Reflections on the sacred: a musicological perspective
Gespeichert in:
Weitere Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New Haven, CT
Yale Univ., Inst. of Sacred Music, Worship and the Arts
1994
|
Schriftenreihe: | Yale studies in sacred music, worship and the arts
|
Schlagworte: | |
Beschreibung: | Contents: Bach as theologian? / Paul Brainard. -- The meaning of entrance: liturgical commentaries and the introit tropes / Margot Fassler. -- The sacred element in Handel's music / Alfred Mann. -- The study of sacred music: a perspective from ethnomusicology / Kay Kaufman Shelemay. -- The use of the Old Testament in Handel's 'Israel in Egypt' / Robert R. Wilson. -- Mozart's Requiem: the composer's departure for a new style of church music / Christoph Wolff. - Articles originally presented as lectures at the Institute's colloquium series in January and February 1992 |
Beschreibung: | 45 Seiten Notenbeispiele 28 cm |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV012800272 | ||
003 | DE-604 | ||
005 | 20210811 | ||
007 | t | ||
008 | 991006s1994 gl|| |||| 10||| eng d | ||
035 | |a (OCoLC)32607267 | ||
035 | |a (DE-599)BVBBV012800272 | ||
040 | |a DE-604 |b ger |e rakddb | ||
041 | 0 | |a eng | |
049 | |a DE-12 | ||
050 | 0 | |a ML2900 | |
082 | 0 | |a 781.7 |2 21 | |
084 | |a 9,2 |2 ssgn | ||
245 | 1 | 0 | |a Reflections on the sacred |b a musicological perspective |c [guest ed.: Paul Brainard] |
264 | 1 | |a New Haven, CT |b Yale Univ., Inst. of Sacred Music, Worship and the Arts |c 1994 | |
300 | |a 45 Seiten |b Notenbeispiele |c 28 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Yale studies in sacred music, worship and the arts | |
500 | |a Contents: Bach as theologian? / Paul Brainard. -- The meaning of entrance: liturgical commentaries and the introit tropes / Margot Fassler. -- The sacred element in Handel's music / Alfred Mann. -- The study of sacred music: a perspective from ethnomusicology / Kay Kaufman Shelemay. -- The use of the Old Testament in Handel's 'Israel in Egypt' / Robert R. Wilson. -- Mozart's Requiem: the composer's departure for a new style of church music / Christoph Wolff. - Articles originally presented as lectures at the Institute's colloquium series in January and February 1992 | ||
648 | 7 | |a Geschichte 1700-1790 |2 gnd |9 rswk-swf | |
650 | 4 | |a Church music | |
650 | 4 | |a Musicology | |
650 | 0 | 7 | |a Geistliche Musik |0 (DE-588)4126228-1 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kirchenmusik |0 (DE-588)4030736-0 |2 gnd |9 rswk-swf |
655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
655 | 7 | |0 (DE-588)1071861417 |a Konferenzschrift |2 gnd-content | |
689 | 0 | 0 | |a Geistliche Musik |0 (DE-588)4126228-1 |D s |
689 | 0 | 1 | |a Geschichte 1700-1790 |A z |
689 | 0 | |5 DE-604 | |
689 | 1 | 0 | |a Kirchenmusik |0 (DE-588)4030736-0 |D s |
689 | 1 | |5 DE-604 | |
700 | 1 | |a Brainard, Paul |d 1928-2004 |0 (DE-588)119512521 |4 edt | |
999 | |a oai:aleph.bib-bvb.de:BVB01-008705185 |
Datensatz im Suchindex
_version_ | 1804127471175467008 |
---|---|
any_adam_object | |
author2 | Brainard, Paul 1928-2004 |
author2_role | edt |
author2_variant | p b pb |
author_GND | (DE-588)119512521 |
author_facet | Brainard, Paul 1928-2004 |
building | Verbundindex |
bvnumber | BV012800272 |
callnumber-first | M - Music |
callnumber-label | ML2900 |
callnumber-raw | ML2900 |
callnumber-search | ML2900 |
callnumber-sort | ML 42900 |
callnumber-subject | ML - Literature on Music |
ctrlnum | (OCoLC)32607267 (DE-599)BVBBV012800272 |
dewey-full | 781.7 |
dewey-hundreds | 700 - The arts |
dewey-ones | 781 - General principles and musical forms |
dewey-raw | 781.7 |
dewey-search | 781.7 |
dewey-sort | 3781.7 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
era | Geschichte 1700-1790 gnd |
era_facet | Geschichte 1700-1790 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02056nam a2200445 c 4500</leader><controlfield tag="001">BV012800272</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20210811 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">991006s1994 gl|| |||| 10||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)32607267</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV012800272</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakddb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML2900</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.7</subfield><subfield code="2">21</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Reflections on the sacred</subfield><subfield code="b">a musicological perspective</subfield><subfield code="c">[guest ed.: Paul Brainard]</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New Haven, CT</subfield><subfield code="b">Yale Univ., Inst. of Sacred Music, Worship and the Arts</subfield><subfield code="c">1994</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">45 Seiten</subfield><subfield code="b">Notenbeispiele</subfield><subfield code="c">28 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Yale studies in sacred music, worship and the arts</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Contents: Bach as theologian? / Paul Brainard. -- The meaning of entrance: liturgical commentaries and the introit tropes / Margot Fassler. -- The sacred element in Handel's music / Alfred Mann. -- The study of sacred music: a perspective from ethnomusicology / Kay Kaufman Shelemay. -- The use of the Old Testament in Handel's 'Israel in Egypt' / Robert R. Wilson. -- Mozart's Requiem: the composer's departure for a new style of church music / Christoph Wolff. - Articles originally presented as lectures at the Institute's colloquium series in January and February 1992</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1700-1790</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Church music</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musicology</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Geistliche Musik</subfield><subfield code="0">(DE-588)4126228-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kirchenmusik</subfield><subfield code="0">(DE-588)4030736-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)1071861417</subfield><subfield code="a">Konferenzschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Geistliche Musik</subfield><subfield code="0">(DE-588)4126228-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Geschichte 1700-1790</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Kirchenmusik</subfield><subfield code="0">(DE-588)4030736-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Brainard, Paul</subfield><subfield code="d">1928-2004</subfield><subfield code="0">(DE-588)119512521</subfield><subfield code="4">edt</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-008705185</subfield></datafield></record></collection> |
genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)1071861417 Konferenzschrift gnd-content |
genre_facet | Aufsatzsammlung Konferenzschrift |
id | DE-604.BV012800272 |
illustrated | Illustrated |
indexdate | 2024-07-09T18:33:52Z |
institution | BVB |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-008705185 |
oclc_num | 32607267 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | 45 Seiten Notenbeispiele 28 cm |
publishDate | 1994 |
publishDateSearch | 1994 |
publishDateSort | 1994 |
publisher | Yale Univ., Inst. of Sacred Music, Worship and the Arts |
record_format | marc |
series2 | Yale studies in sacred music, worship and the arts |
spelling | Reflections on the sacred a musicological perspective [guest ed.: Paul Brainard] New Haven, CT Yale Univ., Inst. of Sacred Music, Worship and the Arts 1994 45 Seiten Notenbeispiele 28 cm txt rdacontent n rdamedia nc rdacarrier Yale studies in sacred music, worship and the arts Contents: Bach as theologian? / Paul Brainard. -- The meaning of entrance: liturgical commentaries and the introit tropes / Margot Fassler. -- The sacred element in Handel's music / Alfred Mann. -- The study of sacred music: a perspective from ethnomusicology / Kay Kaufman Shelemay. -- The use of the Old Testament in Handel's 'Israel in Egypt' / Robert R. Wilson. -- Mozart's Requiem: the composer's departure for a new style of church music / Christoph Wolff. - Articles originally presented as lectures at the Institute's colloquium series in January and February 1992 Geschichte 1700-1790 gnd rswk-swf Church music Musicology Geistliche Musik (DE-588)4126228-1 gnd rswk-swf Kirchenmusik (DE-588)4030736-0 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)1071861417 Konferenzschrift gnd-content Geistliche Musik (DE-588)4126228-1 s Geschichte 1700-1790 z DE-604 Kirchenmusik (DE-588)4030736-0 s Brainard, Paul 1928-2004 (DE-588)119512521 edt |
spellingShingle | Reflections on the sacred a musicological perspective Church music Musicology Geistliche Musik (DE-588)4126228-1 gnd Kirchenmusik (DE-588)4030736-0 gnd |
subject_GND | (DE-588)4126228-1 (DE-588)4030736-0 (DE-588)4143413-4 (DE-588)1071861417 |
title | Reflections on the sacred a musicological perspective |
title_auth | Reflections on the sacred a musicological perspective |
title_exact_search | Reflections on the sacred a musicological perspective |
title_full | Reflections on the sacred a musicological perspective [guest ed.: Paul Brainard] |
title_fullStr | Reflections on the sacred a musicological perspective [guest ed.: Paul Brainard] |
title_full_unstemmed | Reflections on the sacred a musicological perspective [guest ed.: Paul Brainard] |
title_short | Reflections on the sacred |
title_sort | reflections on the sacred a musicological perspective |
title_sub | a musicological perspective |
topic | Church music Musicology Geistliche Musik (DE-588)4126228-1 gnd Kirchenmusik (DE-588)4030736-0 gnd |
topic_facet | Church music Musicology Geistliche Musik Kirchenmusik Aufsatzsammlung Konferenzschrift |
work_keys_str_mv | AT brainardpaul reflectionsonthesacredamusicologicalperspective |