SIGGRAPH '92 visual proceedings: the art and science of computer graphics
Gespeichert in:
Körperschaft: | |
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Format: | Tagungsbericht Buch |
Sprache: | English |
Veröffentlicht: |
New York
ACM
1992
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | 112 S. |
Internformat
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111 | 2 | |a International Conference on Computer Graphics and Interactive Techniques |n 19 |d 1992 |c Chicago, Ill. |j Verfasser |0 (DE-588)5074838-5 |4 aut | |
245 | 1 | 0 | |a SIGGRAPH '92 visual proceedings |b the art and science of computer graphics |c ed. by John Grimes ... |
264 | 1 | |a New York |b ACM |c 1992 | |
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Datensatz im Suchindex
_version_ | 1804127200082919424 |
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ROCEEDINGS
The Art and Science of Computer Graphics
Art Show
2
| Reality Versus Imagination
42
I Aspects of the Aesthetics of Telecommunications
47
I Artistic Frontiers in Virtual Reality
58
I Art Show Committee and Jury
64
Electronic Theater
66
Electronic Theater Committee and Jury
98
I Computer Graphics Screening Room
99
I Art Show Animation
108
I Art Show Contact Information
110
Introdugion
The idea of a creating a Visual Proceedings originated early
in the planning of SIGGRAPH
92.
The traditional Conference
Proceedings documents the current state of technical and algo¬
rithmic knowledge. It has a life beyond the conference and
has an enormous influence on the software and hardware
features that will become generally available to the users of
computer graphics. We believe that SIGGRAPH also needs a
permanent record of the most creative applications of hard¬
ware and algorithms. For
1992
our answer
¡s a
second vol¬
ume, the Visual Proceedings, which combines the art show
and electronic theater catalogs into a single publication that
will be available beyond the time horizon of SIGGRAPH
92.
The art show and the electronic theater present some of the
most visually interesting applications of computing. Unlike he
technology on which they are based, these works do not, if
they have any lasting claim on our attention, get better. Tech¬
nology improves; art changes. Past work does not become
obsolete. Newer and more powerful methods may change the
vocabulary and the range of issues that the contributors to the
art show and the electronic theater address, but in these areas
the need for a permanent record is arguably more important
than in areas where the most recent work is the best work.
The combination of venues in this volume aiso acknowledges
the blurring of distinctions between media tnat is a conse¬
quence of changes in the intellectual discourse concerning -e
nature of author/audience eiationships end
fre
cencomi a^·
extension of technological capacities. Virtue
rea.
¡7.
rea:- :me
interaction, computer-assisrea performance m,j-;~edia cci-
iabora iye work, and struct
not neatly or nati/ally sor
1
ill-defined categories of err
fhe electonic thecrer a n a
;
perrormence soace
w
Kc
screening
Oom
moie ia a
The Electronic Theater
p Ov
1
ClSS
O ÎCU 1
ing
-ел
work
ii c
judged en
feeric;
grapn;c
reieccmm^n
that computer graphics has never meant just animation and
that the field is quickly expanding to include applications and
specialties unheard of only a few years ago. In response, the
electronic theater has taken on the role of
stimulatina
in eresf
and educating the audience in the range of time-bound com¬
puter graphics in all of its emerging forms. Lastly, the electron¬
ic theater must entertain. Its role as showcase and educctor
would go unheeded if it were not for the sheer pleasure o
attending the show. For many ot the approximately
13.000
show-goers, the electronic thea er represents the high point or
the conference. The show audience is thoroughly diverse. It is
only through maintaining these varied elements that the elec¬
tronic theater has and will continue to offer something of
interest to everyone.
The Art Show has a broad charter. It presents any and all appli¬
cations of computer graphics and interactive techniques in
which the visual or experiential product utilizes the unique
qualities of computing technology to embody the content of
the work. The number of distinct areas of inquiry is so great
that each year only a few of them can be sampled. This year
in addition to two- and three-dimensional work of significant
interest, telecommunications is represented by three iarge-scaie
experiments. Performance and
virtuali 4/ are
also represented.
The Visual Proceedings is. of necessity, visually dominated by
static images. The essays included
nere
ooínř
to rhe experien¬
tial and transactiona modalities that
a
-е
most fr evidence ;r
the performances
et fre
a s h
o-.v ana
the eieororvc —eater
during their one week lives.
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spelling | International Conference on Computer Graphics and Interactive Techniques 19 1992 Chicago, Ill. Verfasser (DE-588)5074838-5 aut SIGGRAPH '92 visual proceedings the art and science of computer graphics ed. by John Grimes ... New York ACM 1992 112 S. txt rdacontent n rdamedia nc rdacarrier (DE-588)1071861417 Konferenzschrift gnd-content Grimes, John Sonstige oth Digitalisierung TU Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008523757&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | SIGGRAPH '92 visual proceedings the art and science of computer graphics |
subject_GND | (DE-588)1071861417 |
title | SIGGRAPH '92 visual proceedings the art and science of computer graphics |
title_auth | SIGGRAPH '92 visual proceedings the art and science of computer graphics |
title_exact_search | SIGGRAPH '92 visual proceedings the art and science of computer graphics |
title_full | SIGGRAPH '92 visual proceedings the art and science of computer graphics ed. by John Grimes ... |
title_fullStr | SIGGRAPH '92 visual proceedings the art and science of computer graphics ed. by John Grimes ... |
title_full_unstemmed | SIGGRAPH '92 visual proceedings the art and science of computer graphics ed. by John Grimes ... |
title_short | SIGGRAPH '92 visual proceedings |
title_sort | siggraph 92 visual proceedings the art and science of computer graphics |
title_sub | the art and science of computer graphics |
topic_facet | Konferenzschrift |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008523757&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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