Color and meaning: art, science, and symbolism
Is color just a physiological reaction, a sensation resulting from different wave lengths of light on receptors in our eyes? Does color have an effect on our feelings? The phenomenon of color is examined in extraordinary new ways in John Gage's latest book. His pioneering study is informed by t...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Berkeley [u.a.]
Univ. of California Press
1999
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Schlagworte: | |
Online-Zugang: | Contributor biographical information Publisher description |
Zusammenfassung: | Is color just a physiological reaction, a sensation resulting from different wave lengths of light on receptors in our eyes? Does color have an effect on our feelings? The phenomenon of color is examined in extraordinary new ways in John Gage's latest book. His pioneering study is informed by the conviction that color is a contingent, historical occurrence whose meaning, like language, lies in the particular contexts in which it is experienced and interpreted. Gage covers topics as diverse as the optical mixing techniques implicit in mosaic; medieval color-symbolism; the equipment of the manuscript illuminator's workshop, the color languages and color practices of Latin America at the time of the Spanish Conquest; the earliest history of the prism; and the color ideas of Goethe and Runge, Blake and Turner, Seurat and Matisse From the perspective of the history of science, Gage considers the bearing of Newton's optical discoveries on painting, the chemist Chevreul's contact with painters and the growing interest of experimental psychologists in the topic of color in the late nineteenth century, particularly in relation to synaesthesia. He includes an invaluable overview of the twentieth-century literature that bears on the historical interpretation of color in art. Gage's explorations further extend the concepts he addressed in his prize-winning book, Color and Culture. Includes information on Georges Seurat, Paul Signac, rainbow, Ogden Rood, Camille Pissaro, Sir Isaac Newton, Piet Mondrian, Henri Matisse, Edouard Manet, Kasimir Malevich, light, Leonardo da Vinci, Wassily Kandinsky, Charles Henry, Hermann von Helmholz, Johann Wolfgang von Goethe, George Field, Felix Feneon, G.T Fechner, the four elements, Theo van Doesburg, Renee Descartes, Giovanni Battista Della Porta, Robert Delaunay, Eugene Delacroix, darkness, Michel Eugene Chevreul, Charles Blanc, William Blake, Bauhaus, Roger Bacon, Aristotle, Alhazen (Ibn al Haytham), Albertus Magnus, Leon Battista Alberti, Josef Albers, etc |
Beschreibung: | 320 S. Ill. |
ISBN: | 0520220390 |
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520 | 3 | |a Is color just a physiological reaction, a sensation resulting from different wave lengths of light on receptors in our eyes? Does color have an effect on our feelings? The phenomenon of color is examined in extraordinary new ways in John Gage's latest book. His pioneering study is informed by the conviction that color is a contingent, historical occurrence whose meaning, like language, lies in the particular contexts in which it is experienced and interpreted. Gage covers topics as diverse as the optical mixing techniques implicit in mosaic; medieval color-symbolism; the equipment of the manuscript illuminator's workshop, the color languages and color practices of Latin America at the time of the Spanish Conquest; the earliest history of the prism; and the color ideas of Goethe and Runge, Blake and Turner, Seurat and Matisse | |
520 | 3 | |a From the perspective of the history of science, Gage considers the bearing of Newton's optical discoveries on painting, the chemist Chevreul's contact with painters and the growing interest of experimental psychologists in the topic of color in the late nineteenth century, particularly in relation to synaesthesia. He includes an invaluable overview of the twentieth-century literature that bears on the historical interpretation of color in art. Gage's explorations further extend the concepts he addressed in his prize-winning book, Color and Culture. Includes information on Georges Seurat, Paul Signac, rainbow, Ogden Rood, Camille Pissaro, Sir Isaac Newton, Piet Mondrian, Henri Matisse, Edouard Manet, Kasimir Malevich, light, Leonardo da Vinci, Wassily Kandinsky, Charles Henry, Hermann von Helmholz, Johann Wolfgang von Goethe, George Field, Felix Feneon, G.T | |
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Datensatz im Suchindex
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---|---|
any_adam_object | |
author | Gage, John |
author_facet | Gage, John |
author_role | aut |
author_sort | Gage, John |
author_variant | j g jg |
building | Verbundindex |
bvnumber | BV013048174 |
callnumber-first | N - Fine Arts |
callnumber-label | ND1488 |
callnumber-raw | ND1488.G344 1999 |
callnumber-search | ND1488.G344 1999 |
callnumber-sort | ND 41488 G344 41999 |
callnumber-subject | ND - Painting |
classification_rvk | LH 61342 |
ctrlnum | (OCoLC)41254268 (DE-599)BVBBV013048174 |
dewey-full | 701/.85 701/.8521 |
dewey-hundreds | 700 - The arts |
dewey-ones | 701 - Philosophy of fine & decorative arts |
dewey-raw | 701/.85 701/.85 21 |
dewey-search | 701/.85 701/.85 21 |
dewey-sort | 3701 285 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
format | Book |
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id | DE-604.BV013048174 |
illustrated | Illustrated |
indexdate | 2024-07-09T18:38:15Z |
institution | BVB |
isbn | 0520220390 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-008890327 |
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owner_facet | DE-12 DE-521 DE-11 |
physical | 320 S. Ill. |
publishDate | 1999 |
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publisher | Univ. of California Press |
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spelling | Gage, John Verfasser aut Color and meaning art, science, and symbolism John Gage Berkeley [u.a.] Univ. of California Press 1999 320 S. Ill. txt rdacontent n rdamedia nc rdacarrier Is color just a physiological reaction, a sensation resulting from different wave lengths of light on receptors in our eyes? Does color have an effect on our feelings? The phenomenon of color is examined in extraordinary new ways in John Gage's latest book. His pioneering study is informed by the conviction that color is a contingent, historical occurrence whose meaning, like language, lies in the particular contexts in which it is experienced and interpreted. Gage covers topics as diverse as the optical mixing techniques implicit in mosaic; medieval color-symbolism; the equipment of the manuscript illuminator's workshop, the color languages and color practices of Latin America at the time of the Spanish Conquest; the earliest history of the prism; and the color ideas of Goethe and Runge, Blake and Turner, Seurat and Matisse From the perspective of the history of science, Gage considers the bearing of Newton's optical discoveries on painting, the chemist Chevreul's contact with painters and the growing interest of experimental psychologists in the topic of color in the late nineteenth century, particularly in relation to synaesthesia. He includes an invaluable overview of the twentieth-century literature that bears on the historical interpretation of color in art. Gage's explorations further extend the concepts he addressed in his prize-winning book, Color and Culture. Includes information on Georges Seurat, Paul Signac, rainbow, Ogden Rood, Camille Pissaro, Sir Isaac Newton, Piet Mondrian, Henri Matisse, Edouard Manet, Kasimir Malevich, light, Leonardo da Vinci, Wassily Kandinsky, Charles Henry, Hermann von Helmholz, Johann Wolfgang von Goethe, George Field, Felix Feneon, G.T Fechner, the four elements, Theo van Doesburg, Renee Descartes, Giovanni Battista Della Porta, Robert Delaunay, Eugene Delacroix, darkness, Michel Eugene Chevreul, Charles Blanc, William Blake, Bauhaus, Roger Bacon, Aristotle, Alhazen (Ibn al Haytham), Albertus Magnus, Leon Battista Alberti, Josef Albers, etc Couleur Couleur - Aspect psychologique Couleur dans l'art Psychologie Color in art Color -- Psychological aspects Color Farbe (DE-588)4016443-3 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Farbensymbolik (DE-588)4071117-1 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf Farbenlehre (DE-588)4113517-9 gnd rswk-swf Farbenlehre (DE-588)4113517-9 s Geschichte (DE-588)4020517-4 s DE-604 Farbensymbolik (DE-588)4071117-1 s Farbe (DE-588)4016443-3 s Kunst (DE-588)4114333-4 s http://www.loc.gov/catdir/bios/ucal052/99211607.html Contributor biographical information http://www.loc.gov/catdir/description/ucal042/99211607.html Publisher description |
spellingShingle | Gage, John Color and meaning art, science, and symbolism Couleur Couleur - Aspect psychologique Couleur dans l'art Psychologie Color in art Color -- Psychological aspects Color Farbe (DE-588)4016443-3 gnd Kunst (DE-588)4114333-4 gnd Farbensymbolik (DE-588)4071117-1 gnd Geschichte (DE-588)4020517-4 gnd Farbenlehre (DE-588)4113517-9 gnd |
subject_GND | (DE-588)4016443-3 (DE-588)4114333-4 (DE-588)4071117-1 (DE-588)4020517-4 (DE-588)4113517-9 |
title | Color and meaning art, science, and symbolism |
title_auth | Color and meaning art, science, and symbolism |
title_exact_search | Color and meaning art, science, and symbolism |
title_full | Color and meaning art, science, and symbolism John Gage |
title_fullStr | Color and meaning art, science, and symbolism John Gage |
title_full_unstemmed | Color and meaning art, science, and symbolism John Gage |
title_short | Color and meaning |
title_sort | color and meaning art science and symbolism |
title_sub | art, science, and symbolism |
topic | Couleur Couleur - Aspect psychologique Couleur dans l'art Psychologie Color in art Color -- Psychological aspects Color Farbe (DE-588)4016443-3 gnd Kunst (DE-588)4114333-4 gnd Farbensymbolik (DE-588)4071117-1 gnd Geschichte (DE-588)4020517-4 gnd Farbenlehre (DE-588)4113517-9 gnd |
topic_facet | Couleur Couleur - Aspect psychologique Couleur dans l'art Psychologie Color in art Color -- Psychological aspects Color Farbe Kunst Farbensymbolik Geschichte Farbenlehre |
url | http://www.loc.gov/catdir/bios/ucal052/99211607.html http://www.loc.gov/catdir/description/ucal042/99211607.html |
work_keys_str_mv | AT gagejohn colorandmeaningartscienceandsymbolism |