Stage and Its Opponents 324
ILLUSTRATIONS AND DOCUMENTS
Sir Thomas Smith, From De RepublicaAnglorum: The Manner of Government
or Policy of the Realm of England (Of Parliament and the Monarchy) 326
Queen Elizabeth I, The Tilbury Speech 328
King James I, From A Speech to the Lords and Commons of the Parliament
at Whitehall 328
King James I, Secret Letter to Sir Robert Cecil 331
King James I, Letter to George Villiers, Duke of Buckingham 332
XXII CONTENTS
Sir John Harington, Letter Describing the Revels at King James s Court 333
Niccolo Machiavelli, From The Prince 334
King James I, From Basilikon Doron 336
Simon Forman, From His Diary (On a Dream about an Encounter
with Queen Elizabeth) 339
John Field and Thomas Wilcox(?), From An Admonition to the
Parliament 340
From The Catholics Supplication and An Answer to the Catholics
Supplication 343
From An Homily against Disobedience and Willful Rebellion 345
Richard Hooker, From Of the Laws of Ecclesiastical Polity 349
Philip Stubbes, From The Anatomy of Abuses 351
CHAPTER IO
From Bracegirdle to Branagh:
Shakespeare in Performance from 1660 to the Present
Innovations, Technical and Theatrical 354
Actors and Their Roles 357
American Shakespeare 363
Twentieth-Century Stages, Modern and Postmodern 366
Shakespeare Screened 376
ILLUSTRATIONS AND DOCUMENTS
David Garrick as King Lear (After a Painting by Benjamin Wilson) 383
Nahum Tate, From The History of King Lear 383
Three Lady Macbeths (Sarah Siddons, Ellen Terry, Judi Dench) 386
Ira Aldridge as Othello 388
Playbill Advertising a Gala Performance of Julius Caesar (Featuring the
Three Booth Brothers) 389
Norman Wilkinson s Set Design for Twelfth Night 390
Robert Edmond Jones s Set Design for John Barrymore s Hamlet
(New York and London) 391
John Barrymore s Script for Hamlet (Directed by Arthur Hopkins) 392
William Hazlitt, Review of A Midsummer Night s Dream (From The
Examiner, January 21,1816) 393
Two Productions of A Midsummer Night s Dream (Charles Kean, London;
Peter Brook, Stratford-upon-Avon) 395
CONTENTS | XXIII
Robert Speaight, Review of Peter Brook s A Midsummer Night s Dream
(From Shakespeare Quarterly) 398
Laurence Olivier as Henry V 400
Kenneth Tynan, From He That Plays the King 401
Titus (Directed by Julie Taymor) 405
BIBLIOGRAPHY 406
APPENDIX: Shakespeare Resources on the Web 422
INDEX 430
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| title_full | The Bedford companion to Shakespeare an introduction with documents Russ McDonald |
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| title_sort | the bedford companion to shakespeare an introduction with documents |
| title_sub | an introduction with documents |
| topic | Shakespeare, William <1564-1616> Handbooks, manuals, etc Shakespeare, William <1564-1616> Examinations Study guides Shakespeare, William 1564-1616 (DE-588)118613723 gnd Dramatists, English Early modern, 1500-1700 Biography Handbooks, manuals, etc |
| topic_facet | Shakespeare, William <1564-1616> Handbooks, manuals, etc Shakespeare, William <1564-1616> Examinations Study guides Shakespeare, William 1564-1616 Dramatists, English Early modern, 1500-1700 Biography Handbooks, manuals, etc England Civilization 16th century Handbooks, manuals, etc Biografie Einführung |
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