Double exposures: the subject of cultural analysis
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Routledge
1996
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XIV, 338 S. Ill. |
| ISBN: | 0415917042 0415917034 |
Internformat
MARC
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| 650 | 4 | |a Communication et culture | |
| 650 | 4 | |a Culture | |
| 650 | 7 | |a Musea |2 gtt | |
| 650 | 4 | |a Musées - Aspect social | |
| 650 | 4 | |a Musées - Expositions | |
| 650 | 7 | |a Presentatie |2 gtt | |
| 650 | 7 | |a Verteltheorie |2 gtt | |
| 650 | 4 | |a Gesellschaft | |
| 650 | 4 | |a Culture | |
| 650 | 4 | |a Communication and culture | |
| 650 | 4 | |a Museum exhibits | |
| 650 | 4 | |a Museums -- Social aspects | |
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| 249 | |a <<with Das>> Gesicht an der Wand |v Edwin Janssen | ||
Datensatz im Suchindex
| _version_ | 1804127493035130880 |
|---|---|
| adam_text | CONTENTS
ACKNOWLEDGMENTS
EDWIN
JANSSEN,
ОЛЅ вШЅЕСНТ
АН
ĐKH
»AHO
INTRODUCTION
TELLING. SHOWING, SHOWING OFF
13
in which the threshold between two worlds is more telling than
the division between the two sides of New York s Central Park,
and words expose images exposing words
m
Setting as Image, Nature as Sign
■
Who Is Speaking?
■
Asian
Mammals: The Politics of Transition
■
The Contest between Time
and Space: Evolution and Taxonomy
■
Circular Eplstemology
■
In
the
Beginnina
Was the Word
■
Picking Up Crumbs
■
Notes
■
THE VALVE FACTORY
57
ín
which issues of ownership and preservation reveal a first-person
narrator, and literary theory is brought in to learn the foreign language
spoken in museums; and in which the distinction between types of museums
turns out to be more than just labeling
m
The Medusa Effect
■
Discourses of Ownership and Conser¬
vation
■
For Goodness Sake
■
Repetition and Metaphor
■
On
Distinction
■
Difficulties of Looking and the Need to Read
■
Notes
■
5
t
TNI
TALKING MUSEUM
87
in which one image reads another by hanging next to it, and in which
panots can speak without imitating; but this requires that discourse be
liberated from the stronghold oflinguistic supremacy
■
Reading the Handwriting on the Wall
■
Museology versus
Museums
■
Speaking Spaces: Reading Rooms
■
Word and
Image Are But/Not One: Reading Walls
■
Reading Walls:
Second Episode
■
Allegorical Museology
■
Notes
■
------------------------------------------------------------------------------------------------------------------------------------------------
1
MUSIUMTALK
135
in which conversations lead to monologues and authority makes sense,
so that museology becomes a measure for cultural analysis
■
The Discourse of Museum Discourse
■
Artspeak
■
Art Apart
■
Situatedness
■
Showing Your Hand
■
Notes
■
FIRST PERSON, SECOND PERSON.
SAMi
PERSON 1G5
in which the best scholarship gets entangled in a narrative of display
in its very attempts to avoid such discourses, but where unknotting
those knots turns out to be worthwhile
m
Narrative under Suspicion
■
Telling Stories Is Harder Than You
Think
■
The New Epistemology
■
Narrative and Epistemology
■
Second Person?
■
Notes
■
A POSTCARD FROM
ТИІ
ID«
195
in which postcards, undeliverable for lack of a recent address,
can still be returned to sender
m
Playing Games
■
Beauty and the Critical Project a Showcase
■
The Subject of Eroticism
■
De-Distancing
■
Looking for Naughty
Boys
■
Pimp versus Client
■
Return to Sender
■
Notes
■
s
THE STORY OF W
225
in which lessons about reading metaphor against simplification
are practiced to save Lucretia s (after)life, and the struggle
to find words to fit images provides a model of
integrative
display
m
The Practice of Theory
■
Rape, Suicide, Signs, and Show
■
Contagious Logorrhea: Between Men
■
Vision Vying Violence:
Between Women
■
Expository Writing
■
Notes
■
HIS MASTER S EYE
255
in which it turns out not all modern men heed Shakespeare s will,
to the detriment of their own enjoyment; but some do, and thus
teach cultural analysis about its subject
m A
Vision That Is Not (One)
■
Portrait of the Expert as an Old
Man
m
Vision against Vision
ш
The Interests of Realism
■
The
Master s Piece
■
The Women Talk (Back)
■
Self-reflection:
Exposing Modes of Vision
■
Notes
■
ИЕЛО
HUNTING 2SS
in which Judith demonstrates that epistemology is not the
prerogative of philosophers, and images will point out,
for the last time, what can be shown, and what cannot
m
The Missing Head
■
Epistemic
Risks and
Gentileschi
■
Vision
and Narrative as Epistemologies
■
Judith as Epistemology,
Gentileschi
as Philosopher
■
Laying Bare
■
Notes
■
WORKS CITED
313
INDEX
331
|
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| author | Bal, Mieke 1946- Janssen, Edwin 1961- |
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| dewey-ones | 306 - Culture and institutions |
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| discipline | Kunstgeschichte Allgemeines Soziologie |
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| spelling | Bal, Mieke 1946- Verfasser (DE-588)118860615 aut Double exposures the subject of cultural analysis Mieke Bal New York [u.a.] Routledge 1996 XIV, 338 S. Ill. txt rdacontent n rdamedia nc rdacarrier Communication et culture Culture Musea gtt Musées - Aspect social Musées - Expositions Presentatie gtt Verteltheorie gtt Gesellschaft Communication and culture Museum exhibits Museums -- Social aspects Kultur (DE-588)4125698-0 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog gnd-content Kultur (DE-588)4125698-0 s DE-604 Janssen, Edwin 1961- (DE-588)119213400 aut Das Gesicht an der Wand Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008719679&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis <<with Das>> Gesicht an der Wand Edwin Janssen |
| spellingShingle | Bal, Mieke 1946- Janssen, Edwin 1961- Double exposures the subject of cultural analysis Communication et culture Culture Musea gtt Musées - Aspect social Musées - Expositions Presentatie gtt Verteltheorie gtt Gesellschaft Communication and culture Museum exhibits Museums -- Social aspects Kultur (DE-588)4125698-0 gnd |
| subject_GND | (DE-588)4125698-0 (DE-588)4135467-9 |
| title | Double exposures the subject of cultural analysis |
| title_alt | Das Gesicht an der Wand |
| title_auth | Double exposures the subject of cultural analysis |
| title_exact_search | Double exposures the subject of cultural analysis |
| title_full | Double exposures the subject of cultural analysis Mieke Bal |
| title_fullStr | Double exposures the subject of cultural analysis Mieke Bal |
| title_full_unstemmed | Double exposures the subject of cultural analysis Mieke Bal |
| title_short | Double exposures |
| title_sort | double exposures the subject of cultural analysis |
| title_sub | the subject of cultural analysis |
| topic | Communication et culture Culture Musea gtt Musées - Aspect social Musées - Expositions Presentatie gtt Verteltheorie gtt Gesellschaft Communication and culture Museum exhibits Museums -- Social aspects Kultur (DE-588)4125698-0 gnd |
| topic_facet | Communication et culture Culture Musea Musées - Aspect social Musées - Expositions Presentatie Verteltheorie Gesellschaft Communication and culture Museum exhibits Museums -- Social aspects Kultur Ausstellungskatalog |
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