Proceedings: 3 Uppsala, Sweden, 7 - 12 June 1997
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| Format: | Buch |
| Sprache: | English French |
| Veröffentlicht: |
Uppsala
Univ., [Dep. of Psychology]
1997
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| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 729 S. Ill., graph. Darst., Noten |
| ISBN: | 9150612301 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Table
of
Contents
Keynotes
1
Kmmhansl,
С.
Musical tension:
Cognitive, motional and emotional aspects
3
Imberty, M.
Can one seriously speak of narrativity in music?
13
Imberty, M.
Peut-on parler sérieusement de narrativité en musique?
23
Hodges, D.A.
Standing
together under one umbrella: A multidisciplinary and
interdisciplinary view of music psychology
33
Symposia
Symposium: Tristan cor anglais Tune.
43
Organiser: Irène Deliège
Lerdahl, F.
Prolongational structure and schematic form in Tristan s
Alte Weise 45
Deliège,
I.
Wagner, Tristan s
Alte Weise :
Two perceptual approaches
48
Nattiez, J.-J.
The Tristan s cor anglais solo: A semiological analysis
55
Imberty, M.
Quelques jalons pour une réflexion d herméneutique psychanalytique à propos du
61
solo de cor anglais du
IIIe
Acte de Tristan
Symposium:
Analysis and Modelling of Cognitive
Dynamics
69
underlying
Musical
Behaviour.
Organiser:
Marta
Olivetti
Belardinelli
Belardinelli,
M.
Olivetti
Analysis and modelling of cognitive dynamics underlying musical behaviour
71
Di
Matteo, R., Rossi-
Arnaud,
С.
&
Tirozzi,
В.
Rhythm processing and entrainment processes
76
Belardinelli,
M. Olivetti, Camiz, P.
&
Maneia,
E.
A discriminative
model of binary and ternary musical rhythms by means of
82
neural networks with threshold oscillations
Calabrese,
I.
&
Belardinelli, M. Olivetti
Musical abilities in deaf children: Assessment, development and training
87
Ciardi,
F.
Granello
Retrieving long term memory traces in contemporary music listening: A
91
composer s view
Camiz, P.
Is music unavoidable?
97
Thematic sessions
Music Cognition: Pitch, Scales, Tonality
103
Chin,
CS.
The development of absolute pitch
105
Moreno, M.
&
Descombes, V.
To have it or not to have it, absolute pitch is the question 111
Levitin,
DJ.
Pitch memory and the A440 Scale
117
Agmon, E.
Octave equivalence versus octave relatedness : Circle versus helix; chord
122
versus melody
Clough, J.
&
Engebretsen,
N.
Scales, sets, and interval cycles: A taxonomy
128
Rahn,J.
Recent diatonic theory and Curwen s tonic Sol-Fa method: Formal models for a
134
kinesic-harmonic system
Edlund, B.
Tonal closure
-
Fact and/or fiction
140
Composition, Improvisation
145
Folkestad, G.,
Hargreaves,
D.
&
Lindström, B.
A typology of compositional styles in computer-based music making
147
Blumenberg,
H.
Improvisation and variation between performance and notation
153
Järvinen, T.
Tonal dynamics in jazz improvisation
157
Music Performance: Representation, Practice, and Reading
163
Lehmann, A.C. &
Ericsson, K.A.
Expert pianists mental representation: Evidence from successful adaptation to
165
unexpected performance demands
Brodsky,
W.
&
Henik, A.
Demonstrating inner hearing among musicians
170
J0rgensen, H.
Higher instrumental students planning of practice
171
Nielsen, S. Graabraek
The micro structure of practice
177
Nielsen, S. Graabraek
Verbal protocol analysis and research on instrumental music practice
183
Ginsborg, J.
Singers learning and memorising a new song: An observational study
189
McNeil, A.
The significance of aural development in the performing musician
195
Reid, A.
The meaning of music and the understanding of teaching and learning in the
200
instrumental lesson
Servant, I., Baccino, T.
&
Leleu, J-L.
Reading Beethoven: Eye movements investigation
206
Furneaux, S.
&
Land, M.F.
The role of eye movements during music reading
210
Musical Psychoacoustics
215
Rakowski, A.
&
Taszycka, J.
Roughness of multi-part piano chords
217
Sandell, G.J.
&
Chronopoulos, M.
Perceptual constancy of musical instrument timbres; generalizing timbre
222
knowledge across registers
Tekman,
H. G.
Perceptual effects of melodic accents
228
Ethnomusicology
233
Cordes,
I.
Observations on some correspondences between ethnic music and animal calls
235
Leniste,
I.
&
Ross, J.
Folksongs as interface between speech prosody and musical rhythm
241
Utegalieva,
S.
The image of the foreign music in perception of the Kazakh Kyuishis
246
Music Cognition: Melody, Rhythm
249
Povel, D-J.
Processes in on-line music perception
251
Ash, R.L.
Click migration and segmentation in Gaelic melodies
257
Ahlbäck, S.
A computer-aided method of analysis of melodic segmentation in
monophonie
263
melodies
Martinez, I.C.
The transcription of pitches in tonal melodies. A comparative study
269
Eitan, Z.
Pitch direction and melodic expectancy: A reexamination of empirical data
275
Thompson, W.F.
&
Vernescu, R.
Implicit memory for music: The development of expectancies for nontonal
281
melodies
Drake, C,
Penel,
Α.,
Bigand,
E.
&
Stefan,
L.
Tapping in time with musical and mechanical sequences
286
Lindström,
E.
Impact of melodic structure on emotional expression
292
Franek,
M.
&
Mates,
J.
Tempo modulation task
298
Madison, G.
Rhythm and time
-
the influence of time per
se on
the organisation of temporal
302
patterns
Parker,
O.G.
Cognitive knowledge of the basic elements of music
308
Music Performance: Psychological and Social Aspects
315
Brodsky,
W.
Auditivity
-
A cognitive style and psychological orientation based on sensory
317
preferences for audition
Brodsky,
W.
&
Sloboda, J.A.
The effects of whole-body acoustic stimulation on subjective relaxation,
323
verbalisation, and visual imagery among professional orchestra musicians.
Davidson, J.
&
Good, J.M.M.
Social processes in Western art chamber music: Some aspects of the social
329
psychology of the string quartet
Hoshino, E.
Anxiety and motivation in musical performance
333
Lidman-Magnusson, B.
Factors influencing singing development in poor pitch singers
339
Sandgren,
M.
Opera singers: Voice, Psyche and
Soma
344
Music Analysis: Composers, Works, Genres
349
Pace, E. Kotzakidou
Emotions, attitudes, images and ideas in J.S. Bach s music of the imagination
351
Lado-Bordowsky,
Υ Λ.
Debussy,
lecteur de
Paul Bourget
1883-1906 357
O Loughlin,
N.
Schoenberg s atonal pairs
360
Leleu, J-L.
Enoncé
musical
et mode(s) de structuration de
pitch space,
ou: de la relation
365
composition/cognition
dans un fragment de
l opus
28,
1
de
Webern
Hettergott, A.
Nature, ethnoaesthetics-Turangalîla:
Messiaen s analogously implementing
371
exotic sound material in his symphony
Eerola, T.
The rise and fall of the experimental style of the Beatles. The life span of stylistic
377
periods in music
Theobald,
E. L.
The analysis of Roman catholic church music to show the spiritual and
382
socialization potentials of the song
Windsor, W.L.
Virtual and real listening environments in electroacoustic music
386
Mamalis,
N.
Caractère
musical
de l espace
392
Musical Development
395
Bertrand, D.
Development
of decentration in music listening in
3
to
8
year old children
397
Lamont, A.
Quantitative and qualitative approaches to understanding children s perception of
403
musical pitch in development
Bertrand,
D.,
Lamont,
Α.,
СгоѕѕД.
&
DeliègeJ.
The development of pitch relations in adulthood: Effects of training and
407
education
Chen-Hafteck, L.
Effects of the pitch relationship between text and melody in Cantonese songs on
412
young children s singing
Chen-Hafteck, L.
Languages and singing styles of children: An acoustic analysis of three children s
418
singing
Gudmundsdottir, H.R.
Children s ability to identify two simultaneous melodies
424
Bergman, D.
&
Gabrielsson,
A.
Children s judgements of structural patterns and emotional expression in music
430
Burnsed, V.
The effects of expressive variation in dynamics on the musical preferences of
435
elementary school students
Fyk, J.
&
Krystecki, J.
Sensitivity to pitch change direction in first grade children
440
Costa-Giomi, E.
The McGill piano project: Effects of piano instruction on children s cognitive
446
abilities
Paananen. P.
Cognitive development and music composition in childhood
451
Littleton, D.
Cross-cultural perspectives on young children s music-making in the context of
457
play
Music Performance: Measurements
463
Penel,
A.
&
Drake,
С
Timing variations in music performance: Hierarchical segmentation organisation
465
and rhythmic grouping
Appleton,
LJ., Windsor, W.L.
&
Clarke, E.F.
Cooperation in piano duet performance
471
Dry, A.
&
Gabrielsson,
A.
Emotional expression in guitar band performance
475
Baars,
G.
&
Gabrielsson,
Α.
Emotional expression in singing: A case study
479
Baroni,
M.,
Caterina,
R.,
Regazzi, F. & Zanarini,
G.
Emotional
aspects
of singing voice
484
Rapoport, E.
Emotion and expression in opera and lied singing- From sound analysis to brain
490
processes.
Juslin,
P.
How can music performers become better at communicating emotions to
493
listeners?
Ashley, R.
Expressive performance in jazz, take
2:
Ranges of expressive timing in jazz
499
melodies
Gal,B.
Analyzing jazz rhythms: The
microstructure
of walking bass lines
504
Music Analysis: Modelling
509
Toiviainen, P.
Modelling the perception of metre with competing subharmonic oscillators
511
Berggren,
U.
Modelling musical conventions
517
Atalay, B.V.
&
Placek, R.
Machine versus human: Responding to the task of identifying eras for selected
521
keyboard pieces
Schmidt, L.,
Seifert,
U.
&
Eichert, R.G.
Computational auditory scene analysis as modelling tool in musicological
527
research on perceptual auditory organization
Cambouropoulos, E.
The role of similarity in categorisation: Music as a case study
533
Rognin, P-Y.
Toward a formal model of musical perception
539
Chouvel, J-M.
L intelligence musicale:
Analyse
et processus cognitifs
545
Aksnes,
H.
A
cognitive approach to musical analysis: metaphorical projection in music
551
God0y,
Chunking in music theory by imagined sound-producing actions
557
Klempe, H.
Polyphony as a challenge to cognitive modelling
563
Music and Bodily Movement, Dance
569
Ericson, G.
How to assess schoolchildren s performance in dance?
571
Lagerlöf,
I.
&
Djerf, M.
Expression in dance performances
577
Friberg, A. & Sundberg, J.
Comparing runners decelerations and final ritards
582
Music Cognition: General
587
Clarke, E.F.
From perception to critique: Direct realism and musical meaning
589
Dibben,
N. &
Clarke, E.F.
The perception of associative structure in atonal music
594
Shifres, F.
Interpretative criterion and understanding of the
textural
hierarchy: A
599
production-study about some internal representations
Cohen, D.
&
Mondry, H.
Learned and innate (natural) schemata
605
Music Experience
611
Watt, RJ.& Ash, R.L.
Experimental analysis of the perception of sequences of tones
613
Fung,
C.V.
Effect of video presentation on Asian music perceptual dimensions
619
Bochkarev, L.L.
Social-perceptual mechanisms of musical experience
625
Sloboda, J.A.,
Lehmann, A.C. &
Parncutt,
R.
Perceiving intended emotion in concert-standard performances of Chopin s
629
Prelude No.
4
in e-minor
Finnäs, L.
Teenagers experiences in typical aesthetic areas
635
Öblad, C.
Music in the car
639
Kleinen,
G.
The metaphoric process. What does language reveal about music experience?
644
Gabrielsson,
A.
Varieties of music experience
650
Anagnostopoulou, C.
Lexical cohesion in linguistic and musical discourse
655
Music and Neuropsychology
661
Tervaniemi, M.,
Winkler,
I.
&
Näätänen, R.
Timbre perception and sound duration: An ERP study
663
Gruhn, W.,
Altenműller,
E.
&
Parlitz,
D.
Neural representations of music evoked by verbally musically based learning
669
strategies. An
EEG
study on cortical auditory activation patterns.
Altenmüller,
E.,
Schümann,
К.,
Partite,
D.
&
Behne, K-E.
Brain activation patterns during music processing reveal emotion-related
675
hemispheric
dinerences
Levitin,
DJ. &
Bellugi, U.
Musical abilities in individuals with Williams syndrome
681
Abrams, R.M., Griffiths, S.K., Huang, X., Sain, J.,
Langford, G.
& Gerhardt, K.J.
The fetal musical environment
684
Rauscher,
F.H., Robinson, K.D.
&
Jens,
J
J.
Spatial performance as a function of early music exposure in rats (Rattus
688
norvegicus)
Music Performance: Motor Processes
695
Edlund, B.
Motor patterns and musical structure
697
Parncutt,
R., Sloboda,
JA. &
Clarke,
E.F.
Interdependence of right and left hands in sight-read, written, and rehearsed
702
fingerings of piano music in parallel octaves
Kruger, M.,
Lammers,
M.,
Fuller,
R.,
Allyn, D.A.
&
Stoner, L.J
Biomechanics of music performance: Moving the trombone slide
706
Music Performance: Modelling
711
Langner, J.
Multidimensional dynamic shaping
713
Friberg,
Α.,
Frydén, L.
&
Sundberg,
J.
A rule for automatic musical punctuation of melodies
719
Tangían,
A.
On the technology of interpretation
724
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| id | DE-604.BV012742479 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T18:32:54Z |
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| spelling | European Society for the Cognitive Sciences of Music Verfasser (DE-588)5316981-5 aut Proceedings 3 Uppsala, Sweden, 7 - 12 June 1997 ... Triennial ESCOM Conference ; ed.. Alf Gabrielsson Uppsala Univ., [Dep. of Psychology] 1997 729 S. Ill., graph. Darst., Noten txt rdacontent n rdamedia nc rdacarrier Gabrielsson, Alf 1936- Sonstige (DE-588)138277281 oth (DE-604)BV012742476 3 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008665115&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Proceedings |
| title | Proceedings |
| title_auth | Proceedings |
| title_exact_search | Proceedings |
| title_full | Proceedings 3 Uppsala, Sweden, 7 - 12 June 1997 ... Triennial ESCOM Conference ; ed.. Alf Gabrielsson |
| title_fullStr | Proceedings 3 Uppsala, Sweden, 7 - 12 June 1997 ... Triennial ESCOM Conference ; ed.. Alf Gabrielsson |
| title_full_unstemmed | Proceedings 3 Uppsala, Sweden, 7 - 12 June 1997 ... Triennial ESCOM Conference ; ed.. Alf Gabrielsson |
| title_short | Proceedings |
| title_sort | proceedings uppsala sweden 7 12 june 1997 |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008665115&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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