Musicology and sister disciplines: past, present, future ; proceedings of the 16th international congress of the International Musicological Society, London, 1997
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| Format: | Book |
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| Language: | English German Spanish Italian |
| Published: |
Oxford
Oxford Univ. Press
2000
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| Edition: | 1. publ. |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | XXIX, 681 S. graph. Darst., Notenbeisp. |
| ISBN: | 0198167342 |
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| adam_text | CONTENTS EDITOR S FOREWORD XXIX INTRODUCTION JULIAN RUSHTON I PARTI:
KEYNOTE PAPERS SCHOLARSHIP, AUTHENTICITY, HONESTY BERNARD WILLIAMS 9 THE
HERITAGE OF PYTHAGORAS: NINETEEN TO THE DOZEN ROGER PENROSE 18 PARTII:
ROUND TABLES ROUND TABLE I: PERCEPTION AND COGNITION BRAIN AND MUSIC: AN
ELECTROPHYSIOLOGICAL APPROACH MIREILLE BESSON AND PASCALINE REGNAULT 3 3
PERCEPTION OF TONAL PITCH SPACE AND TONAL TENSION LOLA L. CUDDY AND
NICHOLAS A. SMITH 47 THE TIMING IMPLICATIONS OF MUSICAL STRUCTURES BRUNO
H. REPP 6O LISTENING TO A PIECE OF MUSIC: A SCHEMATIZATION PROCESS BASED
ON ABSTRACTED SURFACE CUES IRENE DELIEGE 7 1 MUSIC AND AFFECT: EMPIRICAL
AND THEORETICAL CONTRIBUTIONS FROM EXPERIMENTAL PSYCHOLOGY CAROL L.
KRUMHANSL 88 STRONG EXPERIENCES OF AND WITH MUSIC ALF GABRIELSSON AND
SIV LINDSTROEM WIK IOO CONTENTS RESPONSE JOHN SLOBODA 109 FIRST RESPONSE
TO THE RESPONDENT ELEANOR SELF RIDGE-FIELD 111 SECOND RESPONSE TO THE
RESPONDENT CHRISTIAN KADEN 115 ROUND TABLE 2: LITERARY STUDIES MUSIC AND
NARRATIVE IN RECENT THEORY CHRISTOPHER BUTLER 118 ALL RUSSIAN MUSIC IS
SO SAD : TWO CONSTRUCTIONS OF THE RUSSIAN SOUL, THROUGH LITERATURE AND
MUSIC MARINA FROLOVA-WALKER 129 DROWNING IN MUSIC: OPHELIA S DEATH AND
FEMINIST HERMENEUTICS HEATHER HADLOCK 139 THE STUDY OF MEDIEVAL MUSIC:
SOME THOUGHTS ON PAST, PRESENT, AND FUTURE SUSAN RANKIN 154 THE MUSIC OF
RHETORIC ELAINE SISMAN 169 ROUND TABLE 3: DIRECTIONS IN MUSICOLOGY
STATEMENT ANDREW DELL ANTONIO STATEMENT STEFANO CASTELVECCHI RESPONSE
MARGARET BENT RESPONSE SUZANNE G. CUSICK RESPONSE ANNEGRET FAUSER
RESPONSE RALPH P. LOCKE RESPONSE JIIRG STENZL RESPONSE ROSE ROSENGARD
SUBOTNIK 179 185 191 195 205 209 218 221 CONTENTS CLOSING REMARKS ANDREW
DELL ANTONIO 2.2.6 CLOSING REMARKS STEFANO CASTELVECCHI 228 ROUND TABLE
4: HISTORIOGRAPHY MUSIC HISTORIOGRAPHY, CRITICAL THEORY, AND OTHER TALES
JOHN DEATHRIDGE 230 THE PROBLEM OF THE FRENCH REVOLUTION IN MUSIC
HISTORIOGRAPHY AND HISTORY MICHAEL FEND 239 DIFFICOLTA DELLA
STORIOGRAFIA DELL OPERA ITALIANA FABRIZIO DELLA SETA 251 COLLAPSING THE
DIALECTIC: THE ENLIGHTENMENT TRADITION IN MUSIC AND ITS CRITICS REINHARD
STROHM 263 ROUND TABLE 5: SOCIOLOGY MUSIC AND SOCIOLOGY: PERSPECTIVES,
HORIZONS CHRISTIAN KADEN 273 ETHNOMUSICOLOGY AND MUSIC SOCIOLOGY PHILIP
V. BOHLMAN 288 MUSICAL PRACTICES AND HIDDEN MUSICIANS: A PERSPECTIVE
FROM SOCIOLOGY AND ANTHROPOLOGY RUTH FINNEGAN 99 MUSIC FROM AN
ANTHROPOLOGICAL PERSPECTIVE VOLKER KAIISCH 39 FROM MUSIC-MAKERS TO
VIRTUAL SINGERS: NEW MUSICS AND PUZZLED SCHOLARS TULLIA MAGRINI 3 2
MUSIC AND CULTURAL PRACTICES PETER J. MARTIN 33 1 THE SOCIOLOGY OF MUSIC
AS SELF-CRITICAL MUSICOLOGY MARIO VIEIRA DE CARVALHO 34 2 BIBLIOGRAPHY
35^ ROUND TABLE 6: PHILOSOPHY NEW MUSIC AND PHILOSOPHY LEWIS ROWELL &
CONTENTS ABSOLUTE MUSIC AND THE NEW MUSICOLOGY PETER KIVY 378 SIGNS
AND TRANSCENDENCE EERO TARASTI 389 AUTHENTICITY , INTERPRETATION , AND
PRACTICE : PROBING THEIR LIMITS RUTH KATZ 401 RESPONSE: FOUR
PHILOSOPHIES OF MUSICAL INTERPRETATION NAOMI CUTNTNING 409 ROUND TABLE
7: CULTURAL POLITICS MUSICOLOGY AND SEXUALITY: THE EXAMPLE OF EDWARD J.
DENT PHILIP BRETT 418 BEETHOVEN S IRONIES ARTHUR NESTROVSKI 428
ETHNOGRAPHY, ETHNOMUSICOLOGY, AND POST-WHITE THEORY DEBORAH WONG 439
PART III: REPORTS ON STUDY SESSIONS 1 MUSIC IN TUSCANY: PAST RESEARCH
AND FUTURE PROJECTS CAROLYN GIANTURCO 457 2 THE CIRCULATION OF MUSIC IN
EUROPE 1700-1850 RUDOLF RASCH 460 3 MUSIC AND/AS ETHICS * 463 4 THE
DATING AND CHRONOLOGY OF THE WORKS OF JOSQUIN DES PREZ ERIC JAS 464 5 A
MUSICOLOGY, POPULAR MUSIC STUDIES, AND POLITICAL ECONOMY; 5B MUSICOLOGY,
POPULAR MUSIC STUDIES, AND CULTURAL GEOGRAPHY; 29 MUSICOLOGY, POPULAR
MUSIC STUDIES, AND THE INTERPRETATIVE SCIENCES DAI GRIFFITHS 467 6
BERLIOZ ET AUTOUR DE BERLIOZ: UN ARTISTE EN SON TEMPS PETER BLOOM 473 7
PORTUGUESE MUSICAL OUTREACH: FIVE CENTURIES ROBERT STEVENSON 476 8
RESEARCH IN MUSIC PERFORMANCE: NEW METHODS AND TOOLS JOSE BOWEN 479 VIII
CONTENTS 9 FEMINIST EPISTEMOLOGIES IN ETHNOMUSICOLOGY ELIZABETH TOLBERT
IO MUSICOLOGY AND BIOGRAPHY PHILIP OLLESON II OPERA ORCHESTRAS IN
EIGHTEENTH- AND NINETEENTH-CENTURY EUROPE FRANCO PIPERNO 12 THE EARLY
VIOLIN PETER WALLS 13 AUDITORY SCENE ANALYSIS: FUTURE DIRECTIONS FOR
MUSICOLOGICAL RESEARCH MARIA ANNA HARLEY 481 483 486 489 491 14 CHANT
AND LITURGY: COMPOSITIONAL PLANNING IN LITURGICAL CHANT ROMAN HANKELN
493 15 MUSIC ICONOGRAPHY: TRANSMISSION AND TRANSFORMATION OF SYMBOLIC
IMAGES ANN BUCKLEY 496 16 REPERTORY AND CANON: THE DYNAMICS OF CANON
FORMATION, 1700-1870 WILLIAM WEBER 49 8 17 PERSPECTIVES ON INSTRUMENTAL
MUSIC OF THE LATE FIFTEENTH AND EARLY SIXTEENTH CENTURIES JOHN KMETZ AND
KEITH POLK 501 18 THEATRICAL DANCE AND MUSIC, 1650-1850 SARAH MCCLEAVE
54 19 BRITISH MUSIC SINCE BRITTEN ALASTAIR BORTHWICK 57 20 SEMIOTICS,
STRUCTURAL SEMANTICS, RHETORIC: MUSICAL LANGUAGE SCIENCES IN
CONTEMPORARY MUSICOLOGY MARTA GRABOCZ 59 21 INTERPRETING PERFORMANCE:
CHOPIN-PLAYING IN PERSPECTIVE JOHN RINK 5^ 22 THEORIZING THE
TRANSNATIONAL INGRID MONSON 5 1 5 23 SENSE AND SONORITY IN AQUITANIAN
POLYPHONY AND THE CONDUCTUS * 517 24 THE EVOLUTION OF MUSICAL
INSTRUMENTS LAURENCE LIBIN S 1 ^ CONTENTS 2.5 DER MENSURALCODEX ST
EMMERAM (CLM 14274): EINE ZENTRALE QUELLE FUER DIE MUSIK MITTELEUROPAS IM
15. JAHRHUNDERT UND IHRE MUSIKALISCHEN, LITURGISCHEN, UND THEOLOGISCHEN
VORAUSSETZUNGEN BERNHOLD SCHMID 2.6 OPERA ET MELODRAME EN FRANCE,
1800-30: UNE ENQUETE SUR LES GENRES DAVID CHARLTON 27 MUSIC, POLITICS,
AND PATRONAGE IN SPANISH AND PORTUGUESE DOMINIONS IN THE EARLY MODERN
PERIOD MICHAEL NOONE 28 CHANT AND ANALYSIS: WHERE ARE WE, AND WHERE DO
WE GO NOW? BARBARA HAGGH 29 MUSICOLOGY, POPULAR MUSIC STUDIES, AND THE
INTERPRETATIVE SCIENCES. SEE UNDER $A 30 MUSICAL DATA AND COMPUTER
APPLICATIONS JOHN B. HOWARD 31 KEYBOARD ORGANOLOGY: PAST, PRESENT, AND
FUTURE JOHN KOSTER 32 KULTURELLE TRADITIONEN IN MITTELEUROPA: MUSIKLEBEN
ZWISCHEN ZENTRALISMUS UND REGIONALER SPEZIFIK AM BEISPIEL DER ROLLE VON
VEREINEN CORNELIA SZABO-KNOTIK 33 IMPLICATIONS FOR MAINSTREAM MUSICOLOGY
OF RECENT RESEARCH IN MUSIC COGNITION RICHARD PARNCUTT 34 LA VIE
MUSICALE SOUS VICHY, 1940*1944 MYRIAM CHIMENES 35 CHANT AND PALAEOGRAPHY
CHARLES T. DOWNEY 36 MUSIC BETWEEN EAST AND WEST: THE WORK OF
LUTOSLAWSKI, PENDERECKI, AND GORECKI IN THE CONTEXT OF CULTURE AND
HISTORY MIECZYSLAW TOMASZEWSKI 37 MUSICOLOGY AND ART HISTORY TILMAN
SEEBASS 38 THEORIZING MIXED MEDIA NICHOLAS COOK 39 TO THE ENDS OF THE
EARTH : REFUGEE MUSICIANS IN EAST ASIA AND LATIN AMERICA, 1933-1945
HORST WEBER CONTENTS 40 THE HISTORY OF THE PAPAL CHAPEL RICHARD SHERR
557 41 RAPPORTI TRA TESTO, MUSICA E SCENA NELLO SPETTACOLO A NAPOLI NEL
SETTECENTO FRANCO CARMELO GRECO 560 4Z THE EARLY SIXTEENTH-CENTURY ORGAN
IN ENGLAND: ITS FORM, MUSIC, AND PLACE IN THE LITURGY JOHN HARPER 562 43
CONTEXTS FOR BRASS: HISTORY, PERFORMANCE, CULTURE JEFFREY NUSSBAUM 565
44 RACE AND CULTURE IN THE AESTHETICS OF WILLIAM GRANT STILL (1895-1978)
CATHERINE PARSONS SMITH 568 45 REDEFINING THE LOW COUNTRIES KARL KUGLE
571 46 RECENT MOZART RESEARCH AND DER NEUE KOECHEL NEAL ZASLAW 573 47
MUSIC, HEALING, AND CULTURE: TOWARDS A COMPARATIVE PERSPECTIVE PENELOPE
GOUK 575 48 FASCISM AND MUSIC KAREN PAINTER 578 49 NEW METHODS, NEW
VISIONS: COMPUTATIONAL INITIATIVES FOR A NEW MILLENNIUM JOHN B. HOWARD
580 PART IV: ABSTRACTS OF FREE PAPERS SESSION I: LITURGY AND HOMILETICS
THE EMERGING CHANT REPERTORY IN EARLY ROMAN SERMONS AND COMMENTARIES
(FIFTH-SEVENTH CENTURIES) PETER JEFFERY 585 THE INFLUENCE OF HOMILETIC
AND EXEGETICAL LITERATURE ON THE FLEURY LAMENT OF RACHEL SUSAN BOYNTON
585 LE VOCABULAIRE DE LA PSALMODIE DANS LA REGLE DE ST BENOIT, A LA
LUMIERE DES DONNEES MUSICALES TRADITIONNELLES OLIVIER CULLIN 586 XI
CONTENTS HOW TO BUILD AN ALLELUIA MITCHELL P. BRAUNER HISTORY AND
LITURGY: THE HISTORIA OF THOMAS BECKET KAY BRAINERD SLOCUM SESSION Z:
THE HISTORIOGRAPHY OF EARLY MUSIC TOWARDS A THEORY OF MUSICAL PATRONAGE
IN THE RENAISSANCE AND BAROQUE ERAS: A PROPOSAL BETWEEN ANTHROPOLOGY AND
SEMIOTICS CLAUDIO ANNIBALDI INAUDIBLE EFFORTS, LABEUR DES DOIGTS, AND
THE MONUMENTALIZING IMPULSE: TOWARDS A SOCIOLOGY OF MUSICAL AUCTORITAS
IN FRANCOPHONE EUROPE, 12.00-1600 SEBASTIAN KLOTZ MUSIC IN
SEVENTEENTH-CENTURY EMBLEM BOOKS: MASS MANIPULATION OF CULTURAL VALUES
LINDA PHYLLIS AUSTERN ARTUSI S RAGE: FEAR AND LOATHING IN THE PRIMA
PRATTICA VIVIAN S. RATNALINGAM ENEMIES OF LOVE : STAGING FEMALE EXCESS
IN MONTEVERDI S II BALLO DELLE INGRATE BONNIE GORDON A JUNGIAN
PERSPECTIVE ON MONTEVERDI S LATE MADRIGALS JEFFREY KURTZMAN SESSION 3:
EIGHTEENTH-CENTURY OPERA THE RHETORIC OF THE ENLIGHTENED HERO: GENDER
AND OPERATIC REFORMS IN EARLY EIGHTEENTH-CENTURY ITALY WENDY HELLER LES
EDITIONS PARISIENNES DE LIVRETS D OPERAS ET LEUR CONTREFACON BRUXELLOISE
DANS LA SECONDE MOITIE DU XVIIIE SIECLE MARIE CORNAZ TREMBLEY S POLYP
AND THE NATURAL HISTORY OF OPERA BUFFA WYE ]. ALLANBROOK ALFIERI AND THE
TRANSFORMATION OF OPERA SERIA MARITA P. MCCLYMONDS THE LONDON OPERA OF
JOSEPH HAYDN: LOSS, LAMENT, AND LIETO FINE CARYL L. CLARK XII CONTENTS
SESSION 4: BROADCASTING AND THE MEDIA OPERA STUDIES, FILM STUDIES:
GOUNOD S FAUST AND THE HISTORY OF EARLY FRENCH CINEMA ROSE M. THERESA
592 A SPECTRE-WORLD CUTS THROUGH OUR SPACE : EARLY GERMAN RADIO
CRITICISM AND THE LISTENING SUBJECT NATHAN E. MACBRIEN 592 UNION RADIO:
MUSICA, COMUNICACION E IDEOLOGIA JULIO ARCE BUENO 592 LA ZARZUELA COMO
MATERIAL IDEOLOGICO EN EL CINE Y LA TELEVISION 1940-70 JUAN P. ARREGUI
593 NEW MUSIC ON THE NEW THIRD: EXPLORING BBC MUSIC POLICIES AND
PRACTICES IN THE POST-WAR DECADE JENNY DOCTOR 593 WHEN TEACHING TEN
THOUSAND WAS NOT ENOUGH: E. AZALIA HACKLEY AND AFRICAN-AMERICAN MUSIC
JOURNALISM JUANITA KARPF 594 SESSION 5: EARLY POLYPHONY IS IT POLYPHONY?
MANUEL PEDRO FERREIRA 594 THE MEDIEVAL MOTET IN OCCITANIA AND THE
OCCITANIAN MOTET ELIZABETH AUBREY 594 THE STUDY OF PIGMENTS IN
MEDIEVAL MANUSCRIPTS MARY E. WOLINSKI 595 SECULAR-SONG TENORS AND THE
FOURTEENTH-CENTURY MOTET ALICE V. CLARK 595 ADDED CONTRATENORS IN THE
BALLADES OF GUILLAUME DE MACHAUT ELIZABETH LEACH 596 SESSION 6: THE
SIXTEENTH-CENTURY TRADITION SACRED MUSIC AT THE COURT OF FERNANDO DE
ARAGON, DUKE OF CALABRIA: THE CONTEXT OF BARCELONA MS 1166/1967 AND A
PARODY MASS ON JOSQUIN S INVIOLATA BERNADETTE NELSON 59& LAURA,
L AURA, LAURELS: STRATEGIES OF MULTIPLICATION IN PETRARCH AND MARENZIO
LUMINITA ALUAS 59& XIII CONTENTS CARNIVAL AND CARNE VALE: ORLANDO DI
LASSO AND ROMAN COURTESANS DONNA CARDAMONE JACKSON 597 MUSIC IN THE
TRAGEDIA SPIRITUALE LAURA MACY 597 THE MASSES SALVE REGINA AND O MAGNUM
MISTERIUM: NEW LIGHT ON VICTORIA S PARODY TECHNIQUE EUGENE CASJEN CRAMER
597 SESSION 7: ANALYSIS OF NINETEENTH-CENTURY MUSIC REGISTRAI DIRECTION
AND MELODIC IMPLICATION ZOHAR EITAN 598 AN EXEGESIS OF THE KYRIE FROM
BEETHOVEN S MASS IN C, OP. 86 JEREMIAH W. MCGRANN 598 NINETEENTH-CENTURY
HALLMARK, THEORETICAL PROBLEM: THIRD RELATIONS IN SCHUBERT S
UNFINISHED AND BEETHOVEN S WALDSTEIN SUZANNAH CLARK 599 ROSSINI AS
MASTER OF INSTRUMENTAL COMPOSITION: BONIFAZIO ASIOLI S ANALYSIS OF THE
SINFONIA FROM LA CENERENTOLA PETERA.HOYT 599 BRAHMS THE AUTUMNAL:
CYCLICAL AND PROGRESSIVE STRUCTURES AND MEANINGS IN IM HERBST, OP. 104
NO. 5 FRANK SAMAROTTO 599 SESSION 8: METHODOLOGIES ETHNOMUSICOLOGIES OF
THE WEST: QUESTIONS OF PERSPECTIVE AND SCOPE JONATHAN STOCK 600 AMERICAN
MUSICOLOGY AND THE ARCHIVES OF EDEN HARRY WHITE 600 PROBLEMS IN THE
APPLICATION OF LINGUISTIC/SEMIOTIC PRINCIPLES TO MUSIC SUK WON YI 601
MUSIC IN ACTION: THE VIEW FROM SOCIOLOGY TIA DENORA 601 QUEEN ELISABETH
OF BELGIUM, THE A-BOMB AND EINSTEIN S VIOLIN: ABOUT PACIFICISM,
PANTHEISM, AND THE PASSION FOR MUSIC WILLEM ERAUW 602 XIV CONTENTS
SESSION 9: THE FIFTEENTH-CENTURY TRADITION THE WEDDING OF PIOUS AND
PROFANE: A CULTURAL CONTEXT FOR THE CHANSON MASS M. JENNIFER BLOXAM 602
MUSICAL LIFE AT THE COLLEGIATE CHURCH OF SAINT-OMER, NORTHERN FRANCE, C.
1460*1504 ANDREW KIRKMAN 6OZ THE MEANING OF OKEGHEM S INTEMERATA DEI
MATER JEFFREY DEAN 603 OBRECHT S ANCHISES: VIRGILIAN ALLUSION IN MILLE
QUINGENTIS SEAN GALLAGHER 603 THE CONTROVERSIAL IDENTITY OF AN IBERIAN
POET-MUSICIAN OF THE RENAISSANCE: BADAJOZ EL MUSICO EMILIO
ROS-FABREGAS 604 SESSION IO: BAROQUE SACRED MUSIC MUSIC IN THE CATHEDRAL
OF MANILA: EVIDENCE FOR THE FIRST TWO CENTURIES FROM THE ARCHDIOCESAN
ARCHIVE WILLIAM SUMMERS 604 MODELOS DE FINANCIACION DE MUSICA EN LAS
CATEDRALES ESPANOLAS: FORMAS E IMPLICACIONES JAVIER SUAREZ-PAJARES 604
MUSIC, RITUAL, AND THE WRITINGS OF TEODOSIO HERRERA Y BONILLA
(1652-1734) GRETA J. OLSON 605 THE SOUNDING CITY: URBAN HISTORY AND
MUSIC IN BAROQUE JAEN MIGUEL-A. MARIN 605 ICONOGRAFIA MUSICAL EN LA
TARASCA BARROCA MADRILENA: ALGUNOS EJEMPLOS REPRESENTATIVOS ALICIA
GONZALEZ DE BUITRAGO GARCIA 605 THE INTERIOR*EXTERIOR DUALITY IN THE
PERFORMANCES OF THE MUSICAL ENSEMBLES OF GRANADA: NON-SALARIED POSTS AND
EXTRAVAGANTES PERFORMANCES JUAN RUIZ JIMENEZ 606 SESSION II: MUSIC AND
SOCIETY IN THE NINETEENTH CENTURY SALON, GENDER, AND MUSICAL CULTURE IN
SWEDEN AROUND 1800 EVA OEHRSTROEM 606 CONTENTS CHLADNI AS MUSICIAN MANQUE
KATHRYN L. REICHARD 607 BYRON AND THE POETICS OF BERLIOZ S HAROLD
SYMPHONY JANET JOHNSON 607 MUSICA SABIA : THE RECEPTION OF CLASSICAL
MUSIC IN MADRID (C.1830-1870) JUDITH ETZION 607 FOUR-HAND TRANSCRIPTION:
CHANGING PERFORMING SPACES AND GENRES THOMAS CHRISTENSEN 608 EARLY
NINETEENTH-CENTURY VIRTUOSITY AND ITS PUBLIC: POWER, GENDER, AND CLASS
IN THE CONCERT HALL JAMES A. DEAVILLE 608 SESSION IZ: NEW MUSIC THE
VISUAL LANGUAGE OF AMERICAN EXPERIMENTAL MUSIC NANCY PERLOFF 609 ROLAND
BARTHES S TEXT AND ALEATORY MUSIC: IS THE BIRTH OF THE READER THE
BIRTH OF THE LISTENER? JEONGWON JOE 609 IMPLODING THE SYSTEM: KAGEL AND
THE DECONSTRUCTION OF MODERNISM PAUL ATTINELLO 609 CAN LITERARY
CRITICISM CONTRIBUTE TO THE STUDY OF MUSICAL BORROWING? THE CASE OF
TWENTIETH-CENTURY ITALIAN MUSIC SUSANNA PASTICCI 610 AN
OBJECT-ORIENTATED ANALYSIS OF TWENTIETH-CENTURY PIANO MUSIC DIDIER
GUIGUE 610 MUSICAL-HISTORICAL CONCEPTIONS IN THE LIGHT OF THE SYSTEMATIC
APPROACH ELENA MARKOVA AND VLADIMIR MIRONOV 611 SESSION 13: EARLY THEORY
AND MUSIC LAW AS A SISTER DISCIPLINE OF MUSIC IN THE MIDDLE AGES AND
RENAISSANCE C. MATTHEW BALENSUELA 611 TIME OUT OF TIME: ETERNITY AS A
THIRTEENTH-CENTURY PHILOSOPHICAL ISSUE EXEMPLIFIED IN MUSIC NANCY VAN
DEUSEN 611 ORDO NATURALIS IN ELEVENTH-CENTURY THEORETICAL SYSTEMS
GABRIELLA LLNITCHI 612 XVI CONTENTS GLOSSES ON MUSIC AND GRAMMAR AND THE
ADVENT OF MUSIC-WRITING IN THE WEST CHARLES M. ATKINSON 612 SESSION 14:
MUSIC AND SOCIETY AROUND 1700 CARNIVAL, COMMEDIA DELL ARTE AND THE PARIS
OPERA IN THE LATE YEARS OF THE SUN KING, 1697*1710 GEORGIA COWART 613
MUSICIANS, AMATEURS, AND COLLECTORS: EARLY FRENCH AUCTION CATALOGUES AS
MUSICAL SOURCES ALBERT COHEN 613 QUEEN MARIE LECZINSKA AS PATRON OF
MUSIC: OPERA AND CHAMBER MUSIC AT THE COURT OF LOUIS XV M. ELIZABETH C.
BARTLET 61 3 THE PERSONAL NETWORK: A SOCIOLOGICAL APPROACH TO IMPORTED
VILLANCICO TEXTS AND MUSIC SUPPLY AT SEGOVIA CATHEDRAL (1650-1700)
PABLO-L. RODRIGUEZ 614 COLLECTING AND ENLIGHTENMENT: MUSICAL INSTRUMENTS
IN THE NATURAL HISTORY CABINET OF CHARLES III OF SPAIN (1759-88)
CRISTINA BORDAS 614 SESSION 15: NINETEENTH-CENTURY TOPICS VIRTUE,
REFORM, AND PURE MUSIC IN SECOND EMPIRE PARIS MICHAEL STRASSER 615
FELIX MENDELSSOHN BARTHOLDYS GEISTLICHE VOKALMUSIK: EIN VERSUCH IHRER
CHRONOLOGISCHEN UND STILISTISCHEN EINORDNUNG HIROMI HOSHINO 615 THE
STORNELLO AND ITS POPULARITY IN OTTOCENTO ITALY ROBERTA MONTEMORRA
MARVIN 615 APOCALYPSE (NOW?): POLITICS IN THE SACRED MUSIC OF JOHANNES
BRAHMS DANIEL BELLER-MCKENNA 616 ORIENTALISM IN BORODIN S PRINCE IGOR
FIROOZEH KHAZRAI 616 CANONIZING THE DUTCHMAN: WAGNERISM AND DER
FLIEGENDE HOLLAENDER STEPHEN MCCLATCHIE 617 XVII CONTENTS SESSION I6:
TECHNOLOGY AND SYSTEMATIC MUSICOLOGY MUSIC AND TECHNOLOGY FRANK PECQUET
617 DID GRECO-ROMAN HYDRAULES HAVE KEYBOARDS? EUGENE L. SZONNTAGH 617
THE APPLICABILITY OF PSYCHOLOGICAL METHODS IN THE STUDY OF MUSICAL
RHYTHM YOUN KIM 618 ACOUSTIQUE MUSICALE ET MUSICOLOGIE: L APPORT DE
L OUTIL ACOUSTIQUE DANS L ANALYSE PERCEPTIVE MARIE-CECILE BARRAS 618
STOCHASTIC ANALYSIS AND MUSIC PREDICTABILITY MARIO H. A. KOPPERS 618
COGNITIVE-PERCEPTUAL EFFECTS IN MUSIC: SHEPARD TONES AND THE CANON PER
TONOS FROM J. S. BACH S MUSICAL OFFERING DENIS COLLINS AND ANDREW
SCHLOSS 619 SESSION 17: GLUCK AND EIGHTEENTH-CENTURY AESTHETICS RETORICA
E TRAGEDIA PER MUSICA: L LPHIGENIE EN AULIDE DI GLUCK (1774) ALESSANDRA
MARTINA 619 GLUCK S L LPHIGENIE EN AULIDE (1774*5): RECEPTION AND
REVISION DANIEL HEARTZ 620 LES REVERIES RENOUVELEES DES GRECS: FACTURE,
FUNCTION, AND PERFORMANCE PRACTICE IN A VAUDEVILLE PARODY OF GLUCK S
IPHIGENIE EN TAURIDE (1779) BRUCE ALAN BROWN 620 GLUCK IN THE AGE OF
LIVING REPRODUCTION: FIN-DE-SIECLE CRITICS SPEAK ON ANTIQUARIAN OPERA
SHERYL ZUKOWSKI 620 ROMANTIC MUSIC AESTHETICS AND ITS LITERARY ORIGINS
IN THE WRITINGS OF KARL PHILIPP MORITZ MONIKA HENNEMANN 621 GOTHIC
ARCHITECTURE AND BAROQUE POLYPHONY: A ROMANTIC BLEND JAMES HAAR 621
SESSION 18: THE EIGHTEENTH-CENTURY TRADITION REDISCOVERED EAST-EUROPEAN
SOURCES OF HASSE S SACRED MUSIC ERNEST HARRISS II 622 XVIII CONTENTS
READING THE METRE: VERSE FORMS IN ORATORIO LIBRETTOS WRITTEN FOR HANDEL
BY CHARLES JENNENS AND THOMAS MORELL DONALD BURROWS 622 MUSICOLOGY,
POLITICS, AND HERALDRY: THE TE DEUM: A STATE MOTET AT THE TIME OF
LOUIS XIV AND LOUIS XV JEAN-PAUL MONTAGNIER 622 RIEPEL, LEIBNIZ, AND THE
ARS COMBINATORIA IN SEVENTEENTH- AND EIGHTEENTH-CENTURY MUSICAL THOUGHT
STEFAN ECKERT 623 SESSION 19: EARLY TWENTIETH CENTURY MUSICAL SYMBOLISM
IN THE OPERAS OF DEBUSSY AND BARTOK ELLIOTT ANTOKOLETZ 623 LONELINESS
AND LOVE : THE LITERARY CONTEXT OF BELA BARTOK S BLUEBEARD S CASTLE
JUDIT FRIGYESI 624 DAVID: STRAVINSKY S MUSIC-HAIL BALLET THOMAS P.
GORDON 624 SCHOENBERG IST THEOSOPH : ANMERKUNGEN ZU EINER WENIG
BEACHTETEN BEZIEHUNG BEAT A.FOELLMI 624 SCHOENBERGS VORTRAGSIDEAL
REKONSTRUIERT ANHAND EINER QUELLE ZU OP. 10 HERMANN DANUSER 625
OBJECTIFS ET METHODES D UNE HERMENEUTIQUE DE LA CREATION ET DE LA
RECEPTION MUSICALES CHRISTIAN HAUER 625 SESSION 20: ETHNOLOGY
INTERROGATING MUSICOLOGICAL OTHERNESS IN INDIA: MA DAN-UL- MAUSIQI AS A
MINE OF MUSIC HISTORY REGULA BURCKHARDT QURESHI 626 WHITE FACTS ABOUT
BLACKS : INTERCULTURALISM, MUSIC EDUCATION, AND IDENTITY IN SOUTH AFRICA
EDUARDO CORREIA 62 6 DER TONARTBEGRIFF IN DER TRADITIONELLEN TUERKISCHEN
MUSIK M. ERTURUL BAYRAKTARKATAL 627 XIX CONTENTS ORAL TRADITIONS AND
PERFORMANCE PRACTICES IN THE ENCYCLOPEDIA JIU GONG DA EBEN NAN BEI CI
GONG PU, A COLLECTION OF SOUTHERN AND NORTHERN CHINESE SONGS LULU HUANG
CHANG 627 OBJECTIFICATION OF MUSIC AND THE DOMINATION OF NATURE
{NATURBEHERRSCHUNG): T. W. ADORNO S THEORY IN THE LIGHT OF COMPARATIVE
MUSIC AESTHETICS AYAKO TATSUMURA 627 THE BODY IN MUSIC RAMON PELINSKI
628 SESSION 21: RENAISSANCE SOURCE STUDIES IDENTIFYING COMPOSER
AUTOGRAPHS IN PRE-1600 MANUSCRIPTS JESSIE ANN OWENS 628 IN THE WORKSHOP
OF A LATE-MEDIEVAL EDITOR: JOHANNES MARTINI AND THE MANUSCRIPT I-MOE
A.M. 1.13 MURRAY STEIB 628 THE STRUCTURE OF THE CHIGI CODEX: AN ENIGMA
RESOLVED FABRICE FITCH 629 WHO IS KATHERINE? THE WOMEN OF THE BERG &
NEUBER-GERLACH- KAUFFMANN PRINTING DYNASTY SUSAN JACKSON 629 THE
PRINTING OF THE NOVUM ET INSIGNE OPUS MUSICUM (RIS M 15 37/1 AND RISM
1538/3) ROYSTON GUSTAVSON 630 PARTHENIA: A PARADIGMATIC EPITHALAMION
JANET POLLACK 630 SESSION 22: OPERA AROUND 1700 COMISION NOBILIARIA EN
LA CIRCULACION DE LA OPERA ITALIANA EN IBEROAMERICA EN LOS PRIMEROS ANOS
DEL SIGLO XVIII ANNIBALE CETRANGOLO 630 A NEW SOURCE OF
SEVENTEENTH-CENTURY SPANISH THEATRE MUSIC FROM MEXICO CITY JOHNKOEGEL
631 BETWEEN THE MARKET AND THE PUBLIC INSTITUTION: THE FIRST SPANISH
OPERA COMPANY IN THE COMMERCIAL THEATRES IN MADRID DURING THE EIGHTEENTH
CENTURY JOSE-MAXIMO LEZA 631 CONTENTS ITALIAN OPERA AND/IN SPANISH
THEATRES: FRANCESCO CORRADINI IN VALENCIA (17Z7-31) ANDREA BOMBI 632
SACRILEGE, POWER POLITICS, AND LESE-MAJESTE: THE POLITICAL USES OF OPERA
IN EIGHTEENTH-CENTURY GUSTAVIAN SWEDEN BERTIL H. VAN BOER, ]R 632
SESSION 23: TWENTIETH-CENTURY TOPICS (MUSICAL) JUGENDSTIL REVISITED:
INTERSPECIFIC CONCEPTUAL MODELLING AND THE TURN-OF-THE-CENTURY
PERIPHERAL ARTSONG ZOLTAN ROMAN 633 THE PIANO IN GUSTAV MAHLER S UM
MITTERNACHT: INVENTION OR ERROR? SUE PLUTNLEE TAYLOR 633 TO THE JEW A
FOREIGN TONGUE: MAHLER S ORCHESTRATION AS A SIGN OF DIFFERENCE
K.M.KNITTEL 633 MACHINE MUSIC HUGH MACDONALD 634 ROSE R. AND EMILIA
MARTY: THE REPRESENTATION OF THE HUMAN EXPERIENCE OF TIME IN JANAEEK S
THE MAKROPOULOS AFFAIR FRANCIS MAES 634 MAGIC, RITUAL, AND MYSTERY IN
THE POETIC CONCEPTION OF MANUEL DE FALLA S MUSIC MICHAEL CHRISTOFORIDIS
635 SESSION 24: JAZZ AND POP WHAT IS JAZZ, AND HOW MIGHT SCHOLARS WRITE
ABOUT IT? BARRY KERNFELD 635 AS FATS WALLER TELLS IT: IT S A SIN TO TELL
A LIE PAUL S. MACHLIN 635 WE ARE NOT HURDY-GURDIES : MUSICIANS IN A
CHANGING MUSIC WORLD PHILOMEEN LELIEVELDT 636 OPERATIC INTERSECTIONS
WITH ROCK MUSIC: POPULARIZING OPERA KEN MCLEOD 636 PUNK, FUNK, DUB, AND
DISCO: BRITISH POST-FUNK AND THE AVANT-GARDE GROOVE THEO CATEFORIS 637
XXI CONTENTS SESSION 25: SEVENTEENTH-CENTURY TOPICS MUSIC AND MILITARY
VIRTUE IN EARLY MODERN FRANCE: THE EQUESTRIAN BALLET KATE VAN ORDEN 637
GUIDO CASONI (D. 1642) ON LOVE AS MUSIC, A THEME FOR ALL SEASONS DON
HARRAN 638 MUSIC OF DEVOTION IN COUNTER-REFORMATION ROME: BORBONI S
MUSICALI CONCENTI KIMBERLYN MONTFORD 638 BEHIND THE DRAGON S MASK:
HIDDEN POLITICAL MUSIC OF THE RESTORATION JOANN TARICANI 638 BAROQUE,
MUSIQUE, LITTERATURE: LA NOUVELLE ESPAGNOLE DU XVIIE SIECLE, GENRE
LITTERAIRE ET SOURCE MUSICOLOGIQUE MARIA SANHUESA FONSECA 639 SESSION
26: EIGHTEENTH-CENTURY INSTRUMENTAL MUSIC THE STRING QUARTETS OF FRANZ
ASPLMAYR AND THEIR RELATIONSHIP TO THE DEVELOPMENT OF HAYDN S
STRING-QUARTET STYLE DENNIS C. MONK 639 TRUMPETS, FELDMUSIK, CONTINUITY,
AND HIERARCHY: MUSIC AND THE IMPERIAL PROCESSION DURING THE REIGN OF
MARIA THERESIA JANET PAGE 640 EMPRESS MARIE THERESE OF AUSTRIA AS
MUSICIAN AND MUSICAL PATRON JOHN A.RICE 640 THE HOFKAPELLE UNDER JOSEPH
II AND MOZART S APPOINTMENT DOROTHEA LINK 640 TITLE, FUNCTION, AND THE
CONCEPT OF GENRE: THE EARLIEST TRUE SYMPHONIES EUGENE K. WOLF 641
SESSION 27: NINETEENTH-CENTURY OPERA BELLINI AND HIS MUSIC AS POLITICAL
SYMBOL DENISE P. GALLO 641 MIMESIS AND HYSTERIA IN LA MUETTE DE PORTICI
MARY ANN SMART 642 ISSUES IN THE RECEPTION OF MEYERBEER S LES HUGUENOTS
KERRY MURPHY 642 XXII CONTENTS MUSIC-LITERATURE-THEATRE-HISTORY: A NEW
APPROACH TO NINETEENTH- CENTURY CZECH OPERA JARMILA GABRIELOVA 642 CHE
BELLA COSA SCRIVERE A TRE VOCI : VERDI S USE OF THE TRIO FORM (MUSICAL,
DRAMATIC, AND AESTHETIC CONCEPTION) URSULA KRAMER 643 BEYOND EXOTICISM:
CIO-CIO-SAN S SCREEN AND THE USES OF CONVENTION HELEN GREENWALD 643
SESSION Z8: TRANSNATIONALISM MUSICOLOGY AND MISSIOLOGY ANN L. SILVERBERG
644 CHINESE POLITICS AND WESTERN MUSICIANS IN CHINA: A REFLECTION ON
CONTEMPORARY EXCHANGES VERSUS EXPERIENCES OF THE EIGHTEENTH- CENTURY
MUSICIAN-PRIESTS JOYCE Z. LINDORFF 644 THE IWAKURA MISSION S ENCOUNTERS
WITH WESTERN MUSIC AND THEIR CONSEQUENCE TATSUHIKO ITOH 644 RUSSIAN
ROOTS, AMERICAN BRANCHES: MUSIC IN COGNATE CULTURES MARGARITA MAZO 645
THE HISTORY OF GERMAN-RUSSIAN MUSICAL CONTACT: GERMAN MUSICAL FAMILIES
IN ST PETERSBURG FROM THE SECOND HALF OF THE NINETEENTH CENTURY TO THE
BEGINNING OF THE TWENTIETH JANNA KNIAZEVA 645 SESSION 29: HILDEGARD OF
BINGEN INTERDISCIPLINARY OBJECTS: THE CASE OF HILDEGARD OF BINGEN HONEY
MECONI 646 RHETORICAL CHANT? THE RELATIONSHIP BETWEEN MUSIC AND TEXT IN
THE REPERTORY OF HILDEGARD OF BINGEN CATHERINE JEFFREYS 646 HILDEGARD S
ORDO VIRTUTUM: MUSICAL RHETORIC AND MONASTIC EDUCATION MARGOT FASSLER
647 CONTENTS SESSION 30: EARLY DANCE WOULD YOU LIKE TO DANCE THIS
FROTTOLA? CHOREOGRAPHIC CONCORDANCES IN TWO EARLY SIXTEENTH-CENTURY
(TUSCAN?) SOURCES BARBARA SPARTI 647 THE TRAVELLING DANCE-BAND: PATTERNS
OF TRANSMISSION OF DANCE AND MUSIC IN FIFTEENTH-CENTURY EUROPE JENNIFER
NEVILE 64J THE MYTH OF STYLIZED DANCE G. YVONNE KENDALL 648 SESSION 31:
EARLY TWENTIETH-CENTURY USA REVISING IVES PHILIP LAMBERT 648 DUBOSE HEY
WARD S DRAFTS FOR THE PORGY STORY AS CULTURAL POLITICS JOHN ANDREW
JOHNSON 648 RUTH CRAWFORD SEEGER AND JOHN CAGE: NEW CONNECTIONS BETWEEN
TWO AMERICAN ORIGINALS TERESA DAVIDIAN 649 SESSION 3Z: EARLY
TWENTIETH-CENTURY FRANCE THE SYMPHONY AS POLITICAL TOOL IN EARLY
TWENTIETH-CENTURY FRANCE BRIAN J. HART 649 FRENCH POLITICAL IDEOLOGY AS
PERFORMATIVE CONTEXT : THE CONCERT BY WORLD WAR I JANE F. FULCHER 650
POULENC AND THE PAINTERS: THE INFLUENCE OF ART AND ARTISTS ON HIS LIFE
AND MUSIC CARL B. SCHMIDT 650 SESSION 33: RENAISSANCE THEORY ON THE ONE
AND THE MANY: CONFLICTING ONTOLOGIES OF SOUND IN LATE FIFTEENTH-CENTURY
MUSIC THEORY LEONORA SAAVEDRA 651 MUSICA THEORICA UND MUSICA PRACTICA IM
LICHTE DER STUDIA HUMANITATIS: ASTRONOMIE UND MEDIZIN ALS GRUNDLAGE UND
RECHTFERTIGUNG FUER FRANCHINUS GAFFURIUS PROPORTIONENDENKEN WALTER KURT
KREYSZIG 651 XXIV CONTENTS COMPOSITIO LEVIS ET UTILIS: SIMPLE FORMULAS
AS SUBSTITUTES FOR COUNTERPOINT STUDIES IN THE TEACHING OF COMPOSITION
AROUND 1500 DIETRICH HELMS 652 ZWISCHEN DER MUSIKTHEORIE UND POETIK DER
RENAISSANCE: DECORUM RYSZA RD ]. WIECZO REK 65 2 GLAREANUS AND VASARI:
TWO COMPETING VIEWS OF HISTORICAL PROGRESS FROM LATE RENAISSANCE EUROPE
STEFANO MENGOZZI 653 THEORIES, PROOF, AND DISSENT IN SPANISH MUSIC
THEORY, 1508-77 WOLFGANG F REI S 653 SESSION 34: SCHUBERT AND SONG
SCHUBERT ICONOGRAPHY: NEW AND PROBLEMATIC ISSUES EVA BADURA-SKODA 653
FRANZ SCHUBERT AND THE LIEDERSPIEL: FROM THE KOSEGARTEN CYCLE TO DIE
SCHOENE MUELLERIN MORTEN SOLVIK 654 SCHUBERT S ACTIVITIES IN THE
UNSINNSGESELLSCHAFT (1817-18): NEW LITERARY AND ICONOGRAPHICAL
DOCUMENTS RITA STEBLIN 654 SCHUBERT S FREE VERSE SETTING JUERGEN THYM 655
DIE GEDICHTE DER SCHWAEBISCHEN DICHTERIN FRIEDERIKE ROBERT IN DEN
VERTONUNGEN VON FANNY HENSEL ANNEGRET HUBER 655 PERFORMING PURCELL S
MAD BESS IN LATE EIGHTEENTH- AND EARLY NINETEENTH-CENTURY ENGLAND
ROBERT TOFT 655 SESSION 35: MUSIC AND LITERATURE: TWENTIETH CENTURY
INDAGANDO LA MUSICALITA DELLA POESIA DI GABRIELE D ANNUNZIO: II POEMA
PARADISIACO MARCO DELLA SCIUCCA 656 FAUSTUS, MEPHISTOPHELES ... AND
GRETCHEN? THE SIGNIFICANCE OF THOMAS MANN IN THE MUSIC OF LUIGI
DALLAPICCOLA I947~55 RAYMOND FEARN 656 GHOST TRIO: DIE MUSIK IN SAMUEL
BECKETTS DRAMATISCHEM SPAETWERK MICHAEL MAIER 657 XXV CONTENTS ES LEBE
KULTURKAMPF! : POLISH PARODY SONGS FROM NAZI CONCENTRATION CAMPS BARBARA
MILEWSKI AND BRET WERB 657 AT HOME AND ABROAD: THE CRITICAL RECEPTION OF
ETHEL SMYTH S OPERAS IN ENGLAND AND GERMANY ELIZABETH KERTESZ 657
ALEXANDER MIKHAILOV AS MUSICOLOGIST LARISSA KIRILLINA 658 SESSION 36:
NATIONALISM GENERAL HISTORIES OF MUSIC AND THE PLACE OF THE EUROPEAN
PERIPHERY MELITAMILIN 658 BALTIC MUSIC-HISTORY WRITING: PROBLEMS AND
PERSPECTIVES UWE LIPPUS 659 LA REVISION DE BORIS GODOUNOV PAR LE
COMPOSITEUR LETTON MELNGAILIS (19Z4): PREMIERS ELEMENTS SUR UNE VERSION
INCONNUE DE L OPERA DE MOUSSORGSKI JEAN-MARIE JACONO AND ARNOLDS KLOTINS
659 SOME PREMISSES FOR THE STUDY OF PERIPHERAL MUSICAL NATIONALISM IN
THE TWENTIETH CENTURY: FERNANDO LOPES-GRACA AND THE PROBLEM OF TRADITION
IN CONTEMPORARY PORTUGUESE MUSIC TERESA CASCUDO 659 HOW MUSICOLOGICAL
AND ETHNOMUSICOLOGICAL IS SPANISH FLAMENCO? JOAQUINA LABAJO 660 PART V:
ABSTRACTS OF POSTER SESSIONS SESSIONI: ANALYTICAL APPLICATIONS THE
ANTIPHONS FOR THE CONSECRATION OF VIRGINS AND THE CHANGING ROLE OF
PLAINCHANT IN THE MIDDLE AGES JAMES BORDERS 66} COMPUTER APPLICATIONS TO
SKETCH STUDIES: A DATABASE WITH IMAGE ACCESS FOR BERG S SKETCHES FOR
WOZZECK PATRICIA HALL AND WILLIAM KOSELUK 66} MULTIMEDIA ENVIRONMENTS
FOR THE STUDY OF MUSICAL STRUCTURE DANIEL C. JACOBSON 66}
KNOWLEDGE-BASED SIMULATIONS: TECHNOLOGICAL TOOLS FOR MUSIC RESEARCH
DERON L. MCGEE 664 CONTENTS TOWARD A MODEL FOR BACKGROUND MOTIVIC
STRUCTURE MICHAEL SCHIATTO 664 COMPUTER APPLICATIONS AND VISUAL AIDS FOR
A HISTORICALLY ORIENTATED STRUCTURAL ANALYSIS OF PITCHES RAINER
ZILLHARDT 665 SESSION 2: NEW COMPUTER APPLICATIONS IN MUSICOLOGY POCO:
TOOLS FOR ANALYSING, MODIFYING, AND GENERATING PERFORMANCE EXPRESSION IN
MUSIC PETER DESAIN AND HENKJAN HONING 665 AN ADAPTIVE OPTICAL MUSIC
RECOGNITION SYSTEM ICHIRO FUJINAGA 666 MUSIC, MEMORY, AND TIME VETRI
TOIVIAINEN AND MAURI KAIPAINEN 666 A PARALLEL PROCESSING KEY-FINDING
MODEL: STRUCTURE AND APPLICATIONS PIET G. VOS AND ERWIN W. VAN GEENEN
666 SESSION 3: DATABASES LESSICO ITALIANO DELLA DIDATTICA VOCALE SERGIO
DURANTE 667 VILLANELLE ALLA NAPOLITANA E CANZONETTE ALLA ROMANA MARCO
GIULIANI 667 RISM A/II CD-ROM KLAUS KEIL 668 HISPANIC MUSIC ARCHIVE AND
LIBRARY PROJECT PAUL R. LAIRD 668 COLECCION MUSICAL FONDO CANUTO BEREA
(ARCHIVO Y PARTITURAS) DE LA BIBLIOTECA DE LA DIPUTACION PROVINCIAL DE
LA CORUNA (ESPANA) DOLORES LIANO PEDREIRA 668 AN ANTIPHONAL FROM KRANJ:
ANALYTICAL APPROACH TO ITS CONTENTS JURIJ SNOJ 668 THE GREY COLLECTION
OF THE SOUTH AFRICAN LIBRARY, CAPE TOWN: STUDIES OF WESTERN PLAINCHANT
SOURCES IN SOUTH AFRICA CAROL STEYN AND MORNE BEZUIDENHOUT 669 XXVII
CONTENTS SESSION 4: MULTIMEDIA SHEPHERD-MUSICIANS IN CATALANO-ARAGONESE
ICONOGRAPHY FROM THE FOURTEENTH AND FIFTEENTH CENTURIES JORDI BALLESTER
669 HOW DID HARRY JAMES MAKE US LOVE HIM? MICHAEL MECKNA 670 THE THIRD
SYMPHONY OF GUSTAV MAHLER: BALLET BY JOHN NEUMEIER ROBERT RIGGS AND MARY
RIGGS 670 MUSIC CRITICISM TODAY MICHAEL SAFFLE 67 1 THE DUANGONG: A
QIANG SHAMAN EMMA ZEVIK AND CHEN ZHONG 671 ACKNOWLEDGMENTS 673 INDEX OF
CONTRIBUTORS 675
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| indexdate | 2024-07-09T18:44:56Z |
| institution | BVB |
| institution_GND | (DE-588)4373-4 |
| isbn | 0198167342 |
| language | English German Spanish Italian |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-009131499 |
| oclc_num | 48694750 |
| open_access_boolean | |
| owner | DE-703 DE-355 DE-BY-UBR DE-12 DE-11 DE-188 |
| owner_facet | DE-703 DE-355 DE-BY-UBR DE-12 DE-11 DE-188 |
| physical | XXIX, 681 S. graph. Darst., Notenbeisp. |
| publishDate | 2000 |
| publishDateSearch | 2000 |
| publishDateSort | 2000 |
| publisher | Oxford Univ. Press |
| record_format | marc |
| spelling | Musicology and sister disciplines past, present, future ; proceedings of the 16th international congress of the International Musicological Society, London, 1997 ed. by David Greer 1. publ. Oxford Oxford Univ. Press 2000 XXIX, 681 S. graph. Darst., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Interdisciplinaire samenwerking gtt Muziekwetenschap gtt Musik Music Congresses Musicology Congresses Musik (DE-588)4040802-4 gnd rswk-swf Musikwissenschaft (DE-588)4130526-7 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 1997 London gnd-content Musikwissenschaft (DE-588)4130526-7 s DE-604 Musik (DE-588)4040802-4 s Greer, David Sonstige oth Internationale Gesellschaft für Musikwissenschaft Sonstige (DE-588)4373-4 oth SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009131499&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Musicology and sister disciplines past, present, future ; proceedings of the 16th international congress of the International Musicological Society, London, 1997 Interdisciplinaire samenwerking gtt Muziekwetenschap gtt Musik Music Congresses Musicology Congresses Musik (DE-588)4040802-4 gnd Musikwissenschaft (DE-588)4130526-7 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4130526-7 (DE-588)1071861417 |
| title | Musicology and sister disciplines past, present, future ; proceedings of the 16th international congress of the International Musicological Society, London, 1997 |
| title_auth | Musicology and sister disciplines past, present, future ; proceedings of the 16th international congress of the International Musicological Society, London, 1997 |
| title_exact_search | Musicology and sister disciplines past, present, future ; proceedings of the 16th international congress of the International Musicological Society, London, 1997 |
| title_full | Musicology and sister disciplines past, present, future ; proceedings of the 16th international congress of the International Musicological Society, London, 1997 ed. by David Greer |
| title_fullStr | Musicology and sister disciplines past, present, future ; proceedings of the 16th international congress of the International Musicological Society, London, 1997 ed. by David Greer |
| title_full_unstemmed | Musicology and sister disciplines past, present, future ; proceedings of the 16th international congress of the International Musicological Society, London, 1997 ed. by David Greer |
| title_short | Musicology and sister disciplines |
| title_sort | musicology and sister disciplines past present future proceedings of the 16th international congress of the international musicological society london 1997 |
| title_sub | past, present, future ; proceedings of the 16th international congress of the International Musicological Society, London, 1997 |
| topic | Interdisciplinaire samenwerking gtt Muziekwetenschap gtt Musik Music Congresses Musicology Congresses Musik (DE-588)4040802-4 gnd Musikwissenschaft (DE-588)4130526-7 gnd |
| topic_facet | Interdisciplinaire samenwerking Muziekwetenschap Musik Music Congresses Musicology Congresses Musikwissenschaft Konferenzschrift 1997 London |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009131499&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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