The gaze and the labyrinth: the cinema of Liliana Cavani
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| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Princeton, NJ
Princeton Univ. Press
2000
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | XVIII, 308 S. Ill. |
| ISBN: | 0691031932 0691008736 |
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MARC
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Record in the Search Index
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| adam_text | Titel: The gaze and the labyrinth
Autor: Marrone, Gaetana
Jahr: 2000
Contents
List of Photographic Reproductions ix
Preface xiii
Acknowledgments xvii
Introduction 3
PART ONE. THE LABYRINTH: COGNITION AND
TRAGIC IMAGINATION 15
1. Francesco di Assist. The Medieval Chronicle and the Establishing
of Physical Reality 17
2. Realism against Illusion: The Ceremonial Divestiture of Power
in Galileo 37
3. Metaphors of Revolt: The Dialogic Silence in I cannibali 57
PART TWO. THE TRANSGRESSIVE GAZE: STYLE AS TENSION 79
4. Toward a Negative Mythopoeia: Spectacle, Memory, and
Representation in The Night Porter 81
5. Staging the Gaze: Beyond Good and Evil 116
6. Theatricality and Reflexivity in The Berlin Affair 140
PART THREE. METAPHORS OF VISION 159
7. The Architectonics of Form: Francesco and Milarepa 161
8. The Essential Solitude: A Conclusion 188
Notes 195
Filmography 251
Bibliography 259
Index 305
List of Photographic Reproductions
All photographic illustrations in this book are taken from Liliana Cavani s
personal collection. They comprise photographic tests, production stills, and
frame reproductions. They will all be referred to as frames.
Frame 1. Liliana Cavani and director of photography Giuseppe Ruzzolini
collaborating on Francesco di Assisi (Francis of Assisi, 1966) 20
Frame 2. The laboratory of Pietro Bemardone, the cloth merchant 25
Frame 3. The pope s emissary, the embodiment of religious authority 26
Frame 4. Francesco (Lou Castel), a conventionally idle youth 28
Frame 5. Francesco and the crucifix in San Damiano 30
Frame 6. Close-up of Francesco and the Christus Triumphans 31
Frame 7. Mickey Rourke and the Byzantine icon in Francesco (1989) 32
Frame 8. Cavani directs Lou Castel 33
Frame 9. The civil action of Pietro Bernardone against his son
Francesco 34
Frame 10. Francesco s symbolic and physical divestiture 35
Frame 11. The anatomic amphitheater at the University of Padua in
Galileo (1968) 41
Frame 12. Anatomy professor Acquapendente refutes the Galenic
school of medicine 41
Frame 13. Galileo (Cyril Cusak) works on l occhiale (the
telescopic lens) 42
Frame 14. Galileo at the telescope 42
Frame 15. Galileo displays a map of the Copernican system 45
Frame 16. Set design for Bernini s tomb of Pope Urban VIII by
Ezio Frigerio 48
Frame 17. Galileo s interrogation by the Roman Inquisition 49
Frame 18. Close-up of the trial 49
Frame 19. The strategic tactics of the Inquisition: torture as a judicial
game 50
Frame 20. The procession through the streets of Rome: Galileo wearing
the penitent s tunic and hat 51
Frame 21. The reading of the official sentence by the Dominican
commissary 52
Frame 22. The abjuration of Galileo Galilei 52
Frame 23. Giordano Bruno and the Grand Inquisitor 55
Frame 24. Antigone (Britt Ekland) and Tiresias (Pierre Clementi) defy
the orders of the city-state in I cannibali (The Cannibals, 1969) 61
X LIST OF PHOTOGRAPHIC REPRODUCTIONS
Frame 25. The architectural setting of mental institutions as agents
for training docile bodies 66
Frame 26. Antigone s interrogation at the military police headquarters 69
Frame 27. Antigone and Tiresias being chased at the Officers Club 71
Frame 28. Tiresias holding Antigone in his arms at the sauna baths:
a modern pieta. 72
Frame 29. Antigone and Tiresias set a white dove free in an empty
church 74
Frame 30. Tiresias holds a photograph of Antigone as he searches
through a pile of bodies 76
Frame 31. The public execution of Antigone and Tiresias in the
city square 76
Frame 32. Documenting horror in Storia del Terzo Reich (History of
the Third Reich, 1961-1962) 85
Frame 33. Max (Dirk Bogarde), the night porter 88
Frame 34. Cavani looking through the camera viewfinder with director
of photography Alfio Contini on the set of 11 portiere di notte (The
Night Porter, 1974) 93
Frame 35. Max s morbid taste for sadomasochistic games 96
Frame 36. Max terrorizes Lucia (Charlotte Rampling) in an empty
room, shooting at her with a pistol 96
Frame 37. Max s camera rolling: an authentic 1940s Leica 98
Frame 38. Lucia, as a fifteen-year-old girl, stands naked among other
prisoners 98
Frame 39. Lucia on the merry-go-round while being filmed by Max 99
Frame 40. The last shot of the film as Max and Lucia walk away from
the camera 102
Frame 41. Close-up of Lucia witnessing an act of sodomy inside the
concentration camp 106
Frame 42. Wide angle of the same scene 106
Frame 43. Production still of Liliana Cavani, with assistant director Paola
Tallarigo, and Dirk Bogarde 107
Frame 44. Bert Beherens (Amedeo Amodio) dances for Max 109
Frame 45. Bert s performance embodies the visual stage of Nazism 109
Frame 46. Costume designer Piero Tosi preparing Charlotte Rampling
for the cabaret scene 112
Frame 47. Lucia/Salome performs in the Nazi cabaret scene 113
Frame 48. Dominique Sanda (Lou Salome), Erland josephson (Friedrich
Nietzsche), and Robert Powell (Paul Ree) in Al di Id del bene e del male
(Beyond Good and Evil, 1977) 118
Frame 49. The sodomization of Paul Ree 123
LIST OF PHOTOGRAPHIC REPRODUCTIONS xi
Frame 50. Lou, Paul, and Fritz as voyeurs, wanderers, and artists
of life 126
Frame 51. Lou and Paul at the Palatine 128
Frame 52. The homosexual transgressive games among the Roman
ruins 128
Frame 53. A re-creation of the photograph by Jules Bonnet originally
taken in Lucerne on May 13, 1882 132
Frame 54. The hysterical Elizabeth Forster-Nietzsche (Vima Lisi) being
comforted by her brother 134
Frame 55. Fritz encounters Doctor Dulcamara (the Devil) in Venice 135
Frame 56. The mask of death 135
Frame 57. Nietzsche s hallucinatory reactions to the ballet of Good
and Evil 136
Frame 58. A scene from the ballet 137
Frame 59. The dancers (Amedeo Amodio and Robert Jose Pomper) 137
Frame 60. Gudrun Landgrebe (Louise) and Mio Takaki (Mitsuko) in
Interno berlinese (The Berlin Affair, 1985) 141
Frame 61. The Aryan model at the Berlin Institute of Fine Arts 145
Frame 62. The mystique of the forbidden love affair 148
Frame 63. Continuation of the same scene 148
Frame 64. The lovers triangle with Heinz (Kevin McNally), Louise s
husband 150
Frame 65. Mitsuko as a geisha 154
Frame 66. Cavani with Mio Takaki and costume designer Josoburo
Tsujimura 156
Frame 67. Mickey Rourke in the title role of Francesco (1989) 162
Frame 68. Chiara (Helena Bonham Carter) kneeling next to Francesco s
body in San Damiano 164
Frame 69. Chiara entering the tent where the story unfolds 165
Frame 70. Identical scene of the tent in Milarepa (1973) 166
Frame 71. God s physical sign: the stigmata 169
Frame 72. Lajos Balazsovitz as Milarepa building the tower of stones 172
Frame 73. Identical scene in Francesco with Mickey Rourke 172
Frame 74. Lumley and Albert Bennett (Paolo Bonacelli) in the
automobile accident 176
Frame 75. Milarepa learns black magic with the Man from Nyag 178
Frame 76. Milarepa meditates on how to destroy his uncle s house 179
Frame 77. The tree of death 181
Frame 78. The fisherman of eternal life 181
Frame 79. Marpa looks upon his new disciple 182
Frame 80. The physical ordeals of renewal in Milarepa 184
Frame 81. Similar scene repeated in Francesco 185
xii LIST OF PHOTOGRAPHIC REPRODUCTIONS
Frame 82. Milarepa performs the funerary rites for his teacher Marpa 186
Frame 83. Milarepa walking toward the horizon in the closing scene 187
Frame 84. Ko Morobushi as the Butoh dancer in Dove siete? lo
sono qui (Where Are You? I m Here, 1993) 190
Frame 85. The dancer lying naked onstage 191
|
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| physical | XVIII, 308 S. Ill. |
| publishDate | 2000 |
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| spelling | Marrone, Gaetana 1946- Verfasser (DE-588)132761084 aut The gaze and the labyrinth the cinema of Liliana Cavani Gaetana Marrone Princeton, NJ Princeton Univ. Press 2000 XVIII, 308 S. Ill. txt rdacontent n rdamedia nc rdacarrier Cavani, Liliana - Critique et interprétation Cavani, Liliana Criticism and interpretation Cavani, Liliana 1936- (DE-588)119202468 gnd rswk-swf Filmkunst gtt Film Film (DE-588)4017102-4 gnd rswk-swf Cavani, Liliana 1936- (DE-588)119202468 p Film (DE-588)4017102-4 s DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009025245&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Marrone, Gaetana 1946- The gaze and the labyrinth the cinema of Liliana Cavani Cavani, Liliana - Critique et interprétation Cavani, Liliana Criticism and interpretation Cavani, Liliana 1936- (DE-588)119202468 gnd Filmkunst gtt Film Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)119202468 (DE-588)4017102-4 |
| title | The gaze and the labyrinth the cinema of Liliana Cavani |
| title_auth | The gaze and the labyrinth the cinema of Liliana Cavani |
| title_exact_search | The gaze and the labyrinth the cinema of Liliana Cavani |
| title_full | The gaze and the labyrinth the cinema of Liliana Cavani Gaetana Marrone |
| title_fullStr | The gaze and the labyrinth the cinema of Liliana Cavani Gaetana Marrone |
| title_full_unstemmed | The gaze and the labyrinth the cinema of Liliana Cavani Gaetana Marrone |
| title_short | The gaze and the labyrinth |
| title_sort | the gaze and the labyrinth the cinema of liliana cavani |
| title_sub | the cinema of Liliana Cavani |
| topic | Cavani, Liliana - Critique et interprétation Cavani, Liliana Criticism and interpretation Cavani, Liliana 1936- (DE-588)119202468 gnd Filmkunst gtt Film Film (DE-588)4017102-4 gnd |
| topic_facet | Cavani, Liliana - Critique et interprétation Cavani, Liliana Criticism and interpretation Cavani, Liliana 1936- Filmkunst Film |
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