African cinemas: decolonizing the gaze
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English French |
| Published: |
London ; New York
Zed Books
2000
|
| Edition: | 1. publcation |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | XII, 315 Seiten Illustrationen |
| ISBN: | 1856497429 9781856497435 1856497437 |
Staff View
MARC
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| 240 | 1 | 0 | |a Les cinémas d'Afrique noire |
| 245 | 1 | 0 | |a African cinemas |b decolonizing the gaze |c Olivier Barlet |
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| 264 | 1 | |a London ; New York |b Zed Books |c 2000 | |
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| 648 | 7 | |a Geschichte 1970-1995 |2 gnd |9 rswk-swf | |
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| 650 | 4 | |a Cinematography - Africa | |
| 650 | 7 | |a Filmkunst |2 gtt | |
| 650 | 4 | |a Mass media - Africa | |
| 650 | 4 | |a Motion pictures - Africa | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Geschichte | |
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Record in the Search Index
| _version_ | 1804128004199153664 |
|---|---|
| adam_text | Titel: African cinemas
Autor: Barlet, Olivier
Jahr: 2000
CONTENTS
PREFACE
PART I THE ORIGIN, AKIN TO A PASSAGE
1 HUMAN BEINGS, NOT ANTS! 3
Black is black • Colonial projections • The ethnographic ga^e: involvement or
contempt? • African responses ¦ Being on the same wavelength • The politics
of everyday life • Founding figures ¦ Class struggle without placards • The
novelistic path ¦ Africa first • English-speaking Africa: educational cinema
and the Hollywood dream • French guardian angels • Revolutionary
filmmakers?
2 DECOLONIZING THOUGHT 34
Africa betrayed ¦ Unspoilt Africa ¦ Pointing the finger ¦ The mirror-space •
The primacy of the collective • The freedom to say no ¦ The duty to show?
3 PROVERBS WERE FLESH AND BLOOD : THE REFERENCE
TO THE PAST 47
Necessary memory ¦ Black pharaohs ¦ The struggle with oneself • African
recalcitrance ¦ History as nostalgia ¦ Legend, a false trail? • Shelling
history ¦ The African cry
4 CLOSING YOUR EYES 72
The refusal to mimic the West • Opting for openness • Torn asunder
by modernity
5 OPENING UP THE CRACKS IN IDENTITY 82
A unified world • Symbols in motion ¦ Reading with the heart ¦ Passing on
knowledge ¦ Blocked transmission ¦ Drawing strength from the source ¦ An
alternative development ¦ The origin in doubt • Infidelities ¦ The Marabouts
projective mechanism ¦ From nudity to modesty
6 AN OPENNESS OF APPROACH 109
South African introspection ¦ Afro-American rites of passage ¦ Hybridised
identity ¦ French assimilationism • Farewell to negritude ¦ The anxiety of
integration • A cinema of revelation
PART II AT THE WELLSPRINGS OF NARRATION
7 BLACK HUMOURS 129
A politically committed pastiche ¦ Laughing at oneself ¦ Derision as a
strategy ¦ A vital laughter • A cathartic parody
8 MEN DIE, BUT WORDS REMAIN1: AT THE ORIGIN
OF NARRATION, ORALITY 143
First, silence ¦ The path of simple self-evidence ¦ The primacy of orality ¦
Contrapuntal symbols ¦ Cultural specificities of the image • Griots of a
new kind ¦ The voice-off: the consciousness of the filmmaker • Theatre is a
mere waystation • Letting them tell you stories ¦ What slowness? •
Space—time • A cyclical composition ¦ Rather than heroes, the art of
the paradox • The topicality of myth
9 IF YOUR SONG IS NO IMPROVEMENT ON SILENCE,
KEEP QUIET! 183
Dances of resistance ¦ Talking drums • The song of the people ¦
African sound
10 SPEAKING YOUR OWN LANGUAGE 195
The expression of lived experience • A revisited French ¦
Failing to reach your audience? ¦ Priority to the emotions • Opening up
to multiculturalism ¦ Is dubbing the answer? ¦ Save the actor!
I I TOWARDS A CRITICISM BASED ON THE NEED TO EXIST 210
The Western diktat • Towards a subjective criticism ¦ The dead
weight of criticism ¦ African criticism
PART III BLACK PROSPECTS?
12 HE WHO WANTS HONEY HAS THE COURAGE TO
CONFRONT THE BEES : THE DIFFICULTY OF MAKING FILMS 22 1
The trials and tribulations of filming • The dream of financial autonomy •
The trials and tribulations of funding ¦ The trials and tribulations of
production
13 THE AFRICAN AUDIENCE IS ANYTHING BUT HOMOGENEOUS 232
The agonies of distribution ¦ Dilapidated auditoriums • The video monster •
Accompanying onus film • si pluralistic audience ¦ A school of life
14 A FICKLE AUDIENCE IN THE NORTHERN HEMISPHERE 25 1
Aiming true • A limited audience • Promotion through festivals
15 WHEN YOU VE GOT MEAT TO COOK, YOU GO AND FIND
SOMEONE WITH FIRE : THE LOGICS OF WESTERN AID 260
The heart and the head ¦ Giving and after ¦ The internationalization
option ¦ Consolidating professionali^ation ¦ Wrestling with the blank
page ¦ The Herons du Sua experience ¦ A hey ministry ¦ Surviving ¦
Planet Atria
16 TELEVISUAL STRATEGIES 278
Africa can make it! • Getting beyond the passive waiting game ¦
Taking television by storm
CONCLUSION 288
BIBLIOGRAPHY 29 1
APPENDIX: WHERE TO SEE BLACK AFRICAN FILMS 299
INDEX 306
|
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| author | Barlet, Olivier |
| author_GND | (DE-588)1180547500 |
| author_facet | Barlet, Olivier |
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| building | Verbundindex |
| bvnumber | BV013243102 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1993 |
| callnumber-raw | PN1993.5.A35 |
| callnumber-search | PN1993.5.A35 |
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| dewey-full | 791.43/096 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
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| dewey-search | 791.43/096 |
| dewey-sort | 3791.43 296 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| edition | 1. publcation |
| era | Geschichte gnd Geschichte 1970-1995 gnd |
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| spelling | Barlet, Olivier Verfasser (DE-588)1180547500 aut Les cinémas d'Afrique noire African cinemas decolonizing the gaze Olivier Barlet 1. publcation London ; New York Zed Books 2000 XII, 315 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Geschichte gnd rswk-swf Geschichte 1970-1995 gnd rswk-swf Blik (kijken) gtt Cinematography - Africa Filmkunst gtt Mass media - Africa Motion pictures - Africa Film Geschichte Massenmedien Motion pictures Africa, Sub-Saharan History Film (DE-588)4017102-4 gnd rswk-swf Afrika (DE-588)4000695-5 gnd rswk-swf Subsaharisches Afrika (DE-588)4053770-5 gnd rswk-swf Subsaharisches Afrika (DE-588)4053770-5 g Film (DE-588)4017102-4 s Geschichte 1970-1995 z 1\p DE-604 Afrika (DE-588)4000695-5 g Geschichte z 2\p DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009025456&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Barlet, Olivier African cinemas decolonizing the gaze Blik (kijken) gtt Cinematography - Africa Filmkunst gtt Mass media - Africa Motion pictures - Africa Film Geschichte Massenmedien Motion pictures Africa, Sub-Saharan History Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4000695-5 (DE-588)4053770-5 |
| title | African cinemas decolonizing the gaze |
| title_alt | Les cinémas d'Afrique noire |
| title_auth | African cinemas decolonizing the gaze |
| title_exact_search | African cinemas decolonizing the gaze |
| title_full | African cinemas decolonizing the gaze Olivier Barlet |
| title_fullStr | African cinemas decolonizing the gaze Olivier Barlet |
| title_full_unstemmed | African cinemas decolonizing the gaze Olivier Barlet |
| title_short | African cinemas |
| title_sort | african cinemas decolonizing the gaze |
| title_sub | decolonizing the gaze |
| topic | Blik (kijken) gtt Cinematography - Africa Filmkunst gtt Mass media - Africa Motion pictures - Africa Film Geschichte Massenmedien Motion pictures Africa, Sub-Saharan History Film (DE-588)4017102-4 gnd |
| topic_facet | Blik (kijken) Cinematography - Africa Filmkunst Mass media - Africa Motion pictures - Africa Film Geschichte Massenmedien Motion pictures Africa, Sub-Saharan History Afrika Subsaharisches Afrika |
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