Fiction in the age of photography: the legacy of British realism
"Victorians were fascinated with how accurately photography could copy people, the places they inhabited, and the objects surrounding them. Much more important, however, is the way in which Victorian people, places, and things came to resemble photographs. In this provocative study of British r...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, Mass. [u.a.]
Harvard Univ. Press
1999
|
| Schlagworte: | |
| Zusammenfassung: | "Victorians were fascinated with how accurately photography could copy people, the places they inhabited, and the objects surrounding them. Much more important, however, is the way in which Victorian people, places, and things came to resemble photographs. In this provocative study of British realism, Nancy Armstrong explains how fiction entered into a relationship with the new popular art of photography that transformed the world into a picture. By the 1860s, to know virtually anyone or anything was to understand how to place him, her, or it in that world on the basis of characteristics that either had been or could be captured in one of several photographic genres. So willing was the readership to think of the real as photographs that authors from Charles Dickens to the Brontes, Lewis Carroll, H. Rider Haggard, Oscar Wilde, D. H. Lawrence, E. M. Forster, and Virginia Woolf had to use the same visual conventions to represent what was real, especially when they sought to debunk those conventions."--BOOK JACKET. |
| Beschreibung: | XIII, 338 S. Ill. |
| ISBN: | 0674299302 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV012875474 | ||
| 003 | DE-604 | ||
| 005 | 20100916 | ||
| 007 | t | ||
| 008 | 991125s1999 xxua||| |||| 00||| eng d | ||
| 020 | |a 0674299302 |9 0-674-29930-2 | ||
| 035 | |a (OCoLC)41565217 | ||
| 035 | |a (DE-599)BVBBV012875474 | ||
| 040 | |a DE-604 |b ger |e rakddb | ||
| 041 | 0 | |a eng | |
| 044 | |a xxu |c XD-US | ||
| 049 | |a DE-703 |a DE-739 |a DE-12 |a DE-355 |a DE-29 |a DE-20 |a DE-473 |a DE-824 |a DE-521 | ||
| 050 | 0 | |a PR878.R4A76 1999 | |
| 082 | 0 | |a 823/.80912 |2 21 | |
| 082 | 0 | |a 823/.80912 21 | |
| 084 | |a HL 1132 |0 (DE-625)50387: |2 rvk | ||
| 084 | |a HL 1331 |0 (DE-625)50430: |2 rvk | ||
| 100 | 1 | |a Armstrong, Nancy |d 1938- |e Verfasser |0 (DE-588)131577743 |4 aut | |
| 245 | 1 | 0 | |a Fiction in the age of photography |b the legacy of British realism |c Nancy Armstrong |
| 264 | 1 | |a Cambridge, Mass. [u.a.] |b Harvard Univ. Press |c 1999 | |
| 300 | |a XIII, 338 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 1 | |a "Victorians were fascinated with how accurately photography could copy people, the places they inhabited, and the objects surrounding them. Much more important, however, is the way in which Victorian people, places, and things came to resemble photographs. In this provocative study of British realism, Nancy Armstrong explains how fiction entered into a relationship with the new popular art of photography that transformed the world into a picture. By the 1860s, to know virtually anyone or anything was to understand how to place him, her, or it in that world on the basis of characteristics that either had been or could be captured in one of several photographic genres. So willing was the readership to think of the real as photographs that authors from Charles Dickens to the Brontes, Lewis Carroll, H. Rider Haggard, Oscar Wilde, D. H. Lawrence, E. M. Forster, and Virginia Woolf had to use the same visual conventions to represent what was real, especially when they sought to debunk those conventions."--BOOK JACKET. | |
| 648 | 4 | |a Geschichte 1900-2000 | |
| 648 | 4 | |a Geschichte 1800-1900 | |
| 648 | 7 | |a Geschichte 1860-1902 |2 gnd |9 rswk-swf | |
| 648 | 7 | |a Geschichte 1840-1910 |2 gnd |9 rswk-swf | |
| 650 | 7 | |a Engels |2 gtt | |
| 650 | 7 | |a Fotografie |2 gtt | |
| 650 | 7 | |a Letterkunde |2 gtt | |
| 650 | 4 | |a Photographie et littérature - Grande-Bretagne - Histoire - 19e siècle | |
| 650 | 7 | |a Realisme (letterkunde) |2 gtt | |
| 650 | 4 | |a Roman anglais - 19e siècle - Histoire et critique | |
| 650 | 4 | |a Roman anglais - 20e siècle - Histoire et critique | |
| 650 | 4 | |a Réalisme dans la littérature | |
| 650 | 4 | |a Englisch | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Literatur | |
| 650 | 4 | |a English fiction -- 19th century -- History and criticism | |
| 650 | 4 | |a Realism in literature | |
| 650 | 4 | |a Literature and photography -- Great Britain -- History -- 19th century | |
| 650 | 4 | |a Literature and photography -- Great Britain -- History -- 20th century | |
| 650 | 4 | |a English fiction -- 20th century -- History and criticism | |
| 650 | 0 | 7 | |a Realismus |0 (DE-588)4048680-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Literatur |0 (DE-588)4035964-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Fotografie |0 (DE-588)4045895-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Englisch |0 (DE-588)4014777-0 |2 gnd |9 rswk-swf |
| 651 | 4 | |a Großbritannien | |
| 689 | 0 | 0 | |a Englisch |0 (DE-588)4014777-0 |D s |
| 689 | 0 | 1 | |a Literatur |0 (DE-588)4035964-5 |D s |
| 689 | 0 | 2 | |a Realismus |0 (DE-588)4048680-1 |D s |
| 689 | 0 | 3 | |a Fotografie |0 (DE-588)4045895-7 |D s |
| 689 | 0 | 4 | |a Geschichte 1840-1910 |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Englisch |0 (DE-588)4014777-0 |D s |
| 689 | 1 | 1 | |a Literatur |0 (DE-588)4035964-5 |D s |
| 689 | 1 | 2 | |a Fotografie |0 (DE-588)4045895-7 |D s |
| 689 | 1 | 3 | |a Geschichte 1860-1902 |A z |
| 689 | 1 | |5 DE-604 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-008763662 | ||
Datensatz im Suchindex
| _version_ | 1804127560522530816 |
|---|---|
| any_adam_object | |
| author | Armstrong, Nancy 1938- |
| author_GND | (DE-588)131577743 |
| author_facet | Armstrong, Nancy 1938- |
| author_role | aut |
| author_sort | Armstrong, Nancy 1938- |
| author_variant | n a na |
| building | Verbundindex |
| bvnumber | BV012875474 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR878 |
| callnumber-raw | PR878.R4A76 1999 |
| callnumber-search | PR878.R4A76 1999 |
| callnumber-sort | PR 3878 R4 A76 41999 |
| callnumber-subject | PR - English Literature |
| classification_rvk | HL 1132 HL 1331 |
| ctrlnum | (OCoLC)41565217 (DE-599)BVBBV012875474 |
| dewey-full | 823/.80912 823/.8091221 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 823 - English fiction |
| dewey-raw | 823/.80912 823/.80912 21 |
| dewey-search | 823/.80912 823/.80912 21 |
| dewey-sort | 3823 580912 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| era | Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1860-1902 gnd Geschichte 1840-1910 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1860-1902 Geschichte 1840-1910 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03845nam a2200769 c 4500</leader><controlfield tag="001">BV012875474</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20100916 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">991125s1999 xxua||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0674299302</subfield><subfield code="9">0-674-29930-2</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)41565217</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV012875474</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakddb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">XD-US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-703</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-29</subfield><subfield code="a">DE-20</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-824</subfield><subfield code="a">DE-521</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PR878.R4A76 1999</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">823/.80912</subfield><subfield code="2">21</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">823/.80912 21</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HL 1132</subfield><subfield code="0">(DE-625)50387:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HL 1331</subfield><subfield code="0">(DE-625)50430:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Armstrong, Nancy</subfield><subfield code="d">1938-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)131577743</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Fiction in the age of photography</subfield><subfield code="b">the legacy of British realism</subfield><subfield code="c">Nancy Armstrong</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge, Mass. [u.a.]</subfield><subfield code="b">Harvard Univ. Press</subfield><subfield code="c">1999</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XIII, 338 S.</subfield><subfield code="b">Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="1" ind2=" "><subfield code="a">"Victorians were fascinated with how accurately photography could copy people, the places they inhabited, and the objects surrounding them. Much more important, however, is the way in which Victorian people, places, and things came to resemble photographs. In this provocative study of British realism, Nancy Armstrong explains how fiction entered into a relationship with the new popular art of photography that transformed the world into a picture. By the 1860s, to know virtually anyone or anything was to understand how to place him, her, or it in that world on the basis of characteristics that either had been or could be captured in one of several photographic genres. So willing was the readership to think of the real as photographs that authors from Charles Dickens to the Brontes, Lewis Carroll, H. Rider Haggard, Oscar Wilde, D. H. Lawrence, E. M. Forster, and Virginia Woolf had to use the same visual conventions to represent what was real, especially when they sought to debunk those conventions."--BOOK JACKET.</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1900-2000</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1800-1900</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1860-1902</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1840-1910</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Engels</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Fotografie</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Letterkunde</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Photographie et littérature - Grande-Bretagne - Histoire - 19e siècle</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Realisme (letterkunde)</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Roman anglais - 19e siècle - Histoire et critique</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Roman anglais - 20e siècle - Histoire et critique</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Réalisme dans la littérature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Englisch</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Literatur</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English fiction -- 19th century -- History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Realism in literature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Literature and photography -- Great Britain -- History -- 19th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Literature and photography -- Great Britain -- History -- 20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English fiction -- 20th century -- History and criticism</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Realismus</subfield><subfield code="0">(DE-588)4048680-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Fotografie</subfield><subfield code="0">(DE-588)4045895-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Großbritannien</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Realismus</subfield><subfield code="0">(DE-588)4048680-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Fotografie</subfield><subfield code="0">(DE-588)4045895-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte 1840-1910</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Fotografie</subfield><subfield code="0">(DE-588)4045895-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Geschichte 1860-1902</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-008763662</subfield></datafield></record></collection> |
| geographic | Großbritannien |
| geographic_facet | Großbritannien |
| id | DE-604.BV012875474 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T18:35:17Z |
| institution | BVB |
| isbn | 0674299302 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-008763662 |
| oclc_num | 41565217 |
| open_access_boolean | |
| owner | DE-703 DE-739 DE-12 DE-355 DE-BY-UBR DE-29 DE-20 DE-473 DE-BY-UBG DE-824 DE-521 |
| owner_facet | DE-703 DE-739 DE-12 DE-355 DE-BY-UBR DE-29 DE-20 DE-473 DE-BY-UBG DE-824 DE-521 |
| physical | XIII, 338 S. Ill. |
| publishDate | 1999 |
| publishDateSearch | 1999 |
| publishDateSort | 1999 |
| publisher | Harvard Univ. Press |
| record_format | marc |
| spelling | Armstrong, Nancy 1938- Verfasser (DE-588)131577743 aut Fiction in the age of photography the legacy of British realism Nancy Armstrong Cambridge, Mass. [u.a.] Harvard Univ. Press 1999 XIII, 338 S. Ill. txt rdacontent n rdamedia nc rdacarrier "Victorians were fascinated with how accurately photography could copy people, the places they inhabited, and the objects surrounding them. Much more important, however, is the way in which Victorian people, places, and things came to resemble photographs. In this provocative study of British realism, Nancy Armstrong explains how fiction entered into a relationship with the new popular art of photography that transformed the world into a picture. By the 1860s, to know virtually anyone or anything was to understand how to place him, her, or it in that world on the basis of characteristics that either had been or could be captured in one of several photographic genres. So willing was the readership to think of the real as photographs that authors from Charles Dickens to the Brontes, Lewis Carroll, H. Rider Haggard, Oscar Wilde, D. H. Lawrence, E. M. Forster, and Virginia Woolf had to use the same visual conventions to represent what was real, especially when they sought to debunk those conventions."--BOOK JACKET. Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1860-1902 gnd rswk-swf Geschichte 1840-1910 gnd rswk-swf Engels gtt Fotografie gtt Letterkunde gtt Photographie et littérature - Grande-Bretagne - Histoire - 19e siècle Realisme (letterkunde) gtt Roman anglais - 19e siècle - Histoire et critique Roman anglais - 20e siècle - Histoire et critique Réalisme dans la littérature Englisch Geschichte Literatur English fiction -- 19th century -- History and criticism Realism in literature Literature and photography -- Great Britain -- History -- 19th century Literature and photography -- Great Britain -- History -- 20th century English fiction -- 20th century -- History and criticism Realismus (DE-588)4048680-1 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Großbritannien Englisch (DE-588)4014777-0 s Literatur (DE-588)4035964-5 s Realismus (DE-588)4048680-1 s Fotografie (DE-588)4045895-7 s Geschichte 1840-1910 z DE-604 Geschichte 1860-1902 z |
| spellingShingle | Armstrong, Nancy 1938- Fiction in the age of photography the legacy of British realism Engels gtt Fotografie gtt Letterkunde gtt Photographie et littérature - Grande-Bretagne - Histoire - 19e siècle Realisme (letterkunde) gtt Roman anglais - 19e siècle - Histoire et critique Roman anglais - 20e siècle - Histoire et critique Réalisme dans la littérature Englisch Geschichte Literatur English fiction -- 19th century -- History and criticism Realism in literature Literature and photography -- Great Britain -- History -- 19th century Literature and photography -- Great Britain -- History -- 20th century English fiction -- 20th century -- History and criticism Realismus (DE-588)4048680-1 gnd Literatur (DE-588)4035964-5 gnd Fotografie (DE-588)4045895-7 gnd Englisch (DE-588)4014777-0 gnd |
| subject_GND | (DE-588)4048680-1 (DE-588)4035964-5 (DE-588)4045895-7 (DE-588)4014777-0 |
| title | Fiction in the age of photography the legacy of British realism |
| title_auth | Fiction in the age of photography the legacy of British realism |
| title_exact_search | Fiction in the age of photography the legacy of British realism |
| title_full | Fiction in the age of photography the legacy of British realism Nancy Armstrong |
| title_fullStr | Fiction in the age of photography the legacy of British realism Nancy Armstrong |
| title_full_unstemmed | Fiction in the age of photography the legacy of British realism Nancy Armstrong |
| title_short | Fiction in the age of photography |
| title_sort | fiction in the age of photography the legacy of british realism |
| title_sub | the legacy of British realism |
| topic | Engels gtt Fotografie gtt Letterkunde gtt Photographie et littérature - Grande-Bretagne - Histoire - 19e siècle Realisme (letterkunde) gtt Roman anglais - 19e siècle - Histoire et critique Roman anglais - 20e siècle - Histoire et critique Réalisme dans la littérature Englisch Geschichte Literatur English fiction -- 19th century -- History and criticism Realism in literature Literature and photography -- Great Britain -- History -- 19th century Literature and photography -- Great Britain -- History -- 20th century English fiction -- 20th century -- History and criticism Realismus (DE-588)4048680-1 gnd Literatur (DE-588)4035964-5 gnd Fotografie (DE-588)4045895-7 gnd Englisch (DE-588)4014777-0 gnd |
| topic_facet | Engels Fotografie Letterkunde Photographie et littérature - Grande-Bretagne - Histoire - 19e siècle Realisme (letterkunde) Roman anglais - 19e siècle - Histoire et critique Roman anglais - 20e siècle - Histoire et critique Réalisme dans la littérature Englisch Geschichte Literatur English fiction -- 19th century -- History and criticism Realism in literature Literature and photography -- Great Britain -- History -- 19th century Literature and photography -- Great Britain -- History -- 20th century English fiction -- 20th century -- History and criticism Realismus Großbritannien |
| work_keys_str_mv | AT armstrongnancy fictionintheageofphotographythelegacyofbritishrealism |